In conclusion, when we use the museum as a starting point to understand the role played by “in-house curators”, we can see that the obligation to serve specific political purposes or those in power has diminished considerably, and the way in which people plan exhibitions there and the underlying academic research are not unlike what curators outside the institution have to handle.
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In this artistic environment, the so-called political, natural, and social reforms or transformations are, in fact, only the production and design of issues. Nevertheless, an exhibition that is discussed has a higher positive and negative residual value than an exhibition that is merely ignored or glorified.
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The common challenges faced by young, Taiwan-based curators like myself on the global stage.Here’s the thing: Taiwan does not suffer from a talent shortage in international curation (there are plenty of curators of my generation who, like myself, are well equipped with the skills and experience to go onto the world stage). What we do suffer from, however, is the lack of understanding of our own needs within the larger, global realities.