【這裡有我 | New Video Out】
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隨著網路與社群媒體的發達,鍵盤魔人的言語行為讓很多人受到了傷害。甚至有些受害者無法承受所以選擇了離開這個世界。
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華晨宇《好想愛這個世界啊》是為了憂鬱患者寫的,一開始聽到就很有感觸。我也想用自己的力量幫助這些受害者、這些受傷的人,甚至是我自己。
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蔡康永曾經說過這句話分享給大家:「鏡子很髒的時候,我們並不會誤以為是自己的臉髒那為什麼別人隨口說出糟糕的話時,我們要覺得糟糕的是我們自己?」所以要是有人給了你垃圾的話,拿去丟掉就好,沒有理由自己受傷的!
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我們沒辦法一下子轉換社會上的不良風氣,言語霸凌也好各種歧視也罷,但我們可以改變自己的心態。我不會幫大家加油,因為我知道各位都已經夠努力了❤️我想請各位永遠記得,無論遭受怎樣的對待,還有一群愛你的人一直陪著!我想用音樂表達這份善良,這份依舊想愛世界的力量。
這世界也許待你不溫柔,卻有人願意溫柔陪伴你,這裡有我!
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最後一句的琴聲像是小提琴的啜泣聲,表達了無奈與惋惜,想獻給那些已經隕落的善良天使星星。
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願大家都能帶著勇敢的心跨越每條荊棘的道路。
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請大家訂閱我的Youtube頻道(林子安 AnViolin)。
如果喜歡我的cover,記得在Youtube按讚留言分享給家人朋友看,也可以在那邊留言跟我說想要聽我cover什麼作品。
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歡迎大家在沒有下雨的週末到信義區香堤大道,聽cover歌曲的live版喔!詳細演出相關資訊,都會更新在限時動態! ⠀
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With the development of the Internet and social media, many people are hurt because of the anonymous netizens. ⠀
Hua Chen Yu's《I really want to love this world》was for those mental illness, and I was super super touched when first listening to it. I want to use my music to help those who are hurt by the haters.
⠀
If there's someone throwing you some garbages, just TAKE THEM AWAY. We should not be stubborn over the reasons for those garbages and getting upset, you are enough.
⠀
We can’t change the verbal abuses on the internet at once, whether they are cyberbullying or any kinds of discrimination, but we can change our mindset. Yes, I am imperfect and vulnerable, but that does not change the truth that I am brave and worthy of love and belonging.
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The last of the violin sounds like a violin is weeping with helplessness and regret, and that's for the angels in heaven.
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Feel free to come to Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out on my Instagram stories! ⠀⠀
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小提琴 Violin:林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
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#子安在哪裡
#子安在Youtube頻道cover好想愛這個世界啊
#這裡有我
#有子安最心安
#不卑不亢你最棒
#不必急著討好誰最先要討好的就是你自己
#希望大家都能當他人生命中的浮木
#適時伸出援手
#讓善意循環
#華晨宇
#好想愛這個世界啊
#好想愛這個世界啊violin
#林子安
#街頭藝人
#Anviolin
#violin
#violinsartist
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#cover
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同時也有2部Youtube影片,追蹤數超過16萬的網紅林子安 AnViolin,也在其Youtube影片中提到,■ 更多林子安: INSTAGRAM:https://www.instagram.com/an__official/ FACEBOOK:https://www.facebook.com/Anviolin/ WEIBO:http://weibo.com/u/6511795600 各式工作演出邀約請私訊...
「development of violin」的推薦目錄:
- 關於development of violin 在 小提琴家林子安 Facebook 的最佳貼文
- 關於development of violin 在 Paul Huang, Violinist Facebook 的最佳貼文
- 關於development of violin 在 KIVΛ Facebook 的最佳貼文
- 關於development of violin 在 林子安 AnViolin Youtube 的最讚貼文
- 關於development of violin 在 TheGRIMFILM Youtube 的最佳解答
- 關於development of violin 在 History of the violin - YouTube 的評價
development of violin 在 Paul Huang, Violinist Facebook 的最佳貼文
Thank you The Strad for this kind review of my recital in New York for Peoples' Symphony Concerts with Helen Huang last month.
Excerpt:
“Mendelssohn’s F major Violin Sonata opened the programme, and Huang immediately demonstrated his amazing bow control and ability to use vibrato to colour sound in varied ways. [...] Brahms’s G major Violin Sonata boasted a breathtaking opening that blossomed into phrases filled with optimism and warmth. After a passionate development, the theme’s return was utterly magical: poignant and deliberately played. Paul Huang pulled impossibly long phrases from the violin, again showing off impressive bow control and sound production. The double-stop section was ravishing in its beauty. [...] While the programme ended with a spectacular, virtuosic flair, the Jamaican Rumba made for a fun encore.”
Full article:
https://www.thestrad.com/reviews/concert-review-paul-huang-violin-helen-huang-piano/10456.article
Arts Management Group
Columbia Artists
Musiespaña
development of violin 在 KIVΛ Facebook 的最佳貼文
Hello. I am KIVΛ.
Over the past 3 years, I have been working under Rayark Inc. on the rhythm game title 《Cytus II》 as Sound Director, as well as music and sound effects production, together with story design and a portion of motion design. In June last year, I found myself going into different paths with the company, so I left the position as regular staff member, but continued to work with the remainder of the project until version 3.0, where the story finally reaches the finale, so did my journey and objectives for this game development journey. Having this opportunity, I would like to share some of my thoughts regarding this epilogue.
Since I joined this project, the focus of design has always been the joint experience of story and music. With the story reaching the end, I would like to potrait the overall ambient to be more film-like, which players might experience the tension of the climax through music. Having such thoughts, I was determined to unify the music genre in 3.0 as film-score like, blending in motifs from song lineup of each and every game character. I am totally aware that level design for symphonic music is difficult, especially in emphasizing the groove like how it was usually done in electronic music. I want to thank all level designers for their hard work in overcoming such challenges.
The epic vibe from combining contemporary electronic and symphonic music is something that I always wanted to attempt for, and in my previous works there has been appearance of such sound elements, but by using only virtual instruments it might just not reaching my expected result. I want to thank Rayark for being so generous to provide all the support, making the symphonic recording come true.
Having such opportunity, I went for two of my friends who I have never work together with: Shao-ting Sun, a recording engineer in Carnegie NYC; Chamber Chu, a symphonic music producer. They have been my game peers for quite a while, but I have always been admiring their aesthetics and abilities in sound design, and these two grandmasters have definitely outperformed themselves. I spent a whole week staying with Chamber for the arrangement of symphonic parts, which was a very precious experience in music creation. The recording team that Sun brought together, as well as the professional performers that participated in the recording session, is by no doubt astonishing. Recalling that we rushed for the full score of all the pieces until the very morning of the recording session (our sincere apologies), but it took no more than 5 takes for all sections to get the desired outcome. Absolutely fascinataing.
It is also worth mentioning that the entire team of roughly 60 were all Taiwanese. I guess we might have made another achievement in the history of Taiwanese game music production. I am so honoured to have the opportunity in leading such a groundbreaking project, together with all the grandmasters.
3 years isn't that long, but it is more than one out of ten for my life. There were other creation experience that were fun but painful, and many achievements were unlocked when I worked in this company. Standing on the stage in front of the screaming crowd, working with Japanese voice actors that I admired for so long, having so many supporters of my work, all these could never be possible without Rayark. Even I left the company going for different paths, I still wish for the very best of this company to become a even better one.
It is a pity that I can no longer work together with the fantastic members of Team Cytus. Perhaps they are fed up with my twisted personality and being stubborn for what I wanted to create. I would like to thank you all for your understanding and forgiveness. Each of you have the profession and passion, and I found myself so tiny and unintellegent working with all of you, and I have learned a lot over the years. I wish all of you could push the creative industry in Taiwan even further forward. I am returning as a mere artist, working hard on what I could. No matter how harsh life is, I am still working on it, as this is the only thing I am capable to do.
Last but not least, I would like to thank all of you players that have supported this game. Without you, this could never happen. No matter to me, to the Team and to the players, 《Cytus II》 might not be the perfect piece of game, we might have different imaginations on the enormous world settings, characters or even the game design itself. What in common was we spent 3 years to experience the creation and playing process. It is the story and music that linked us together. I believe this is the charisma of the game. I wish you are all loving this game, loving the characters, and loving the time that we created together.
There are so many more to thank, to apologize, the satisfaction and sorrows, and they are all included in this ending music. It is time for me to step down.
Thank you, and goodbye.
development of violin 在 林子安 AnViolin Youtube 的最讚貼文
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■ 更多【Cover by AnViolin】:https://bit.ly/2vWVtF5
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華晨宇《好想愛這個世界啊》小提琴版本 | Violin cover by Lin Tzu An of I really want to love this world by Hua Chen Yu
隨著網路與社群媒體的發達,因為鍵盤魔人的言語行為很多人受到了傷害。
我們似乎都活在從別人的期待來塑造自己人格的世界中。
來,這是一把尺,你不足或超越,我們都要對你指指點點!
而若對這些言論有反應,又會被貼上另一個標籤。
躲在鍵盤後猖狂正義的現狀導致非常多人心裡受了傷卻無法說出口,甚至有些受害者無法承受所以選擇了離開這個世界。
華晨宇《好想愛這個世界啊》是為了憂鬱患者寫的,一開始聽到就很有感觸。
我也想用自己的力量幫助這些受害者、這些受傷的人,甚至是我自己。
蔡康永曾經說過這句話分享給大家:「鏡子很髒的時候,我們並不會誤以為是自己的臉髒;那為什麼別人隨口說出糟糕的話時,我們要覺得糟糕的是我們自己?」所以要是有人給了你垃圾的話,拿去丟掉就好,不必執意於對方給了我垃圾,然後失意難過,沒有理由自己受傷的!
我們沒辦法一下子轉換社會上的不良風氣,言語霸凌也好、各種歧視也罷,
但我們可以改變自己的心態,只有我們選擇讓一則文字一段話影響我們的時候,它才會影響我們。
我不會幫大家加油,因為我知道各位都已經夠努力了❤️
我想請各位永遠記得,無論遭受怎樣的對待,還有一群愛你的人一直陪著!
請把重心放在期待著你的人身上,我想用音樂表達這份善良,這份依舊想愛世界的力量。
這世界也許待你不溫柔,卻有人願意溫柔陪伴你,這裡有我!
最後一句的琴聲像是小提琴的啜泣聲,表達了無奈與惋惜,想獻給那些已經隕落的善良天使星星。
願大家都能帶著勇敢的心跨越每條荊棘的道路。
如果生命就該浪費在美好的事物,願我們都親自扮演那份美好!
希望每一顆決定要隕落的星星,都可以重新找回引力。
歡迎大家在沒有下雨的週末到信義區香堤大道,聽cover歌曲的live版!詳細演出相關資訊,我都會更新在我的Instagram 限時動態!
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With the development of the Internet and social media, many people are hurt because of the anonymous netizens.
It seems that we all live in a world that our personalities are shaped from the expectations of others.
Here you go, this is a ruler, if you are inadequate or beyond, we can judge you!
If people respond to these comments, they will be labeled with another label.
The status quo of judging people via the internet has made many people hurt but unable to speak out for help, and even some who couldn't stand those remarks chose to leave this world.
Hua Chen Yu's《I really want to love this world》was for those mental illness, and I was super super touched when first listening to it. I want to use my music to help those who are hurt by the haters.
Mr. Kevin Tsai once said "When the mirror is dirty, we won't think that our faces are dirty; but why do we think ourselves as someone bad when others utter something bad about us?" So if there's someone throwing you some garbages, just TAKE THEM AWAY.
We should not be stubborn over the reasons for those garbages and getting upset, you are enough.
We can’t change the verbal abuses on the internet at once, whether they are cyberbullying or any kinds of discrimination, but we can change our mindset. Yes, I am imperfect and vulnerable, but that does not change the truth that I am brave and worthy of love and belonging.
The last of the violin sounds like a violin is weeping with helplessness and regret, and that's for the angels in heaven.
Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!
Another week, another cover. Let's goooo, hope y’all like this!
Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!
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小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu
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🎼 Sheet music 樂譜連結
https://shopee.tw/%EF%BC%BB%E5%B0%8F%E6%8F%90%E7%90%B4%E6%A8%82%E8%AD%9C%EF%BC%BD%E8%8F%AF%E6%99%A8%E5%AE%87-%E5%A5%BD%E6%83%B3%E6%84%9B%E9%80%99%E5%80%8B%E4%B8%96%E7%95%8C-%E6%9E%97%E5%AD%90%E5%AE%89AnViolin%E7%89%88%E6%9C%AC-i.260436562.4233520857
【Cover by AnViolin】每週上傳新的小提琴cover影片,
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#好想愛這個世界啊
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#好想愛這個世界啊小提琴
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development of violin 在 TheGRIMFILM Youtube 的最佳解答
A short film by GRIM FILM's newest member, Sidney Chan from WayangTree Productions. The sound of music has an effect on us that not many would realise. Listening to familiar melodies can send us off to a faraway space and time; such as the first time and place we met, spoke, or laughed together.
"Resonance" is an experimental film about conversations through memories and non-linear storytelling. A single conversation takes place across several different locations, parallel to each other, signifying the passage of time and the developing relationship between its two main characters as recalled in memory.
Originally conceived as a simple promotional video for HELP University's FrequenC club's 5th Annual Concert, the project grew to what it is now; shot within 7 days and released just in time to be the concert's opening video on June 4th, 2014. Resonance draws several inspirations from other films; particularly old school Hong Kong dramas and Wong Fu Productions, with Joe Hisaishi's Kikujiro as a point of reference for the theme song (which had been lovingly composed by budding violinist Joshua Lew).
The crew from WayangTree Productions had been a strong supporter of FrequenC, and had collaborated in making short films since 2012.
As the original members had since moved on with their lives and its director Sidney Chan moving on to GRIM FILM, Resonance is WayangTree's final short film, and will remain dormant for an unspecified time.
This film was a race against time and an incredible adventure of chance, new and renewed friendships, and new experiences - it was a first time for the majority of the cast and crew, including the main actors. Every single person had their lasting impact on the development of this film, no matter how big or small. God bless everyone!
Equipments Used:
Camera: Canon 5D3, 6D, 600D
Lenses: 70-200 f2.8 IS II, 24-105L, 50 f1.2
Sound: Senheisser Wireless Microphone, Zoom H6
Handling: Specced Video Tripod, Weifeng Monopod, Manfrotto Monopod
Software: Adobe Premiere Pro, Adobe Audition
Main Cast:
Kimberly Choo -- Violinist http://instagram.com/kiimsical
Ving Lee - Shop Attendant http://instagram.com/xxvingxx
Fiorella Tjahjono Tan - Little Girl
Wong Tuck Cheong - Old Man (Kelab Seni Filem Malaysia) http://goo.gl/cS5c2D
Crew:
Sidney Chan (Producer,Director,DOP,Editor,Writer) http://instagram.com/thesidneychan http://goo.gl/el57KA
Sherli Li (Executive Producer, Production Assistant, Camera Operator)
Gary Yap (Camera Operator) - My Psychology - http://goo.gl/12dD5o
Mathiban Raj (Camera Operator) - http://goo.gl/scFgNr
Joylene Ling (Camera Operator) http://www.youtube.com/user/jutlin1
Davidson Chan (Sound Recording)
Chong Yu Tatt (BTS, Story Treatment)
Jason Lim (BTS, Story Treatment)
Yvonne Tan (Sound Recording, Production Assistant, Conti)
Sarah Yung Kah Yan (Creative Consultant)
Joshua Lew (Violin Composer, Violin Coach)
Mas Mahathir (Piano Composer, Piano Reprise)
Ray Mak Hon Kit (Piano Reprise)
Nelvin Chee (Script Translator, Cantonese Subtitles)
Wei Xiang aka InYourFaceZeph (Theme Song Mastering)
http://www.youtube.com/user/inyourfacezeph
Special Thanks
Jared Lee - GRIM FILM (For lenses, camera and microphoness) http://goo.gl/oqTe5j
Joylene Ling - JOY Photography (For lenses) https://www.facebook.com/JoyleneLingPhotography
YAMAHA Great Sound Music Academy Sdn Bhd (Space U8) - http://goo.gl/FGbQjO
Sarah Yung Kah Yan (for the initial meeting that led to the final film concept)
Lusi Tjahjono Tan and Family
Ray Mak Hon Kit - http://www.youtube.com/user/makhonkit
InYourFaceMusic - http://goo.gl/FD8Z4i
Kay Lee
Old Town White Coffee (Oasis Square)
Daniel Veerapen http://www.youtube.com/user/DanielVeerapen
FrequenC https://www.facebook.com/frequenc
WayangTree http://www.youtube.com/channel/UCwl_XuPIkZ3ok1RXNfCH2sw
development of violin 在 History of the violin - YouTube 的推薦與評價
The violin, viola, and cello were first made in the early 16th century, ... Violins are likely to have been developed from a number of other ... ... <看更多>