關於 make reference to meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

Signet Ring of Authority

“Pharaoh said to Joseph, “Because God has shown you all of this, there is no one so discreet and wise as you. You shall be over my house, and according to your word will all my people be ruled. Only in the throne I will be greater than you.” Pharaoh said to Joseph, “Behold, I have set you over all the land of Egypt.” Pharaoh took off his signet ring from his hand, and put it on Joseph’s hand, and arrayed him in robes of fine linen, and put a gold chain about his neck, and he made him to ride in the second chariot which he had. They cried before him, “Bow the knee!” He set him over all the land of Egypt. Pharaoh said to Joseph, “I am Pharaoh, and without you shall no man lift up his hand or his foot in all the land of Egypt.”” (Genesis‬ ‭41:39-44‬ ‭WEB‬‬)

Before Pharaoh put on the signet ring on Joseph’s hand, he spoke, giving Joseph authority over the nation of Egypt. The ring therefore represents the authority of the King. Whoever wears the ring has been authorized to act on the King’s behalf, and the Kingdom’s resources are at this person’s disposal.

In the story of Joseph, Joseph is a picture of Jesus, who was accused of committing a crime that He did not commit, and then subsequently raised to the right hand of God, having all authority and power, as well as the name above every other name.

Jesus endured the greatest humiliation in order to purchase the greatest salvation for mankind. That is why Abba God gave Jesus the “signet ring”—all authority, glory, honor, and power.

We don’t really find any significant thing about rings until Jesus mentions it in His parable of the prodigal son. I believe He was drawing a reference to the story of Joseph because the “best robe” also parallels with the “robes of fine linen” that Pharaoh gave to Joseph.

““But the father said to his servants, ‘Bring out the best robe, and put it on him. Put a ring on his hand, and shoes on his feet. Bring the fattened calf, kill it, and let us eat, and celebrate; for this, my son, was dead, and is alive again. He was lost, and is found.’ They began to celebrate.” (Luke‬ ‭15:22-24‬ ‭WEB‬‬)

In the parable, we find that the ring is given to the prodigal son who is a picture of us who are saved by Grace through faith. We did not do anything to deserve forgiveness, but God forgave and restored us to sonship because of His love and Grace.

So Jesus was the original recipient of the ring, and then Jesus said that Abba God gave the ring to us.

In the context of the parable, a family ring like that would have an insignia of the rich family, and when buying things, the prodigal son could just show the signet, meaning to say, “Charge the bill to my father’s tab.”

The ring being given to us tells us that we have received authority from God to act in His name, and to receive good things because of being in His family. We enjoy all these benefits at God’s expense, and He is most willing to provide what we need.

“The glory which you have given me, I have given to them; that they may be one, even as we are one; I in them, and you in me, that they may be perfected into one; that the world may know that you sent me, and loved them, even as you loved me.” (John‬ ‭17:22-23‬ ‭WEB‬‬)

Before Jesus was arrested and eventually crucified, He prayed to the Father that the glory which belonged to Him (Jesus) should be given to us as well. This is like giving the signet ring which was His, to us.

See yourself as one with God, and make no distinction between what is His and what is yours. We have been joined to Christ through the new birth and the New Covenant of Grace.

““He said to him, ‘Son, you are always with me, and all that is mine is yours.” (Luke‬ ‭15:31‬ ‭WEB‬)

Do you believe this, that everything that belongs to God also belongs to you? You are so wealthy because God gave you every spiritual blessing so that you lack nothing.

Whenever you feel like you have nothing, use the signet ring as a visual aid. Imagine Abba God placing it on your finger and reminding you that all authority that belongs to Jesus has also been given to you. In Christ, you have everything that you need!

The four gospels Matthew, Mark, Luke, and John contain many powerful truths that will help you in life. Understand them through the lens of Grace: https://bit.ly/understandeveryparable

สรุปการนำ “อิคิไก” มาใช้ในธุรกิจ

การนำ “อิคิไก” มาใช้ในธุรกิจ - MarketThink
หลักคิด “อิคิไก (IKIGAI)” ที่หมายถึง การค้นหาความหมายของการมีชีวิตอยู่
ซึ่งมาจากการคำว่า อิคิรุ (IKIRU) ที่แปลว่า การมีชีวิต และ ไก (GAI) แปลว่า คุณค่า

แต่หลายคนอาจไม่รู้ว่า นอกจากเรื่องชีวิตแล้ว
เราสามารถนำหลักคิดนี้ มาปรับใช้กับตัวธุรกิจได้

ซึ่งคุณดั่งใจถวิล อนันตชัย ประธานเจ้าหน้าที่ฝ่ายปฏิบัติการและกรรมการผู้จัดการ บริษัท อินเทจ (ประเทศไทย) จำกัด เคยอธิบายไว้ว่า
“โมเดล อิคิไก ถ้าเปลี่ยนเป็นมุมธุรกิจ
เราสามารถนำแกนหลัก 4 แกนของ อิคิไก มาตั้งคำถามกับธุรกิจของตัวเองได้”

โดย 4 แกนหลัก ประกอบด้วย

1) สิ่งที่เรารัก ชอบ และมีความสุขที่ได้ทำ (What you love ?)
2) สิ่งที่มีประโยชน์ต่อโลกและผู้อื่น (What the world needs ?)
3) สิ่งที่สร้างรายได้ให้เรา (What you can be paid for ?)
4) สิ่งที่เราทำได้ดีกว่าคนอื่นๆ (What you are good at ?)

แล้วนำ 4 แกนนี้ มาตั้งคำถามกับธุรกิจของตัวเองว่า

-Passion :
อะไรคือสิ่งที่เรารัก ชอบ และมีความสุขที่ได้ทำ ?

ต้องตอบได้ว่า Core Business หรือแก่นธุรกิจของเราคืออะไร
เราอยากประสบความสำเร็จในสิ่งไหน
สิ่งไหนที่แม้แต่ต้องเจออุปสรรคต่างๆ เราก็อยากจะเดินหน้าทำต่อไป

-Mission :
อะไรคือสิ่งที่มีประโยชน์ต่อโลกและผู้อื่น ?

ธุรกิจของเราสามารถสร้างประโยชน์ต่อคน สังคม ในแง่มุมไหนได้บ้าง
เช่น สะท้อนออกมาเป็นการทำ CSV (Creating shared value) หรือ SB (Sustainability brand)

-Vocation :
อะไรคือสิ่งที่สร้างรายได้ให้เรา ?

ธุรกิจต้องสร้างรายได้และเลี้ยงตัวเองได้ เมื่อเราแข็งแรง เราจะมีกำลังในการสร้างสิ่งดีๆ ให้ผู้อื่น

-Profession :
อะไรคือสิ่งที่เราทำได้ดีกว่าคนอื่นๆ ?

หาจุดเด่น หรือความเชี่ยวชาญที่เราถนัด ทำให้จุดเด่นนั้นแข็งแรงขึ้น และต่อยอดธุรกิจต่อไป
เพื่อสร้างความแข็งแกร่งให้ธุรกิจ

จะเห็นได้ว่า “อิคิไก” ซึ่งเป็นหลักคิดสร้างสุขยั่งยืนของคนญี่ปุ่น ก็สามารถนำมาปรับใช้กับธุรกิจได้

สรุปแล้ว
สำหรับการค้นหา อิคิไกของตัวเรา คือ การค้นหาความหมายของการมีชีวิตอยู่

แต่ อิคิไก ในแง่มุมธุรกิจ ก็คือ ความหมายในการมีอยู่ของธุรกิจนั้น นั่นเอง..

#อิคิไก
#ธุรกิจ
---------------------------------------------------
อ้างอิง:
-หนังสือ อิคิไก: ความหมายของการมีชีวิตอยู่ ของ เคน โมงิ
-https://thestandard.co/podcast/readery14
-https://mgronline.com/management/detail/9600000114439
Implementing ′′ Ikikai ′′ in business - MarketThink
The principle of ′′ IKIGAI (IKIGAI) ′′ that means finding the meaning of living.
Which comes from Ikiru (IKIRU) meaning living and gai (GAI) means value.

But many people may not know that apart from life.
We can apply this concept to business.

Which is your heart, Wil Anantchai, Chief Operations Officer and Director, Interage Company Limited, has explained.
′′ Ikikai model, if you turn into a business corner.
We can bring Ikikai's 4 core studs to question their business

By 4 main axis consists of

1) What we love, like and are happy to do (What you love? )
2) What is useful to the world and others? (What the world needs? )
3) What make money for us (What you can be paid for? )
4) What we do better than others. (What are you good at? )

And bring these 4 axis to question their business.

-Passion :
What is something we love, like and are happy to do?

What is Core Business or our business?
What do we want to accomplish?
Any obstacle that we have to go through, we want to keep going.

-Mission :
What is it that benefits the world and others?

What extent can our business benefit social people?
For example, reflecting on making CSV (Creating shared value) or SB (Sustainability brand)

- Vocation:
What is it that proceeds us?

Businesses must make money and raise themselves. When we are strong, we will have the strength to create good things for others.

-Profession :
What is it that we do better than others?

Looking for highlights or expertise that we're good at making our highlights stronger and further business ventures.
To strengthen the business

It can be seen that ′′ Ikikai ′′ which is the main principle to create sustainable happiness of Japanese people. It can be applied to business.

In conclusion,
For finding our own Ikikai is finding the meaning of living.

But Ikiki in business aspect is the meaning of business..

#อิคิไก
#ธุรกิจ
---------------------------------------------------
Reference:
- Ikikai Book: The meaning of living of Kenyan
-https://thestandard.co/podcast/readery14
-https://mgronline.com/management/detail/9600000114439Translated

Alumine Five of Stenheim

Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.

I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.

Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.

The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.

The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.

So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.

The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.

The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.

Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).

Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................

Price: $60,000 per pair.
Warranty: Five years parts and labor.

(Source: The Audio Beat)

OMG! I never thought Roland would be able to replicate the taste of my favourite McDonald's Samurai Burger. Boy I was wrong! Roland's Samurai Burger is so good!! If you're not from Singapore or Thailand (which other country has Samurai burger? - lemme noe if you noe), you may not have heard about this burger before. This is a seasonal burger meaning McDonald's only serve this once a year. I love Samurai Burger because it's so juicy - drenched with the yummy sauce. Ooh Lala!! Next up, I shall get Roland to try and make McDonald's Prosperity Burger. Who here likes that too?

See the ingredient list below for your easy reference.

Hope you can recreate this yummy dish in the comfort of your home. Thanks for dropping by our channel.

Please subscribe to stay tuned to our home cooking videos.

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Jamie
on behalf of Spice N’ Pans

McDonald's Inspired Samurai Burger ingredients
Serves 4 pax
————
Meat patties
-------
700g ground beef (20% fats 80% lean meat - you can use pork or chicken instead)
1 teaspoon garlic powder
1/2 teaspoon ground black pepper
1 teaspoon salt

Teriyaki sauce
-------
250ml sake
1/2 thumb sized young ginger - grated
2 cloves garlic - grated
125ml low sodium light soy sauce
125ml mirin
2 tablespoons brown sugar

Other ingredients
-------
1 red onion - sliced (you can use yellow onion)
4 burger buns
4 eggs
Some lettuce
4 slices cheddar cheese

===
Don't know where to get the ingredients or don't know how they look like? See the links below.
Mirin https://amzn.to/3nZysv0
Sake https://amzn.to/34UOjCm
Low sodium light soy sauce https://amzn.to/376adW2
Pink salt https://amzn.to/350ePu9


 ----------
Looking for similar cooking equipment like the one we used in the video? These might interest you:
Granite wok pan https://amzn.to/2DXEPMV

-------------
Filming equipment:
iPhone 11 Pro Max (Get from Amazon https://amzn.to/3eA24tz)
Microphone: Sennheiser AVX digital wireless microphone system

Get Sennheiser microphone in Singapore:
https://singapore.sennheiser.com/products/avx-mke2-set-3-uk?_pos=2&_sid=adb86a9d8&_ss=r

Get Sennheiser microphone from Amazon:
https://amzn.to/2NILqMR

-------------
 If you like this recipe, you might like these too:

Super Crispy Fried Chicken Recipe 盐酥鸡 Taiwanese Style 超大鸡排-迷你版
https://youtu.be/HgApMC03EwY

Crispy Puffy Prawn Omelette • Thai Style Shrimp Fried Egg
https://youtu.be/h_VlT0I98VY

The BEST Chinese Fried Chicken! Kam Heong Chicken Recipe 甘香鸡
https://youtu.be/_1A94_ubsdQ

-------------
Disclaimer:
Spice N' Pans is not related to these products and cannot guarantee the quality of the products in the links provided. Links are provided here for your convenience. We can only stand by the brands of the products we used in the video and we highly recommend you to buy them. Even then, preference can be subjective. Please buy at your own risk. Some of the links provided here may be affiliated. These links are important as they help to fund this channel so that we can continue to give you more recipes. Cheers!

KAWAII♥PATEEN Report
"Shiro-Nuri" (painted in white) artist MINORI interview & June 2014 exhibition

Minori is a Shiro-Nuri (painted in white) makeup artist who uses Japanese traditional Shiro-Nuri techniques to express nature-centered themes since 2009.
Her art is not limited to photos, she is herself a living work of art, exhibiting her Shiro-Nuri makeup as a fashion style in everyday life. She calls this style "Monshiro-Joh", which would mean "Miss Small-White" (a play of words with "Monshiro-Choh" which means Small Cabbage White butterfly).

Shiro-Nuri is a Japanese traditional makeup style, and is used by Geisha and actors of Kabuki for a very long time.

Since the Meiji era (1868-1912) the Japanese arts have been greatly influenced by the Fine Arts from the occident,
and started moving from simple handicrafts to fine arts, and lately with the new technologies Japanese arts start another transformation.
This exhibition called HYOH-BYOH is centered around the artists whose art is based on traditional Japanese detailed crafts and workmanship, and still not influenced by new technologies.

—
Tokyo Street Fashion KAWAII♥PATEEN
--- Have fun with Fashion! ---
Also on Facebook with tons of photos :
https://www.facebook.com/Tokyo.Street.Fashion.KAWAII.PATEEN
Official site : http://waoryu.jp
----------
creating decorations as I desire, like a canvas.
People do get scary
I do not care about the criticism
There are clothes I want wear, and I do my make-up accordingly, so with the white painting I also wear it as a fashion.
I truly like the Gothic and the Lolita, and since those types of clothes are decorated, or should I say, the decorations are very detailed, there was a part of me which said it does not match very well with my looks.
During that time, I was not creating, but the desire to express my originality grew more and more. Thus, I started creating on my own or re-make, and I had continued to change my make-up accordingly.
When my face is white, I am able to change the decoration or create a new face like a canvas.
I brought in my favorite "nature" aspect, and gave it more originality.

During that time, I was not creating, but the desire to express my originality grew more and more. Thus, I started creating on my own or re-make, and I had continued to change my make-up accordingly.
When my face is white, I am able to change the decoration or create a new face like a canvas.
I brought in my favorite "nature" aspect, and gave it more originality.

I have different mindsets on fashion photos and art photos. The fashion is based on purely for my enjoyment, but the art photos is an experiment on how much I can express on one theme of nature. And, based on that nature theme, I make my own costume or tell the photographer on how I want to shoot the photos and create something together.
It does make people scary.
The white painting. Yes, when the face is white, people tell me I look dead or it looks creepy, but other than that I do not have any problems.
I have this pure feeling of loving it, and I have a strong feeling of expressing through this white painting style, and it is the strongest thing I want to do in my life. Although others may call it creepy, I do not care much. Seeking what I want to do and finding the meaning of my life is what keeps me going despite the criticism.
This exhibition is called "HYOH-BYOH" (vast and indistinct). It is an exhibition of masterly art of selected artists who create by hand, which is analog but very detailed work.
I was invited by Ikeuchi-san, the curator who thought my make-up to be great and eye catching. Based on the theme of nature becoming visible from the inner face is the main theme. The title is "metabolism". The image I have is absorbing and releasing new things in and out of your self.
It seems there is a body mechanism of blinking without consciousness. I believe in that short moment appears the true nature within me. So, I shot with the theme of nature coming out and disappearing every time I blink my eyes.
The art works have been taken in 4 patterns.
From the top, "sun" "plants" "water" and "earth"
From the left is shown the "sleep" "awakening" "enlightenment" "death".
I am not only changing my make-up, but also my hair as well.
One of the themes is the "sun" from its "awakening" until its death.
This took us a whole day to photo shoot. Starting from the very first status of sleep, I added more make-up and finalized it. It goes same with the hair where I arrange using one whole thing on the same day and at the end, accordingly with "death", I either burn it or spray paint it.