關於 focused on中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

再次受到美國Adweek委託繪製介紹美國一流資料連接平臺——鏈睿(LiveRamp)，鏈睿在文章中提出未來十年關於CX(客戶體驗)對於世界頂級品牌、代理商和發佈商的影響。

Adweek是美國廣告行業周刊，於1979年創立。Adweek涵蓋了創意，客戶與代理商的關係和全球的廣告相關資訊。目前是美國第二大廣告行業刊物，主要競爭對手是Adage。

因為已經是第二次和Adweek合作，藝術總監和他們的編輯團隊都對我的創作非常放心，所以草稿幾乎是一次就通過，我也有一點「自由發揮」的空間，例如加上台北101在背景，或是放上「永和咖啡廳」的中文字樣(因為我住永和)。

而因為他們這個專案是希望插畫能夠做成動態，所以我在構圖和擺置的時候，也特別去考慮到如何讓他們的團隊能有最大的設計動畫的空間。近年來因為種族主義的話題，所以在畫人物時，往往都會被團隊要求，所以得畫不同人種的臉譜，雖然有點麻煩但是還是滿有趣的。

有興趣看動態版的話，可以點此連結！https://www.adweek.com/sponsored/first-party-data-is-your-future/

最後因為他們很滿意我創作出來的結果，所以又幸運的被加錢了🙈🎉🎉🎉

Five illustrations I did for Adweek advertising content collaborated with Global Product Marketing Lead, Identity, LiveRamp.

For the ideas of the illustrations, I focused on how LiveRamp can take care of the CX(customer experience) based on their individual identities. They find a way to delight people by making sure everything customers do anticipate or fulfill their needs.

Hope you enjoy my work, and feel free to click on the link to see the motion look of every illustration.

Many thanks to Raquel Beauchamp for the art direction and the motion designs. :D

#LiveRamp #illustration #illustrator #art #artwork #adweek #advertising #advertisement #customerexperience #CX #socialmediamarketing #socialmedia #future #scifi #插畫 #插畫家 #刊物插畫 #插畫設計 #behance #廣告設計 #廣告插畫 文化部 城市美學新態度 勤美璞真文化藝術基金會 dPi 設計插畫誌 Wacom Taiwan Fliper 插畫．好心情 台北插畫藝術節 Taipei Illustration Fair

💕「愛台灣，我的選擇」系列第16發：熱愛台灣詩的美國學者白瑞梅(Amie Parry)

「我在加州內陸地區一個叫做聖伯納迪諾的小城市長大，隨後在聖地牙哥念大學和研究所，並獲得文學博士學位。求學期間我們必須至少選修一門外語，所以我就選了中文。1987年我大學畢業之後，跟朋友來了台灣一趟，在台灣教英文和學中文六個月，接著就自己一個人當起背包客在亞洲四處旅遊。

我本來想要研究中國古典詩詞，後來因為獲得傅爾布萊特獎學金，便又再度回到台灣。當時我在討論詩詞的聚會上認識了幾位現代派詩人，所以我就將研究主題轉而聚焦在台灣60、70和80年代的現代詩。我的博士論文探討的就是，以現代主義來理解現有政治語言中難以理解的現代性。我認為歷史形塑而來的經驗，往往比語言本身還要複雜。

我研究的那些詩作沒有明確的政治性，反而是有很強的實驗性質，並帶著詭譎的神秘感。當時我認識的現代派詩人大多是跟著國民黨飄洋過海來台的外省人，他們經歷過戰爭和顛沛流離，也經歷過劇烈且痛苦的歷史創傷。每個人的經驗都不同，在那個年代，也很難說出口。後來，我寫了一本關於詩的書，並聚焦在一兩位我覺得特別有趣的詩人。我在書中問了一些類似的問題：這些詩作如何幫你思考艱難的議題？

當時的現代詩已經頗有制度，許多詩人都有投稿《現代詩》這份重要的詩刊，有些詩人則是將詩作與戲劇結合。整體而言，台灣的現代詩、表演藝術和文學都發展地如火如荼，也深深吸引了我，但我還未全盤了解。當我完成博士論文時，我便獲得交通大學的教職，讓我對台灣的學術圈感到非常驚艷。而當我出版第一本著作時，我也很訝異能在美國獲獎；我根本不知道自己獲得提名，當時我問授獎單位：「為什麼選擇我的書？」他們表示：「因為書中其中一個章節是以跨國的架構來進行整體論述，妳不是單用西方的理論和東方的詩詞，而是從東西方共同錘煉出嶄新的知識。」

我目前任教於中央大學英美語文學系，除了擔任系主任之外，我也有教授寫作課、文學課和文學文化理論課程。從我1987年第一次來台灣到現在，我覺得台灣人愈來愈能自在地與來自不同地方的人交談，就個人經驗來說，我認為台灣社會愈來愈開放。我第一次來台灣時，經歷了許多台灣社會有趣的發展，也結交了許多朋友，並認識了許多學術圈的同好。我想，這些珍貴的回憶就是呼喚我再度回台的動力；就像是，如果你覺得這個社會充滿生氣和活力，而你也能夠參與其中、做出貢獻，我想這就是像家一樣的感覺吧！」

✨白瑞梅 Amie Parry 現為中央大學英美語文學系 專任教授

💕Why I chose Taiwan #16 – Amie Parry

“I grew up in a small city in inland California called San Bernardino. I went to college and graduate school in San Diego. I got my PhD in literature. We were all expected to learn at least one language, so I did Chinese. I traveled to Taiwan with a friend right after I graduated from college in 1987. We came here to teach English and study Chinese for six months, then I traveled around Asia by myself with a backpack.

I originally wanted to study classical Chinese poetry. I got a Fulbright grant and I came back here. I started going to the poetry nights that were happening at that time. I met some of the modernist poets, and I switched my focus to the modernist poetry of the 60s, 70s, and 80s in Taiwan. I wrote my dissertation on modernism as a way of understanding the parts of modernity that are hard to know in the existing political language that we inherit. I think that experience in historical formation is always more complicated than the language.

These poems are not explicitly political; they're very experimental and strange. At the time, the modernist poets I met were mostly 外省, men who had been drafted and come over with the KMT, so they had experienced war and displacement, and a very intense and traumatic historical moment. People experienced it differently, and at that time, it was a hard thing to talk about. Later, I wrote a book about poetry, but I just focused on one or two poets I find really, really fascinating. And I was asking some of the same kinds of questions: how can these poems help you think about certain topics that are hard to think about?

At that time, Modernist poetry was a kind of an institution already. There was a journal called 現代詩, “Modern Poetry,” a really important journal that most of these poets were published in. Some of them combined poetry and theater. There's just so much going on in Taiwan in terms of poetry and performance and literature. It's just amazing. And I'm very interested in it at all, but I haven't kept up. After I finished my dissertation, I got a job offer at 交大. I thought, wow, there's something really amazing happening intellectually here. When my first book came out, it actually got an award in the U.S., and I was so surprised. I didn't even know it had been nominated. I asked them, ‘Why did you choose my book?’ And they said, because one of the chapters has a transnational of framework for the whole argument, so it wasn't like you used Western theories and Eastern texts, it's like the whole knowledge part is coming out of both places.

I currently teach in the English department at National Central University. I'm the chair and I teach writing classes, literature classes, and literary and cultural theory classes. Since my first visit to Taiwan in 1987, I think people are a little more comfortable talking to people from different places. In my personal interactions, I feel a difference, like a greater openness. Back then, there were so many interesting things happening here, all at one time, and that's the time that I happened to be here. And I made good friends in my personal life and in my intellectual life. And I think those are the things that made me come back: like if you feel that there's something interesting happening and there's some way that you can support it. I guess that's a way of feeling at home.” — Amie Parry

✨Amie Parry is professor of the Department of English at the National Central University

#死因與fixation
明報英文 | 毛孟靜
//一些新聞，看了後會永誌不忘，在腦海中深深烙印： lodged in one's mind 、 burned into one's memory。

像最近就一名15歲少女裸屍在海中被發現的死因研訊 death inquest，結論既非自殺 suicide，也非被殺 homicide，那是不是意外呢？不知道，因為沒有證據，裁決死因存疑。問題是，這宗案件本來就疑點重重。

· The case has been ingrained in the psyche of this city. 案件已根深蒂固栽進這個城市的精神中。

西報有如此的一條有關標題：
· Why Hong Kong is fixated on the death of a teenage girl whose body was found at sea.

Fixated ？這個字泛指「沉迷於一套想法而不能自拔」，含意頗為負面。一翻手頭的牛津字典， 解說為 having an abnormal emotional attachment to someone or something ；中文是「迷戀某人某事，異常依戀」。

Fixated ，也就是附帶一點病態。不用這字，改用 keen 着緊、focused 聚焦，也許會比較好。

那篇報道的副題形容學生陳彥霖的死亡個案，是 the subject of wild conspiracies and unsubstantiated rumours ，游談無根的陰謀論和謠言皆從中取材。雖然報道內容也不過是把事件始末敘述一遍。

· The report didn't actually reject the conspiracies nor dispel the rumours. 報道並未駁回有關的陰謀論，也沒有闢謠。

案件的重重疑點，已有眾多的報道及評論，在此不贅。回說 fixated 一字，視乎上文下理，當然也可以有正面肯定的意思。譬如說，會用來形容激情、矢志要達到目標：passionately motivated to achieve one's goal。
· They are fixated to win the championship.他們一心一意要贏得冠軍。這句的 fixated ，就等同 unwavering 堅定不移、 dedicated 專心一意。

但仍要小心，fixated 改用名詞 fixation，就幾乎等同負面及批評的話。看以下新聞標題：
· Airport Authority's fixation with third runway is blinding it to other options. 機管局對第三跑道的盲戀，令其看不見其他選項。

· Singapore is right to question university rankings fixation. 新加坡對沉迷大學排名的質疑，是對的。

較貼近生活的例子是：
· I fail to understand your fixation with donuts. They are so grossly sweet. 我不明白你對「冬甩」的迷戀，它們甜得怕人。//

《RE: I AM EP》
星の消えた夜に / Hoshi no Kieta Yoru ni / 星光褪去的夜 / On Starless Nights
作詞 / Lyricist：aimerrhythm
作曲 / Composer：飛内将大
編曲 / Arranger：玉井健二、飛内将大
歌 / Singer：Aimer
翻譯：澄野（CH Music Channel）
意譯：CH（CH Music Channel）
English Translation:Thaerin

背景 / Background - 家 - ゾン :
https://www.pixiv.net/artworks/77687099

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中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4851673

英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/hoshi-no-kieta-yoru-ni/

日文歌詞 / Japanese Lyrics :
多分　君は少し強がりで　いつも笑顔作ってばかり
泣きたいなら　無理しなくてもいい　すぐに泣けばいい

多分　君はとても優しくて　一人で抱え込むばかり
少し歩くのに疲れたら　荷物をおろせばいい

大丈夫だよ　大丈夫だから　大丈夫だよ　大丈夫だから

ほら　夜が更けるよ　ほら夜が更ける

星の消えた夜に　何を願うの?
遠くを見てる目には　何が映るの?
星が消えた空より隣を見てよ　気付いて
思い出？　それより確かなものがある　多分　そうなんだ

多分　君はとても繊細で　ほんとは全部知りたいけど
話したくないことだったら　話さなくてもいい

ただ私は傍に寄り添って　神様にはかなわなくても
何ができるかもわからない　でも何かしたいな

大丈夫だよ　大丈夫だから　大丈夫だよ　私も不安だよ

星の消えた夜に　何を祈るの?
遠くへ伸ばす手には　何を望むの?
星が消えた空より隣を見てよ　気付いて
神様？　それより確かなことがある　多分　そうなんだ

ほら　夜が更けるよ　ほら夜が更ける

星の消えた夜に　君を照らすよ
声をなくした夜も　歌を歌うよ
夢が覚めた夜でも　隣にいるよ　気付いて
気付いて　何より確かなことがある　これが　愛なんだ

ほら　夜が明けるよ　ほら夜が明ける

中文歌詞 / Chinese Lyrics :
看起來，你就像在故作堅強般，總是強顏歡笑
要是想哭的話，已經不須再逞強，盡情放聲大哭就好

看起來，你是多麼地溫柔，總是獨自一人承擔
倘若因疲憊而無法再邁進，只要放下肩上重負就好

沒事的、真的沒事。放心吧、已經沒事了

看呀，就要到午夜時分了，看呀大地襲上午夜的衣裳

在星光褪去的黑夜中，你許下了何種願望呢？
望向遠方的眼眸中，又倒映出了什麼？
與其看著失去明星的天空，倒不如探向身旁、察覺到吧
回憶？比起它有著更能使人確信的事物存在，大概，就是那樣吧

看起來，你是多麼地纖弱，雖然我想知道你的一切
但倘若不想說出來的話，就這樣留在心裡也好

我僅是在旁依附著你，即使終究敵不過上天
就連能為你做到什麼都不知道，卻仍想為你有所付出

沒事的、真的沒事。放心吧、我也與你一樣不安

在星光褪去的黑夜中，你許下了何種願望呢？
伸向遠方的手掌上，你又希望得到什麼呢？
與其看著失去明星的天空，倒不如探向身旁、察覺到吧
上天？比起祂有著更能使人確信的事物存在，大概，就是那樣吧

看呀，就要到午夜時分了，看呀，到來的夜色

即使是在星光褪去的黑夜中，仍會微微綻亮你的所在
即使是無聲寂寥的深夜中，仍會高聲歌唱
即使是夢醒的夜晚中，我也會在身旁，快注意到我吧
快察覺吧，比起萬物，有著更能使人確信的事物存在，這便是「愛」阿

看呀，就要到破曉時分了，看呀大地襲上陽光的衣裳

英文歌詞 / English Lyrics :
You’re probably trying to act a bit tough, always working up a smile,
But if you want to cry, you don’t need to force it; just let it out.

You’re probably terribly nice, taking it all upon yourself,
But if you’re getting tired after just a few steps, you should simply let down your baggage.

Everything’s fine… everything’ll be fine. Everything’s fine… everything’ll be fine.

Look, the night is coming… the night is coming.

What will you wish for on starless nights?
What’s reflected in your eyes focused far-off?
Rather than a sky without stars, look beside you… and notice…
Memories? There’s something much more certain than that…
… at least that’s what I believe.

You’re probably extremely delicate; the truth is I want to know everything about you,
But if it’s something you don’t want to talk about, you don’t have to try.

I just want to lay by your side, even if God won’t allow it.
I don’t know what I can do for you… but I want to do something.

Everything’s fine… everything’ll be fine. Everything’s fine… but really, I’m worried too…

What will you pray for on a starless night?
What is that hand stretched far off wishing for?
Rather than a sky without stars, look beside you… and notice…
God? There’s something much more certain than that…
… at least that’s what I believe.

Look, the night is coming… the night is coming.

I’ll shine upon you on starless nights,
And sing you a song on nights you lose your voice.
On nights you awake from dreams, I’ll be by your side, so notice,
Just notice… we’ve got something much more certain than anything else:
It’s love.

Look, the dawn is breaking… the dawn is breaking.

Welcome to a NEW type of videos on this channel where I'll (try to) regularly update you all with Taiwan News and talk about the days that have passed. Unsurprisingly, this week has solely been focused on COVID-19. However, as there already is a significant amount of videos out there talking about the situation in Taiwan, we wanted to turn it around and inform the Taiwanese audience how the situation looks like in other parts of the world.

Thank you all so much for watching and please note that we'll keep the tone a lot lighter in future videos. So don't forget to subscribe to all our channels to show your support and to stay updated for more Taiwan News!

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E-shop：https://shop.stcoptics.com/

紐西蘭是極限運動員的天堂，是五位傳奇嚮導的家鄉，他們也是推廣全球專案型旅遊的先鋒。

由Jezza Williams所領導的五位先鋒決心為全球專案型旅遊奮鬥。專一影音工作室更在大自然前線貼身紀錄這段讓人瞠目結舌的旅程。這些頂尖的運動員不只將自己推至極限，更是留下極限印象!

製作公司: 專一影音工作室
製片: 張榆舜
導演: 藍諾
攝影: 黃書秦, 邱繼亮
剪輯: 黃書秦, 張榆舜, 邱繼亮, 藍諾
協助單位: Makingtrax, Wanaka Paragliding, Packrafting Queenstown, Mt Cook Glacier Guiding, Inflite, Hook Wanaka

相關資訊: www.makingtrax.co.nz
專一影音工作室: www.toofocused.productions

New Zealand...considered the finest destination for the world’s top extreme sports athletes. Also home to 5 incredible individuals who put their lives on the line for global inclusive tourism.

5 pioneers, led by legendary Jezza Williams in the fight to initiate massive change in the tourism industry. And Too Focused Productions is on the front lines, documenting this incredible journey as these incredible individuals not only push their limits to the extreme, but are also...Makingtrax!

Production House: Too Focused Productions
Producer: Tommy Jackel
Director: Eleanor Jiang
Cinematographer: Matt Huang, David Chiu
Editing: Matt Huang, Tommy Jackel, David Chiu, Eleanor Jiang
Collaborating partners: Makingtrax, Wanaka Paragliding, Packrafting Queenstown, Mt Cook Glacier Guiding, Inflite, Hook Wanaka

For more info: www.makingtrax.co.nz
Too Focused Productions: www.toofocused.productions