2021年第1季的「筆歌墨舞—故宮繪畫導賞」精選多件和「牛」有關的作品，附圖這一件是【宋 李唐 乳牛圖】。
※小編覺得小牛應該是在叫牧童 #快點離開我媽的背上
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策展人的話：
牧童趴伏牛背，小牛隨後引頸低呼，寫實捕捉母子親情。畫牛用淡墨鈎輪廓，以筆絲出渦紋牛毛，下腹加以烘染，形體神韻描繪俱佳。背景平坦地上長有青草，岸邊山石點綴，恬靜的江南景色。畫上無款印，題籤梁清標（1620－1691）訂為李唐。
【Oxen】Li Tang, Song dynasty
Li Tang (ca. 1049-1130), whose style name was Xigu, was a native of Heyang in Henan province. He entered the Imperial Painting Academy during the reign of Song dynasty emperor Huizong. During the Jianyan reign period (1127-1130) he was conferred the honorary title "Gentleman of Complete Loyalty" and resumed his post in the Imperial Painting Academy, where he was a Painter-in-Waiting.
This painting depicts a shepherd boy lying astride an ox, its calf following close behind, lowing as it raises its head in a realistic portrayal of the affections between a mother and her offspring. Li used pale washes to outline the bodies of the oxen, and then used the brush's bristles to render the swirling patterns in the hair on their hides, as well as relief shading to accent their bellies. The combined effect of these techniques ably captured the oxen in both spirit and form. In the background, green grasses growing on level ground and a smattering of boulders and escarpments lend the painting southern China's signature aura of rural tranquility. This work was not marked with seals, but an accompanying inscription by Liang
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●筆歌墨舞—故宮繪畫導賞（展期：2021/01/01~04/06）
展覽網站：https://theme.npm.edu.tw/exh110/Painting11001/
陳列室：210【北部院區】第一展覽區
●Pictorial Songs of the Brush: A Guide to Paintings in the National Palace Museum Collection
Dates: 01 JAN 2021~06 APR 2021
https://www.npm.gov.tw/en/Article.aspx?sNo=04011497
Gallery: 210 (Northern Branch) Exhibition Area I
日本語：https://theme.npm.edu.tw/exh110/Painting11001/jp/page-2.html
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