關於 rhythm section music ，我們在網路上蒐集到這些相關的討論、資訊與評價

#新書 #book

Record Culture Magazine
Issue 9

以音樂進而探索與藝術、時尚和文化的匯集之處。半年一期的 Record Culture Magazine 透過豐富的採訪文章，結合圖像與攝影，深入探訪許多來自世界各地的音樂工作者、設計師、DJ 等鮮為人知的工作環境與創作空間，傳遞多元且獨到的生活見解與美學。

Record Culture Magazine 全新第九期封面人物由倫敦廠牌 Rhythm Section 創辦人 Bradley Zero 擔綱，212 頁詳盡收錄有甫於電子名廠 Music from Memory 推出新作的亞裔製作人 Yu Su，及近年在洛杉磯廠牌 Stones Throw 中大放異采的芝加哥製作人 The Twilite Tone 等人豐富的圖文內容。紐約 DJ / 廠牌主理人 Oskar Mann 談論了自身如何在研習音樂的過程中，啟發他展開以爵士音樂為根的服飾品牌 Book Works。關於來自墨爾本跨性別女性音樂人 June Jones 的科幻囈想。德國製作人 Gerd Janson 分享自立廠牌 Running Back 的幕後種種。法國唱作家 Sébastien Tellier 探討鋼琴如何在他的創作過程中扮演極其關鍵的角色。紐約電台 / 唱片公司 Beats in Space 主腦 Tim Sweeney 特別在這期整理出電台放送的這 21 年間，來自世界各地所寄來的明信片的視覺特輯。本期另隨附副刊「The Second Generation」一冊，彙整 1991-2000 年來自芝加哥浩室音樂場景當時留存的活動視覺集錦。官網正式上架，數量有限請別錯過。

waitingroomtaipei.com

倫敦Afrobeat樂團KOKOROKO精采又好chill的live session。

When I was a teen guitar kid back in Japan, I used to listen this album “Teasin’” by Cornell Dupree and “Inside Story” by Robben Ford everyday! “Listening music” was my dairy routine. I have listening this album #teasin #cornelldupree on month of August. Still amazing album!! This album was the reason I had @bernardpurdie on my album PURE. Can you tell which songs? 3 songs with my dear friend @unclewilllee ❤️🙏👍 This album influenced me big time. Amazing rhythm section on this album by Bernard Purdie on drums and Chuck Rainey on Bass. So much groove on this album. Have you listen this album? Cornell gets amazing tone, touch, phrasing on this album. Great clean tone! He does not use any overdrive tone. Straight amp tone. I love the way Cornell plays his 6th, 3rd double stops. I love the length of album too. Any Cornell Dupree fans here?

2017 Asia Beatbox Championship is officially happening in Taiwan!
How many Beatboxers can you recognize in this year’s theme song? Comment below and share!
See you at Asia Beatbox Championship on August 19th and 20th!

BEAT HERO, BE HERO. This is a chance to become more than just a hero of rhythm, more than hero of stage, but hero of Asia!! Let’s witness the birth of legacy!

Time: door opening at 2pm on August 19th, 5pm on August 20th.
Location: Clapper Studio on Syntrend Creative Park 5th floor (No. 2, Section 3, Civic blvd, Zhongzheng District, Taipei City 100)
Ticket price: Pre-sale 2-day ticket 1000NT / Pre-sale single ticket 600NT / ticket at the door 800NT / Tickets for foreign passport holders 400NT
Tickets can be purchased through FamiPort inside FamilyMart: KKTIX
Or go to the official KKTIX page to purchase: https://goo.gl/K8Ka9u

All-star judges team:
Reeps One / Dharni / BALL-ZEE / FAYA BRAZ / Mad Twinz / Swissbeatbox Andreas Pepouni Fraefel

#AsiaBeatbox #Abc2017 #Beatbox #Championship #BeatHero #BeHero #RemixTaipei #MIPRO #NineOneOne #ASUS #RolandTaiwan #BOSSTaiwan #Twitch #NOWnews #今日新聞

Sponsors:
MIPRO MIPRO 嘉強電子/ REMIX CLOTHING TAIPEI / Roland Taiwan 台灣樂蘭 BOSS Taiwan/ ASUS
/ Twitch / NOWnews 今日新聞 / 玖壹壹 / 混血兒娛樂

Partnership:
SWISSBEATBOX / Japan Beatbox Association / Btk玩口技 / Hong Kong Beatbox / China Beatbox Battle / HUMANBEATBOX.COM / Korea Beatbox TV / India Beatbox Championship / JaySound Studio / 民風樂府 / DP Fans 方時娛樂股份有限公司 / RoboKatZ / Hotel PAPA WHALE / 轉轉影像 Shift Studio / 荃心42E95 / TBAO / The THREE - 叁賤客

Music made & produced by: Heartgrey 蘇子麟
Background music produced & remixed by: DD
Artistic Director: Noodlemaker
Intro visual Effect: The Three - 叁賤客 Tang
Asia Beatbox Logo Visual Effect: TBAO
Visual Effect Team / Video Production: Feverhits Arts

[1/3] I got FULL MARKS for this composition as part of my IB Music HL composition coursework (25% of my final grade)!!!! Note: some of the dynamic markings are messed up because im recording this on panorama mode :(

This song is a rewrite based on my previous IGCSE composition 'The Maze Runner' (https://youtube.com/watch?v=3VpPBgywVzA)!

Reflective Statement:

My initial intention for ‘Haunting’ was to compose for mallet quartet describing my own IB journey. I wanted to experiment with a 5-octave marimba, and was also intrigued by extended ternary form (AABA) in chamber music. I was inspired by the soundtrack from “Legend Of The Wind” by Studio Ghibli, but was also influenced by minimalist music such as “Mallet Quartet” by Steve Reich. A performers note has been included to help clarify the meaning of each section and to convey its meaning.

I began composing this piece on the marimba with the intention of a four-mallet marimba solo due to its wide range. However, I then decided to expand it to a small ensemble so that I could experiment with different textures, timbre and harmonies. As a result, I fragmented the main melody to include more tone colour in the piece. As a percussionist, I was aware of the many unique techniques capable of the marimba and vibraphone, thus I wanted to exploit that and transform my composition by writing in unconventional techniques and notations (such as handle- on-handle and rapid glissandi) and was able to choose more interesting rhythms. I developed my piece by adding an entire section using mainly triplets to create a contrast in rhythm, which helped create a climax.

The outcome of this piece is that I learnt how to develop ideas from fragments of melody, and how to compose a rhythmically challenging piece whilst still maintaining an overall cohesiveness. I also learnt how to compose for a repetitive melody yet still being able to add colour and maintain interest as the piece progresses. As a result, this lead me to discovering many vibraphone techniques I hadn’t learnt prior, such as mallet-dampening and learning how to use the pedal properly!

(299 Words)

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