關於 filler world ，我們在網路上蒐集到這些相關的討論、資訊與評價

เล่าสู่กันฟัง FFVII Remake
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รีวิวครั้งนี้ มีสปอยล์ค่ะ เลี่ยงไม่ได้ยังไงจริมๆ ฉะนั้นจะสรุปแบบไม่สปอยล์ให้คนอยากใช้ประกอบการตัดสินใจก่อน
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สำหรับคนไม่เคยเล่นออริจินัล
FF7R เป็นเกมที่ดี แม้จะไม่ยอดเยี่ยม แต่ก็มอบความบันเทิงให้ได้ด้วยเอกลักษณ์ของซีรีส์ FF นั่นคือ งานออกแบบ เพลงประกอบ และความอลังการของ cinematic ถ้ามองข้ามเกมดีไซน์เชยๆบางจุดไปได้นี่ก็เป็นผลงานที่ควรเล่นนะ
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สำหรับแฟนฉบับออริจินัล
FF7R ไม่ใช่รีเมคแบบ 1:1 จะเรียกว่าเป็นรีบูทเลยก็ยังได้ แต่ก็มีฉากสำคัญและอารมณ์ของออริจินัลอยู่มาก บางคนอาจไม่ชอบทิศทางเรื่องที่แตกต่างออกไปชัดเจน แต่มันก็ไม่ได้ลบล้างส่วนที่ทำได้ดีออกไปได้ ส่วนเหล่านั้นก็คุ้มสำหรับแฟนภาคนี้แล้วละ
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ต่อไปจะพูดถึงจุดที่ชอบและไม่ชอบของภาคนี้.. ถ้าเขียนขยี้แรงแบบ FF15 แล้วจะทัวร์ลงมั้ยเนี่ย 😆 (ไม่ต้องห่วง เกมต่างกันคนละภพคนละภูมิ) เริ่มที่เกมเพลย์ละกัน
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Those who fight
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จุดที่ชอบที่สุดของภาคนี้คงเป็นระบบสู้ และความท้าทายที่ทำมาได้พอดี (รอบแรกเล่น Normal โอเคเลย ไม่ง่ายไป ไม่ยากไป) ระบบสู้ดูเผินๆเหมือนผสมแอคชั่นกับ ATB แต่แก่นสำคัญของมันคือการวางกลยุทธ์แท้ๆเลย
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ทั้งการสร้างบิลด์ตัวละคร การเลือกใช้มาทีเรีย การกะจังหวะใช้สกิล ไม่สามารถใช้ brute force ฟาดๆเข้าไปแบบหน้ามึนแล้วคาดหวังให้บอสตายได้ และการหลบก็ไม่มี i-frame อยากหลบต้องใช้ตัวที่อัพ speed มาไวๆหลบ เป็นต้น
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ซึ่งก็ถูกใจเราแล้ว เราเป็นคนชอบเล่นเกมแอคชั่น และเล่นมาเยอะ แต่เวลาเล่น FF เราไม่ได้คาดหวังเกมแอคชั่น ถ้าอยากแอคชั่นเราไปเล่นเกมบู๊แท้ๆอย่างพวก character action ดีกว่า ระบบของ FF7R เป็นระบบที่ให้รางวัลกับการเตรียมตัววางแผนที่ดี ปั้นบิลด์มาดีเซ็ตมาทีเรียมาถูกทาง แล้วสั่งการแต่ละตัวในระหว่างเล่นเอง ก็จะเห็นความแตกต่าง
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ไฟท์เดียวกัน เล่นไม่เป็น/บิลด์ไม่เหมาะ อาจจะยืดยาวช่วงง่วงไปมากกว่า10นาที++ แต่ถ้าเล่นเป็นแล้วก็เข้ารูทงานด่วนจบไว progression ในด้านการเรียนรู้ของคนเล่น และสแตทของตัวละครจึงมีความหมาย นี่คือส่วนที่ทำให้สนุก
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แต่เพราะต้องรู้ทางศัตรู จึงจะแก้ทางได้ มันเลยเหมือนบังคับเราลองสู้แบบไม่จริงจังรอบนึงก่อน จะมีโมเมนต์ที่ว่า เปิดมา แสกนบอส สู้ไประยะนึง พอรู้แนวแล้ว แต่ว่าด้วยสกิลที่ติดตั้งมาเนี่ย ยังไงก็แพ้ตั้งแต่ขยับตัวอิ๊แรกแล้ว หรือถึงไม่แพ้ก็ต้องทู่ซี้นาาานนนนมาก ยอมเริ่มใหม่ดีกว่า กลายเป็นว่าเจอบอสอลังการงานสร้าง เล่นไปสองนาที กดโหลดเซฟ เพื่อเซตของใหม่ ทำเป็นกิจวัตรไป
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ถัดมาที่ประทับใจ คือบอสไฟท์ ทั้งแมคคานิค ลูกเล่น บวกเข้ากับดีไซน์ทั้งตัวบอสและฉากสู้ มันดีมาก ดูก็สวย เล่นก็สนุก เพลงประกอบกระตุ้นต่อมความคิดถึงอีก ทำให้บอสไฟท์เป็นไฮไลท์ที่น่าจดจำ
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แม้เนื้อเรื่องบางจุดจะนำพาเข้าขอบเขต อิหยังวะ สู่ความเวิ้งว้างอันไกลโพ้น แต่ด้วยโปรดักชั่นที่เลิศเลอก็ทำให้เพลินไปกับโมเมนต์นั้นๆได้
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พาร์ทต่อไปอยากให้ต่อยอดไปจากระบบสู้นี้เนี่ยแหล่ะ ไม่ว่าจะเพิ่มให้มี materia loadout เซฟเซ็ตที่ชอบไว้เลย คนนี้เข้าตี้คนนั้นออกตี้ จะได้ไม่ต้องมานั่งติดๆถอดๆทุกรอบ แล้วก็เรื่องเพื่อนในปาร์ตี้ ที่ตอนนี้เกจเพื่อนขึ้นช้ามาก(กกก) ต้องผลัดมาออโต้สักพักเองทุกตัวก่อนจะได้ใช้สกิล (แล้วมอนก็ aggro ตามตัวที่คุม...จะว่าดีก็ดี exploit ง่าย)
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ถ้าไม่งั้นก็อยากให้มีตั้ง ai ได้บ้าง เพราะตอนนี้เพื่อนจะยืนอ๊องเฉยๆ แม้จะมีเกจแล้วก็ไม่ใช้สกิลเด็ดขาด... เราเป็นคนที่ชอบภาค 12 หลายคนบอกน่าเบื่อ แต่ระบบแกมบิทเป็นอะไรที่อยากให้เอามาปรับใช้ แค่แบบเบสิกๆก็ยังดี น่าจะหาจุดลงตัวได้
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อันที่จริงยังมีเรื่องอาวุธอีก ที่ชอบคือของที่ได้มาใหม่มันไม่ได้ทำให้ของเก่าไร้ค่าทันที แต่ละอันมีจุดเด่นต่างกัน อันนี้เน้นเวท อันนี้เน้นโจมตี บางอันก็มีไว้บิลด์สายแทงค์ ได้ลองบิลด์ใหม่ๆทั้งเกม โดยรวม ระบบสู้ ออกแบบรากฐานมาได้ดี เป็นจุดแข็งของภาคนี้เลย
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Would you like some filler
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จุดที่เราไม่ชอบเลยคือเรื่องของ pacing หรือจังหวะการวางคอนเทนต์ของเกม มันทำให้เกมไปไม่สุด เหมือนวัตถุดิบดีแต่พอเอามาประกอบกันแล้วหยุดแค่ที่กลางๆ
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เนื่องด้วยเนื้อเรื่องที่ใช้เป็นโครงนั้นมาจากช่วงต้นของฉบับออริจินัล ของเดิมเล่นเต็มที่ประมาณ 5 ชั่วโมง แต่เอามาทำเป็นเกมเต็ม 30 ชั่วโมง แน่นอนว่าต้องขยายความบางจุดให้ยาวขึ้นหรือต้องใส่อะไรใหม่ๆมาเพิ่มให้เป็นเกมเต็มเกม
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ซึ่งส่วนเหล่านี้ที่ขยายหรือเพิ่มมา ควรจะมีความกลมกลืนกับเกม ไม่ใช่ส่วนเกิน แต่บางจุดกลับรู้สึกได้ชัดว่าใส่มาเพียงเพื่อให้คอนเทนต์มันยาวขึ้น คนเล่นจะได้ไม่รู้สึกว่าเกมสั้น นั่นก็คือยืดเพื่อยืด...มันน่าเบื่อมาก เป็น filler arc ของอนิเมะก็ว่าได้ แถมเนื้อเรื่องเกือบทั้งเกมดำเนินแบบบังคับ หนีไปทำอย่างอื่นแบบอิสระไม่ได้ 😑
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สำหรับแฟนเกมที่ชอบตัวละครอยู่แล้ว ก็พอจะดูการโต้ตอบกันเพลินๆให้พอทนช่วงน่ารำคาญพวกนี้ไปได้ แต่ถามว่าสนุกมั้ย ไม่ แล้วก็ไม่น่าสนใจด้วย
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อาทิ ตอนกลับจากบ้านแอริธสู้กับโจรงั่งๆ ตอนลงท่อแล้วหมูขโมยสิ่งที่นึกว่าเป็นกุญแจต้องไปวิ่งไล่จับ... ระหว่างทางยังต้องย่อหลบท่อบ้าง กระดืบผ่านช่องแคบบ้าง (กว่าจะจบเกม คลาวด์ข้อเข่าเสีย ย่อบ่อยเกิน) ตัดพวกนี้ออกแล้วเกมสั้นลง ยังโอเคกว่ามาเดินในฉากง่วงๆ ซึ่งนั่นนำพามาถึงประเด็นถัดไป เลเวลดีไซน์
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ทีมงานที่พัฒนาเกมนี้ นอกจากผู้กำกับร่วมอย่างโทริยาม่าและผู้ประพันธ์เพลงอย่างฮามาอุซึ ก็ยังมีรายชื่อทีมงานร่วมกับภาค 13 เยอะ ตอนเล่นจะรู้สึกได้เพราะลายเซ็นมันชัด โดยรวม 7R พัฒนาต่อยอดได้ดีขึ้นมาก ส่วนในด้านของเลเวลดีไซน์ ไม่ถึงขั้นเป็น corridor แต่ก็ยัง linear และแย่อยู่ดี ไม่ค่อยรู้สึกถึงความคิดสร้างสรรค์ในด้านนี้ เลเวลดีไซน์เหมือนหลุดมาจากเจนที่แล้ว ไม่ชวนให้สำรวจ ไม่ส่งเสริมให้สนุกขึ้น
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ปรกติตอนเล่นเกมเราจะติดนิสัย ไม่ชอบข้าม ไม่ชอบให้แผนที่มันแหว่ง ไฮไลท์ไม่ครบ จะพยายามไปสำรวจทุกจุดทุกแยกในด่าน ถ้าเกมที่ออกแบบเลเวลมาดี มันจะชวนให้ค้นหาไปเอง จะไม่รู้สึกว่าเสียเวลา
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แต่ในเกมนี้ ส่วนใหญ่สำรวจเพียงเพราะอยากให้มันครบๆไปเท่านั้นแหล่ะ…
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หลายฉากเอาตัวรอดได้เพราะ environmental design มันสวยน่าสนใจ แต่พอฉากไหนเซตติ้งไม่เอื้อ ท่อระบายน้ำ กองขยะ การกำกับศิลป์ช่วยไม่ได้ คือเจ๊งเลย รีบเล่นผ่านๆไป
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ส่วนที่ว่าต้องย่อหลบท่อบ้าง กระดืบผ่านช่องแคบบ้าง หรือบางทีก็บังคับให้เดินช้าๆ มีทั้งแบบจำเป็นทางด้านเทคนิคัลที่ใช้ซ่อนโหลดไทม์ คือเกมโหลดฉากถัดไปอยู่ แต่หาอะไรให้คนเล่นทำไปพลางๆแทนที่จะตัดเข้าหน้าพักโหลดดิ้ง เกม AAA จะใช้กันเยอะ
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แล้วก็แบบทำเพื่อบิลด์อารมณ์ (...ไม่ค่อยจะได้ผล) ซึ่งรวมๆกันแล้วทั้งเกมมีเยอะมาก มากที่สุดในทุกเกมที่เคยเล่นมา เหมือนเพิ่งทำเป็น ใช้ใหญ่เลย พอคิดว่าต้องมาย้อนเล่นย่อๆย่องๆ เดินอืดๆ ก็เป็นส่วนหนึ่งที่เล่นจบแล้วไม่ชวนให้อยากเล่นซ้ำในทันที
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อีกจุดที่อยากพูดถึง และอเมซซิ่งมาก ว่าสามารถชอบและไม่ชอบได้ในเวลาเดียวกัน คืองานด้านกราฟฟิกในเกม โดย SQEX นั้น โดยเฉพาะทีม FF mainline มีกรรมที่คนตั้งมาตรฐานไว้สูง ทำดีเสมอตัว ก็ต้องสวยอยู่แล้วหนิ แต่ทำชั่วปุ๊บจะผิดความคาดหวังทันที
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สำหรับเกมนี้มีปัญหาที่มาตรฐานมันไม่เท่ากันอย่างรุนแรง เหมือนงบไปลงช่วงต้นกับช่วงท้ายหมด กลางๆจะเจอ NPC อนิเมชั่นแข็งๆ หยาบๆ ปากพะงาบๆ ปัญหาเท็กซ์เจอร์ที่ไม่ใช่แค่โหลดไม่ทัน บางจุดคือแบน&แตก ก๊อปแปะ assets ซ้ำๆแบบไม่เนียน เห็นแล้วเงิบไปเลย
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ช่วงฉากกลางคืนพอเอาไลท์ติ้งกลบเกลื่อนได้ แต่พอกลางวันไฟสว่าง อื้อหือ...หรือนี่คือการประยุกต์ใช้ฉากแบบ 2D ตามต้นฉบับ การลงคอนโซลก็ดูไม่ใช่ข้ออ้างเมื่อค่ายอื่นบนคอนโซลไม่มีปัญหาแบบนี้
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ส่วนที่ดีก็โคตรดี โมเดลตัวละครหลัก อนิชั่นสกิลต่างๆ บอสและฉากสำคัญ ทำได้ชวนตะลึงมาก มาโดนประตูห้องคลาวด์กลบหมด 😱 แก้ไขความเจ็บปวดด้วยการไปดูฉากเต้นถล่มฟลอร์ฮันนี่บีแทน อันนั้นดูตั้งใจทำมากกว่าสลัมทั้งเขตอีก
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ต่อไปเป็นประเด็นเนื้อเรื่อง

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Defy your fate
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เนื้อเรื่องแชปเตอร์ 1 - 16 นอกจากเรื่องยืดบางจุดแล้วก็ไม่ได้มีประเด็นอะไรพิเศษ คาแรคเตอร์ทำได้ดี มีสเน่ห์และรสชาติมากกว่าเก่า แบนเตอร์หรือบทพูดจิปาถะก็อ่านสนุก มีชีวิตชีวา ขอพูดถึงช่วงท้ายเกมเป็นหลัก
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ก่อนเกมออก เคยเขียนเรื่องคำจำกัดความของรีเมคไป https://bit.ly/AboutRemake ย่อๆคือ ในความชอบของเรา ไม่ได้ต้องการรีเมคแบบ 1:1 เพราะยังไงมันก็คือการทำใหม่ แต่ขอให้คงแก่นสำคัญของเกมเดิม
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พอเกมออก อ่าว คุณหลอกดาว ความพิเศษของเกมนี้ก็คือ มันไม่ใช่รีเมคในความหมายปรกติ จะว่ารีบูทก็ไม่เชิงเพราะยังมีเอี่ยวกับของเก่าอยู่มาก (อารมณ์ประมาณสตาร์เทร็ค2009) ในระดับที่ว่า ถ้าไม่เล่นออริจินัลมา จะขาดอิมแพคไปเกือบทั้งหมด เรามองว่ามันคือภาคต่อเลยด้วยซ้ำ
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แน่นอนว่าพอเนื้อในไม่ตรงปก กระแสก็จะมีทั้งชอบและไม่ชอบ ขาเราอยู่ในสองค่ายนี้ฝั่งละข้าง lol คือชอบแนวความคิดที่จะเปลี่ยนเรื่องไปเลย แต่รู้สึกไม่ถูกใจการนำเสนอ พูดจาภาษาอาคิเต็กคือ...ชอบไอเดีย แต่ยังไม่ซื้อ execution
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ถ้าเส้นเรื่องที่เปลี่ยนไปถูกนำเสนอแบบมีเหตุมีผลในเรื่อง เราคงชอบมากกว่านี้ คือจะเกม หนัง วรรณกรรม มันก็เรื่องแต่งทั้งนั้นแหล่ะ แต่ทำยังไงถึงจะถ่ายทอดเงื่อนไขหรือธรรมชาติในจักรวาลนั้นๆให้ผู้เล่นได้โดยไม่ขัดเขิน
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ในเกมนี้จะมีเหตุผลแบบผู้กำกับสั่งมา เป็นกฏที่โมเมขึ้นมาใหม่ เป็น deus ex machina นี่คงเป็นสาเหตุที่เราไม่อินกับซีรีส์ KH เคยคุยกับเพื่อนว่าจะอินกับผลงานโนมูระได้ ต้องปรับคลื่นสมองให้ตรงกันก่อน เหมือนต้องดมกาวยี่ห้อเดียวกัน
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ไม่ชอบที่มีผีผู้คุมวิญญาณให้ความรู้สึกเลอะเทอะ ไม่อินที่มีตัวละครมาพูดย้ำๆว่า นี่คือการต่อต้านชะตากรรมที่ถูกกำหนดไว้แล้ว!...ต่อต้านอะไรฟะ ในเมื่อพวกแกยังไม่รู้จักของเก่าเลยเฮ้ย! ไม่รู้สึกคล้อยตามว่าทำไมตัวละครถึงคิดว่ามันไม่ดี จะว่านำเสนอแบบทำลายมิติที่สี่ในการเล่าเรื่องก็ยังไม่คลิก
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แน่นอนว่าหลายอย่างจะไปคลี่คลายในพาร์ทถัดไป นั่นคือเจตนาของผู้สร้างที่อยากให้เกิดการพูดคุยในหมู่แฟนๆ แต่เกมมันก็ควรตอบคำถามในตัวเองได้ประมาณหนึ่งนะ เมื่อคนเล่นยังขาดข้อมูลสำคัญหลายอย่าง การพูดถึงเส้นเรื่องต่อๆไปมันเลยเป็นเพียงการเดาสุ่มเท่านั้น ไม่รู้จะถกอะไร
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และเนื่องจากทีมงานเจตนารวบหลายอย่างให้จบในพาร์ทแรก เพื่อเซตรากฐานให้พาร์ทต่อไป หลายประเด็นก็ถูกเอามาใช้แบบรีบๆ เช่นความขลังของเซฟิรอธ ที่เคยลึกลับและมีพลัง เป็นตัวร้ายที่มีออร่า แต่ในเกมนี้โผล่มาวูบๆวาบๆแบบไม่มี context โดดมาเป็นลาสบอสอีกต่างหาก ไม่ต้องบิลด์อัพอะไรทั้งสิ้น
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เคยมีบทสัมภาษณ์ของคิตาเสะ บอกว่าเซฟิรอธมันดังเกินจนคนรู้จักหมดแล้ว ใช้วิธีเดิมไม่ได้ แต่เราว่ามันยังทำให้ดีกว่านี้ได้ อันนี้เหมือนใช้บุญเก่า เอามาเป็นแฟนเซอร์วิสเฉยๆ ฉากโชว์ดาวน์หนึ่งต่อหนึ่งตอนจบก็ด้วย แล้วพอใช้พี่แกเป็นลาสบอสไปกับภาคนี้แล้ว เล่นใหญ่ไปแล้ว บอสใหญ่สุดท้ายของเกมทุกพาร์ทรอบนี้ก็ไม่ใช่มันแล้วล่ะ ต้องเป็นอะไรที่ยิ่งใหญ่กว่านั้น
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อีกจุดที่ขาด คือความลงตัวของเดิมในด้าน world building ที่ความสามารถตัวละครมันไม่ขัดกับเนื้อหา อันใหม่นี้ค่อนข้างจะ tonal shift ต้นเกมกลางเกมยังเหมือนกัน แต่พอท้ายเกมกลายเป็นข้ามไปสเกลภาค AC เลยกระโดดฟันตึกขาดรัวๆ ปัญหามาจากต้นตอเดียวกับเรื่องของการนำเสนอที่พูดถึงด้านบน คืออารมณ์มันขัดกันในเกมๆเดียว เหมือนมันใช้คนละกฏกัน
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ส่วนที่ชอบ ก็คือต่อจากนี้จะได้รับรู้เนื้อหาใหม่ ได้ติดตามชีวิตใหม่ของตัวละคร ไม่ว่ามันจะออกมาดีหรือไม่ดี แต่มันก็น่าสนใจว่าเล่าเรื่องเดิมเป๊ะแน่นอน
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ความไม่แน่นอนที่ไม่รู้ว่าพาร์ทต่อไปจะเป็นยังไง ไปในแนวทางไหน (แซวกันว่าคนทำยังไม่รู้ lol Unknown journey) ทำให้พาร์ทต่อไปไม่ใช่แค่รอว่ามันจะจบที่ไหน แต่รอว่ามันจะไปยังไง เกิดอะไร
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ก็หวังแบบไม่กล้าหวัง ว่าจะไม่ออกทะเลจนไปสู้กับพระเจ้าระเบิดจักรวาลอะไรเทือกนั้น หรือถ้าจะไประดับนั้นจริง ก็ขอการเล่าเรื่องให้ค่อยเป็นค่อยไป นำเสนอแบบไม่ต้องกล่อมประสาทให้ยอมรับโลจิกแปลกๆ

แต่ที่หวังกว่านั้น
ก็คือไม่ต้องรอสองภาคนานเกินไปละกัน

#FF7R #SQEX

𝐄𝐦𝐢𝐧𝐞𝐦 𝐯𝐚̀ 𝐛𝐨̂́𝐧 𝐩𝐡𝐞́𝐩 𝐦𝐚̀𝐮

Nhớ lần tôi nhét cái đĩa CD Marshall Mathers LP vào bộ giàn và bật volume lên cực to để còn nghe được từ trong nhà tắm, một thói quen mà nhiều lần hàng xóm phải gọi điện sang than phiền. Nhằm ngay lúc người tôi đầy xà phòng thì đĩa chuyển sang đoạn skit "Ken Kaniff". Hơ, âm thanh liếm láp sột soạt trên loa vang khắp nhà khiến thằng tôi phải bất chấp tất cả lao oạch ra để vặn nhỏ volume lại. Hồi đó tôi mới học cấp Ba nên còn nhát lắm.

Còn album Marshall Mathers LP lúc đó giống như một thứ nhạc kết nối những kẻ nghe nhạc quốc tế còn bỡ ngỡ với hip hop nhờ vào các yếu tố được đầu tư bài bản: beat, flow, rhyme, lyrics và hook.

Tua nhanh đến ngày hôm nay ngồi nghe đĩa mới năm 2020 của Eminem - Music To Be Murdered By, tôi vẫn giữ được thói quen nghe nhạc Eminem qua tai nghe, vừa để thưởng thức hết âm nhạc và vừa để tránh những tai nạn âm thanh như đoạn skit "Ken Kaniff" kia. Đĩa này nghe ổn ở 1/3 đầu và 1/3 cuối đĩa nhưng vẫn còn nhiều bản filler chất lượng trung bình, làm cho tổng thể vẫn thua kém Kamikaze (2018).

Em không còn thứ “phép màu” từng nắm giữ ở cái thời đỉnh cao từ Slim Shady LP, Marshall Mathers LP đến The Eminem Show và 8 Mile Soundtrack. Cái thời mà không chỉ các bài nằm trong album của Em mà bất kỳ bài rap của một hay nhiều nghệ sĩ nào khác có sự tham gia của hắn đều có một chất lượng xuất sắc như "Hellbound", "Renegades", "Go To Sleep", "Don’t Approach Me", "Forgot About Dre", "Words Are Weapons", "Stir Crazy" và vô vàn các bài khác. Cho đến giờ Em có vẻ như vẫn đang loay hoay tìm kiếm lại cái “phép màu” đó.

Ngẫm lại mới thấy tài năng của Em là vậy nhưng nó dường như được đẩy lên đến đỉnh điểm nhờ những vệ tinh tài năng xung quanh Em. Họ không chỉ là những người bạn mà còn là người giúp Em có được định hướng âm nhạc đúng đắn. Và tôi nghĩ họ mới chính là những “phép màu” mà Em giờ đang thiếu.

𝟏. 𝐏𝐫𝐨𝐨𝐟 𝐯𝐚̀ 𝐧𝐠𝐡𝐞̣̂ 𝐭𝐡𝐮𝐚̣̂𝐭 𝐠𝐢𝐞𝐨 𝐯𝐚̂̀𝐧

“That's about the time I first met Proof
With Goofy Gary on the steps at Osborn, handin' out some flyers
We was doin' some talent shows at Center Line High
I told him to stop by and check us out sometime
He looked at me like I'm out my mind
Shook his head, like, "White boys don't know how to rhyme."
I spit out a line and rhymed "birthday" with "first place"
And we both had the same rhymes that sound alike
We was on the same shit, that Big Daddy Kane shit
Where compound syllables sound combined
From that day we was down to ride
Somehow we knew we'd meet again somewhere down the line”

Proof là người bạn thân tri kỉ của Em! Đoạn lời trên trong bài Yellow Brick Road của Em kể về cái lần gặp mặt định mệnh đấy với Proof. Em quen Proof khi mới còn đang học cấp Ba. Lần ấy Em đang phát tờ rơi đến một show tài năng thì gặp Proof. Proof hỏi “ông mà cũng biết rap à?”. Ngoài Beastie Boys ra, thời đấy nhạc rap vẫn là vùng đất thống trị của người da màu - tổ tiên của dòng nhạc dùng lời để thi đấu. Vậy nên nhìn một đứa da trắng le te đấu rap chả khác gì sau này thế giới có ai ngờ người da màu lại đòi làm trùm môn thể thao golf như Tiger Woods sau này. Đã thế Em còn tham gia môn battle rap, bộ môn freestyle cực khó khi người thi đấu phải vừa bắn rap vừa biến tấu nội dung chửi đối phương mà vẫn phải gieo vần đầy đủ. Có điều Proof là một kẻ nổi tiếng trong làng hip hop ở Detroit thời đó và anh quen biết rộng khắp với mục tiêu tìm kiếm tài năng rap mới ở Detroit. Cá nhân Proof cũng là một siêu cao thủ trong làng freestyle và anh luôn là host của các cuộc đấu, vị trí mà chỉ bị tước bỏ nếu kẻ thách đấu thắng được. Khi nghe Em rap freestyle và gieo vần “birthday” với “first place”, Proof biết là anh đã tìm được một tài năng mới. Nhìn qua có vẻ như sự gieo vần này không có gì đặc biệt nhưng về mặt kỹ thuật, đó là cách gieo vần “thiếu hoàn hảo” khi không phải là đồng âm tuyệt đối. Bù lại, nó lặp được hai âm tiết liền nhau nên đòi hỏi sự sáng tạo và ứng biến của một rapper giỏi.

Thời đó không nhiều kẻ theo đuổi làng rap mà lại chịu khó gieo vần đa âm ở Detroit như Proof và Em, như cái cách Big Daddy Kane, một trong những gạo cội tiên phong phá vỡ sự lặp vần một từ ở cuối mỗi câu đến đơn giản và nhàm chán trong nhạc rap. Thế nên có thể nói Proof là nhân tố quan trọng trong việc thúc đẩy Em phát triển kỹ năng đó. Hai thằng thường xuyên luyện tập với nhau bằng cách thi đấu xem ai tìm được nhiều từ gieo vần với mỗi từ được chọn ra ngẫu nhiên. Proof cũng đóng vai trò như “kẻ bảo lãnh” cho Em được thâm nhập vào giới hip hop underground của Detroit, nơi mà trước đây Em toàn bị nhạo báng. Proof thường chơi trò đặt cược vào các cuộc đấu freestyle cho Em trong khi những kẻ khác đều coi thường một thằng nhãi da trắng sao đú được với môn nghệ thuật của người da màu. Nhờ đó Proof và Em thường xuyên đút túi được kha khá tiền nhờ vào tài năng vô đối của Em.

Trong đoạn rap mà Eminem thi đấu ở Rap Olympics 1997, có đoạn: ”I got so many ways to diss you that I'm playful with you / I'll let a razor slit you, 'til they have to staple-stitch you / And everybody in this fuckin' place'll miss you / If you try to turn my facial tissue to a racial issue”. Chỉ trong mẩu của đoạn thi đấu này, Em chơi phức tạp tới mức làm liền vần tới tận 4 âm tiết (“ways to diss you” / “playful with you” / “razor slit you” / “staple-stitch you” / “place’ll miss you” / “facial tissue” / “racial issue”) và không quên đảm bảo nội dung đập cực mạnh các đối thủ khác rằng Em có “nhiều cách để diss bọn khác” nên cuộc đấu này chỉ như trò Em “đùa giỡn với bọn nó”, và rằng sẽ “khứa chúng bằng banh xa lam” để mà người ta phải dùng “cái dập ghim để cứu chúng” nếu chúng dám lôi chuyện “khuôn mặt da trắng” của Em ra làm “trò phân biệt chủng tộc”.

Cả Proof và Em liên tục luyện tập và đặt mục tiêu nếu bất kỳ ai trong hai đứa nổi tiếng trước thì sẽ giúp đỡ người còn lại và mấy anh em trong hội D12 mà Proof lập nên.

Nếu nghe Proof rap cùng Em trong "Just Rhymin’ With Proof" hay các bài của nhóm D12 như "Fight Music", "Revelation" và "When The Music Stops" thì phần rap của Proof và Em luôn là hay nhất. Trong bài "When The Music Stops" chẳng hạn, Proof gieo vần đa âm ở từ “instigators” với cụm từ “pits in cages”, “bit the neighbors” và “wrist to razors” mà nhìn qua không ai nghĩ là nghe xuôi tai được. Proof phải uốn âm khi rap để ví dụ như những trọng âm “ins-“ sẽ nghe giống âm “pits” và “-gators” sẽ nghe giống âm “cages”.

Nhờ sự luyện tập bền bỉ với Proof, khả năng về gieo vần đa âm nhiều và liên tục của Eminem gần như ăn sâu vào máu của anh để rồi hầu như bài nào cũng có sự lặp âm dài nghe rất lôi cuốn dù cho tiếng Anh có thể không phải là ngôn ngữ mẹ đẻ của người nghe. Như đoạn rap của Em trong Forgot About Dre:

“So what do you say to somebody you hate/Or anyone tryin’ to bring trouble your way?/Wanna resolve things in a bloodier way?/Just study a tape of N.W.A”

Có ai lại nghĩ ra gieo vần “do you say” bằng “somebody you hate” / “trouble your way” / “bloodier way” và thậm chí còn khéo léo bằng “N.W.A” không?

Một ví dụ kinh điển khác còn là bài "The Way I Am". Chính nhịp điệu bài theo từng cụm 3 nốt một trên nền piano, Em tạo những chùm lặp đa âm liên tục trong cả bài, một kỹ năng siêu hạn mà các rapper khác giỏi lắm chỉ làm được trong một đoạn ngắn.

“I sit back / with this pack / of Zig-Zag's / and this bag /
Of this weed/ it gives me / the shit need- / -ed to be /
The most mean- / -est MC / on this...”

Em dùng cả thủ thuật cắt đôi từ “needed” và “meanest” để tạo được cái vần đa âm này.

Một ngày tháng 4 năm 2006 tôi đọc được tin Proof bị bắn chết trên cái forum D12 World mà tôi thực sự sững sờ. Proof là một rapper quá giỏi mà chưa có được cơ hội xây dựng được sự nghiệp cho riêng mình mà đã ra đi quá sớm. Cuộc đời anh quá bận rộn với việc hỗ trợ những kẻ đồng môn để họ tìm được chỗ đứng trong ngành công nghiệp âm nhạc, và Em là một trong những kẻ may mắn đó. Thế nên chính Em còn phải thừa nhận cái chết của Proof ảnh hưởng lớn nhường nào với một kẻ nội tâm như Em, và nỗi đau đó được vẽ lên một cách chân thành trong bài Dudey (Diffifult) mà giọng Em rap như đang nghẹn lại:

“Doody, most of my life it's just been me and you there
And I continuously stare at pictures of you
I never got to say I love you as much as I wanted to, but I do
Yeah, I say it now when you can't hear me
What the fuck good does that do me now?
But somehow I know you're near me in presence”

Vậy là Em mất đi phép màu thứ nhất!

𝟐. 𝐑𝐨𝐲𝐜𝐞 𝐃𝐚 𝟓’𝟗” 𝐯𝐚̀ 𝐧𝐡𝐮̛̃𝐧𝐠 𝐥𝐨̛̀𝐢 𝐫𝐚𝐩 𝐬𝐢𝐞̂𝐮 𝐜𝐡𝐚̂́𝐭

Royce là cặp bài trùng với Em trong môn nghệ thuật rap đôi. Nếu như người ta có từ “song ca” cho hát đôi thì tôi nghĩ phải dùng từ “đối khẩu” cho Royce và Em.

Lớn lên tại khu phố ở Detroit, Royce là một trong số ít rapper có tài năng kiệt xuất. Lần đầu anh gặp Em qua sự giới thiệu của gã quản lý, Royce và Em đã thể hiện sự kính nể lẫn nhau về trình độ rap của đối phương. Hai người nhanh chóng kết thân và ghi âm bản rap đầu tay Bad Meets Evil nổi tiếng sau này thành tên cho bộ đôi này với Royce là “Bad” và Em là “Evil”.

Dù là bạn và đối tác trong âm nhạc, Royce và Em không hề kiêng nể nhau mỗi lần phối hợp. Mỗi lần xuất hiện chung một track là mỗi lần như lên sàn đấu, khi cả Royce và Em đều tìm cách đánh bại đối phương. Không những thế, Royce và Em hợp nhau ngang tài ngang sức đến mức có những đoạn rap nối đuôi nhau mà vẫn theo âm vần và chủ đề đồng nhất như thể đọc được ý nghĩ của nhau như vậy.

Nhờ thế mà nội dung của những sản phẩm hợp tác của Royce và Em đều thuộc dạng xuất sắc.

Như trong bài "Scary Movies", Royce mở đầu với phần lời “MCs get stuck, head first back in they mother's womb / This shit is written, in my eyes I'm the illest MC spittin' / Leavin' all of you cats shittin' kittens”. Anh tự hào mình có thể đánh bại các MC khác khiến chúng phải cúi đầu chui ngược lại tử cung của người sinh ra chúng, với ý nghĩa thứ hai là đám MC đó chẳng khác gì chưa tồn tại trên đời. Anh còn ví chúng chỉ như bọn mèo khiếp sợ són ra con.

Em không kém cạnh gì khi rap “I'm free-fallin' feet first out of a damn tree / To stampede your chest 'til you can't breathe / And when I'm down to my last breath / I'ma climb the Empire State Building / And get to the last step and still have half left”. Hình ảnh Em tiêu diệt bọn MC khác bằng cú knock out bằng cách nhảy từ trên cây giã xuống ngực đối phương như hình ảnh con vượn. Chính thế ở ngay câu sau, Em nói luôn là vẫn leo lên được toà Empire State như King Kong mà vẫn chỉ hết nửa hơi, một hình ảnh ẩn dụ đầy mạnh mẽ.

Nhờ những lần hợp tác mà như thi đấu với Royce mà thời kỳ đó Em có thể đấu ngang hàng hoặc thậm chí vượt mặt các rapper kỳ cựu khác, như với Outsidaz trong "Rush Your Clique" (2000) (“I’m so weeded, I can freestyle for 16 bars”), với Redman trong "Off The Wall" (2000) (“I'm the worst thing since fat bald men / Decided to write songs to teach Mouseketeers to sing”), Masta Ace và J-Black trong "Hellbound" (2000) (“Would be for me to remove these two Adidas and beat you / And force feed you 'em both, and on each feet is a cleat shoe”) hay với Jay Z trong "Renegade" (2009) (“While I'm wavin' the pistol at sixty Christians against me / Go to war with the Mormons, take a bath with the Catholics / In holy water, no wonder they tried to hold me under longer”), bài mà Em ban đầu dự định thu âm với Royce nhưng vì Jay rủ nên Em đã gửi bản này cho Jay. Cũng nhờ Em cố thắng Royce nên kết quả là phần lời của "Renegade" cho đến giờ chắc vẫn là tuyệt đỉnh của gieo vần, với flow và nội dung mà sau này gây cảm hứng cho Nas đá đểu Jay là bị Em vượt mặt.

Nhưng rồi mối quan hệ của Royce và Em trở nên tệ hại hơn khi quản lý của Royce dám nói Em dạy dỗ Dr. Dre cách đọc rap cho đĩa 2001, rồi Royce ghen tị khi Em giành thời gian nhiều cho D12 nên dẫn đến xích mích giữa anh và hội Dirty Dozen này.

Chỉ đến khi một ngày Proof và Royce đánh nhau sau một cuộc gây gổ và bị nhốt chung tại phòng tạm giam thì sự thù địch này mới được dập tắt sau một đêm tâm sự giữa hai MC hàng đầu của Detroit. Và rồi chỉ đến khi cái chết của Proof xảy đến, tình bạn của Royce và Em mới được hàn gắn lại.

Thế nhưng có vẻ mọi việc cũng đã muộn. Em đã mất đi phép màu nhiệm thứ 2!

𝟑. 𝐁𝐚𝐬𝐬 𝐁𝐫𝐨𝐭𝐡𝐞𝐫𝐬 𝐯𝐚̀ 𝐜𝐚́𝐢 𝐡𝐨̂̀𝐧 𝐜𝐮̉𝐚 𝐧𝐡𝐚̣𝐜 𝐄𝐦𝐢𝐧𝐞𝐦

Tôi nhớ có lần đang nghe trên đài FM chương trình MTV Most Wanted có một bạn đề nghị một bài rap. Lúc đó tôi hoàn toàn không để ý tên nghệ sĩ hay tên bài, nhưng cái câu intro cực buồn đấy được nối tiếp bằng một giọng rap trầm xuống khiến tôi không thể quên được. Chỉ mãi đến khi đĩa MMLP ra đời và tôi có dịp biết đến Eminem để nghe thử đĩa đầu tay chính thức Slim Shady LP thì tôi mới nhận ra bài "Rock Bottom" là bài rap mà tôi vẫn tìm bấy lâu nay.

Phần beat cực sâu lắng đó là do anh em nhà Bass gồm Jeff Bass và Mark Bass tạo ra. Nhiều người có thể lầm tưởng trong các đĩa đầu của Eminem, phần beat chủ yếu được Dr. Dre sản xuất nhưng không hề vậy. Số lượng bài rap mà anh em nhà Bass sản xuất cho Em còn nhiều hơn lúc đó.

Jeff và Mark lúc đầu chỉ là những tay sản xuất nhạc vô danh nhưng lại rất hay hợp tác với các rapper da màu. Thế rồi một ngày họ nghe được đoạn rap thi đấu của Em và liền rủ Em đến thu âm thử.

Ban đầu Jeff không hiểu Em rap cái gì vì Em rap quá nhanh. Chỉ đến khi bắt đầu viết nhạc cho tay rapper này, Jeff và Mark mới dần thấm thía được tài năng của Em. Do hạn chế kiến thức về âm nhạc, hai anh em Bass đã phải hướng dẫn Em về cảm nhận phần beat. Ví dụ như họ sẽ bảo Em đây là track nhạc vui, hay buồn, hay giận dữ, để Em có thể viết lời phù hợp trên nền nhạc đó.

Chính nhờ anh em nhà Bass mà Em mới có được nền tảng phát triển mang tới cảm xúc thật tới bài rap của Em, vượt lên trên việc đơn thuần đi thi đấu freestyle mà Em vẫn hay làm.

Thế nên nếu nói đến cảm xúc buồn thì Rock Bottom là một ví dụ kinh điển khi lời rap của Em đầy những tự sự tâm trạng như “That's rock bottom, when this life makes you mad enough to kill / That's rock bottom, when you want somethin' bad enough to steal / That's rock bottom, when you feel like you've had it up to here / ‘Cause you mad enough to scream, but you sad enough to tear”. Em ghi âm bài này ở giai đoạn chạm tới tận cùng đáy của khổ cực đến nỗi Em suýt chết vì sốc thuốc sau khi ghi âm xong.

Nếu như "Rock Bottom" là thái cực của Em khi chịu đựng đủ mọi khổ cực để tồn tại từ cái thời Em chưa tìm được danh vọng thì "Lose Yourself" lại là một ví dụ về sự tự tin và kiêu hãnh của một rapper ở đỉnh cao sự nghiệp. Phần beat được Jeff sản xuất với câu intro bằng tiếng keyboard sâu lắng trước khi được nối bằng câu riff guitar điện rất đơn giản nhưng mạnh mẽ. “He opens his mouth, but the words won't come out / He's chokin', how, everybody's jokin' now / The clocks run out, times up, over, blaow!”, và lúc này đây không khí vỡ oà như chính cảm xúc bùng nổ của nhân vật chính lúc đó với nền trống dồn dập sau cùng. Hoàn hảo!!!

Ngoài toàn bộ đĩa EP Infinite và Slim Shady EP ra, các bài xuất sắc khác của Em do anh em nhà Bass sản xuất còn có "If I Had", "97 Bonnie & Clyde", "Just Don’t Give A Fuck", "Marshall Mathers", "Kim", "Criminal", "Cleanin’ Out My Closet", "Sing For The Moment", v.v.

Điểm chung trong beat của anh em nhà Bass là cách sử dụng nhạc cụ sống như guitar, bass, keyboard nên âm nhạc của Eminem có cảm xúc thật như cuộc sống đầy thăng trầm của tay rapper này. Nói một cách khác, nhạc của Jeff Bass và Mark Bass như chất xúc tác khơi gợi cái “nghệ sĩ” trong Em.

Chỉ có điều sau đĩa Relapse, Em và Bass dừng hợp tác vì lý do Em muốn thay đổi hướng đi trong âm nhạc. Có tin khác là Em muốn từ bỏ sự nghiện ngập với thuốc phiện mà anh em nhà Bass đã lôi kéo Em vào.

Dù lý do gì đi chăng nữa, phải nhận thấy một điều là đĩa Encore do không có anh em nhà Bass tham gia nên mất hẳn một cái cảm xúc trong âm nhạc, và đĩa Relapse thì họ chỉ đóng góp một bài duy nhất "Beautiful", một trong số ít bài hay nhất đĩa, còn lại cũng tụt hẳn về chất lượng.

Sau sự chia tay với anh em nhà Bass, âm nhạc của Em đúng là mất đi cảm xúc. Và thế là Em cũng mất đi phép màu thứ 3!

𝟒. 𝐃𝐫. 𝐃𝐫𝐞 𝐯𝐚̀ 𝐬𝐮̛̣ 𝐡𝐨𝐚̀𝐧 𝐭𝐡𝐢𝐞̣̂𝐧 𝐚̂𝐦 𝐧𝐡𝐚̣𝐜 𝐜𝐮̉𝐚 𝐄𝐦𝐢𝐧𝐞𝐦

Ngoài việc lăng xê và đưa Eminem đến với thị trường âm nhạc, Dr. Dre là người thày giúp Em hoàn thiện âm nhạc cho Em. Ông có một cái tai âm nhạc thiên tài và con mắt nhìn người sắc xảo. Lần đấy ở giải Rap Olympics, Em thắng liên tục nhưng thua ở L.A. Tuy vậy Em và anh em nhà Bass cũng đồng thời thu âm được kha khá bài cho Slim Shady EP. Trong show đó, có một thằng cu đến hỏi xin một đĩa mang về nghe. Cả bọn đưa cho nó mang không biết rằng nó làm ở phòng đưa thư cho hãng ghi âm Interscope. Chẳng mấy chốc mà nhạc của Em đến tai Jimmy Iovine và Dr. Dre. Tất cả sau đó là sự ra đời của một huyền thoại.

Nếu như Proof và Royce là động lực cho Em phát triển kỹ thuật gieo vần và nội dung, anh em nhà Bass giúp Em chuyển tải cảm xúc thì Dr. Dre giúp Em hoàn hảo flow bám vững theo nhịp độ bài rap và chất lượng âm thanh được đẩy lên tầm cao mới.

Ở đĩa Slim Shady LP, flow của Em nghe còn mang tính bột phát, chưa nắm vững quy luật nhịp thì đến Marshall Mathers LP, nhịp flow của Em được hoàn chỉnh đến hoàn hảo như cái cách mà Dr. Dre và cả hội trong N.W.A từng “lướt trên nhịp điệu” trước đây.

Như trong đĩa MMLP, kể cả những bài có beat không theo nhịp độ đều đặn, biến đổi nhát gừng mà Dr. Dre sản xuất như "Kill You", "The Real Slim Shady", "Who Knew", Em vẫn bám cực chắc nhịp. Nhờ sự hướng dẫn của ông, Em còn tạo dấu ấn bằng những câu hook thuộc hàng “độc” như lặp từ “Slim Shady” với giọng điệu lên xuống trôi chảy trong "The Real Slim Shady", nhịp điệu vui tai trong "Without Me", âm điệu luyến thắng trong "Forgot About Dre", đầy giận dữ trong "Fight Music" và tông giọng cao đầy năng lượng trong "Lose Yourself".

Lấy đoạn điệp khúc của "Forgot About Dre" làm ví dụ: “Nowadays everybody wanna talk like they got something to say / But nothing comes out when they move their lips / Just a bunch of gibberish / And motherfuckers act like they forgot about Dre”. Em vừa rap tốc độ nhanh liến thoắng, vừa nối âm “nowadays-everybody”, nuốt âm “-thing” trong “something” và lại nối âm “motherfuckers-act” khiến cho đoạn rap nghe đúng như thứ “gibberish” vậy.

Âu chỉ có điều, Dr. Dre chỉ giành thời gian ban đầu định hình chỉ hướng về mặt âm nhạc cho Em, ông sau đó dường như để toàn quyền cho Em chủ động về khâu sáng tạo, thậm chí cả sản xuất nhạc còn bản thân quay sang vùi đầu với nhiều dự án khác nhau như hỗ trợ ươm mầm các rapper trẻ khác 50 Cent, The Game, Kendrick Lamar, v.v. hay album Detox mà không bao giờ được hoàn thiện và còn bận cả phát triển dòng headphone cao cấp Beats. Là kẻ cầu toàn trong âm nhạc, Dr. Dre không phát hành Detox vì ông không cảm thấy hài lòng với sản phẩm cuối cùng.

Chỉ có điều ông không bớt chút thời gian dùng đôi tai nhạy bén để hướng dẫn Em. Nhiều khi tôi chỉ nghĩ nếu ông bảo với Em rằng “mày đừng hát nữa, nhất là mấy nốt cao ý, nghe sởn gai ốc lắm”, hay “mày đừng rap về giết người một cách vô nghĩa nữa, mày già đầu rồi” hoặc “mày đừng rap kiểu nhát gừng, hay bắn tốc độ nữa, nghe không hợp phong cách mày đâu” thì tốt biết mấy.

Vô hình trung thì Em đã mất đi phép màu thứ 4!

*****
Thiếu sự dẫn dắt của anh em nhà Bass và người thầy Dr. Dre, tay rapper này bị lạc lối trong định hướng về mặt âm nhạc và loay hoay với các sản phẩm chất lượng trung bình kém như Encore, Relapse, MMLP2, rồi Revival.

Thiếu động lực và sự ganh đua ngầm với Proof và Royce mà tay rapper này dễ dãi hơn với ý nghĩa trong lời rap, dẫn đến các bản rap mà Em tham gia với tư cách khách mời sau này hầu như đều thất bại thảm hại về mặt nội dung.

Đã thế, ở đỉnh cao của thành công, những kẻ xung quanh Em đều không dám đưa ra những lời nhận xét chê bai chân thành với Em. Cái lần tay sản xuất nhạc hip hop nổi tiếng Just Blaze chia sẻ về lần hợp tác với Em trong đĩa Recovery, anh có bảo Em cần xem lại đoạn flow bị lệch nhịp thì Em hơi khó chịu và phủ nhận, còn Blaze thì bị nhắc là dại dột khi đi chê như vậy. Thế nhưng tối hôm đó Em gọi cho Blaze và thú nhận sau khi nghe đi nghe lại 30 lần thì mới thấy Blaze nhận xét chuẩn xác. Điều gây sốc hơn là Em còn bảo anh là người đầu tiên có nhận xét chê bai với hắn trong thời gian dài.

Mờ mắt bởi hàng loạt những thành công ban đầu, cái tôi của Em cũng quá lớn trong khi cái tai âm nhạc lại quá thiếu tinh tế. Vậy nên giờ đây chắc Em cần có người định hướng rõ ràng hơn. Đã có cải thiện với sản phẩm Kamikaze và Music To Be Murderer By, vẫn có hỗ trợ từ Dr. Dre và tham gia của Royce Da 5’9’’, nhưng Em vẫn cần thận trọng hơn. Và quan trọng nhất là có người dám góp ý thẳng.

Không phải đâu xa, chính Kamikaze là kết quả của lần Em bị Joe Budden - tay rapper tài năng và cũng là bạn với Royce trong nhóm Slaughterhouse - chê bai thậm tệ bài "Untouchable" và đĩa Revival. Hãy thử xem Joe có phải là phép màu tiếp theo không nhé? Trước mắt thì Em vẫn còn thù Joe đấy!!

...
Bài viết: Kunt @ EmoodziK
Link: https://www.emoodzik.com/post/eminem-and
*EmoodziK là một blog chuyên chia sẻ về âm nhạc, đội ngũ quản trị kiêm viết bài bao gồm các thành viên với bút danh đều bắt đầu bằng chữ K: Kcid, Kai, Kink, Kroon & Kunt. EmoodziK được lập nên không mục đích gì khác ngoài việc chia sẻ sở thích âm nhạc Quốc tế xuyên châu lục với các thể loại Rock, Pop, Blues, R&B, HipHop, và các thứ linh tinh khác. Nếu mọi người muốn tìm hiểu và đọc các bài viết về nhạc Quốc tế thì Động xin giới thiệu trang blog rất chất lượng này.

Recently I was privilege to attend a chat session about RELIFE Bringing Together Science and Art To Create Beauty. During the sharing session, the panel doctors touched on the current trends and latest technologies in the industry, as well as the details that patients should know before getting any aesthetic treatment.
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These are experience panel doctors for the chat session, among them in various fields of aesthetic medicine such as intradermal fillers, botulinum toxin, cosmetic surgery, lasers and lights and also thread lifting. They were joined by Dr Steven Kusmanto, Associate Director of Marketing of Menarini Asia Pacific.
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1. Dr Ma Purita Paz-Lao (Dr Peachy) from Philippines
2. Dr Jamie Arzadon (Dr Bong) from Philippines
3. Professor Salvatore Piero Fundaro, MD from Italy
4. Dr Giovanni Salti from Italy
5. Dr. Steven Kusmanto, Associate Marketing Director for A. Menarini Asia Pacific
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Apart from that we also learnt about our skin shows the world how we feel. Therefore RELIFE by Menarini Group offers healthcare practitioners (HCPs) a holistic approach to aesthetic medicine to give a natural-looking, youthful appearance because they believe the skin mirrors our well-being. RELIFE introduces their two core products which is Happy Lift (revitalizing) thread lift and SKINFILL hyaluronic acid filler.

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【You Know Who Is My Father】Youtube高清版：https://youtu.be/1FWGNXsbJ0E

【You Know Who Is My Father】Online Music Download 數位音樂下載：https://lnk.to/YouKnowWhoIsMyFather

The making of【You Know Who Is My Father】幕後花絮 Youtube高清版 :https://youtu.be/vFoisYPO-Tc

Lyric Version【You Know Who Is My Father】動態歌詞版 Youtube高清版 : https://youtu.be/80-BS_kPA54

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I'm sibeh damn rich
I'm very very rich
I can buy anything when Limpeh happy
I'm sibeh damn rich
I'm no horse running rich
我SMLJ統統沒有 除了Money

You know who is my father ar?
You know who is your father ar?
You know who is my father ar?

I live in a Bungalow in Damansara
Swimming pool like Olympic
My father got 3 Datukships
Next week become Dato Sri
Every month must do Charity
Then posted on Sinchew Daily
We hangout with many YBs
You touch me then you will mati

Stare what stare ar?
I saw your comment on Facebook talk bad about me
Stare what stare ar?
If you come Bangsar or go Puchong carefully
Stare what stare ar?
I will Piak your face Piak until you say Soli
Stare what stare ar?
You believe ar?
I make one phone call one Lori

I'm sibeh damn rich
I'm very very rich
I can buy anything when Limpeh happy
I'm sibeh damn rich
I'm no horse running rich
我SMLJ統統沒有 除了Money

You know who is my father ar?
Go ask your elder brother lah
You know who is my father ar?
Go and check Wikipedia
You know who is my father ar?
Ask your mother ask your neighbor
You know who is my father
And my great grandfather's uncle ar?
Send me Location lah

I drive my Ferrari
My girlfriends from IG
I buy them Silicon Filler Nenepok surgery
Bodaiji buy Gucci
Sleeping wear SuperMe
Everyday Fangbanli no working i get SGD
Win liao lor!

I never eat Food court because too Palia
Pasar malam got Mickey Mouse
K.F.C. McDonald too cheap liao
I buy ala carte

每天跟Bill Gates Meeting
找Jack Ma一起做生意
妳要我給妳做Puan Sri
駕Tesla 送妳去火星

Stare what stare ar?
Don't simply comment on Twitter talk bad about me
Stare what stare ar?
If you come Johor or go Penang carefully
Stare what stare ar?
I hoot your bird bird ar you better don't Lansi
Stare what stare ar?
You believe ar?

I make one phone call one Ferry
I'm sibeh damn rich
I'm very very rich
I can buy anything when Limpeh happy
I'm sibeh damn rich
I'm no horse running rich
我SMLJ統統沒有 除了Money

You know who is my father ar?
Go ask your elder brother lah
You know who is my father ar?
Go and check Wikipedia
You know who is my father ar?
Ask your mother ask your neighbour
You know who is my father
And my great grandfather's uncle ar?
Send me Location lah

你看你啦 嘖嘖嘖
還在駕Axia 嘖嘖嘖
還打Ron95 還在Share Condo
還在吃Mamak 嘖嘖嘖
你看你啦 嘖嘖嘖
整天OnlyFans 嫑假假
整天追Blackpink 只會DFK
And how you like that that that that that?

You know who is my father ar?
Go ask your elder brother lah
You know who is my father ar?
Go and check Wikipedia
You know who is my father ar?
Ask your mother ask your neighbor
You know who is my father
And my great grandfather's uncle ar?
Send me Location lah

I drive my Ferrari
My girlfriends from IG
I buy them Silicon Filler Nenepok surgery
Bodaiji buy Gucci
Sleeping wear Superme
Everyday Fangbanli no working i get SGD
Send me Location lah

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หลายๆครั้งที่ทางเจ้าของผลิตภัณฑ์ส่งของมาให้ หรือไปงานแล้วเค้าไล่แจกมา ป้าก็ไม่ได้สามารถจะทำวิดิโอทุกครั้ง ทุกชิ้นได้นะคะ วันนี้ก็เลยเอาแบบสบายๆ เก็บมารวมกันเลย 48 แบรนด์ค่ะ (From Sept 1-19, 2015 ... Dii Wellness and Davina Dii Wellness Med Spa Time Reversal Series Day 2,800Baht Night 3,300Baht Serum 3,200Baht, Sunscreen 1,800Baht and Mask 2,350Baht, Mac Cosmetics Haute Dogs Collection, BmB Snail Gold Volume Filler 15g 240Baht, Rescue Extra Sensitive Cleansing Gel 120ml 395Baht, Biore UV Aqua Rich Watery Essence SPF50 PA++++ and Biore UV Aqua Rich Watery Gel SPF50+ PA++++, Clearnose Intensive Facial Blackmask 50g 379Baht 100g 720Baht, Origins Original Skin Renewal Serum with Willowherb 30ml 2,000Baht and Origins Original Skin Retexturizing Mask with Rose Clay 100ml 1,200Baht, Estee Lauder New Dimension Shape + Fill Expert Serum and Liquid Tape, Indigo Salon at Centrepoint of siamsquare 02-658-1972, Biotherm Blue Theraphy Accelerated Repairing Serum 50ml 3,600Baht, Mille Beaute CC Cream 6-in-1 Multi-Function SPF 30/PA+++ 695Baht Mille Macaroon Sponge Makeup Tool 495Baht, Aviance Activating Essence Aura Booster 200ml 2,000Baht, Cathydoll Milky Splash/Water Splash/GoldSplash 50g 395Baht และครีมกันแดดละอองน้ำ 138ml 495Baht, YSL Beaute, Shu Uemura, Lancome, Three Advance Harmony Primer in Elegance or Confidence 30ml 1,800Baht Three Complete Harmony Foundation 28g 2,650Baht Three Ultimate Diaphanous Loose Powder (Colorless) 17g 1,950Baht Three Structured Foundation Brush 2,900Baht and Three One Luv Puff 400Baht, Scholl Safari Collection, Urban Decay Smokey Naked Palette 2,200Baht, Laura Mercier Lip Parfait Creamy Colorbalm 950Baht, Fesse Anti-UV https://www.facebook.com/Fesseofficial 2,950Baht, Clarins, WetnWild, Toofaced Born This Way Foundation 30ml 1,850Baht, Yoga and Me, Sabina Madame Collection, Lansonn Inside Out www.pureenzed.com www.facebook.com/pureenzed, Edelpure Alpine Quintessential Skin Defense All Day Moisturizer SPF25 PA+++ 60ml 2,600Baht, Roseeriche Skincare Tel:0863087450 https://www.facebook.com/roseerichethailand, Reme Cosmetics https://www.facebook.com/REMEthailand Eyeshadow 250-290Baht Mascara 550Baht, Prestige Cosmetics at Lashes Shop https://www.facebook.com/lashesthailand, Utip Flower ViVihttps://www.facebook.com/UtipFreshyBeauty, Maybelline Lash Sensation 349Baht and Maybelline Color Sensational The Buffs 259Baht, Happy Baby https://www.facebook.com/happybabyorganic, Taratarn Boutique https://www.facebook.com/TARATARNBOUTIQUE, Repuri Alpine Rose Make-Up Remover Micellar Solution 120ml 359Baht at Watsons, Anne Semonin Ice Cube 1,850Baht at 50%off, Me 3D Printing Limited Edition at Siam Center, Elizabeth Arden Ceramide Capsule Eye Serum 60capsules 2,650Baht and Beautiful Color Moisturizing Lipstick, Lunasol 2015 Autumn Makeup Collection Captivating Purification, Clinique Beyond Perfecting Foundation+Concealer SPF19/PA++ 30ml 1,400Baht, 1028 Ultimate Oil Control Powder 299Baht, NYX Cosmetics https://www.facebook.com/NYXthai, Kawai Music School ชั้น 15 Zen World 1 course 3 months 12 sessions 7,200Baht, Vistra, Provamed Age Corrector, Provamed Babini, Givenchy Teint Couture Balm 2,000Baht and Givenchy Teint Couture Concealer 1,560Baht)