🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
同時也有1部Youtube影片,追蹤數超過2,820的網紅samguw,也在其Youtube影片中提到,Something a little different this time! Got my hands on a preproduction unit of the brand new EOS R5 for a day and decided to take it to the zoo to te...
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💡 สวัสดีจ้าเพื่อน ๆ วันนี้แอดจะพาเพื่อน ๆ มารู้จักกับโครงสร้างของ HTTP Messages นั่นเอง !!
ซึ่งเป็นพื้นฐานสำคัญอีกหนึ่งอย่างสำหรับเราชาวเดฟนั่นเอง
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จะเป็นยังไง และมีรายละเอียดยังไง หากพร้อมแล้วไปอ่านกันเลยจ้าาาา ~
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🌟 HTTP Messages เป็นวิธีการแลกเปลี่ยนข้อมูลระหว่าง Server และ Client โดยมี Messages 2 แบบ ได้แก่
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🔸 HTTP Request คือ คำขอที่ส่งโดย Client เพื่อดำเนินการบน Server
🔸 HTTP Response คือ การตอบกลับจาก Server ไปยัง Client
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⚙️ โครงสร้างของ HTTP Messages
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ประกอบด้วย 3 ส่วน คือ
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1️⃣ Start-line - เป็นบรรทัดแรกของ HTTP Messages เพื่อใช้ระบุว่าต้องการทำอะไรกับ Request และ Response ประกอบด้วย
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🔹 Request Message
👉 HTTP Method - ใน Request Message เช่น GET, PUT, หรือ POST ระบุเพื่อใช้อธิบาย Action ภายใน Messages ที่จะส่งให้ Server นั่นเอง
👉 URL - เป็นพอร์ตหรือเส้นทางเป้าหมาย
👉 HTTP version - เวอร์ชันของ HTTP นั่นเอง
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🔹 Response Message
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👉 Protocol Version - เช่น HTTP/1.1
👉 Status Code - เป็นสถานะที่ระบุว่าคำขอสำเร็จหรือล้มเหลว จะแทนด้วยหมายเลขต่าง ๆ เช่น 404, 200 หรือ 302
👉 Status Text - เป็นข้อความระบุสถานะ เช่น Not Found
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2️⃣ HTTP Headers - แต่ละช่องจะประกอบด้วย Name และ Value คั่นด้วยเครื่องหมาย (:) ใช้อธิบายเนื้อหาหรือรายละเอียดใน Messages
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3️⃣ Body - เนื้อหาเพิ่มเติมที่สำคัญ เช่น HTML Form หรือ Response Document ซึ่งจะถูกระบุโดย Start-line และ HTTP Headers นั่นเอง
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จบกันไปแล้ววววว หากพี่ ๆ คนไหนมีอะไรอยากเพิ่มเติมสามารถคอมเมนต์ไว้ด้านล่างได้เลยนะคะ และหวังว่าโพสต์นี้จะเป็นประโยชน์กับเพื่อน ๆ น้าาาา 🥰
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📑 Source : https://developer.mozilla.org/en-US/docs/Web/HTTP/Messages
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borntoDev - 🦖 สร้างการเรียนรู้ที่ดีสำหรับสายไอทีในทุกวัน
#HTTP #BorntoDev
form action post 在 CheckCheckCin Facebook 的精選貼文
【火鍋季節】你遇過哪些打邊爐討厭行為?
⭐一人一鍋最安全
⭐如果你有齊以下行為以後都會自己吃一鍋
#星期六放輕身心
打邊爐的討厭行為
有說在麻雀枱上可以看清一個人的品格,其實在飯枱上打邊爐亦一樣,將喜歡的食材放入鍋中煮熟就吃看似簡單,其實當中有不少需要自律的禮儀,遇上一個「唔生性」,真的令你食之無味,棄之可惜⋯⋯
.一次過將所有食材下鍋
明明只有三、四個人打邊爐,有人偏偏喜歡將整碟食材倒入鍋中「一鑊熟」,「一餅」肥牛下鍋表面熟中間生,吃到最後又會煮得過熟被嫌棄,有些食材又會煮到糊掉,完全失去「烚下烚下」的樂趣。
.洗筷子
「烚下烚下」時用公筷,食用時用另一雙私筷是衛生的做法,亦可避免用同一雙筷子處理生熟食物交叉感染,遇著一個懶換筷子、甚至喜歡啜筷子的朋友,真是叫人倒胃口。
.鴛鴦鍋不再鴛鴦
鴛鴦鍋的存在,方便同枱中有吃辣和不吃辣的朋友,清湯鍋留來灼菜亦可吃得健康,有人卻嫌麻辣鍋太辣,從麻辣鍋中挾起食物然後放入清湯鍋中「過水」,你有想過其他人的感受嗎?
.水終於滾了有人加生料
人多打邊爐,或者遇著一個火力弱的爐,下生料後等水滾需時,終於等到煮滾可以吃了,鍋蓋一開有人卻立即加一堆生料,全枱人又要呆等一輪。
.咬一口發現未熟丟回鍋中
人多打邊爐,食物生熟情況不易掌握,有人挾起食物咬一口後發現未熟,立即丟回鍋中繼續煮,除非是家人能包容你「食你口水尾」,否則以後應該無人再約你打邊爐。
.將自己碗內的湯倒入鍋中
這個行為匪夷所思,但好似又確實存在過,就是有人將自己碗內吃剩的湯汁倒入鍋中!驚嚇度達十級!你身邊有這種朋友嗎?
留言或按讚👍🏻支持一下我們吧!❤️ 歡迎 Follow 我們獲得更多養生資訊。
Irritable behaviors during hotpot
People say we can always tell a person’s character during a game of mahjong. This also applies to hotpot sessions. Putting our favorite ingredients into the hotpot to cook does not seem complicated, but it can show how disciplined people are, as well as their manners.
It would be an undesirable experience if we come across someone who does not observe all these social etiquettes……
. Dumping all the ingredients into the hotpot in one go
Even when there are only three or four persons sharing one hotpot, certain people just love to dump all the ingredients into the hotpot and have them all cooked in one shot. While some ingredients like beef will remain not fully cooked on the inside, some are overcooked and turned mushy. Such action also takes away the joy of rinsing the ingredients little by little.
. ‘Washing’ the chopsticks in the hotpot
It is always hygienic to use a pair of sharing chopsticks for cooking the ingredients in the hotpot, and eat using our own pair of chopsticks. This can avoid any form of contamination during the process. It would be unappetizing to see someone who does not switch chopsticks - or even worse, someone who likes to bite his or her chopsticks constantly.
.Two-flavored hotpot no longer ‘two-flavored’
The two-flavored hotpot, or as the Chinese called ‘yuanyang’, caters to the needs of two group of friends – those who can and those who cannot eat spicy food, and the clear soup should also be used to blanch vegetables for healthy eating. However, when some people feel the mala soup is too spicy, they would insist on ‘rinsing it’ in the clear soup first before eating. What would the others think of this behavior?
. Someone adding raw ingredients into the hotpot when the soup is boiling
When many people share one hotpot, or when the stove is not giving enough heat, the soup will take a longer time to boil. Just when we are about to take out the cooked ingredients and eat, someone just randomly adds more raw ingredients into the soup, causing the waiting game to repeat all over again.
. Dumping uncooked ingredients back into the hotpot
It is difficult to determine whether the ingredients are fully and partially cooked, especially when it involves many people. Imagine someone taking a bite of the food, realizing it is still not fully cooked, and dumping it right back to the hotpot! Our family members might tolerate this behavior but your friends would probably think twice before inviting you to another hotpot session.
. Pouring the remaining soup in the bowl into the hotpot
This might seem unbelievable but yes, some people would actually clear the soup in their bowl out by pouring it back into the hotpot! Shock level: 10/10. Do you have such friends?
Comment below or like 👍🏻 this post to support us. ❤️ Follow us for more healthy living tips.
#男 #女 #我狀態OK
form action post 在 samguw Youtube 的最讚貼文
Something a little different this time! Got my hands on a preproduction unit of the brand new EOS R5 for a day and decided to take it to the zoo to test out the 8K and IBIS. Shot 8K in IBP. Took some photos as well. This is not a technical test by any means but I did want to try and see how practical it would be in a real day shoot. Unfortunately made a mistake of shooting 4k 60p for two shots of the monkeys at the end and had to scale it up :( I have noticed some blotching in some clips, mainly in the shadows and I'm not sure why). Files were difficult to handle without transcoding. However, they were extremely sharp and detailed. No colour grading/correction done, just used a C-Log to Rec 709 lut provided by Canon. Also, I know its only 1080 but YouTube won't allow me to upload in 8k :(.
I was shooting under blazing hot sun and unfortunately, I did get the camera to overheat for a few periods. Once the camera overheats, you'll have to wait awhile and it will allow you to shoot 3/5 min depending on how long it's been cooling. You won't be able to record 8K and 4K once it overheats but taking photos and HD will work fine.
Tested the IBIS with an EF 100-400mm, mostly shooting at 400mm. NO post stabilisation applied to make sure it was fair. Once again, this is a preproduction unit so things might change in the full version.
Would I shoot 8k? No. It took way too long to edit and export. However, the 8k timelapse is a feature I would definitely use. I see this camera very useful for stock footage shooters who might need to shoot long form content but rather short bursts of 8k clips. I'll share a video with my thoughts on the R5 and R6 soon! (PS: for photography, this thing is well worth it!)
DISCLAIMER: I am a Canon Malaysia EOS Youth Ambassador so I am rather biased. I think Canon makes THE Best cameras in the market but that doesn't mean I won't state issues that I find with the cameras.
Music I use:
https://artlist.io/Samuel-241034
My 2020 filmmaking/photography kit:
(these are Amazon Affiliate Links and I get a small commission every-time you purchase from these links. These really help the channel out a lot!)
Gear used in this video:
Canon EOS R5: https://amzn.to/3lN4cCb
Canon EF 100-400mm f/4.5-5.6L IS II USM: https://amzn.to/2Z1McdK
Main photo/video camera: https://amzn.to/2QQ9ChI
Back up body: https://amzn.to/2QRB1zG
Favourite lens: https://amzn.to/2DsOVFy
Second favourite lens: https://amzn.to/2Z2HLPR
Best on-camera shotgun mic: https://amzn.to/3jzhPmO
Cheaper version of ^: https://amzn.to/32WlSD7
Alternative on-board shotgun mic: https://amzn.to/3lKBFx8
Best wireless mic: https://amzn.to/3jHd1Mi
Favourite Backpack: https://amzn.to/3lHETSa
Affordable external SSD I use: https://amzn.to/32NG4a2
Favourite gimbal: https://amzn.to/2Z3k7CJ
Affordable drone: https://amzn.to/2YZEmkK
Favourite action camera: https://amzn.to/2ETfBzV
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Let's do something together! Ask me anything you'd like!
[email protected]
Follow me on social media:
https://www.facebook.com/samuelguw/
https://www.instagram.com/samguw/
https://www.instagram.com/samguw_bts/
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