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關於 acting teacher ，我們在網路上蒐集到這些相關的討論、資訊與評價

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在acting teacher這個產品中，有62篇Facebook貼文，粉絲數超過0的網紅，也在其Facebook貼文中提到， 今天是教師節，也是Meisner 表演課的第二年、第二階段。 今天見到大家很開心，能夠在疫情趨緩之下面對面上課，充滿感恩。 很感謝求知若渴的小岳，把Meisner Technique 這套系統在台灣扎實的發揚光大；大家都可以一起透過學習而更有深度、更有力量。工作室也安排了多元的肢體課、Linkl...
　同時也有12部Youtube影片，追蹤數超過36萬的網紅Atsueigo，也在其Youtube影片中提到，【発音マスタークラス】 発音のすべてがここにある。5,480円（税込）で見放題。 https://masterclass.atsueigo.com/pronunciation 【AccentHelp】 50を超える上級者向けのアクセント教材を提供（英語のみ）。パーソナルコーチングも。 https:...

acting teacher 在 Facebook 的精選貼文

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2021-09-28 22:33:22 有 1,034 人按讚
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今天是教師節，也是Meisner 表演課的第二年、第二階段。

今天見到大家很開心，能夠在疫情趨緩之下面對面上課，充滿感恩。

很感謝求知若渴的小岳，把Meisner Technique 這套系統在台灣扎實的發揚光大；大家都可以一起透過學習而更有深度、更有力量。工作室也安排了多元的肢體課、Linklater 聲音課程、編劇課，讓同學選修，我和很多同學一樣，把這些課上好上滿💕

從2020年8/31開始，為期一年總共70堂課。這是一個嚴謹、需要高度自律的表演課。我們在老Teacher Martijn 指導下，一起搭乘情緒雲霄飛車，把自己全然丟進想像情境中體驗自由落體的失控感受。希望這年度的課程，我能夠融會貫通，把所學的工具刻畫在全身的每一個細胞，能夠從同學身上得到啟發。

分享去年的照片，大家幫Martijn 慶生，同時我也幫自己做了小小的紀錄～ Acting is the reality of doing. 因此課堂上我們有很多的獨立活動要練習、要自己準備道具。每個人的活動都有個人特色，同學說我是活動女王，並不是因為我做的特別好，而是因為我很怕在課堂上呈現的時候沒事做而無法跟情緒連結，寧可設計很多道具、大包小包的把家裡東西搬到現場⋯😆

#教師節快樂

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acting teacher 在 Facebook 的最讚貼文

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2021-09-25 01:00:41 有 21 人按讚
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One of the most fascinating things about getting into another person's Soul, in Acting, is, you really have to understand where they came from and how they became who they are today. It makes me a much more understanding person and turned me into a much better listener.

I think the biggest difference between a good actor and a celebrity, is if they are a good listener or not. What do you think?

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#asianactor #asiancelebrity #chineseactor #laactor #lasinger #chineseamerican #singersongwriters #singerlife #motivationforlife #goodactor #commercialactor #asiandramas #filmactor #actingcoach #singingcoach #teacher #childeducation #kideducation #bilingualkids #bilingual #bicultural #bilingualeducation #positiveenergy #internationalartists #globalesthetics #globalunderstanding

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acting teacher 在 謙預 Qianyu.sg Facebook 的最佳貼文

謙預 Qianyu.sg By 謙預 Qianyu.sg

2021-09-09 06:29:07 有 999 人按讚
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【一切的失敗和不足，都是最美好的安排】
All Failures & Lacks Are The Best Things to Happen to Us

三個月前，收到來自台灣客人的這封電郵時，開心和心酸交織著在心裡。

開心，因為這是一年前通過Zoom視訊的客人。他居然在我們看八字的一週年，特地寫了封感謝函給我，真有心！

心酸，因為他寫在電郵裡的低落心情，我完完全全明白。

他的經歷，是我的曾經。我當初也是很難，很久才能走出來。

有一回，我為一位芳華正茂的女子批八字時，她很用心的寫下我說的話。

論寫筆記的完整，她是我客人當中的佼佼者。

寫到一半，我注意到她的右手開始微微顫抖。我以為是空調的風太大了，冷到她，便問她要不要披巾。

她說，是她的焦慮症發作。

「我沒在兇你，也沒對你嚴厲，你為何突然焦慮？」

「我.....打從今年疫情打亂了我的計畫，我就一直很焦慮。我覺得我很沒用，同學們都前進了，只有我現在什麼都不是，亂糟糟的。我就一直很緊張，萬一我一直都是這樣，怎麼辦？」

說著，她眼眶一紅，眼淚像斷了線的珍珠鏈似的灑下來。

我的媽呀！是我的樣子長得很催淚，還是我的聲音聽起來很虐心？怎麼客人，不分男女老少，東南西北，看到我好像都很容易哭？

我抓起一張紙巾遞給她。

「所以，我不是來了嗎？你來找我，就是要問個明路，而你很幸運那麼快就看到我啦！你看你的筆記寫得多工整，多齊全。我很多客人都不如你啊！我今天的工作，就是來給你答案的。我沒有把握，也不會接你這份差事。我接了，就代表還可以補救。你照著我的指示去做，一定柳暗花明又一村。」

又另一回，一位四十多歲的媽媽請我看兒子的八字。

我在批著八字時，這位媽媽點頭認同，然後就聲淚俱下。

我轉頭看著她沈默不語的先生。我說錯了什麼嗎？太太哭成淚人，你怎麼連紙巾也不拿給她啊？

「我是個沒有用的母親，很不稱職的母親。我沒有辦法教好孩子。我很愛他，可是很多時候我都不知道要怎麼做，我就會對他發脾氣，說狠話，過後我又後悔。我忍下來，可是後來還是會一樣！」

我沒打斷她，等她的哭聲逐漸小聲後，我柔柔的說：「我來啦！我坐在你前面了。你已經看到我，就是有辦法了。你知道你自己不行，會去找辦法，就代表你願意去學習做個好媽媽啊！」

我把紙巾遞給她，再說：「不要哭了，要不然，別人看了以為是我不要借你錢，才把你弄得那麼傷心。」

曾幾何時，我們都會以外在所擁有的，來定義自己的人生是否值得自己喜歡。

從原生家庭、樣貌、健康、身型、智力、天賦等，到後來的學歷、友情、事業、財富、婚姻、子女......

哪一樣沒有，而偏偏是我們最想要的，我們就會認定自己失敗的一塌糊塗。

我認為這就是普通教育最大的問題所在。父母老師都是這樣把我們「分門別類」的。值不值得父母疼愛或向親朋戚友炫耀，也離不開那幾點。

久而久之，我們也只會以「成功」來定義自己是否有價值，甚至來衡量自己是否有活下去的勇氣。

我比較喜歡佛法的定義。我們每個人都是一尊佛，六道眾生皆有佛性，只因一時的迷，因此墮落在苦輪不停的輪迴。

可正因為我們有佛性，我們都有無窮無盡的可能。每個人的內在有著很強大的力量，等著我們遇到明師後，去發掘、探索和了解。

而這天生俱來的力量，就是你改命立命的資本。

如果人生順風順水，我們永遠不會想要出離，誤把人間當極樂，所以一定要有苦，我們才會意識到，為什麼我們會在這鬼地方？要怎麼樣才可以離開這鬼地方去到極樂？

反過來，我們都應該感恩自己遇到的挫折，因為從這些苦中，我們才能生出智慧。

沒有一個八字是完美的。一切的失敗和不足，都是最美好的安排，如此你才會有出離心，返本歸源。

_______________________

3 months ago, when I received this email from my Taiwan client, there was this feeling of bittersweetness.

I was happy because this was the client I did a Zoom consultation last June. He sent me this email on the one-year anniversary date of our Zoom call, to express his gratitude. How sweet!

On the other hand, I could relate to the emotional turmoil he felt at that point in his life.

His experience was my past. It also took me a very long time to walk out from my gloominess.

Once, I analysed the Bazi of a very young lady. She was meticulously jotting down notes as I spoke.

Her detailed note-taking skills easily took the top place among my clients.

Halfway through, I noticed her right hand was trembling slightly. I thought it was due to the cold draft from the air conditioning, so I asked if she needed a shawl.

She replied that it was her anxiety disorder acting up.

“I was not fierce or strict with you. What caused your sudden anxiety?”

“I…ever since the pandemic disrupted my plans, I have been in this state of anxiety. I kept feeling useless. All my classmates are progressing expect me. I have nothing to show for and my life is in a mess. I am very anxious. What if I continue to be like this? What am I going to do?”

As she spoke, her eyes turned red and tears started rolling down like a broken strand of pearl necklace scattering onto the ground.

Oh dear! I am beginning to wonder if I have a tear-jerker face or a heart-tormenting voice. Why do my clients, regardless of gender and age, North South or East West, seem to cry easily when they see me?

I grabbed a piece of tissue and handed it to her.

“Ain’t I here already? You came to me for a roadmap and you are very lucky to see me so soon. Look at how precise and neat your notes are! Many of my clients aren’t even on par with you. My job today is to give you answers. If I didn’t have the confidence, I would not have taken up your request. Now that I did, that means there is still hope. If you follow my instructions, you will see things looking up very soon.”

On another occasion, a mother in her forties came to me for her son’s Bazi consultation.

As I was analysing, the mother nodded her head in agreement. The next thing I know, she started weeping loudly.

I turned to look at her husband, who had been silent all along. Did I say something wrong? And hello, your wife was crying. Why weren’t you gentleman enough to give her a tissue paper?

“I am a useless mother. I am incompetent. I do not know how to teach my son well. I love my son very much. But many times, I do not know what to do and thus I flare up at him and speak harshly. I always regret afterwards. I tried enduring but it still ends badly!”

I did not interrupt her and waited for her cries to soften, before speaking gently, “I’m here! I’m already sitting in front of you. You are looking at me now and that means help is here. You know that you are incompetent, so you went looking for solutions. That means you are willing to learn how to be a better mother!”

I handed a piece of tissue and said, “Don’t cry anymore, otherwise, other patrons will think that it’s because I refuse to lend you money.”

Since young, we have been using external possessions to define whether our lives are worth liking.

The family we are born into, our looks, health, body shape, intellect, talents, and then we move on to compare our academics, friendships, career, wealth, marriage and children.

If we are lacking in the area we covet most, we grade our lives as a failure.

I think this is the biggest problem in societal education. Our parents and teachers categorized us that way. Whether we as children are worthy of their love and bragging, depends on the few points above too.

Thus over time, we can only use the term “success” to determine whether we are of value, for some people, whether they should live on to take their next breath.

I very much prefer the definition in Buddhism. We are all Buddhas. Each and every sentient being in the six realms has a Buddha nature in them. But they got lost momentarily and fell into the endless wheel of reincarnation.

Yet, because of our Buddha nature, we have an unlimited source of potential. Every one of us has a very powerful strength inside us. It is just waiting for us to meet an accomplished teacher, so that we have the tools to explore and understand it:

And this strength that we are born with is the capital for us to transform and establish our own destiny.

If life is smooth-sailing, we would never want to leave and would mistake this mortal realm for Pureland. Thus, we all need sufferings, to realise that we should break out of this hell of a place. There has to be a better world somewhere. So how we get there?

We should, in fact, be grateful for all the setbacks and failures we have. Because it is from these sufferings, our wisdom arise:

No single Bazi is perfect. Every failure and lack we experience is the best arrangement for us, so that the heart of renunciation will arise in us and we will return to where we came from.

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謙預 Qianyu.sg

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acting teacher 在 Atsueigo Youtube 的最讚貼文

Atsueigo By Atsueigo

2021-04-17 21:03:34 有 16,830 人看過 有 321 人喜歡
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【発音マスタークラス】
発音のすべてがここにある。5,480円（税込）で見放題。
https://masterclass.atsueigo.com/pronunciation

【AccentHelp】
50を超える上級者向けのアクセント教材を提供（英語のみ）。パーソナルコーチングも。
https://www.accenthelp.com/

Jim Johnson
Professor of Voice and Accents

Jim Johnson is a professor of voice and accents at the University of Houston School of Theatre & Dance, where he received the Provost’s 2007 University Teaching Excellence Award and serves as the director of undergraduate programs for the School. Jim served as the director of the School of Theatre & Dance from 2013 – 2016. He works professionally as an actor and as a voice and dialect coach, and is a founder of AccentHelp, which offers over 40 sets of materials for different accents and dialects. Jim teaches and performs annually with the summer training institute of the Prague Shakespeare Company. He is an associate teacher of Fitzmaurice Voicework, an associate editor for the International Dialects of English Archive and a member of the Voice and Speech Trainers Association. He received his M.F.A. in acting from the University of Nebraska — Lincoln. He formerly served on the faculty of The Theatre School of DePaul University and taught at the Audition Studio in Chicago, Illinois. He is currently represented by Pastorini-Bosby Talent Agency and is a member of Actors’ Equity.

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Atsueigo

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こんにちは。　ATSUです。 このチャンネルでは生まれて大学卒業までずっと日本で育った私が英検１級、TOEIC満点、TOEFL114点、IELTS8.5を取得し、大学院留学（成績優秀にて卒業）、そしてメルボルン（オーストラリア）にてBig4会計事務所に就職を達成するまでに行ってきた英語学習を動画を通じてシェアしています。是非ともチャンネル登録お願いします。 Twitter:https://twitter.com/atsueigo 簡単な質問等に答えたり学習に役立つ情報、使われる表現等つぶやきます。 Blog: https://www.atsueigo.com/ 動画をベースに英語学習方法を定期的にシェア。 Facebook: https://www.facebook.com/pages/ATSU/1554748681461913 動画やブログの更新通知を行っています。 Youtube上のコメントは気まぐれで返信しますが基本しません。 ただ全てチェックしており今後の動画や活動に役立てると同時にモチベーションにしていますので大歓迎です :D プロフィール 2014年12月にオーストラリア国立大学大学院を会計学修士（成績優秀）で卒業 2014-2020 デロイトトーマツオーストラリアで米豪公認会計士（マネージャー） 2020- 独立 取得資格（英語） IELTS Academic 8.5 (L9.0 R9.0 W7.5 S8.0) 実用英語技能検定１級 TOEIC 990点（満点） (L495 R495) TOEFL iBT 114点(L30 R28 S27 W29) Versant 80点満点 その他取得資格 元米国公認会計士・豪州勅許会計士 国際会計検定895点（コントローラーレベル） 日商簿記２級
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acting teacher 在 晴雯 /dance & music Youtube 的最讚貼文

晴雯 /dance & music By 晴雯 /dance & music

2021-03-15 18:00:27 有 1,061 人看過 有 29 人喜歡
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第一支的舞蹈cover終於出爐了，這次的舞蹈也是自己的編排，也有釋出分享課讓大家可以來學，很感謝大家喜歡我的創作，讓我有動力繼續做下去！

感謝這次的兩位美女學員Molly&Alien，辛苦兩位在有限的時間內學起這隻短短的排舞，希望這兩次的分享課有帶給你們一些收穫，大家想要一起加入跳舞的行列可以多多關注我的課程呦，如果喜歡我的影片記得幫我按讚、訂閱、分享放！！有任何問題都可以在下方留言給我～我都會一一回答大家😛
✨歡迎留言告訴我你們想學的舞風或音樂給我一些靈感吧✨

Instagram: https://www.instagram.com/chingwen.dancer/

facebook: https://www.facebook.com/Chinnnnnnng


編舞：邱晴雯
創作者：邱晴雯
攝影：Edward Chiu
剪接：Edward Chiu
舞者：蔡孟庭Molly、陳虹蓁Alien
原唱：Ariana Grande - Positions
特別感謝：東南科技大學表演藝術系（場地贊助）

#晴雯#跳舞#編排#編舞#舞蹈#老師#性感#高跟鞋#致敬#歐美#翹臀#東南科技大學#ching#dance#choreographer#teacher#danceteacher#sexy#heels#Buttocks#ArianaGrande#positions#tnuartofficial

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晴雯 /dance & music

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我是晴雯，喜歡唱歌、跳舞、彈吉他?? 對於表演不管是什麼領域我都抱持著我的熱誠，很喜歡嘗試挑戰新的事物，本身是一位專業的舞者和主持人，目前有在主持電玩頻道，專長是跳舞、主持、舞蹈編排，對於夢想我告訴自己：「只要堅持到底，努力不懈，成果就是你的了。」 IG:chingwen.dancer 時常來分享我的生活我的作品給你們❤️ 喜歡記得訂閱我的頻道喔???
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acting teacher 在 暗網仔出街 Youtube 的精選貼文

暗網仔出街 By 暗網仔出街

2021-03-05 20:50:35 有 25,216 人看過 有 1,547 人喜歡
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Instagram: https://www.instagram.com/dw_kid12/

Facebook: https://www.facebook.com/deepwebkid/?modal=admin_todo_tour

訂閱: https://www.youtube.com/channel/UCKC6E5s6CMT5sVBInKBbPDQ?sub_confirmation=1

Spotify: https://open.spotify.com/album/2LjUOH9T9j21GiX8jzytu6
異度空間恐怖APP: https://www.youtube.com/watch?v=6PiyPZ3d_Fw&t=12s

首支單曲: https://www.youtube.com/watch?v=UASHWB6Ai9Y

鬼故事: https://www.youtube.com/watch?v=-CfqxuCHq3Y&t=3s

我的成長故事: https://www.youtube.com/watch?v=Kdhtp6A6YJE

我講 '香港' 10,000次: https://www.youtube.com/watch?v=-G4uDe3QUfs

我受夠了, 我的精神困擾: https://www.youtube.com/watch?v=aQ6uxaQhiS4&t=7s

24小時內學印度話: https://www.youtube.com/watch?v=g3EmtyVK1BQ&t=55s

影評11集黃秋生大師班觀後感想
影評11集黃秋生大師班觀後感想
【黃秋生大師班】11集觀後感想影評
喱騷【黃秋生大師班】觀後感想影評
分析【黃秋生大師班】喱騷觀後感想影評
分析喱騷【黃秋生大師班】
看完【黃秋生大師班】明白什麼是演技
喱騷【黃秋生大師班】是在做什麼啊?!
喱騷【黃秋生大師班】到底在拍什麼?

最近我在看杜汶澤喱騷 youtube 的預告片. 集中推薦的節目是 ‘黃秋生大師班’ 其實我對這個節目非常有興趣，但是如果要收看這個節目，你需要先成為 ‘喱騷’ 網站的會員，因此，我加入會員一個月了。check it out !!

節目中黃秋生是6位新晉演員的戲劇老師。 咁呢一班演員佢地嘅經驗都不同啦，有啲就做過電影，有啲就做過舞台劇，／每個演員的表演經驗和表演媒介都各不相同，無論是電影還是舞台。

就像標準的真人秀一樣，每個角色都有一個定位。
當然有黃秋生飾演一個粗口橫飛的老師，好直接的，他經常挖苦自己的學生，他跟監制田蕊妮的之間的互動，真心係整個節目的最好看的部份。


其他角色還有:

女藝人莊韻澄，她每一次出現大家都會有一些性暗示的笑話或者會提及她的胸部。

飾演男神的王宗堯, 每一次都有關於政治的戲劇性話題出來。

看完十一集當中我最喜歡看的角色，設定，是莫俊名。 就是一個＂弱者＂，整個故事，可以說是裏面六個人當中演戲比較差的一位，就慢慢看着他做一些尷尬的表演，然後被人批評。再被迫做更尷尬的表演，例如跳舞，再被人批評，可以見到他是淚灑當場，哭了無數次、崩潰了無數次。

我不確定這是不是節目效果，還是真人都是這樣，但其實呢，在我2018年的時候，有一段時間是住在香港，參加表演課。 這是一個為藝術家和模特製作的課程
I’m not 100% sure if this is 節目效果but in 2018 there was a time I lived in Hong Kong where I attended an acting class. it was a class made for artists and models

那是在我被YouTube稱為“暗網仔”之前，那裡的每個人都只是個小孩子。
it was before I was known in YouTube as 暗網仔 so to everyone there I was just some kid.

練習不僅與黃秋生大師班的練習非常相似，而且我的角色與莫春明的練習非常相似。
Not only were the excercises very similar to the ones shown in 黃秋生大師班, but my character was so similar to the one of mok chun ming.

在節目中，他的個性不敢表現出自己的真實自我，但對我而言，這是在所有“成名”人物面前並且必須採取行動。 以及缺乏經驗，因為那裡的其他所有人都已經學習過課程。
In the show his personality is afraid to show his true self, but for me it was being in front of all those ‘famous’ people and having to act. And inexperience as well since everyone else there has already taken a course.


我記得，即使我在一個場景中走路也很糟糕，以至於我的老師讓我在教室裡轉圈，讓所有人觀看，因為我什至都不知道如何走進一個場景。 每個人都必須判斷我的行走。
I remember even my walking in a scene was so bad that my teacher made me walk in circles around the classroom and have everyone watch because I didn’t even know how to walk into a scene. And everyone had to judge my walking.

真的很尷尬。
It was embarrassing.

而且黃秋生大師班的每個情節流程都類似於表演班。
6個學生中的每一個都做一個同一個表演，然後老師嘲笑/批評/幫助他們。
And 黃秋生大師班’s each episodes流程is similar to a acting class.
Each of the 6 students do the 同一個performance then the teacher mocks/critiques/helps them.

我覺得這個表演是一個非常聰明的主意，因為來自參加過很多表演課的人，很多時候錄製在視頻上的實際表演並不像課堂練習中最原始，最真實的表演那樣令人興奮。
I feel this show is a very smart idea because coming from someone who has taken quite a few acting classes, many times actual performances recorded on video is not as 精彩as the raw, 最真performances done in 課堂練習.

因此，要把這些“嘿中嘿”放到一個節目中，就可以看到大多數其他節目所沒有的人性化。 因為在電視節目和電影中，不良行為不會受到批評，而在表演課中，您的想法或精力的變化會立即被接受。 因此，在每個級別上都是有關“ hey中hey”的真人節目。
So to take these ‘hey 中hey’ and make it into a show shows a 人性化that most other shows don’t have. Because in tv shows and movies bad acting will not be criticized but in acting class, a change of your thought or energy(氣場) is picked up on immediately. So on every level this is 有關 ‘hey中hey’ 的真人show.

目前只有11集，但還沒有結束，但我希望以後大家都能看到進步。
It’s only 11 episodes right now and not the end yet I look forward to seeing everyone’s improvement afterwards....

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