關於 神之三 連 體 的巨神龍 ，我們在網路上蒐集到這些相關的討論、資訊與評價

今天下班，衝去電影院看完了最近討論度頗高的「尚氣與十環傳奇」。

接下來我的評論，有暴雷的可能性(雖然我會盡量避免談到劇情)，如果你是連一點點雷都無法接受的，建議就先登出本篇文章吧。

好，我即將跨過分隔線評論喔。

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再給你一次機會，無法接受那怕一點點雷的，就不要跨越分隔線呀。

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先說我一開始對尚氣勢不抱太大的期待，而且這次的主角演員─劉思慕......我沒有說她長得很像某國主席的意思，但不知是否我對華人面孔比較熟悉，這位老兄在預告中，我真心覺得他是我看過最路人臉的漫威主演。
(雖然劉思慕在演藝生涯中，的確接了「圖片模特」的外快，導致他成為圖庫素材中的路人之一......所以說他路人臉，還真沒冤枉他。)
然後好萊塢為了賺中國市場的錢，總是要參雜一些「中國」元素，而且有些還參雜的超沒意義。(比如在「哥吉拉：怪獸之王」，章子怡就硬要講一句中文，讓我聽到的當下真心想對製片大吼：「有這必要嗎！」)而以「中國」元素為主題的雷片，那更是雷到像在辱華，比如：長城......
(好奇怪喔，怎麼這部根本在惡搞中國文化的片，連麥特戴蒙在接拍當下都能立即肯定的爛片，居然可以在中國上映ㄟ？看來對岸對於中國文化的定義還挺變態的呀。)
這都讓我對尚氣本來不抱好感。

但我能告訴各位......開場戲以及前段的劇情內容，完全可以顛覆我以上的預設！

尚氣的前段，有帶到一個三代同堂的華人移民家庭，儘管只佔一個小篇幅，但短短時間就能呈現：最初移民謹守原鄉文化、第二代移民擁有兩種文化的混和，以及到了第三代幾乎脫離了祖輩們的文化。
甚至這當中的奶奶還說了句：「還沒結婚嗎？」
這句話真是精準的擊中華人，特別是較傳統的華人最為看重的價值！我看到這場景的當下，簡直都要歡呼了！

至於主演的劉思慕，他在前段的武打戲可以讓人感受到：這是一位有料的演員。別的不說，就他露出的腹肌......讚！而撇開肌肉，劉思慕也是有武術根底的，這使得他的打型顯得俐落又有力度。

但這部電影的最大亮點，無庸置疑的是梁朝偉！
撇除梁朝偉很會演，眼神很有戲(多提一句，他在開場戲中的有一段，挺像「一代宗師」裡，葉問與宮二對打的橋段，看得當下我都覺得：「梁朝偉應該是一回生二回熟，這段戲他拍起來太輕鬆自在又到位了」)，他的腳色：尚氣的父親─文武，是一個能擊中觀眾內心的優秀反派。
漫威很多反派，都給人一種很免洗，或是完全沒有帶入感的疏離以及莫名其妙。就好像前一陣子「黑寡婦」中的反派，我真心覺得：「這反派的邏輯我真是搞不懂，自相矛盾的莫名其妙。」
而沒有優秀反派，就無法襯托主角的地位。(沒有小丑，蝙蝠俠還有那麼高大上嗎？)
文武的動機非常簡單易懂，而且其實我相信所有人都會遇到跟他一樣的動機：對所愛之物的執著。正因如此，我雖然不會同意文武的行為，但我卻可以理解文武的動機，甚至在某部分會同意他的觀點。
(以漫威的角色舉例，我不會同意薩諾斯的無差別消滅人口，但我理解人口持續膨脹下所帶來的資源匱乏；我不會同意洛基任意操弄人心並強逼人對他俯首稱臣，但我同情他幾乎沒獲得他人肯定以及關愛。)
另外，文武也很多時候演出華人父親的慣有特色，比如：既重視兒子卻又嫌兒子不爭氣、無法聽進子女或後輩的建議(當然以上只是大概率會出現，不代表每個父親都如此)，這樣的角色塑造，讓我能感受到：漫威真的有用心觀察並經營出華人文化元素。

(但我要順帶Diss一下，同屬一個企業，怎麼迪士尼就可以把華人元素經營的像坨屎一樣？我說的就是「花木蘭」呀！這部片中充滿一堆「美國人自以為理解的中國元素」，那個土樓！那個超不合時宜的白話木蘭辭！那個莫名其妙的氣！Shit到了極點！讓我整部片隔三岔五的就感到尷尬癌或是想翻白眼。
話說迪士尼本身的創作能力，普遍來說真是越來越不行，而且它又很強硬地將自身文化套牢在不斷收購的企業或組織之中，某方面來說，真的是前途堪憂呀......這裡指的是創作，而不是指賺錢獲利。)

所以「尚氣」很棒嗎？
這個嘛......請注意我剛剛都在誇前半段內容，除了梁朝偉的文武直到最後一刻都有優秀發揮，本片在中後半段進入相當套路化的環節。而且中後半段出現(或是強調)的中國元素，我都覺得非常的刻板，比如：氣、太極、神龍......有些出現的還非常突兀。
我自己是在觀看前半段時，給了有超過80的評分，但隨著劇情發展，除了梁朝偉總是讓我賞心悅目而且讓我有以一貫之的完整以及一致性，我覺得中後半段的劇情就不斷的平庸，乃至讓我不斷減分。
沒對比沒傷害，同樣擁有強烈異文化的「黑豹」，在各種方面我覺得都輾壓「尚氣」。
但漫威每位英雄的第一集起源故事，通常都比較平庸(像是美國隊長，我覺得也是相當平庸)，而劉思慕也很明顯是還需要繼續歷練的演員，所以我覺得「尚氣」整體來說，是及格以上而且充滿不少驚喜(特別對華人來說)的元素。

最後我想說：我真心希望漫威能在「武打」這個特色上，對尚氣有更多的著墨，畢竟武打片是很多華人的成長記憶乃至於經典，這說不定會更能帶出這位華人英雄更與眾不同之處呀(畢竟尚氣原型，可就是功夫巨星李小龍呀)。

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2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

🔥迪士尼又有新公主了，快來看拉雅的詳細解析！
🔥神龍西蘇的原型原來是XX！Tuk Tuk竟然是三種生物的合體！
🔥庫曼德拉的靈感來自？武器和武術都很考究？新影片一次告訴你！
🎁留言抽官方托特包，參加辦法在影片最後！

《尋龍使者：拉雅》的故事敘述，在一個虛構的東南亞古國『庫曼德拉Kumandra』，人類原本和龍族一起和平共處，但有一天突然被一種邪惡的靈體『莊魔Druun』給入侵，所經之處寸草不生，被碰到的人也會被變成石像。為了阻止莊魔，龍族們犧牲了自己，將祂們的神力濃縮成一顆『龍珠』，驅逐了所有的莊魔也拯救了庫曼德拉。但好景不常，接下來的500年間，庫曼德拉的五個部族分裂，後來還因為爭奪龍珠，導致龍珠破碎四散、使得莊魔再度肆虐。此時一位名叫做『拉雅Raya』的女孩踏上了旅程，希望能夠找到傳說中僅存的神龍『西蘇Sisu』，幫助她化解危機。

這部電影有許多創舉，除了是迪士尼第一個以東南亞為地點的故事之外，替拉雅配音的Kelly Marie Tran也是迪士尼第一位擔綱主角的東南亞裔女演員。而因為疫情的關係，這部片的製作團隊不只來自世界各地，就連錄音也是在演員們自己家裡。而本片編劇是曾經編寫過《瘋狂亞洲富豪》的Adele Lim，也來自馬來西亞，讓故事更能反映真實的東南亞文化。不過畢竟這是一個童話故事，片中還是很多的傳說與奇幻元素，像是無法被證實存在過的龍、巨大無比的昆蟲等等。

因此今天的節目我們首先會分享電影教了我們的事，接著則會用Q&A的方式揭秘很多電影中的有趣設定，從文化到生物、從傳說到歷史，千萬要看到最後喔！

再繼續看下去之前請先訂閱頻道並且按下小鈴鐺。也歡迎到各大Podcast平台上搜尋『那些電影教我的事』，聽我們聊更多的好作品喔！另外感謝迪士尼的贊助，我們有一些精美的官方贈品要送給你，參加辦法在影片最後喔！

🎁留言抽《尋龍使者：拉雅》官方托特包活動辦法🎁
1. 訂閱我們的頻道（要記得按小鈴鐺喔）
2. 幫這支影片按個讚，並且分享給你的朋友們看
3. 在3/21（日）23:59之前，在影片下方留言告訴我們，你最喜歡電影裡的哪位角色？
4. 我們會在3/22（一）抽出5位觀眾，中獎者可獲得《尋龍使者：拉雅》官方托特包一個！
5. 得獎者將公布在此，恕不另行公告
6. 贈品限寄台澎金馬
7. 中獎名單：
阿臻
WJ LAI
ji lu wun
李政峰
玟伶

【Podcast 收聽資訊】
Apple Podcast：https://apple.co/3fZIWpl
KKBOX：https://bit.ly/3aJntQ8
Spotify：https://spoti.fi/2BGZ4Nx
Google Podcast：https://bit.ly/2BeuhrA
SoundOn：https://bit.ly/2CD0edl
Castbox：https://bit.ly/2CMjgy8
SoundCloud：https://bit.ly/2BhmAkh

#尋龍使者
#拉雅
#RayaAndTheLastDragon

沒有黃金櫃 或有缺的
替換卡:沼地人 / 量子貓 / 分斷 / 鏡壁 / 控制器 / 羽翼栗子球 / 化石調查 / 加拿大 / 威壓之力 / 女神加持

遊戲王 夢幻光の恐龍系列
https://www.youtube.com/playlist?list=PLOZL0jQwbR1V7sta_-bL4zvH-vhn7x9ug

牌組資訊 由左到右:
雷克斯 (劍山活動
巨龍 (第9盒
腕龍 (劍山升級獎勵
迅猛 (第13盒
超古代 (第19盒
黃金櫃 (真沉默魔導套牌
凍志 (活動
吸收 (第7迷你盒

牌組連結 / Deck list link:
https://duellinks.konami.net/att/04df7badf5e135a27c28f908d32b00f48f3071e264

FB粉專:
https://www.facebook.com/%E5%A4%A2%E5%B9%BB%E5%85%89o-758777787573618/

BGM:【東方ボーカル】 幽閉サテライト - ゼロへ旅立てるのなら
BGM2:【東方ボーカル】 「IMAGiNATE」 【SOUND HOLIC】
BGM3:【東方ボーカル】 「幽霊楽団」 【岸田教団_u0026THE明星ロケッツ】

階級實戰系列
(大部分是主流 有強度/穩定 至少可以上傳說 乃至到王階的牌組介紹)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1WCvaIjvgo7dlQ2-sFNxBIn

娛樂系列
(讓對手傻眼!多半是可以瞬間秒殺 或很娛樂 好玩的牌組介紹)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1UDmqLC2jVWfaNO5ThxjYAT

應用系列
(穩定度 不及階級實戰系列 娛樂程度也不及娛樂系列 多半是介紹特殊冷門或應觀眾要求想看的牌組 但只要沒卡手 很多都比階級實戰系列還強!)
(不過有些強度勝過階級實戰)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1XNBI1ndot8JWMY71VZkQuv

教學系列
(從新手入門的卡組組法概念/與卡包抉擇 乃至到成為高端 上王的許多技巧教學)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1WQPW_DpgPhNK7zxnBodLFo

實況操作系列
(夢幻光本人實際開打的影片操作)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1VHrbldr8YzmDQNw15pVRWr

上王/Max牌組系列
(每月上王的牌組 都是階級實戰系列中有的~)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1VZj9JrWHnQb1Zi8Qs3vRuu

夢幻光 三系列 BGM精華濃縮特輯系列 (每一部都花我數十天時間才完成)
(平時玩遊戲/讀書聽音樂的首選)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1UClsAQrMyJapCKqsklTAFc

小光的B站(bilibili)網址:
https://space.bilibili.com/389492882?from=search&seid=14663347694783262147

贊助小光o
https://www.youtube.com/channel/UCP7cAD9spVq_8uAi3YEFasw/join

#恐龍 #一心同體 #凍志

4. 鵝翎寺坐落於桂林市荔浦縣境內一處風光奇絕的喀斯特地貌—鵝翎岩上。始建於唐貞觀年間，已經1400年了。相傳唐高僧惠能法師（638—713）曾到鵝翎寺修道多年，撰寫《壇經》一書流傳於世。鵝翎寺因得此佛根而名聲大振，成為我國西南地區一座名寺。鵝翎寺依山而建須拾級而上，逐一可參觀地藏王殿、三寶殿、文殊殿、觀音殿、玉佛殿和居士樓等。見彌勒佛笑口大開袒胸而坐，似在勸說世人放下煩惱、笑對人生。各殿觀音菩薩、釋迦牟尼、十八羅漢和達摩、惠能、臨濟三尊宗師及韋馱、關羽等塑像，栩栩如生。歷代官員文人題詠不少，雖歷盡風霜仍算清晰可辨，令遊人發思古之幽情。現存摩岩石刻32處，唐宋代13處，明清代19處。當登上最高層，佇立在玉佛殿前憑欄遠眺，無限風光盡收眼底。鵝翎寺擁有四奇：奇崛，奇特，奇秀，奇妙。奇崛是此地山勢奇崛，岩洞多而幽深，且洞洞相連，奇石嶙峋，正所謂「懸崖抱奇崛，絕壁駕崚嶒」。岩北有一石門，內有超大溶洞，洞內滴水如乳，有一巨型鐘乳石，形若鵝翎，栩栩如生，鵝翎岩之名由此而來。觀音殿裡也有一洞，內有奇石狀如神龍，洞壁龍鱗清晰可見，兩顆龍珠圓潤可愛，得名「神龍洞」，至今探尋者不絕。洞前有一聯：「松鱗變化身成玉，石骨開張頷有珠」，將鵝翎寺的奇崛寫活了。奇特是鵝翎寺緊貼鵝翎岩，整座寺廟依山崖、峭壁、溶洞而建，高達四五層，可謂寺在山上、山在寺中，殿裡有洞、洞裡有殿。更奇特者，它不像一般寺院平面延伸前後推進，而是疊加而建一層一殿，這種立體框架的「山寺」，不是絕無僅有也屬奇特之極吧！還有一段奇特的美麗傳說：相傳宋紹興三十二年（1162），荔浦全縣大旱，禾苗焦枯，民眾聚集鵝翎寺拜佛祈雨。真的奇蹟出現：瞬間驕陽變烏雲，雷電大作豪雨傾盆，秧苗死而復生喜獲豐收。百姓盛讚鵝翎寺有菩薩保佑、聖人相助。從此一遇荒年，荔人禱告祈雨，每每禱雨輒應十分靈驗，於是「鵝翎應禱」成了荔浦「古八景」之一。奇秀是鵝翎寺的美，可不是一般意義的秀美，而是出類拔萃、舉世無雙的奇秀獨俏！你看，古剎四圍千峰疊翠風情萬種：遠望山嵐繚繞綠水依偎，不無「綠樹村邊合，青山郭外斜」之意境；近看茂林修竹掩映佛殿樓閣，一泓碧水親吻玲瓏寶塔，大有「曲徑通幽處，禪房花木深」的韻味。走進古樸清幽的寺院，緩步迎來莊重梵音、繚繞檀香，堪稱人生一大快事也！最後鵝翎寺奇妙無數。寺內大小岩洞無數，璀璨奪目妙不可言，誠如一副對聯所寫「入寺始知山竅妙，登峰便見小城雄」。最奇妙的則是流傳甚廣的一段軼聞：傳說建寺之初，三寶殿東壁出現一小洞，每天淩晨有白米嘩嘩流出，流出的量正好夠寺內僧尼一天口糧，被稱「出米洞」。一俗人陡生覬覦之念，趁月黑風高之夜溜進寺院，用釬將洞口鑿寬，期待滿載而歸。豈料左等右等，鑿寬的「出米洞」卻「顆粒無收」了。自此鵝翎寺僧人開荒種田自食其力，那俗人也落得眾人恥笑。不久洞口多了一聯：「洪洪福福地，空空洞洞天」，此聯妙語勵人，意謂天上不會掉餡餅、富庶全憑雙手創造啊！