關於 social tools ，我們在網路上蒐集到這些相關的討論、資訊與評價

🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹

2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.

Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.

The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.

“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).

In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).

In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).

In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.

Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.

The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”

The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.

📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/

#奧地利林茲電子藝術節
​#arselectronica21 #gardentaipeiformosa

👩🏻‍💻【科技融入長者生活】(5/6)
// Tech becomes the norm for Seniors //

Tech For Good Asia Webinar – Bridging the Digital Divide for the Elderly

Tech For Good Asia, along with Solis Strategy, co-organised a webinar to discuss the difficulties that the elderly encountered during the pandemic and how technology could help them overcome the barriers and stay connected.

Session 2 – How technology can support the elderly during the pandemic?

The social distancing measures and travel restrictions have disrupted everyone’s ordinary routine. It was particularly hard for the elderly to adapt to such drastic changes. In this session, we have invited speakers from AlipayHK, Facebook and the medical sector to share with us how new technology could improve the quality of life of the elderly during the pandemic.

In this part, Mr. Simon Leung (Head of Business Development, AlipayHK) and Ms. Maggie Tam (Public Policy Manager, Facebook) further discussed some examples on their platforms of how Seniors and others make use of their technology tools to stay healthy and provide psychological support during the pandemic and even lockdown periods.

*****

Tech For Good Asia 接軌智慧時代全社會動員網上研討會：

「Tech For Good Asia」及與合作夥伴「Solis Strategy」合辦了網上研討會，這研討會透過錄影製作，並會剪輯成六個部份去了解去年疫情下長者面對的困難以及解決方法。

環節二：以科技支援長者在疫情中的生活

在疫情間香港實施出入境近乎封關、保持社交距離及相關限制措施等都突如其來的改變了大家的生活，當中長者更難適應這個急速的改變。我們在這部分邀請到AlipayHK、Facebook以及醫療界別的講者為大家講述如何以科技支援長者在疫情中的生活。

在這部分，AlipayHK電子支付平台總監梁溢堅先生和Facebook香港公共政策經理譚雋蘭女士繼續提出了例子，討論他們的平台和服務能如何協助長者們，即使在疫情下仍能保持身體及精神健康。

#StayDigitallyTuned #長者生活 #科技融入社區 
#ElderlySupport #ElderlyDuringPandemic
#TechForGoodAsia #TFGA #SCHSA #SolisStrategy #AliPay #Facebook

淺談「假新聞」

最近上課時學到一個新單字「positionality」，讓我想到當前社群媒體上，不停看到的「fake news」——假新聞。

簡言之，「positionality」(位置性) 被定義為於種族、階級、性別、性取向以及能力等狀態中，創造你身分的社會與政治背景。位置性還描述了你的身分如何影響你對世界的理解與看法，以及潛在的偏見。

positionality 位置性；定位
https://terms.naer.edu.tw/detail/3390885/
https://www.lexico.com/definition/positionality

以下是我對「positionality」與 「fake news」的些許觀點：

“Fake news” has permeated all facets of life, ranging from social media interaction to presidential elections. Fake news can be defined as “fabricated information that mimics news media content in form but not in organizational process or intent” (Lazer et al., 2018, p. 1094). The creators and outlets of fake news do not ensure the accuracy and credibility of information, but rather disseminate misinformation or disinformation for purposes ranging from personal amusement to creating deceptions to achieve political aims. At times, fake news is created and disseminated by state or non-state actors using social media accounts and networks of bots designed to hijack feed algorithms of platforms such as Twitter or Facebook (Prier, 2017, p. 54). In the 2016 U.S. presidential campaign, Facebook estimated that up to 60 million bots were used to post political content. Some of the same bots were then used in an attempt to influence the 2017 French election (Lazer et al., 2018, p. 1095). Such campaigns can be understood as a form of information warfare, a comprehensive attempt to control and influence every facet of the information supply chain, thereby influencing public opinion and behaviors. (Prier, 2017, p. 54). Often, fake news is not directly created by actors that seek to manipulate but by journalists or content creators whose content favors or aligns with the narratives of these actors (Doshi, 2020).

從社群媒體的互動到總統選舉，「假新聞」（fake news）已滲透至生活的各個層面。假新聞可被定義為「在形式上而非組織過程或意圖上，模仿新聞媒體內容所捏造的資訊」（Lazer et al., 2018, p. 1094）。無論是出於個人愛好或為達政治目的而有所欺瞞，假新聞的製造者與傳播管道並不保證資訊的準確性與可信度，反而是為了散播錯誤訊息（misinformation）或扭曲訊息（disinformation）。有時，假新聞是由國家或非國家行為者（state or non-state actors）所製造與傳播，藉由社群媒體帳號及網絡機器人來劫持諸如臉書與推特等平臺的推送演算法（Prier, 2017, p. 54）。在2016年的美國總統大選中，臉書估計有多達６千萬個機器人被用來發布政治貼文。其中，有部分機器人被用於影響隔年的法國大選（Lazer et al., 2018, p. 1095）。此類行動可視為資訊戰（information warfare）的一種形式，一種對控制與影響資訊供應鏈各環節的全面嘗試，從而影響公眾輿論與行為（Prier, 2017, p. 54）。假新聞通常是由記者或內容創造者（content creators）所創造，而非試圖操弄的行為者，前者的內容偏好符合後者的敘事（Doshi, 2020）。

Nevertheless, while the term “fake news” is commonplace, there is no universal, measurable way to quantify the fakeness or truthfulness of news. There are many fact-checking and media-bias detection tools, but they cannot objectively detect and clarify the more subtle and nuanced aims of manipulative actors that play a crucial role in news production. It can also be argued that the veracity of news depends not only on the actors that seek to manipulate it, but also on the positionality of its consumers. Therefore, one’s initial line of defense against misleading news lies not in the plethora of fact-checking devices but more in one’s pre-existing dispositions and skills to think and act in response to misleading information. This ability can be referred to as critical thinking, which can be more concretely expounded as “reasonable and reflective thinking focused on deciding what to believe or do” (Ennis, 2011, p. 15).

然而，即便「假新聞」一詞隨處可見，卻沒有統一、可衡量的方式來量化新聞的虛假性或真實性。目前有許多事實查核與媒體偏見檢測工具，但它們無法客觀地檢測與說明行為操弄者更狡猾、更細緻的目標，而這些操弄者往往在新聞的生產中發揮著重要作用。我們也可以說，新聞的真實性不僅取決於試圖操弄它的行為者，同時還取決於新聞受眾的位置性。因此，一個人對抗誤導性新聞的第一道防線，不在於這些五花八門的事實查核方式，反而在於個人所固有的性格，以及針對誤導性資訊的思考與行動等相關技能。這種能力可稱為批判性思考（critical thinking），意即「專注於決定相信什麼或做什麼的理性思考與反思性思考」（Ennis, 2011, p. 15）。

Taiwan, also known as the Republic of China (ROC), is at the forefront of information warfare. It is wedged between the geopolitical struggles of global and regional hegemonies such as the United States and China, the People's Republic of China (PRC). Compounding the matter are the Taiwan’s own political actors vying for influence and power. This struggle seeps into all aspects of life and practice, mainly manifesting itself on social media, a battleground of information warfare. The Ministry of Education of Taiwan is cognizant of these information campaigns, and efforts have been made to introduce media literacy into all parts of its education system. According to the ministry, the government has tried to promote media literacy education since 2000 (MOE, 2002, p. 1), with one of its primary goals to cultivate its “citizens” abilities for independent learning, critical thinking, and problem solving” (MOE, 2002, p. 2).

臺灣，也被稱為中華民國，正處於資訊戰的最前線。這是全球霸權與地區霸權之間——如美國與中國（中華人民共和國）——的地緣政治對抗。使問題惡化的是臺灣自身的政治行動者對影響力與權力的奪取。這場對抗遍布於現實生活的各個面向，主要於社群媒體中——資訊戰的戰場——展露無遺。臺灣的教育部注意到了這些資訊的煙硝，並已努力將媒體素養引入其教育體系。據該部稱，自2000年以來，政府一直試圖推展媒體素養教育（MOE, 2002, p. 1），其主要目標之一是培養「公民獨立學習、批判性思考以及解決問題的能力。」（MOE, 2002, p. 2）。

★★★★★★★★★★★★

上述段落認為，由於個人的位置性(positionality)，「假新聞」極難定義。此外，有許多人把不符合自身成見與偏好的新聞逕斥為假新聞。這其實相當危險，因為個人觀點將會變得愈發孤立與激進。

閱聽人應意識到，他們在網路上看到的每個資訊都有特定立場。是否真有毫無立場的新聞文章？為了對抗操弄性或強制性資訊（coercive information），我們必須意識到權力於個中的作用，以及我們自身的位置性如何形塑我們的詮釋。這是我們的第一道防線。

★★★★★★★★★★★★

參考文獻

Doshi, R. (2020, January). China steps up its information war in Taiwan. Foreign Affairs. Retrieved March, 21, 2021, from https://www.foreignaffairs.com/articles/china/2020-01-09/china-steps-its-information-war-taiwan

Ennis, R. H. (1985). A logical basis for measuring critical thinking skills. Educational leadership, 43(2), 44-48.

Lazer, D. M., Baum, M. A., Benkler, Y., Berinsky, A. J., Greenhill, K. M., Menczer, F., ... & Zittrain, J. L. (2018). The science of fake news. Science, 359(6380), 1094-1096.

MOE (Ministry of Education), Taiwan. (2002). White paper on media literacy educational policy. Retrieved March, 21, 2021, from http://english.moe.gov.tw/public/Attachment/ 2122416591771.pdf

Prier, J. (2017). Commanding the trend: Social media as information warfare. Strategic Studies Quarterly: SSQ, 11(4), 50-85.

★★★★★★★★★★★★

教育時評: http://bit.ly/39ABON9

相關詞彙: https://bit.ly/2UncrfI

TED相關影片: https://bit.ly/3BDsDKl

SLS playing "My Dearest" from "Guilty Crown" original by supercell, using "Arturia Keylab 88 MK2" weighted keyboard controller.
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For the "Relaxing Piano Pro" series this time, I choose to play legendary "My Dearest" and add a little personal improvisation in it, hope you like it. And you could see that I use a different keyboard to record this time, it's Keylab 88 mk2 from @Arturia, a 88keys beautiful piano action midi controller.

Keylab 88 mk2 has fully weighted 88-note Fatar hammer-action keybed that will delight the most serious pianists, and there are 16 RGB-backlit performance pads, 9 faders and encoders, with its smart mapping functions, you could easily match it with your DAW (Digital Audio Workstation) including Ableton Live, Logic Pro X, Pro Tools, Cubase, Studio One and Reaper.

If you need to read score or using the laptop while playing, there are removable iPad/sheet music stand and an extension shelf for laptop placement as well.

For a budget like this ($899 on Sweetwater), I could say that its really a nice choice for a full-weight midi controller with so much functions. I'll leave the links down below you could check it out more details.

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Check out these Top Trending Playlists -
1.) Boss In The Bentley - https://www.youtube.com/playlist?list=PLEmTTOfet46OWsrbWGPnPW8mvDtjge_6-

2.) Sales Tips That Get People To Buy - https://www.youtube.com/watch?v=E6Csz_hvXzw&list=PLEmTTOfet46PvAsPpWByNgUWZ5dLJd_I4

3.) Dan Lok’s Best Secrets - https://www.youtube.com/watch?v=FZNmFJUuTRs&list=PLEmTTOfet46N3NIYsBQ9wku8UBNhtT9QQ

Dan Lok has been viewed more than 1.7+ billion times across social media for his expertise on how to achieve financial confidence. And is the author of over a dozen international bestselling books.

Dan has also been featured on FOX Business News, MSNBC, CBC, FORBES, Inc, Entrepreneur, and Business Insider.

In addition to his social media presence, Dan Lok is the founder of the Dan Lok Organization, which includes more than two dozen companies - and is a venture capitalist currently evaluating acquisitions in markets such as education, new media, and software.

Some of his companies include Closers.com, Copywriters.com, High Ticket Closers, High Income Copywriters and a dozen of other brands.

And as chairman of DRAGON 100, the world’s most exclusive advisory board, Dan Lok also seeks to provide capital to minority founders and budding entrepreneurs.

Dan Lok trains as hard in the Dojo as he negotiates in the boardroom. And thus has earned himself the name; The Asian Dragon.

If you want the no b.s. way to master your financial destiny, then learn from Dan. Subscribe to his channel now.

★☆★ CONNECT WITH DAN ON SOCIAL MEDIA ★☆★
YouTube: http://youtube.danlok.link
Dan Lok Blog: http://blog.danlok.link
Dan Lok Shop: https://shop.danlok.link
Facebook: http://facebook.danlok.link
Instagram: http://instagram.danlok.link
Linkedin: http://mylinkedin.danlok.link
Podcast: http://thedanlokshow.danlok.link

#DanLok #DigitalMarketingTools

Please understand that by watching Dan’s videos or enrolling in his programs does not mean you’ll get results close to what he’s been able to do (or do anything for that matter).

He’s been in business for over 20 years and his results are not typical.

Most people who watch his videos or enroll in his programs get the “how to” but never take action with the information. Dan is only sharing what has worked for him and his students.

Your results are dependent on many factors… including but not limited to your ability to work hard, commit yourself, and do whatever it takes.

Entering any business is going to involve a level of risk as well as massive commitment and action. If you're not willing to accept that, please DO NOT WATCH DAN’S VIDEOS OR SIGN UP FOR ONE OF HIS PROGRAMS.

This video is about 7 Digital Marketing Tools You Need To Know To Scale Your Business.

https://youtu.be/AF1vLb63rlc
https://youtu.be/AF1vLb63rlc