關於 the new york times us ，我們在網路上蒐集到這些相關的討論、資訊與評價

#GreatArtStory：【Klaus Kremmerz畫中的故事】

「儘管聽來並不謙虛，我認為在流通作品中，我的作品是最具原創性之一的。」
── 插畫師Klaus Kremmerz

＋＋＋

擁有一位油畫家媽媽的他，從小就在色彩，白酒香氣，馬、花、樹的畫像中長大。他從孩童時期開始在紙上畫畫，大學期間也報考了繪畫專業。他正式加入插畫界才不過三年左右，卻已受到許多知名品牌的青睞，例如 Apple、The New York Times、Hermes 等等，可謂插畫界的亮眼新秀。

有人說他的畫是荒誕諷刺的，同時很幽默；有人覺得很日常，也有人覺得充滿電影感⋯⋯ 他的作品是神秘的，三言兩語難以總結，雖然畫風線條簡單，內容卻很豐富，每張畫都是一個故事，背後都有深遠的哲學思想。

他是德國插畫師 Klaus Kremmerz。

這樣的他有著一套自己獨特的藝術觀，他對我們坦言，覺得當代插畫師很無趣。

Kremmerz 形容當代插畫師為「隨波逐流的」、「沒原創性的」、「互相抄襲」的。他們的畫風能被輕易劃分：誰是漫畫風；誰追隨流行超現實主義；誰追隨（複製）Chris Ware，誰（複製）Blexbolex 等等。

Kremmerz 的 Instagram 帳號上只追蹤了10位插畫師，其他時間都在看其他東西。Kremmerz 很討厭克隆人，他見過好幾次明明是 B 抄襲了 A，卻因為抄襲者 B 更懂巧妙利用社交媒體，原著 A 反倒成了別人口中的抄襲者。

他想像過自己的風格被複製：如果有人複製了他的風格，他的風格就會被依次複製，到最後他會失去原作者的身分。他也想過應對方法：如果這種情況發生了，他將會改變自己的風格。

不看 Instagram，那他的靈感從何而來？他愛看現當代藝術，尤愛 John Wesley 與 Wesley Willis 那種難以編纂的繪畫方式。

「儘管聽來並不謙虛，我認為在流通作品中，我的作品是最具原創性之一的。」他說，自己從不同的作者那裡竊取了風格元素，但不是從其他插畫家那裡竊取的；他為自己的蛋糕製作了食譜，從插畫世界中找出了材料。

在Kremmerz的作品中，能找到大量的設計元素，他鍾情於四十年代和六十年代的意大利風格，喜歡想像人們在不同的時刻和情況下住在這種風格的房間裡。

在與 Kremmerz 的訪問中，他直率地表達了對自己作品獲得青睞的自豪，並強調他不靠任何人的幫助買了一套房子（有爵士樂、植物、落地大窗、瑜伽墊）。

他最近受到一家出版社委託，正在為 Ray Chandler 的作品《The Long Goodbye》繪畫插圖。與他而言，這是一項複雜的工作，因為書中充滿了畫面意象，不容易處理。他為此費了不少功夫，迄今為止已經完成了六幅滿意的插圖。這個項目是他對自己的挑戰，他對目前的賽果感到滿意。

與 Klaus Kremmerz 的採訪很有趣，他是一個極其真誠的人，說話很直白，有話說話。這是藝術界很少見也很需要的一份誠實，畢竟互相坦白才能進步。

熱愛著繪畫這門藝術的他，難以想像失去了繪畫的人生。現在的他喜歡用畫作說故事，如果失去了畫，也許會通過寫作或通過其他藝術形式。

「我仍然會是一個講故事的人吧。」

StoryTeller & Illustrator：Klaus Kremmerz @klauskremmerz
Text by StoryTeller Team @everyone.is.storyteller

#沒有你的故事也是你的故事 #KlausKremmerz #插畫師故事 #睡前故事 #EveryoneisStoryteller

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📰 Will the Taliban take Afghanistan back to the past?

🀄 塔利班會把阿富汗帶回過去嗎？

"Thanks to God you are come," shouted an old man as my colleagues and I marched into Kabul on 14 November 2001, battling our way through the joyful crowds.

📌 2001 年 11 月 14 日，當我和我的同事們走進喀布爾時，一位老人喊道：“感謝上帝，你來了。” ，我們在歡樂的人群中艱難跋涉。

The anti-Taliban(塔利班) forces of Afghanistan's Northern Alliance, which had the backing of the US and other Western countries, had halted(停止) on the city outskirts, and the Taliban had simply run for it.

Five years of the most extreme religious dictatorship(獨裁政府) in recent times were over. Under the Taliban, Afghanistan(阿富汗) had become a black hole in which all sorts of extremism(極端主義) could thrive(滋生).

📌 阿富汗的北方聯盟的反塔利班武裝得到美國等西方國家支持，在城郊停了下來，塔利班乾脆逃跑。最近五年最極端的宗教獨裁結束了。在塔利班統治下，阿富汗成為各種極端主義滋生的黑洞。

Only two months earlier the 9/11 attacks on New York and Washington had been planned and guided by Osama Bin Laden and his al-Qaeda movement. It simply never occurred to me then that Taliban could make a comeback(捲土重來).

📌 就在兩個月前，對紐約和華盛頓的 9/11 襲擊是由奧薩馬·本·拉登和他的阿爾蓋達組織運動策劃和指導的。那時我根本沒想到塔利班會捲土重來。

The governments of Afghanistan's two post-Taliban presidents, Hamid Karzai and Ashraf Ghani, were democratically(民主地) elected but never strong, and corruption(腐敗) was the system which worked best.

Nevertheless President Ghani would still be in his palace and the army would be driving round in its expensive Western vehicles, if Donald Trump had not decided that he needed a foreign policy success before the 2020 election.

📌 阿富汗的兩位後塔利班總統哈米德·卡爾扎伊和阿什拉夫·加尼的政府是民主選舉產生的，但從不強大，腐敗是運作最好的制度。
儘管如此，如果唐納德川普沒有決定他需要在 2020 年大選之前取得外交政策的成功，加尼總統仍將在他的宮殿裡，軍隊將駕駛昂貴的西方車輛四處行駛。

Several Afghan politicians(政客) and journalists(記者) I know were horrified by the conclusion of the US talks with the Taliban political leadership in Doha in February 2020, and doubly so when President Joe Biden made it clear he was going to stick to it.

📌 我認識的幾位阿富汗政界人士和記者對 2020 年 2 月美國與塔利班政治領導人在多哈的會談結束感到震驚，而當喬·拜登總統明確表示他將堅持下去時，更是倍感震驚。

I was warned that no matter how moderate and peaceable the leaders in Doha might promise to be, the Taliban fighters on the ground would feel no compulsion(強迫) to observe the fine print.
And so it proved.

📌 我被警告說，無論多哈領導人承諾多麼溫和和平，地面上的塔利班戰士都不會被迫遵守細則。事實證明如此。

Directly after the US, British and other Western troops(軍隊) began pulling out(撤退), the Taliban fighters across Afghanistan made their play for power. Reports of prisoners being executed(被處決) brought an atmosphere of blind panic in one town after another, until Kabul itself succumbed(屈服) and officials and soldiers were battling(爭鬥) their way to the airport to get out.

📌 就在美英等西方軍隊開始撤軍後，阿富汗各地的塔利班武裝分子開始爭奪權力。囚犯被處決的報導在一個又一個城鎮引起了盲目恐慌的氣氛，直到喀布爾本身屈服，官員和士兵爭先恐後地趕往機場逃生。

資料來源: https://reurl.cc/Lbk9nx

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👓Article👓
The New York Times, The Morning 4/27/2021

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Back in the days, around the time when YouTube was founded, before most of you were born, I used to Vlog a lot. I was a little ahead of my time because video sharing platforms were premature back then. I Vlogged so that I can remember my experiences back then. You'll get to know me better if you actually spend the time to watch this. If you do have the patience.

This was New York City in 2005. It was my first trip with my good friends from Hong Kong and Japan. A lot have changed since then. There is no more Toys R Us, there are a bunch of new buildings and shopping area in Ground Zero today. Times Square is a lot more sophisticated today too. May this video bring you back to New York City of the past.

I spoke a few languages in this video, be sure to turn on captions.

Year : 2005
Location : Manhattan, New York City

Fan-Made Intro by Blood Shadow
https://www.youtube.com/channel/UCIEX5xLgWC8DyejbRUYPpLw

(Make me a nice short intro, I'll feature you next)

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?Full Song List ▸ http://www.redefiningpiano.com

Talk to me :
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#vlog #NewYorkCity #USA

It’s two more months until the second inauguration of Taiwan president Tsai Ing-wen. This episode, we chat with journalist Chris Horton to recap the general election on January 11th and the race for national legislators. (This interview was recorded in late January, 2020)

Chris Horton is a freelance journalist based in Taipei. He is a regular contributor to The New York Times, The Nikkei Asian Review, and The Atlantic. He is on Twitter @heguisen.

Today’s episode is hosted by J.R. Wu - Chief of the Secretariat for INDSR (Institute for National Defense and Security Research) in Taiwan. Wu is a former journalist with nearly two decades of media experience in the US and Asia. She has led news bureaus for Reuters and Dow Jones.

Follow us on Twitter @ghostislandme
We take monthly donations at Patreon (www.patreon.com/Taiwan)

SHOW CREDIT

Host - J.R. Wu
Producer / Editor - Emily Y. Wu (Twitter @emilyywu)
Production Assistants - Sam Robbins (Twitter @helloitissam), Harley Centner
Brand Design - Thomas Lee
Production Company - Ghost Island Media
MB01QDHR5IR5ELH

https://ghostisland.media