關於 no control lyrics ，我們在網路上蒐集到這些相關的討論、資訊與評價

#new #love #song

Comment below if you’ve ever met your twin flame 👯🔥

遇過粒欸雙生火焰的趕快留言跟我分享😻

If you’ve never heard of that before, here’s the definition.

A twin flame is an intense soul connection, sometimes called a "mirror soul.”

不知道雙生火焰的粒，九粒來解釋一下：

雙生火焰（又稱為靈魂雙胞胎）是一種很強烈的靈魂連結，有時候也會稱為”靈魂的鏡子”

趕快嘎哇分享粒欸故事吧！Comment below and share your story with me!!

❣️記得按下右邊的收藏小內褲 🩲才可以隨時回來複習吶👏🏼

💫今日英文

1️⃣ stay up 熬夜
2️⃣ wonder 想知道
3️⃣ lose track of time 忘了時間
4️⃣ overlap 重疊 / 有共同之處
5️⃣ type 菜 型
6️⃣ coincidence 巧合
7️⃣ connection 連結
8️⃣ shock （使）震驚
9️⃣ fall 暈船 愛上
🔟 birth control 避孕藥

📝 Lyrics

We stayed up all night
Wondering how this happened
Seems like we lost track of time
Cause too much is overlapping

wasn’t love at first sight not my type
But our souls be matching
Nothing is a coincidence
I know I met you for a reason

It was talk, lol, soul connection
Shocked oh no way this is happening
thought I couldn’t fall no more
But you pulled me back up from that hole
You became my new goal
I guess I need to get on birth control

🎶 Amazing Beats By : “Midnight Love”
@thaibeats_official

#饒舌 #饒舌創作 #typebeats #rap #newmusic #englishlearning #英文學習 #英文單字 #twinflame #lovesong #learnenglish

"Hong Kong punk and hardcore bands have come together to record a track entitled One Voice in response to the 4 months of social/political unrest. There is no end in sight to the turmoil at the hands of our inept government and our out of control police force."

剛剛的北美之行，在演出之餘，當然也勾結了不少的當地的媒體。

#lgbtqInHongKong #CensorshipInChina #FreedomOfSpeech #LiberateHongKong #StandWithHongKong #CantoPop

//Anthony Wong’s Forbidden Colors

Out Hong Kong Canto-pop star brings his activism to US during his home’s protest crisis

BY MICHAEL LUONGO

From 1988’s “Forbidden Colors,” named for a 1953 novel by gay Japanese writer Yukio Mishima to this year’s “Is It A Crime?,” commemorating the 30th anniversary of the Tiananmen Square Massacre, Hong Kong Canto-pop star Anthony Wong Yiu-ming has combined music and activism over his long career. As Hong Kong explodes in revolt against Beijing’s tightening grip with the One Country, Two Systems policy ticking to its halfway point, Wong arrived stateside for a tour that included ’s Gramercy Theatre.

Gay City News caught up with 57-year-old Wong in the Upper West Side apartment of Hong Kong film director Evans Chan, a collaborator on several films. The director was hosting a gathering for Hong Kong diaspora fans, many from the New York For Hong Kong (NY4HK) solidarity movement.

The conversation covered Wong’s friendship with out actress, model, and singer Denise Ho Wan-see who co-founded the LGBTQ group Big Love Alliance with Wong and recently spoke to the US Congress; the late Leslie Cheung, perhaps Asia’s most famous LGBTQ celebrity; the threat of China’s rise in the global order; and the ongoing relationship among Canto-pop, the Cantonese language, and Hong Kong identity.

Wong felt it was important to point out that Hong Kong’s current struggle is one of many related to preserving democracy in the former British colony that was handed back to China in 1997. While not his own lyrics, Wong is known for singing “Raise the Umbrella” at public events and in Chan’s 2016 documentary “Raise the Umbrellas,” which examined the 2014 Occupy Central or Umbrella Movement, when Hong Kong citizens took over the central business district for nearly three months, paralyzing the city.

Wong told Gay City News, “I wanted to sing it on this tour because it was the fifth anniversary of the Umbrella Movement last week.”

He added, “For a long time after, nobody wanted to sing that song, because we all thought the Umbrella Movement was a failure. We all thought we were defeated.”

Still, he said, without previous movements “we wouldn’t have reached today,” adding, “Even more so than the Umbrella Movement, I still feel we feel more empowered than before.”

Hong Kong’s current protests came days after the 30th anniversary commemorations of the Tiananmen Square Massacre, known in China as the June 4th Incident. Hong Kong is the only place on Chinese soil where the Massacre can be publicly discussed and commemorated. Working with Tats Lau of his band Tat Ming Pair, Wong wrote the song “Is It A Crime?” to perform at Hong Kong’s annual Tiananmen commemoration. The song emphasizes how the right to remember the Massacre is increasingly fraught.

“I wanted our group to put out that song to commemorate that because to me Tiananmen Square was a big enlightenm­ent,” a warning of what the Beijing government will do to those who challenge it, he said, adding that during the June 4 Victoria Park vigil, “I really felt the energy and the power was coming back to the people. I really felt it, so when I was onstage to sing that song I really felt the energy. I knew that people would go onto the street in the following days.”

As the genre Canto-pop suggests, most of Wong’s work is in Cantonese, also known as Guangdonghua, the language of Guangdong province and Hong Kong. Mandarin, or Putonghua, is China’s national language. Wong feels Beijing’s goal is to eliminate Cantonese, even in Hong Kong.

“When you want to destroy a people, you destroy the language first, and the culture will disappear,” he said, adding that despite Cantonese being spoken by tens of millions of people, “we are being marginaliz­ed.”

Canto-pop and the Cantonese language are integral to Hong Kong’s identity; losing it is among the fears driving the protests.

“Our culture is being marginalized, more than five years ago I think I could feel it coming, I could see it coming,” Wong said. “That’s why in my music and in my concerts, I kept addressing this issue of Hong Kong being marginaliz­ed.”

This fight against the marginalization of identity has pervaded Wong’s work since his earliest days.

“People would find our music and our words, our lyrical content very apocalyptic,” he explained. “Most of our songs were about the last days of Hong Kong, because in 1984, they signed over the Sino-British declaration and that was the first time I realized I was going to lose Hong Kong.”

Clarifying identity is why Wong officially came out in 2012, after years of hints. He said his fans always knew but journalists hounded him to be direct.

“I sang a lot of songs about free love, about ambiguity and sexuality — even in the ‘80s,” he said, referring to 1988’s “Forbidden Colors.” “When we released that song as a single, people kept asking me questions.”

In 1989, he released the gender-fluid ballad “Forget He is She,” but with homosexuality still criminalized until 1991, he did not state his sexuality directly.

That changed in 2012, a politically active year that brought Hong Kongers out against a now-defunct plan to give Beijing tighter control over grade school curriculum. Raymond Chan Chi-chuen was elected to the Legislative Council, becoming the city’s first out gay legislator. In a concert, Wong used a play on the Chinese word “tongzhi,” which has an official meaning of comrade in the communist sense, but also homosexual in modern slang. By flashing the word about himself and simultaneously about an unpopular Hong Kong leader considered loyal to the Chinese Communist Party, he came out.

“The [2012] show is about identity about Hong Kong, because the whole city is losing its identity,” he said. “So I think I should be honest about it. It is not that I had been very dishonest about it, I thought I was honest enough.”

That same year he founded Big Love Alliance with Denise Ho, who also came out that year. The LGBTQ rights group organizes Hong Kong’s queer festival Pink Dot, which has its roots in Singapore’s LGBTQ movement. Given the current unrest, however, Pink Dot will not be held this year in Hong Kong.

As out celebrities using their star power to promote LGBTQ issues, Wong and Ho follow in the footsteps of fellow Hong Konger Leslie Cheung, the late actor and singer known for “Farewell My Concubine” (1993), “Happy Together” (1997), and other movies where he played gay or sexually ambiguous characters.

“He is like the biggest star in Hong Kong culture,” said Wong, adding he was not a close friend though the two collaborated on an album shortly before Cheung’s 2003 suicide.

Wong said that some might think he came to North America at an odd time, while his native city is literally burning. However, he wanted to help others connect to Hong Kong.

“My tool is still primarily my music, I still use my music to express myself, and part of my concern is about Hong Kong, about the world, and I didn’t want to cancel this tour in the midst of all this unrest,” he said. “In this trip I learned that I could encourage more people to keep an eye on what is going on in Hong Kong.”

Wong worries about the future of LGBTQ rights in Hong Kong, explaining, “We are trying to fight for the freedom for all Hong Kongers. If Hong Kongers don’t have freedom, the minorities won’t.”

That’s why he appreciates Taiwan’s marriage equality law and its leadership in Asia on LGBTQ rights.

“I am so happy that Taiwan has done that and they set a very good example in every way and not just in LGBT rights, but in democracy,” he said.

Wong was clear about his message to the US, warning “what is happening to Hong Kong won’t just happen to Hong Kongers, it will happen to the free world, the West, all those crackdowns, all those censorships, all those crackdowns on freedom of the press, all this crackdown will spread to the West.”

Wong’s music is banned in Mainland China because of his outspokenness against Beijing.

Like other recent notable Hong Kong visitors including activist Joshua Wong who testified before Congress with Ho, Wong is looking for the US to come to his city’s aid.

Wong tightened his body and his arms against himself, his most physically expressive moment throughout the hour and a half interview, and said, “Whoever wants to have a relationship with China, no matter what kind of relationship, a business relationship, an artistic relationship, or even in the academic world, they feel the pressure, they feel that they have to be quiet sometimes. So we all, we are all facing this situation, because China is so big they really want the free world to compromise.”

(These remarks came just weeks before China’s angry response to support for Hong Kong protesters voiced by the Houston Rockets’ general manager that could threaten significant investment in the National Basketball Association by that nation.)

Wong added, “America is the biggest democracy in the world, and they really have to use their influence to help Hong Kong. I hope they know this is not only a Hong Kong issue. This will become a global issue because China really wants to rule the world.”

Of that prospect, he said, “That’s very scary.”//

🎧【數位線上聽】
► https://samlin.lnk.to/NeverTooLateFA

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Sam Lin 自小在加州長大，長期備受古典樂的薰陶。六年前，他大膽放棄原本安逸的金融業高薪，來到台灣這片熟悉又陌生的「家鄉」，展開了音樂人生的新篇章。從一句話都無法好好表達，到現在能流暢寫出激勵人心的中文歌詞，他經歷了一次又一次的人生變動，但他從不後悔，持續堅定向前。
或許正因為長期沐浴在溫暖的加州陽光下， Sam Lin 的詞曲往往散發著強烈的正能量。他希望在這動盪的世界，能夠透過自己的嗓音帶給大家一道驅散所有陰霾的曙光。在「Never too late」中，他跟自己說：「Only you, I went and gave my all.」用告白式的口吻，愛著之前用盡最大努力做出改變的自己，跟過去的自己道謝，並轉身向世界大聲宣告：即使再來一回，他也不會後悔！
卸下百萬觀看人次 YouTuber 的光環， Sam Lin 以歌手身分全新出發。
2021華納音樂最舒心的推薦，Sam Lin

歌名 Song Title: Never Too Late
藝人 Artist: Sam Lin 林仲軒
作詞人 Lyrics: Sam Lin 林仲軒 / Laurence 羅藝恆 / Sean M. Sinclair 宋星凱 / Samuel J Shih 施振傑
作曲人 Composition: Sam Lin 林仲軒 / Laurence 羅藝恆 / Sean M. Sinclair 宋星凱 / Samuel J Shih 施振傑
製作人 Producer: Sean M. Sinclair 宋星凱
編曲人 Arrangement: Sean M. Sinclair 宋星凱
配唱師 Vocal Production: 倪子岡 NESE
和聲編寫 Backing Vocal Arrangement: Laurence 羅藝恆
和聲 Background Vocal: Sam Lin 林仲軒 / Laurence 羅藝恆
錄音師 Recording Engineer: 王爺斯禹 Swing Wang
錄音室 Recording Studio: 這家錄音室 Resident Studios
混音師 Mixing Engineer: Sean M. Sinclair 宋星凱
混音工作室 Mixing Studio: 這家錄音室 Resident Studios
母帶後製 Mastering Engineer: Derek Snyder
母帶後製工作室 Mastering Studio: Polygon Mastering

#samlin #samlin林仲軒 #nevertoolate


【Never Too Late】
演唱：Sam Lin 林仲軒

不用挽回
I know someday
I’ll be ok
Something ‘bout me
Off the replay
Found my own way
Never too late
再來一回 我從來沒後悔

Left my home
Didn’t have much to show
Only you
I went and gave my all
Now you’re gone
Left me here on my own
On my own Not alone, yeah
找回來曾經沒有你的勇氣
不喜歡我的態度 我不在意
不要再糾結 又怎麼能白費
All that I made
-
不用挽回
I know someday
I’ll be ok
Something ‘bout me
Off the replay
Found my own way
Never too late
再來一回 我從來沒後悔
當時天黑 沒人安慰
愛的淚水 深有體會
是是非非 No one to blame
傷痛如灰 Just let it wash away
-
有時候寂寞 有時候脆弱
是我想太多 Out of my control
像以前的我 他會怎麼說
I got to know
Don’t need somebody to complete me
This is where I’m supposed to be, yeah
-
不用挽回
I know someday
I’ll be ok
Something ‘bout me
Off the replay
Found my own way
Never too late
再來一回 我從來沒後悔
當時天黑 沒人安慰
愛的淚水 深有體會
是是非非 No one to blame
傷痛如灰 Just let it wash away

Ed Sheeran / Bad Habits を和訳して歌いました。Bad Habits=悪い習慣、やめられないことについて歌ってます。

エド自身が子供が産まれるときに飲みに行けなかったり友達と遊びに行けなかったのを元に書いてる誘惑についての歌。


原曲
https://youtu.be/orJSJGHjBLI


#edsheeran #badhabits #ワンテイク

和訳

あなたが来ると、断れないの
日が沈んだら、支配が始まる
快感を感じたら、世界が終わる
今夜は素敵な予感

悪い習慣の果てにまた一人
他人と意味のないお喋り
最後と誓うけどやめられない
失うものもない、何もかも
悪い癖でボーっとして
話すこともままならなくて
逃げ道を探しても手遅れ
2時以降何もいい事ない
そして君へ続く

楽しくなるとどうでも良くなる
全て投げ出して盛り上がっちゃう
ネオンではじまり暗闇で終わる
もう引き返せない

遠回りをして
燃え尽いた


Lyrics
Every time you come around, you know I can't say no
Every time the sun goes down, I let you take control
I can feel the paradise before my world implodes
And tonight had something wonderful

[Chorus]
My bad habits lead to late nights endin' alone
Conversations with a stranger I barely know
Swearin' this will be the last, but it probably won't
I got nothin' left to lose, or use, or do
My bad habits lead to wide eyes stare into space
And I know I lose control of the things that I say
Yeah, I was lookin' for a way out, now I can't escape
Nothin' happens aftеr two, it's true, it's trueMy bad habits lead to you

[Post-Chorus]
Ooh-ooh, ooh-ooh
My bad habits lеad to you
Ooh-ooh, ooh-ooh
My bad habits lead to you

Every pure intention ends when the good times start
Fallin' over everything to reach the first time's spark
It started under neon lights and then it all got dark
I only know how to go too far

My bad habits lead to late nights endin' alone
Conversations with a stranger I barely know
Swearin' this will be the last, but it probably won't
I got nothin' left to lose, or use, or do
My bad habits lead to wide eyes stare into space
And I know I lose control of the things that I say
Yeah, I was lookin' for a way out, now I can't escape
Nothin' happens after two, it's true, it's trueMy bad habits lead to you

Ooh-ooh, ooh-ooh
My bad habits lead to you
Ooh-ooh, ooh-ooh

We took the long way 'round
Burned 'til the fun ran out, now

「 世界的動盪以及戰火，大人的野心以子彈和焰火染紅燒盡大地。面對這樣的世界，我們都像束手無策的孩子一般。只是，我們怎麼會束手無策呢？我們每一個選擇，都在決定這個世界的樣子，這樣的我們就是彼此的英雄。」

這是一首正面的歌，以輕快的節奏，傳遞「希望」。

\ \ Triple Deer 2021 New Single / /

🌐 Digital Release on 8 JUN , 2021
🌐 數位平台 2021.06.08 全面上架
_
"No Guns For Hero"

//
Can you feel that?
This world is burning and cold

Can you see that?
People are dying and losing the hopes

Open your eyes
You’d see the choice between the fire
Look what is in the air
Let the noise of children back

//
You’d see the choice between the fire
There’s no gun for hero

//
Can you see that?
The whole world is out of control

Can you feel that?
Every moment you can be the hero

_
　
▻ ▻ Video Credit

封面視覺 Cover Design : 山米 SammiXYZ
動畫設計 Animation：KIKU LEE
　
▻ ▻ Music Credit

製作人 Producer : 李百罡
作曲 Composer : 陳東青
作詞 Lyrics : 陳東青／楊詠淳
編曲．演奏 Arranger．Performer : Triple Deer

主唱．貝斯 Vocal．Bass : 沈品嫺 Moto
電吉他 Guitar : 陳東青 Ognam
合成器 Synth : 曾劭軒 Curtis
電吉他 Guitar : 楊詠淳 Vitz
鼓 Drums : 王鳳翔 Vino

錄音師 Recording Engineers : 徐振程 Jason Hsu
錄音場地 Recording Studios : 玉成戲院錄音室 YuCheng Cinema Studio
混音師 Mixing Engineers : 徐振程 Jason Hsu
母帶後期製作 Mastering Engineer : Brian Elgin (@ Sentient Sound Labs)