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關於space or spaces 在 Crisel Consunji - Artist / Educator Facebook 的最佳解答
關於space or spaces 在 Fxiii 刺繡插畫 Facebook 的最佳貼文
關於space or spaces 在謙預 Qianyu.sg Facebook 的精選貼文

關於space or spaces 在 Chou Shu-Yi周書毅 Youtube 的最佳貼文
關於space or spaces 在 Chou Shu-Yi周書毅 Youtube 的最佳貼文
關於space or spaces 在 Chih-Wei CHUANG Youtube 的最佳解答

關於space or spaces 在 Uncountable and plural nouns: "space" - English Language ... 的評價
關於space or spaces 在 Remove all whitespace in a string - Stack Overflow 的評價
關於space or spaces 在 How to Host a Twitter Space - YouTube 的評價

space or spaces 在 Crisel Consunji - Artist / Educator Facebook 的最佳解答

2021-08-13 23:30:55 有 8 人按讚

Looking forward to seeing you this Sunday for our first “Children’s Day for the Arts” for our 3-8 year olds!

Both sessions are fully subscribed, but please keep posted on our social media for upcoming events ❤️

—

Featuring activities from different arts providers for children-- Storytelling by the Elephant Community Press, Creative Movement by Dance for Joy HK, and Kindermusik by Baumhaus, our aim is to bring the integration of the arts as a means for expression and skills-building among children.

By making the Arts accessible, we aim to show that the Arts is not only something we view in theatres or museums-- but rather something our families can experience in our daily lives and interactions in the community.

Located in the various spaces in the Asia Society Hong Kong Center, families will have a chance to make use of this beautiful community and arts space in the heart of Admiralty.

This event is for children 3-8 years old, though siblings 2 and below will be welcomed in a mini- free play set up by Happy Baton & Baumhaus in the Hong Kong Jockey Club Hall.

This is a non-profit event. A small donation secures your spot, and these fees will go to PathFinders Hong Kong 融幼社

Tags: space or spaces

Crisel Consunji - Artist / Educator

About author

Practically growing up on the stage, Crisel has lived for the curtain call. In recent years, another calling has tugged at her values. As a creative arts educator, she now finds joy in using the arts to empower strong families and creative communities.

space or spaces 在 Fxiii 刺繡插畫 Facebook 的最佳貼文

By Fxiii 刺繡插畫

2021-06-06 10:54:23 有 16 人按讚

<之間 in between>

在這之間的是我們，是現在。

In the space between history and our future lies the present.

當疫情蔓延成為全人類必須面對的共通處境時，國際間的生活圈縮小了，而每個人的世界觀卻因此放大了。在隔著山與海的土地之間，以往由距離所圍塑出的空隙，變成了各種關係中必須存在的安全空間 (距離) 。在這之間，不同關係的對等或對立也漸漸發展出各自適切的形狀。然而，在這國與國、人與人、人與自然、未來與過往之間，唯一不變的是當下，不斷變動的是正在發生和即將發生的，不穩定卻又充滿各種未知的可能。

As the pandemic spreads across the globe and becomes a common situation faced by all humanity, the international living circle has shrunk and everyone’s worldview has been expanding. On the land between mountains and seas, gaps created by distance have become necessary safe space (distancing) in between people. In such space, different equal or rival relations also gradually develop into suitable forms. However, in between states, individuals, mankind and nature, the future and the past, the only thing that remains unchanged is the present, whereas what constantly changes are unstable and unknown possibilities that are happening and about to happen.

此系列中，人類的身體是一個群眾的概念，右手跟左手能夠各自單一且獨立運作，但大多是共同合作的。藉由這些肢體代表相異的個體，交相圈出的空白是彼此的距離，透過顏色各異的經緯線交織填補了這些空洞，呈現重置的現況秩序，同時也代表正在發生的當下。

In this series, human body is conceived as a crowd. While the right hand and the left hand can operate alone and independently, they work together most of the time. These limbs that represent different individuals form blank spaces that indicate the distance in between. The interweaving colors, on the other hand, fill the blankness, showing the current order that has been reset, as well as the present that is happening.

之間 In between
1/30-8/30 @毓繡美術館
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#exhibition #hand #hands #covidart #love #surrealism #lineart #linum #linedrawing #popofcolour #ink #tattooideas #hoopartwork #wallart #homedecor #seemyembroidery #embroideryart #stitchersofinstagram #illustration #stitch #textile #lifestyle

Tags: space or spaces exhibition hand hands covidart love surrealism lineart linum linedrawing popofcolour ink tattooideas hoopartwork wallart homedecor seemyembroidery embroideryart stitchersofinstagram illustration stitch textile lifestyle

Fxiii 刺繡插畫

About author

用線畫畫的人 IG: fxiiieye

space or spaces 在謙預 Qianyu.sg Facebook 的精選貼文

By 謙預 Qianyu.sg

2021-05-18 22:59:33 有 1,044 人按讚

【我親愛的Zoom視訊客人們】
To My Dear Zoom Clients

我忍了真的⋯⋯真的⋯⋯很久，今天過後實在忍無可忍，一定要叮嚀所有過去和未來的客人們。

我年紀很大了，受不了太大的刺激。

拜託，你們可以Zoom好來嗎？😓😑

一、Zoom視訊的視角 = 拍護照照的視角

護照自2020年起就已成為古董，但大家這一生應該有拍過證件照吧！

對了，就是要頭髮整齊，讓我看到你的雙耳、雙眼、鼻子、嘴巴、頸項和肩膀，到胸部。

我批八字時，需要看整個面相。不要讓你一半的臉掉出鏡頭外，這樣很像鍾無艷，也不要嘴巴不見掉，這樣我很像在跟一條羅漢魚視訊。

我看面相包括看你的嘴巴、牙齒和說話時的嘴形。是的，看相就是需要那麼仔細。

如果你的螢幕太低，那就找書本或舊報紙，把螢幕墊高一點。別讓我整一個小時半只看到你的雙下巴，會把你的面相比例給看錯。

不要一直告訴我不好意思，方法是人想出來的。

•

二、光線

太暗，我看你如見鬼。
太亮，我會看不清你的膚色。
拉開窗簾，不要背向陽光。
有必要的話，就直接開燈！

•

三、勿放什麼椰樹沙灘/金門大橋的虛擬背景圖

什麼虛擬背景圖都不要放啦～

我的家美最重要，我不在乎你的家美不美，我只是來看命的。

如果你的Wi-Fi不是很強，電腦功能不是很厲害，這類的虛擬背景圖會讓你的視訊畫面卡卡的。

有時你轉個身，整個右邊不見了，或部份的頭髮少了，讓我覺得我好像在看恐怖片，嚇人啊～

•

四、環境和聲音

有些海外客人其實非常用心。為了與我視訊，特別去買有麥克風的耳機🎧，讓我能更清楚的聽到他們的聲音。😍

沒有使用耳機和麥克風的客人，往往他們的聲音會有種空氣般的回音，如果他們本身講話又小聲，我的耳機聲量開滿，我還是聽得滿辛苦的

也有香港和馬來西亞客人租過會議室、鐘點房間或單人工作室，就是為了不受家人的干擾，能安心的與我視訊。😍

最有趣的是，去年新加坡阻斷措施時，有位男客人跑到屋外的走廊坐在地上與我視訊。只是外頭風聲有點大，我好幾次都聽不清楚他的聲音。

曾有客人在咖啡廳與我視訊。咖啡廳裡的高談闊論聲和器皿的敲擊聲，頻頻從我的耳機闖進我的耳朵，哇～我的耳朵那時真的是活受罪，還要裝一副氣定神閒的樣子。

天啊，兩次過後，我寧願退錢，也不再見這樣的客人了。耳朵只有一對，我要保護好啊！

在這裡聲明：一般我們買手機時的那種有麥克風的耳機，就已能視訊。沒有戴耳機和麥克風的客人，我一概會拒絕諮詢，把費用原銀奉還。

五、孩子

曾試過諮詢的前20分鐘，一直被女客人的小孩打擾，進來哭著要媽媽主持公道。

如果你家中有六歲以下的兒童，會時不時來敲你的門，我建議你還是先別約我。你這樣會分心，無法聽好我交代的事，而我也得一直等你去安撫你的孩子，就無法在限定時間內看完你的八字，這樣對誰都不公平。

六、我只見客人一人

這個規矩，從我一出道就定下來，也清楚的寫在網站上，根本不用一而再的來試探水溫。

但這兩個星期，還是有客人硬闖關，事先安排自己的配偶/孩子坐在電腦的另一面，要他們聽我講他的八字。

我從不改我的規矩，也沒有八字或風水是我非看不可的。

讀書這麼高，連自己的命都不能自己負責，這已經不是能改到命的人了。

你一定要你的配偶陪你聽，那你需要的不是我來教你改命，是你的配偶來安你的心。

將來若還有這樣的事，我會直接中斷視訊，把錢退回去。

七、「我第一次用Zoom！」

可是從報名那天到今天的諮詢，你有兩個月的時間去摸索。

兩個月，怎麼還是錯誤百出？因為客人根本沒有事先準備和練習。

結果我就這樣等了20分鐘，還得等對方下載軟件。

Zoom不難使用，但如果是你沒有花時間去摸索，就不要撒謊，直接說，我就直接退現錢。

品德是改命的資糧，不要為了自己能脫身就隨便編一個漏洞百出的謊，還說自己是好人。這...不會臉皮太厚了嗎？

小事都不願做好，絕對不會成大器。

八、暈車

有些客人用Ipad或手機來視訊。

重點是，他一支手拿著手機，一支手拿筆寫筆記。他一邊寫，另一支手就一邊搖晃。他做在床上，移動一下，手機就彷彿大海嘯幾下🌊

我一天如果見三個這樣客人，我的視線就搖晃了5個小時。工作完畢後，頭也會痛得厲害，無法完成晚上製片的工作。

沒有自拍器三腳架，也應該有些書本或東西來頂著手機。

各位，多點善心，為我著想一下吧⋯⋯

__________________________

To My Dear Zoom Clients

I have been enduring it for a really really long time. That's it! I am gonna put a stop to this after today and send out this reminder to all my past and future clients.

I am getting on in years, and cannot stand too much stimulation.

Please.... can you guys do a proper Zoom?

Number 1: Going on screen in Zoom = Taking a photograph for your passport.

Since 2020, the passport has become something of an antique but I believe everyone has taken some kind of ID photos! Yes, the ones with your neatly combed trusses where I can see both your ears, nose, mouth, neck, shoulder all the way to your chest.

I would like to see your full face during the Bazi Consultation. Please don't allow half your face to fall off the screen and you end up looking like Zhong Wu Yan! Please also don't hide your mouth making me feel like I am talking to a Arrowana.

When I analyze your facial features, it includes your mouth, teeth and the shape of your mouth while you are talking. Yes, it is down to such level of details.

If your PC / Laptop monitor is too low, please find a book or old newspapers and stack it on top. Please don't let me only see your double chin for that 1.5 hours, as I would probably get the proportion of your face wrong.

Don't keep telling me you are apologetic. Think of a way out.

Number 2: The background lighting.

Too dark, you risk looking like a ghost.

Too bright, I cannot figure out your skin color.

Draw open the curtains, but don't face your back to the sunlight.

If necessary, just turn on the lights!

Number 3: Background images of coconut trees on sandy beaches or the Golden Gate Bridge.

There is no need to put on a virtual background. I only care about how my hone looks, I am not bothered by yours. I am only here to see your Bazi.

If your WIFI signal or your PC / Laptop performance is poor, using the virtual background can often make your Zoom video choppy. Sometimes when you turn your body, one side of your body or some part of your hair will disappear. It's really like one of those spooky movies scaring the wits out of me.

•

Number 4: Background environment and noise.

Some of my overseas clients really put in effort for our Zoom sessions. They bought a headset with a mic so that I can hear them properly and vice versa.

Those that did not use a earphone or a headset often sounded echo-ish, and if they spoke softly, I would have to turn on the volume on my side full throttle and still have a hard time trying to hear them.

There are some clients from Hong Kong and Malaysia who would rent meeting rooms, hotel rooms or private work spaces by the hour so as to reduce any disturbance from others and better focus on the Zoom session with me.

I recalled an interesting incident during the Circuit Breaker last year. A client from Singapore Zoom-ed with me along the corridor outside his house. Most of the time, I was hearing the howling of the winds rather than his voice.

Some clients sat themselves in coffee places for our session. These places are often filled with loud chatters and the clanging of cups and plates, and my ears suffered terribly. Yet, I have to continue to be seen as composed and attentive.

Goodness me, after 2 of such experiences, I decided that I rather refund these clients and never see them again. I have only 1 pair of ears and I want to protect them at all costs!

A normal earpiece that comes with the purchase of a handphone is good enough for Zoom video calls. For clients who do not have a earpiece/headset and a mic, I would end the consultation and refund the monies.

•

Number 5: Children

There was once where a session with a female client was repeatedly disrupted by her kids, running in crying for their mother to settle their quarrels. If you have children below 6 years of age, and likely to interrupt our session, I suggest you don't book a consultation with me.

You will be distracted, unable to focus on my advice and I have to wait for you to clear up the situation with your children, eating into the allowable time for me to complete the consultation. This is unfair to both you and me.

•

Number 6: I only meet one person, that is the Client.

I have set this requirement the day I stepped into this line of work, and it is clearly written in my booking form. There is no need to try your luck under any circumstances.

But in the space of 2 weeks, there were some clients who rode their luck and got their spouse / child to sit on the other side of the screen to listen in on our consultation.

I never change my stance, and there is no single client that I cannot afford to lose.

If you insist to have your spouse sit in, it is apparent that you do not need me to help transform your destiny. Rather you really need your spouse to put your heart at ease.

If such things happen the next time, I will end the session immediately and refund the fees.

•

Number 7: "My first time using Zoom"

But you have 2 full months to prepare before our actual consultation. You did not end up wasting time exploring the software and I wasted 20 mins waiting for you to download the software.

Zoom is an easy software to use but if you did not spend the time to familiarize yourself with it, please quit the lies and tell me directly. I will refund the consultation fees on the spot.

Our moral ethics serve as the foundation for our transformation. Stop weaving web of lies to get out of sticky situations, and still claim that you are a good person. Isn't this too thick-skinned?

•

Number 8: Giddy spells

Some clients use Ipad or their handphones for the Zoom session. Crucially, they hold the device with one hand, and take notes with the other. As they write, the other hand holding the phone becomes shaky. If he is doing that on his bed, his handphone would shake like a tsunami wave every time he changes his position.

If I see 3 such clients within a day, it would be 5 hours of shaking visuals for me. That would mean a splitting headache at the end of my work day, and not being able to work on my videos at night.

Even if you don't have a tripod stand, at least prop up the device with a book or something.

Please everyone, please be kind and have mercy on me......

Tags: space or spaces

謙預 Qianyu.sg

About author

*Add a description with basic info for 謙預一 Qian Yu Yi.

space or spaces 在 Chou Shu-Yi周書毅 Youtube 的最佳貼文

By Chou Shu-Yi周書毅

2020-10-18 23:00:13 有 459 人看過有 24 人喜歡

那是疫情開始之初，"無用之地" 的身體錄像展演到了澳門，紀錄消逝的時間與地景 , 那是2020年的一月時，演後回台，全世界進入封國封城，這是第二版無用之地的創作首次海外展演的時局，用無用面對無用。澳門，一個靠海又不斷填海法發展的城市 , 蘊藏了因殖民歷史所留下豐厚的文化足跡 , 有些部分很像台灣 , 而台灣對於澳門也許不太認識那裏的歷史文化 . 於是我決定用身體去走訪感受 , 用影像記錄即將逝去的空間 , 試著留存曾經存在的遺跡與證據 . 而這一次面對的是海洋與船屋 , 與消逝的百年木造船產業空間一同來對話。--- 周書毅

2020.1.16-18 “ Break & Break!
無用之地_身體錄像展 / 澳門信榮船廠
Chou Shu-Yi Live Exhibition_Macau_Son Veng Shipyard
周書毅x李國漢x王榆鈞x莊知恆
http://www.macaucityfringe.gov.mo/2020/cn/event/8093

在身和影之間看地景變遷 .
Watch between body and shadow the transformation of landscape .

“Break” means to take a rest, to crack an opening or to cause damage. Its varied meanings imply the subtle connection between dilapidation, rest and rebirth.
From 2014 to 2020, Chou Shu-Yi moved between new and old cities across Asia, making more than 100 video clips depicting the dialogues between his body and useful or useless lands, which he later complied into a work. He responded to different urban transformations through his body and shadow, and conveyed his self-reflection on life experiences. In 2020, Chou will come to Macao for shooting, screening and performing, leading the audience into the space of his video clips and re-interpreting the dialogues between himself and those spaces through dance.

#澳門城市藝穗節 Macao City Fringe Festival

編舞/影像/演出：周書毅
影像設計：李國漢
聲音設計：王榆鈞
燈光設計：莊知恆
燈光設計助理 : 曾彥閔
展演紀錄導演/剪輯：黎宇文
攝影 : 黎宇文 . 呂威聯 . 陳俊安
製作統籌：PROJECT ZERO Performing Arts Management
技術統籌 : 楊里喬
執行製作 : 劉孝聆

澳門城市藝穗節

Chou Shu-Yi周書毅

About author

Shu-Yi Chou film work of dance . music and poetry, ...sometime for me its like diary film about life journey...

space or spaces 在 Chou Shu-Yi周書毅 Youtube 的最佳貼文

By Chou Shu-Yi周書毅

2020-01-08 17:13:45 有 425 人看過有 12 人喜歡

在身和影之間看地景變遷 .
Watch between body and shadow the transformation of landscape .

2020.1.16-18 “ Break & Break! 無用之地_周書毅身體錄像展 Chou Shu-Yi Live Exhibition_Macau澳門 _ Son Veng Shipyard 信榮船廠

周書毅x李國漢x王榆鈞x莊知恆
http://www.macaucityfringe.gov.mo/202...

“Break”有休息與打破、損壞之意，不同的意義存在微妙關連；“無用之地”意喻人在面對身體無用的狀態，以及土地的破敗。

2014至2017年間，周書毅在亞洲各地新舊城市移動，以身體和有用或無用的地景對話，期間拍攝一百多段錄像，重組集結成作品。透過他的身和影回應不同的都市變遷，也傳達個人生命歷程。2019年移師澳門拍攝及展演，將帶領觀眾走入影像中的空間，並藉現場舞蹈演出，演繹他與空間曾經的對話。

“Break” means to take a rest, to crack an opening or to cause damage. Its varied meanings imply the subtle connection between dilapidation, rest and rebirth.

From 2014 to 2017, Chou Shu-Yi moved between new and old cities across Asia, making more than 100 video clips depicting the dialogues between his body and useful or useless lands, which he later complied into a work. He responded to different urban transformations through his body and shadow, and conveyed his self-reflection on life experiences. In 2020, Chou will come to Macao for shooting, screening and performing, leading the audience into the space of his video clips and re-interpreting the dialogues between himself and those spaces through dance.

* 2020/1/16-18 信榮船廠 * 20:00 首演
* Thursday to Saturday _ Son Veng Shipyard *
澳門城市藝穗節 Macao City Fringe Festival

編舞及影像導演：周書毅
影像設計：李國漢
聲音設計：王榆鈞
燈光設計：莊知恆
製作統籌團隊：PROJECT ZERO Performing Arts Management

備註：
-展演約一小時三十分
-適合六歲或以上人士觀看
-設穿梭巴士往來舊法院大樓及演出地點，於演出前一小時出發，逾時不候（需先報名，額滿即止）
-展演不設座位，請穿著輕便服裝觀看

Chou Shu-Yi周書毅

About author

Shu-Yi Chou film work of dance . music and poetry, ...sometime for me its like diary film about life journey...

space or spaces 在 Chih-Wei CHUANG Youtube 的最佳解答

By Chih-Wei CHUANG

2018-07-10 01:37:18 有 140 人看過有 0 人喜歡

黑暗中的彩虹
Rainbow in The Darkness
2017

The transformation of scars, the writings of freedom, the characteristics of open spaces and the time lapses of changes

This work responds to the outdoor installation of Spectrosynthesis - Asian LGBTQ Issues and Art Now organised by MOCA Taipei in 2017. Scars are the early inspiration to the artist, which later incorporated with writings, expressing the sense of public and privacy between day and night through the light. A set of eight matrixes is painted black and set on the square, forming a closed space. It is an interactive site-specific installation that allows people to leave their messages to integrate personal experiences within the public spaces. The square has become more than a space with audiences’ participation. The installation, space and audiences have been the one together in response to the concept suggested.

People usually express their emotions by graffiti or carvings on walls, while those marks would turn into important inscription of the eras. Rainbow in the Darkness intends to reduce mental scars resulting from verbal or non-verbal violence that left in people’s mind while they were growing up. Through the black matrixes lining up in the centre of the sqaure, the artist creates dialogues between the individual and the public. In the daytime, visitors leave texts or patterns by removing some black paints on the matrixes with a scraper, while in the nighttime the matrixes reveal those marks through the light from colorful LEDs installed within like the time lapses with personal and public stories. The work tells a story of people facing their scars bravely even in the face of much suppression, which ends up becoming a record of this era.

傷痕的轉化，自由言論的書寫，廣場開放的場所特性，不斷變動的時間切片

此作品為回應2017年當代藝術館展覽「光‧合作用－亞洲當代藝術同志議題展」之展出戶外臨時裝置，選以“傷痕”作為概念發想的源頭，結合書寫，試圖透過光，展現白天和晚上———開放與私密的兩種表情。裝置為八個長方形量體組件，作品設置在“廣場”，在開闊的廣場中圍塑出一個隱蔽的口字形小空間，量體上塗佈黑漆，藉由民眾在裝置上留下痕跡，由個人的內在生命經驗扣合廣場開放的場所特性，成為一因地制宜的互動裝置；廣場在此不再只是空間，而觀眾也不只是觀看者而已，兩者均成為作品的一部分，裝置、空間及觀眾參與構成三位一體，完整呈現出作品的意涵。

人們常藉由在街頭的牆面塗鴉或刻字來表達情緒，留下的各式印記也成為重要的時代痕跡。《黑暗中的彩虹》試圖透過釋放原本內心裡面的言語，也許是成長過程中，所遭遇的言語攻擊甚至身體傷害所造成的傷痕。透過設置於廣場中央、矩陣排列的黑色量體裝置，從個人開始，啟動一場與大眾的互動對話。白天民眾可藉由尖銳物品在覆上黑色漆料塗佈的作品表面，留下任何想訴說的字眼或圖案；到了夜晚，在作品內置的多彩 LED 燈條照亮下，這些隨著時間不斷變化並累積的痕跡，如同時間切片，漸漸被刻劃下的文字與圖像透出彩虹光芒，從個人私密的書寫成為眾人的共筆，彷彿訴說著人們在面臨各種壓迫時，仍團結凝聚以勇敢的姿態正視傷痕，最終成為這時代階段的一份紀錄。

Chih-Wei CHUANG

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莊志維 CHUANG Chih-Wei

社群媒體上有些相關的討論：

space or spaces 在 Uncountable and plural nouns: "space" - English Language ... 的推薦與評價

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Space out means the same as space. He talks quite slowly and spaces his words out. [VERB noun PARTICLE].

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SPACE meaning: 1 : the amount of an area, room, surface, etc., that is empty or available for use; ... plural spaces ... see also a waste of space atwaste.

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