關於 free image to video ，我們在網路上蒐集到這些相關的討論、資訊與評價

VGC ได้รายงานจากเว็บไซต์ทางการของ EA ยืนยันว่า บริษัทได้ปล่อยสิทธิบัตรระบบ Ping ของ Apex Legends และระบบอื่น ๆ ของ EA รวมเป็น 5 สิทธิบัตร ให้นักพัฒนาเกมสามารถนำไปใช้งานได้ฟรี ไม่จำเป็นต้องจ่ายเงินค่าลิขสิทธิ์ ติดต่อขออนุญาตก่อนใช้งาน หรือเสี่ยงโดนฟ้องในข้อหาล่วงละเมิดสิทธิบัตร
.
โดยสิทธิบัตรที่ทาง EA ปล่อยให้นักพัฒนาเกมสามารถใช้งานได้ฟรี มีดังนี้
.
- "Contextually Aware Communications System in Video Games" - ระบบ Ping System กดแจ้งตำแหน่งให้เพื่อนร่วมทีมในเกม Apex Legends
.
- "Systems and Methods for Automated Image Processing for Images with Similar Luminosities" - ระบบประมวลผลภาพเพื่อช่วยเพิ่มการมองเห็นของสี เพื่อรองรับเกมเมอร์ที่อาจมีปัญหาด้านการมองเห็นสี (2 สิทธิบัตร)
.
- "Contrast Radio Detection and Rendering System" - ระบบตรวจจับอัตราส่วนของคอนทราสต์ในบริเวณพิกเซลของเฟรมที่แสดงผลโดยอัตโนมัติ
.
- "Personalized Real-Time Audio Generation Based on User Physiological Response" - ระบบการสร้างเสียงดนตรี เพื่อรองรับเกมเมอร์ที่อาจมีปัญหาด้านการได้ยิน
.
EA เผยสาเหตุที่ปล่อยสิทธิบัตรให้ใช้งานฟรี เพราะระบบดังกล่าวสามารถช่วยให้ผู้เล่นพิการทางด้านสายตา, การได้ยิน, การพูด หรือปัญหาเกี่ยวกับความเข้าใจอื่น ๆ สามารถเข้าถึงตัวเกมได้ง่ายขึ้น ซึ่งการปล่อยสิทธิบัตรเหล่านี้ อาจทำให้เกมในอนาคต มีตัวเลือก Accessibility ที่เข้าถึงทุกคนมากขึ้น
.
นอกจากนี้ EA กล่าวว่าในอนาคต อาจมีการปล่อยสิทธิบัตรตัวอื่น ๆ ให้นักพัฒนาเกมสามารถใช้งานได้ฟรีเพิ่มเติม จนถึงตอนนั้น ถ้าหากมีข่าวสารเกมที่น่าสนใจ ทางทีมงาน GamingDose จะรายงานกันต่อไป
.
ที่มา: https://www.ea.com/commitments/positive-play/accessibility-patent-pledge
.
https://www.videogameschronicle.com/news/ea-has-made-five-of-its-accessibility-patents-free-for-any-studio-to-use/
.
#ข่าวเกม #GamingDose #EA

Polish PS+ subscribers will get free movies and TV shows for a year.

About "THE BEAUTIFUL ONES"

Perhaps there are many of you who are interested in biology or anthropology had heard of the "Universe 25" experiment.

The experiment was about a "rat utopia", providing an artificial heaven for rodents to survive - free from predators, sufficient food, accommodation and all sorts of recreations. Such creatures with social structures will result in a "behavioral sink" when the group grows into a certain threshold.

In the experiment, rats and mice experiencing behavioral sink are invasive, refusing social activities, going hypersexual and progressing further, asexual and completely isolated from the community. Some males ended up just ate, slept, and groomed, wrapped in narcissistic introspection, and ultimately death. These were called by scientists as "The Beautiful Ones".

As there are more of "The Beautiful Ones", a huge community would eventually collapse and become extinct.

I am certainly not an expert on this, but this experiment gave me immense insight. At least from what I could observe, there are many who could not adapt to the exponential growth of the community and information, resulting into a situation very similar to "behavioral sink". Being alive is increasingly lonely, but such cultural revolution is also so poignant that motivated me to construct such a contradictory emotion and world setting with sounds.

Being the first song released under the new alias "KIVΛMKII", creating pieces in such form is also the main focus of the project. I have always been into theology, philosophy and science and so, which interprets life and universe in different eras and different ways. Transcribing such beauty into pieces of work is the greatest motivation throughout my life as an artist. I have always hoped that through such creation, I could come across more resonating souls in this lonely world, as a proof of my existence.

To stop writing forever, I shall talk about how I transcribe concepts into sounds and music in other instances, or in a walkthrough video of the entire project if you are interested.

I have to thank my friend Wayson Hsu for mastering the track with me. This piece is not as "digital" as my previous works, and I attempted to use analog gears to render the master track, giving the dirty and saturated, granulated world in the finalize phase. With his help, the outcome was satisfying.

I created the entire video for this. I planned to make a music video with my new character image, rendering with better visual effects, but my eyes got swollen due to infection, and the whole plan was ruined right before the date I scheduled to release the video, so it resulted in this motion visual. There might be some flaws in the video and I would say it is below perfection, but I would consider it a pass given the production schedule I had.

I would also like to thank another friend Yu-Lin Tsao for providing me insights of using program codes in the music video. Unfortunately the code seems blurred in the rendered video (I am so thankful that viewers are decoding them, and I have already released the code).

I wish my new work could bring some further insight to you, and there will be new works in the same concept upcoming. I will be working together with you for the better 2021.

Part of Japan illustrations set for the 2021 year DOCOMO (Japanese mobile carrier) calendar.

Read more about this project here:
https://mateuszurbanowicz.com/thumbs/docomo2021/


All the images were painted digitally using the Apple iPad Pro and the painting application Procreate.
File size: width 6000px
Brushes: my own brushes are available here: https://mateuszurbanowicz.com/tools/

All the images and brands are copyright by NTT DOCOMO, INC.
This image was made as a part of commissioned work but this video was not paid for and does not endorse any product.


Feel free to check out my other stuff:

Gumroad: https://gumroad.com/mateusz_urbanowicz
Patreon: https://www.patreon.com/mateuszurbanowicz

Website: http://mateuszurbanowicz.com
Blog: http://mattjabbar.tumblr.com
Twitter: https://twitter.com/gommatt
Instagram: https://www.instagram.com/mateusz_urbanowicz

Part of Japan illustrations set for the 2021 year DOCOMO (Japanese mobile carrier) calendar.

Read more about this project here:
https://mateuszurbanowicz.com/thumbs/docomo2021/


All the images were painted digitally using the Apple iPad Pro and the painting application Procreate.
File size: width 6000px
Brushes: my own brushes available here: https://mateuszurbanowicz.com/tools/

All the images and brands copyright by NTT DOCOMO, INC.
This image was made as a part of commissioned work but this video was not paid for and does not endorse any product.


Feel free to check out my other stuff:

Gumroad: https://gumroad.com/mateusz_urbanowicz
Patreon: https://www.patreon.com/mateuszurbanowicz

Website: http://mateuszurbanowicz.com
Blog: http://mattjabbar.tumblr.com
Twitter: https://twitter.com/gommatt
Instagram: https://www.instagram.com/mateusz_urbanowicz

Part of Japan illustrations set for the 2021 year DOCOMO (Japanese mobile carrier) calendar.

Read more about this project here:
https://mateuszurbanowicz.com/thumbs/docomo2021/


All the images were painted digitally using the Apple iPad Pro and the painting application Procreate.
File size: width 6000px
Brushes: my own brushes available here: https://mateuszurbanowicz.com/tools/

All the images and brands copyright by NTT DOCOMO, INC.
This image was made as a part of commissioned work but this video was not paid for and does not endorse any product.


Feel free to check out my other stuff:

Gumroad: https://gumroad.com/mateusz_urbanowicz
Patreon: https://www.patreon.com/mateuszurbanowicz

Website: http://mateuszurbanowicz.com
Blog: http://mattjabbar.tumblr.com
Twitter: https://twitter.com/gommatt
Instagram: https://www.instagram.com/mateusz_urbanowicz