品牌秀_Brand Show[ Seivson ]
疫情的衝擊,顛覆人們既有的生活習慣,寄生於室內的人類,居家裝飾成了人們生活的主軸。
本季Seivson將室內生活轉化成設計,開發獨家的面料花紋,將家飾布料、牆紙印花、家具廓形等,應用在本季設計上,如:地毯織紋印花的套裝、枕頭包裹的提包、壁紙印刷的浴袍等。
整場走秀從居家生活延伸到戶外生存,室外的一切成為原始且蠻荒。
無階級的人們搭建帳篷、茅屋等,Seivson 將此一幻想運用在洋裝上,裙面上加上帳篷骨架,局部撐起創造出異常的輪廓,彷彿是受到輻射,皮膚下產生的病變組織。鬆開骨架後服裝自然垂墜,展現版型效果,變回的 One-piece 洋裝。
打破美醜的定義、尺寸的設定將重新洗牌定義;街上的流浪漢、無家可歸的小孩 能撿現成、不合身的衣服蔽體取暖,Seivson 重新定義既有的美感,超出正常尺寸的外套,過小的服裝都將成為未來時尚的一部分。
Seivson 將運用環境友善的原料與素材,翻玩環保布料、植物染印花等等,透過品牌 一向擅長的印花開發與版型結構,融合設計和藝術的能量,創造生活化的服裝,混 搭且實穿。將對環境的反思、永續經營的概念,傳達在本季的設計中。
The impact of pandemic subverted people's living habits. People keep living indoors for safety reasons; the indoor decoration became the main axis of people's lives.
SS21 Seivson transforms indoor life into the design, develops exclusive fabric patterns, and applies furnishing fabrics, wallpaper printing, furniture silhouettes. Such as carpet texture printing suits, pillow-wrapped bags, wallpaper printing bathrobes, etc.
The runway show extends from indoor life to outdoor survival; everything outside became primitive and wild.
Classless people build tents and huts. Seivson applies this fantasy to western dresses. A tent skeleton is added to the skirt, which is partially propped up to create an abnormal contour as if it is a diseased tissue under the skin that has been irradiated. After loosening the skeleton, the garment draped naturally, showing the shape effect and turning back into a one-piece dress.
Breaking the definition of beauty and ugliness, the size setting will reshuffle the definition; the homeless and homeless children on the street can pick up ready-made, unsuitable clothes to cover the body for warmth, Seivson redefines the existing beauty, beyond the normal size Outerwear and undersized clothing will become part of the future fashion.
Seivson uses environmentally friendly raw materials, fabrics, and plant-dyed printing. Through the printing development and pattern structure, integrating the energy of design and art, creating lifestyle clothing, mix and match, and wear it. The reflection on the environment and the concept of sustainable management are conveyed in the design of this season.
#Seivson
#2020臺北時裝週 #臺北時裝週 #TaipeiFashionWeek #TPEFW #RECONNEXT #去_你的時尚
#dailyoutfit #fashion #fashionworld #fashionstyle #fashionista #Influencer #kol #lookoftheday
#model #newstyle #ootd #outfitoftheday #picoftheday #photooftheday #photographyislifee #photogram #photographylovers #snap #stylish
#เสื้อผ้าแฟชั่น #ファッション #นางแบบ #モデル
sustainable materials for clothing 在 CHuCkLe Facebook 的最讚貼文
品牌秀_Brand Show[ Seivson ]
疫情的衝擊,顛覆人們既有的生活習慣,寄生於室內的人類,居家裝飾成了人們生活的主軸。
本季Seivson將室內生活轉化成設計,開發獨家的面料花紋,將家飾布料、牆紙印花、家具廓形等,應用在本季設計上,如:地毯織紋印花的套裝、枕頭包裹的提包、壁紙印刷的浴袍等。
整場走秀從居家生活延伸到戶外生存,室外的一切成為原始且蠻荒。
無階級的人們搭建帳篷、茅屋等,Seivson 將此一幻想運用在洋裝上,裙面上加上帳篷骨架,局部撐起創造出異常的輪廓,彷彿是受到輻射,皮膚下產生的病變組織。鬆開骨架後服裝自然垂墜,展現版型效果,變回的 One-piece 洋裝。
打破美醜的定義、尺寸的設定將重新洗牌定義;街上的流浪漢、無家可歸的小孩 能撿現成、不合身的衣服蔽體取暖,Seivson 重新定義既有的美感,超出正常尺寸的外套,過小的服裝都將成為未來時尚的一部分。
Seivson 將運用環境友善的原料與素材,翻玩環保布料、植物染印花等等,透過品牌 一向擅長的印花開發與版型結構,融合設計和藝術的能量,創造生活化的服裝,混 搭且實穿。將對環境的反思、永續經營的概念,傳達在本季的設計中。
The impact of pandemic subverted people's living habits. People keep living indoors for safety reasons; the indoor decoration became the main axis of people's lives.
SS21 Seivson transforms indoor life into the design, develops exclusive fabric patterns, and applies furnishing fabrics, wallpaper printing, furniture silhouettes. Such as carpet texture printing suits, pillow-wrapped bags, wallpaper printing bathrobes, etc.
The runway show extends from indoor life to outdoor survival; everything outside became primitive and wild.
Classless people build tents and huts. Seivson applies this fantasy to western dresses. A tent skeleton is added to the skirt, which is partially propped up to create an abnormal contour as if it is a diseased tissue under the skin that has been irradiated. After loosening the skeleton, the garment draped naturally, showing the shape effect and turning back into a one-piece dress.
Breaking the definition of beauty and ugliness, the size setting will reshuffle the definition; the homeless and homeless children on the street can pick up ready-made, unsuitable clothes to cover the body for warmth, Seivson redefines the existing beauty, beyond the normal size Outerwear and undersized clothing will become part of the future fashion.
Seivson uses environmentally friendly raw materials, fabrics, and plant-dyed printing. Through the printing development and pattern structure, integrating the energy of design and art, creating lifestyle clothing, mix and match, and wear it. The reflection on the environment and the concept of sustainable management are conveyed in the design of this season.
#Seivson
#2020臺北時裝週 #臺北時裝週 #TaipeiFashionWeek #TPEFW #RECONNEXT #去_你的時尚
#dailyoutfit #fashion #fashionworld #fashionstyle #fashionista #Influencer #kol #lookoftheday
#model #newstyle #ootd #outfitoftheday #picoftheday #photooftheday #photographyislifee #photogram #photographylovers #snap #stylish
#เสื้อผ้าแฟชั่น #ファッション #นางแบบ #モデル
sustainable materials for clothing 在 大便妹,學環保。 Facebook 的最佳貼文
我們淨得了灘淨得了海淨不了海床
我想淨的其實是你的心!
科學家指出落入海洋的垃圾當中:
海面上的塑膠垃圾只佔了1%
其餘99%的經由海流到了海床
海底每平方米識別出190萬塊微塑料
微塑料來自衣服的塑膠纖維及大型塑膠
落入海裡的塑膠經各樣方式回歸人類
影響健康
我們需要的是大家減少用塑膠的決心
如果你要用除非你是決心用上一百年的
意思是塑膠是非常的耐用
如果那件塑膠製物你沒有決心用上十年
請你不要用!特別是即棄的餐具跟包裝!
能省就省!能不用就不要用好嗎?!
// "Until now we haven't understood where the missing microplastics in the ocean end up and how they are transported," Mike Clare of the National Oceanography Centre told Newsweek. "We know that there are concentrations of plastic on the ocean's surface, but this accounts for less than one percent of the plastic that makes it into the ocean."
He added: "Until now, the rest has been assumed to settle slowly out, like rain or snow in the deep sea. We found instead that currents in the deep sea act like conveyor belts—moving plastic around, locally creating hotspots on the seafloor."
The great bulk of microplastics building up in these hotspots are fibers found in clothing and larger pieces of plastic waste.
"Very little can be done to deal with these hotspots as they are—a deep seafloor clean up is not a viable option for a number of reasons," said Clare.
"Therefore the solution needs to start at the source. We need to limit the pathways that get plastics to the ocean, switch to more sustainable materials where possible, and keep to the mantra of reduce, re-use, recycle."