關於 in the confines ，我們在網路上蒐集到這些相關的討論、資訊與評價

Journey into the Himalayas 🏔

這個月的NTS Radio節目邀請到了來自西藏邊境的北印度拉達克 — 聲音藝術家 Ruhail Qaisar，擔任後40分鐘的客座mix。讓我驚艷的是他節錄了來自英國攝影師Tim Malyon的圖像聲音，來為此介紹拉達克當地的文化與風景，像是旅行到了喜馬拉雅 🦬。

前20分鐘由我來播放台灣實驗音樂製作人的作品，與一首來自原住民的民歌“從現在起 Paiska laupaku”。 其中也收錄了我的一首尚未發表的現場錄音。

敬請收聽🎧 ： https://www.nts.live/shows/meuko-meuko/episodes/meuko-meuko-21st-june-2021

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藝術家介紹：

Ruhail Qaisar 是來自印度拉達克的自學多媒體藝術家和聲音製作人。 他專注於聲音藝術和實驗電影製作。 自 2016 年以來，他一直以他以前的演出名稱“Sister”在印度各地演出。

作為一名聲音藝術家，他透過結合白話詩和即興創作來探索記憶的局限、代際關係和潛意識的運作。

他的作品專注於傳遞事件和當地神話中的記憶，這些記憶是他在拉達克偏遠村莊長大的回憶而發展，他被後工業時代的噪音和令人不安的電子設備所影響，而加以融合在他的創作中。而他在今年的 “CTM Festival :Transformation”參與了線上的«黑客實驗室多語言演出»的項目 {Quz民hi辩 क्शन化證कॉ} https://youtu.be/gb2SoniqlCI

目前他在香港的HKCR線上電台進駐，他的節目《The Hounds of Pamir》在他自己的節目中，取材於零度以下的氣候、以當地的聲音採集和絲綢之路的音景，進一步擴展到邀請來自各地的藝術家們，在全球範圍內展示了與無數場景、集體和個人的合作。

Ruhail Qaisar is a self-taught multidisciplinary artist and producer from Ladakh, India. His work focuses on sound art and experimental filmmaking. He has been performing all over India since 2016 under his previous moniker “Sister”.

As a musician, he explores the confines of memory, intergenerational trauma, and the operational swarm of the unconscious through the incorporation of vernacular poetic gestures and improvisation.

The work serves to transmit memories carried through events and local mythos as developed through his recollections of growing up in the remote villages of Ladakh, disturbed with spastic barrages of post-industrial noise and unnerving power-electronics.He also participated remotely in the “Musicmakers Hacklab” at “CTM Festival: Transformation 2021” . With the highlight being the multilingual feedback loop performance piece {Quz民hi辩 क्शन化證कॉ}

He is currently a resident at HKCR with his show The Hounds of Pamir, which started as 60-minute live sets drawing from sub-zero climes, local field recordings, and Silk Route travel journals, further branching into inviting guests from all over the globe showcasing collaboration with myriad scenes, collectives, and individuals despite the inaccessibility and the limitations of the pandemic.

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🦅
Tracklist :

Meuko :
Perfect Blue OST - Virtual Mima
Moon Wu - 禪
Sabiwa - Something wrong
Utingling安居 - 鱘 Staghorn Coral
林建海.邱皓恩.江慧馨.邱永祿 - 從現在起 Paiska laupaku
Meuko! Meuko! - Unreleased

Ruhail Qaisar :
Ruhail Qaisar - Prophecies by the Matho Oracles for the year 2021
A.R Rahman - Dil Se Opening score
Tim Malyon’s Radio pictures of Ladakh - Closer to the Gods
Tibetan Folk Ensemble - Shing Yangrelo
A.R Rahman and Arvind Swamy - Udal Manukku Uyir
Bombay Jayashri, P. Unnikrishnan - Narumugaiyeh
Genocide Shrines - Triumphing of the Three Pillars
Mahakali Yoga - Aku Membentang Dosa
Tim Malyon’s Radio Pictures of Ladakh - The Leaping Lord of Wanla
Ruhail Qaisar - Ladakhi Funeral Rite
Tibetan Folk Ensemble - On Snow Mountain
Ruhail Qaisar - Scrambled radio signals transmitted from China received in Ladakh

.

Photo credits @wangyuorg @tim.malyon @iakkashaxul

#NTSRadio

Me, Ash and Byron Duvel did an interview with i-D Japan about the film we produced back in 2019, "Clutter Confines".
The project is a collaborative work between artists in and around Taipei queer community in response to the same sex marriage legalization movement.

私とAsh Lin、Byron は、2019年に制作した映画「Clutter Confines」について i-D Japan にインタビューされました。
このプロジェクトは、同性結婚の合法化運動に対応した、台北とその周辺のアーティスト間のクィア コミュニティの共同作業です。

【能成功的人，絕對不粗心】
You Don't Become Successful by Being Careless

昨天早上的八字諮詢報名，我都已回覆了。沒收到我回覆的，原因不離：

一、沒有確切的出生時間。
有報名者在這欄寫 tba upon confirmation (確定諮詢後再通知）。
這位應該是沒看我最近的直播，也略過我網頁註明的條規。別把我的條規當兒戲。
在僧多粥少的情況下，我寧願把諮詢排給有準備的人。其實就算有空，我也沒想接，因為態度一開始就不對了。

二、填錯生日
有位先生把生日寫成（舉例）：05/07/2021。
我覺得應該在下一季報名，先生出來，才能有確定的八字來批命。

也有位先生寫成 05/07/198。
這是要我自己看星卜卦還是捏指神算？

表格欄裡註明要的是陽曆生日，因此填寫農曆生日的也不會回覆。

三、填錯電郵
結果我的郵件被退回。

四、曾聯絡我師父
我都懂，您也懂。一開始就來騙我這位大貴人，天在看啊～

另外，各位回覆我時，請勿以撰寫新郵件的方式。這樣我還得搜回之前的郵件，看是否有漏掉什麼，很沒有效率，會讓後面等待我回覆的客人等得更久。如果屢犯，那請恕我會取消諮詢。

過多的粗心，是一種業力的黑影。在重要的時刻粗心，那真的是鬼遮眼了。

天底下多少人都曾算過命，找師父算，找朋友算，找三姑八叔算，用電腦算，一算再算不亦樂乎，可為何真正能推翻八字四柱束縛的人卻如鳳毛麟角呢？

要改命，先學會對自己嚴格一點，看到任何蛛絲馬跡的粗心都得立志把它改過來，才能過突破自己命運的侷限。

好命，不是您要就應該有的。

所以改命前，總是有考驗，也必須有考驗，才能測出您到底是否值得好命。

要不然，就隨便吧！

📺 https://youtu.be/YZ-GgOXlDKc

_______________________________

For Bazi registrations sent in yesterday, I have already replied to all. If you have yet to receive my email, very likely these are the reasons：

1) No precise birth time
One registrant wrote "tba upon confirmation" in the birth time field. I guess he must have not seen my recent FB Live, and skimmed over the rules stated on my webpage.

Don't think little of the rules I list. When I do not have enough time slots to allocate, I would rather give it to someone who comes more prepared. Actually, even if I am free, I would still not take up this request, because the attitude is wrong right at the start.

2) Wrong birthday stated
A gentleman wrote his birthday as e.g 05/07/2021.
Please register again next season after he is born. It would be a more accurate reading, when the Bazi is affirmed upon his birth.

Another gentleman wrote 05/07/198.
Mister, it's a lot of work if I need to see the stars to do divination for your birth year...

The birthday field asks for birthdays in Gregorian calendar i.e. the usual Western calendar we are familiar with. Thus, forms with Lunar birthdays written will also not get a reply.

3) Wrong email given
And my mail got bounced back...

4) Contacted my Shifu previously
I know. You also know. So don't attempt to bluff this noble benefactor. Heaven is watching.

Excessive carelessness is the shadow of negative karma. To be negligent at important moments is literally having your eyes blindfolded by ghosts.

Countless of people have gotten their fortune told. They look for Masters, seek the help of friends, get the advice of Third Aunt and Eighth Uncle, and use the computer to read their Bazi, relishing in the delight of knowing what is ahead.

But..why is it so rare for people to tear down the confines of the four pillars in their Bazi?

To transform your destiny, you have to first learn to be stricter with yourself. When you see any traces of carelessness, you must have the determination to improve on that, to break out from the limits of your destiny.

A good Destiny is not something you should have just because you want it.

Thus on the cusp of changing your Destiny, there is bound to be tests and there definitely should be such obstacles.

To see whether you deserve the good fortunes.

If you don't wish to make the mark, then just let things be.

📺 https://youtu.be/YZ-GgOXlDKc

decided to leave the confines of my room with crusty lighting and film outside for a change. I think the weather took 5 years off my lifespan but it's ok. all for the aesthetics u know. this might just be my prettiest video yet??? tragic

daily tote: https://www.inthemoodfor.net/shop/daily-mood-tote

music
open your eyes (botw remix) by liltommyj https://youtu.be/xCKRI_3q13Q

dk rap lofi by Louie Zong https://youtu.be/BYkW_B6OBvQ

instagram @studyng

this video is not sponsored

L I K E S U B S C R I B E S H A R E

Introducing the stunning Infinity Display

The revolutionary design of the Galaxy S8 and S8+ begins from the inside out. We rethought every part of the phone's layout to break through the confines of the smartphone screen. So all you see is pure content and no bezel. It's the biggest, most immersive screen on a Galaxy smartphone of this size. And it's easy to hold in one hand.

Design

Boundaries removed
The Infinity Display has an incredible end-to-end screen that spills over the phone’s sides, forming a completely smooth, continuous surface with no bumps or angles. It’s pure, pristine, uninterrupted glass. And it takes up the entire front of the phone, flowing seamlessly into the aluminum shell. The result is a beautifully curved, perfectly symmetrical, singular object.

BUT THIS IS GALAXY SIII COMPLETELY LOOK LIKE GALAXY S8 THE WALLPAPER LOOK LIKE EDGE IN S3...!

□ *Flashing* Galaxy S8 icon pack on S3
■ https://youtu.be/W2x4257Bg1k

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