德國憤怒合成器男孩的TLC啊哈哈哈～
Yeahhh... ermmmm............that definitely just happenned....
Multitrack stems for this live jam are now available here :-
https://www.patreon.com/lookmumnocomputer
#TLC No Scrubs Live #Cover / #Remix
Sequenced by two Arturia Beatstep pro's The first beatstep was controlling the two synth lines that were running, which i programmed in at the start on the keyboard. It also controls all the drums, running between two different beats. one for verse (4 to da flooowr) and a breakdown beat for the chorus's, basically just breaking up the kick drum pattern. The second Beatstep in this one was only controlling the JUNO (BUT HOW DO YOU SEQUENCE A POLYPHONIC INSTRUMENT WITH A BEATSTEP PRO??) easy.... the drum channel. assign all of the drum pads to different keys, that way you can play in a polyphonic synth line.
- The first synth line was a single oscillator, running into a moog style ladder filter, with not much attack on its envelope so it sounded like a slow clumsy man being followed by a trombone. In the cover i was adjusting the octave at some points but not much.
- The big bassline which comes in in the chorus is 2 synths. The main part is a triple oscillator going into a ms20 style filter, then into 2 sets of distortion, the second one (a SAFETY VALVE TUBE) has a switch which enables it which boosts the volume, this switch also engages the second bass synth which is a further 3 oscillators and a very low sub oscillator to turn on. These go into a juno style chorus widener and all that stuff. (this switch also fires out a 5v signal to turn up the VCA on the snare spring reverb, and the decay on the high hats) *talk about modular presets hey*
-The juno has 2 midi cables connecting it to the beatstep pro above, so it can send midi and receive midi.
-sadly after however many takes i did of this cover at some point kosmo's face turned off and i didnt realise DOH :(.
-My vocals are running into a roland vocal processor, so i can turn on a pitched down vocal, to add more dynamics, its also going into some saturation and some delay which i turn on and off at points.
-The ms10 is just going through a handful of pedals to make it sound a bit more gnarly, which is tough to saturate a single oscillator synth, so i send it through smallr room reverb first, then into a pitch downing cheapo chinese pedal, then into some distortion then into more reverb. the first instance of reverb gives the distortion something to bite on, instead of just boosting the signal of just a single wave, which aint too fun at all!
I literally listenned to the song a couple of times then just took the essence and forgot most of it haha. hence it ain't really a cover but more a live remix or summit? aaaah who knows!!
Also! the kick trigger is also sent to an envelope generator, which sends out an inverted output to open VCA's on the bass channels, hence you get that snazzy sidechain Ducking **quack quack*
