閱讀筆記: PANDEMIC!
Perhaps an epidemic which threatens to decimate humanity should be treated as Well’s story turned around: the “Martian invaders” ruthlessly exploiting and destroying life on earth are we, humanity, ourselves; and after all devices of highly developed primates to defend themselves from us have failed, we are now threatened “by the humblest thing that God, in his wisdom, has put upon this earth,” stupid virus which just blindly reproduce themselves – and mutate (13).
The really difficult thing to accept is the fact that the ongoing epidemic is a result of natural contingency at its purest, that is just happened and hides no deeper meaning. In the larger order of things, we are just a species with no special importance (14).
In the last days, we hear repeatedly that each of us is personally responsible and has to follow the new rules. Media are full of stories about people who misbehaved and put themselves and others in danger, an infected man enters a store and coughs on everyone, that sort of thing. The problem with this is the same as the journalism dealing with the environmental crisis: the media over-emphasize our personal responsibility for the problem, demanding that we pay more attention to recycling and other behavioral issues. Such a focus on individual responsibility, necessary as it is to some degree, functions as ideology the moment it serves to obfuscate the bigger questions of how to change our entire economic and social system. The struggle against coronavirus can only be fought together with the struggle against ideological mystification, and as part of a general ecological struggle (88-89).
There is a key difference between the coronavirus epidemic and the ecological crisis. In the health crisis, it may be true that humans as a whole are “fighting” against – even if they have no interest in us and go their way from throat to throat killing us without meaning to it (111-112).
Materiality, usually conceived as inert substance, should be rethought as a plethora of things that from assemblages of human and nonhuman actors (actants)-humans are but one force in a potentially unbounded network of forces (113).
★ The coronavirus epidemic can be seen as an assemblage of a (potentially) pathogenic viral mechanism, industrialized, agriculture, fast global economic development, cultural habits, exploding internal communication, and so on. The epidemic is a mixture in which natural, economic, and cultural processes are inextricably bound together . . . as humans, we are one among the actants in a complex assemblage; however, it is only and precisely as subjects that we are able to adopt the “inhuman view” from which we are (partially, at least) grasp the assemblage of which we are part” 117).
同時也有5部Youtube影片,追蹤數超過23萬的網紅Trevmonki,也在其Youtube影片中提到,Episode 1: The Audition @ https://www.youtube.com/watch?v=HJ7_R4w9zQA Episode 2: Storm Is Brewing @ https://www.youtube.com/watch?v=1oGK5Yc3xFI Episo...
「grasp meaning」的推薦目錄:
grasp meaning 在 2how Facebook 的最讚貼文
DIMPY BHALOTIA
Poche, pochissime erano le foto in casa di Henri Cartier-Bresson; una, forse due. Una, per cui il grande fotografo aveva una vera e propria ammirazione, era “Three Boys at Lake Tanganika” di Martin Munkácsi. Tre ragazzini immortalati di spalle che sprigionano un’incontenibile vitalità mentre corrono verso le acque del lago. Perché Cartier-Bresson amava quella fotografia? Perché, come ha detto lui stesso: “Ho capito improvvisamente che la fotografia può fissare l’eternità in un momento”. Osservando la fotografia “Flying Boys” di Dimpy Bhalotia, e con la quale si è aggiudicato il Female in Focus Award 2020 del British Journal of Photography, sembra che i tre ragazzini di Munkácsi siano tornati dopo un viaggio lungo novant’anni. Di più, pare che siano tornati per spiccare il volo e catturati nel preciso momento in cui occhio, cuore e mente del fotografo sono perfettamente allineati come una costellazione lontana. C’è, nelle fotografie della giovane indiana di Londra, qualcosa che arriva da una precisa tradizione fotografica e che àncora saldamente la composizione a quelle tre fondamentali componenti cui si faceva cenno, orientandola verso la ricerca del momento in cui un episodio umano – e non solo – ha la capacità di espletare il suo senso. Irripetibilmente. I riferimenti non mancano, e sono segno di una solida cultura visiva. Quanto guardiamo nelle fotografie di Dimpy Bhalotia sembra fuoriuscire da un racconto riscritto con nuove parole, nuovi cenni ma fermamente determinato a essere interpretato attraverso un lessico che costringe a sostare nello spazio citazionista giusto il tempo che occorre prima di assumere una vita propria. E questa sottile e aggraziata visione delle cose che plana sugli avvenimenti, ha quel respiro che sta dentro in una visione poetica della vita, perché per scattare fotografie che sappiano restituire la bellezza d’un gesto occorre amare la vita e i suoi interpreti. Ecco che uomini e animali, colti singolarmente o al crocevia della reciproca interazione, ci appaiono come soggetti appena involontariamente dialoganti ma che, a ben guardare, sono catturati nell’esatto momento di un dialogo segreto. La forza delle fotografie di Dimpy Bhalotia viene da lontano e dunque è ben strutturata. E si vede soprattutto nell’azzardo di forme, nella scommessa formale giocata sul corpo dei soggetti animali, da cui, in altre circostanze, cogliamo una felice traccia surrealista, un terreno ideale nel quale risolvere talune spericolatezze compositive. Il lavoro di Dimpy Bhalotia sosta alla confluenza di due differenti correnti fotografiche: l’umanesimo e il surrealismo (lo stesso Cartier-Bresson sperimentò un delicatissimo surrealismo prima di fondare la Magnum), maneggiati entrambi con disinvoltura e sicurezza. La sua è una voce limpidissima, minimale. Le composizioni obbediscono al comandamento d’essere rigidamente impostate su un registro essenziale, al limite del calligrafico, ma la sobrietà ci convince del risultato. Il solco della tradizione è tracciato, ma seguirne il percorso senza aggiungere le proprie impronte è come non averci camminato. La fotografia è un libro che non finisce mai di essere scritto, a patto d’avere qualcosa da dire. Come in questo caso.
Giuseppe Cicozzetti
foto Dimpy Bhalotia
https://www.dimpybhalotia.com/
DIMPY BHALOTIA
Few, very few were the photos in Henri Cartier-Bresson's house; one, maybe two. One, for which the great photographer had a real admiration, was Martin Munkácsi's “Three Boys at Lake Tanganika”. Three kids immortalized from behind who release an irrepressible vitality as they run towards the waters of the lake. Why did Cartier-Bresson love that photograph? Because, as he himself said: "I suddenly understood that photography can fix eternity in a moment". Looking at Dimpy Bhalotia's “Flying Boys” photograph, and with which she won the British Journal of Photography's Female in Focus Award 2020, it seems that the three kids from Munkácsi are back after a 90-year journey. What's more, they seem to have returned to take flight and captured at the precise moment when the photographer's eye, heart and mind are perfectly aligned like a distant constellation. There is, in the photographs of the young Indian woman based in London, something that comes from a precise photographic tradition and that firmly anchors the composition to those three fundamental components mentioned, orienting it towards the search for the moment in which a human episode - and not alone - has the ability to carry out its meaning. Unrepeatable. There’s no shortage of references, and they are a sign of a solid visual culture. What we look at in Dimpy Bhalotia's photographs seems to come out of a story rewritten with new words, new hints but firmly determined to be interpreted through a lexicon that forces us to pause in the quotationist space just the time it takes before taking on a life of its own. And this subtle and graceful vision of things that hovers over events, has that breath that lies within a poetic vision of life, because to take photographs that are able to restore the beauty of a gesture, you need to love life and its interpreters. Here men and animals, caught individually or at the crossroads of mutual interaction, appear to us as subjects that are barely involuntary in dialogue but who, on closer inspection, are captured in the exact moment of a secret dialogue. The strength of Dimpy Bhalotia's photographs comes from afar and therefore is well structured. And it is seen above all in the balancing of forms, in the formal bet played on the body of animal subjects, from which, in other circumstances, we grasp a happy surrealist trace, an ideal terrain in which to resolve certain compositional recklessness. Dimpy Bhalotia's work stops at the confluence of two different photographic currents: humanism and surrealism (Cartier-Bresson himself experienced a very delicate surrealism before founding Magnum), both handled with ease and confidence. Her is a very clear, minimal voice. The compositions obey the commandment to be rigidly set on an essential register, bordering on calligraphic, but the sobriety convinces us of the result. The groove of tradition is traced, but following its path without adding one's footprints is like not having walked through it. Photography is a book that never stops being written, as long as you have something to say. As in this case.
Giuseppe Cicozzetti
ph. Dimpy Bhalotia
https://www.dimpybhalotia.com/
grasp meaning 在 葉小妍MagicWin2ie Facebook 的最佳貼文
人生的意義:擁抱自己的憂傷
現代的社會往往會強調樂觀與開朗,不過我們要領悟到,現實大多是交織著傷心與失落。
一個好的人生不是「不難過」的人生,而是安然走過所有滄桑、從而建立的人生。
「人生必經憂傷」這個事實不該讓我們絕望,而是讓我們變得更寬容、更善良、也更能夠把握住人生中那些真正值得的事物,趁一切還來得及的時候。
The meaning of life: Embrace your own sadness
Modern society tends to emphasize optimism and cheerfulness, but we must realize that reality is mostly intertwined with sadness and loss.
A good life is not a "not sad" life, but a life built through all the vicissitudes of life safely.
The fact that "life must go through sorrow" should not make us desperate, but it should make us more tolerant, kinder, and able to grasp the things that are truly worthwhile in life, while it is still too late.
Photographer :
www.garymakphotography.com
Model :
https://instagram.com/magic_win2ie?igshid=14i6jucq2kk7c
#抑鬱症
#如何面對死亡
#金句
#心靈雞湯
#香港女生
#葉小妍
#beinternational
grasp meaning 在 Trevmonki Youtube 的最佳貼文
Episode 1: The Audition @ https://www.youtube.com/watch?v=HJ7_R4w9zQA
Episode 2: Storm Is Brewing @ https://www.youtube.com/watch?v=1oGK5Yc3xFI
Episode 3: Departure @ https://www.youtube.com/watch?v=Ah_nrOCbcy4
This film follows the tale of a college freshman, Ryan, as he heads into college after promising his parents that he would stop dancing and focus on his education in Business. However, he soon stumbles upon a flash mob, meeting Emily whom eventually convinced him to audition for the dance club. Watch as Ryan slowly grasp the meaning of dance, passion and love.
This programme is part of Got to Move, a nationwide movement to celebrate dance and get everyone in Singapore MOVING! The second edition this year will see various dance groups and studios holding free workshops, masterclasses, dance programmes and activities across the island from 7th to 23rd October. Over the 3 weekends, we will be having a series of GTM SPOTLIGHT events that will allow you to discover and immerse yourself in different dance-related activities!
Find out more information on Facebook @GotToMoveSG. This is supported by the National Arts Council.
The Trevmonki Dance Classes are fully booked so sorry guys! Next time! :)
It is going to happen on the 22nd October (Saturday), Lester Zhang's class from 2pm to 3pm and Trevor Tham's class from 3pm to 4pm! IT'S FREE!!
Directed and Written by: Leonard Lau
Produced and Edited by: Trevor Tham
Director of Photography: Sun Ji
Assistant Director: Felice Tay
Production Assistant: Masagos Iskandar
Cast
Angelene Wong
Evon Chua
Lester Zhang
Trevor Tham
Leonard Lau
Keith Png
Chelsea Monteiro
Serene Ting
Special Appearance
Benzo
Ellena
Kairos
Trevmonki Official Social Media
Instagram @ http://instagram.com/Trevmonki
Facebook @ https://www.facebook.com/trevmonki
Follow the crew
Trev @ http://instagram.com/trevtham
Leonard @ http://instagram.com/leonardlyy
For any business enquiries: [email protected]
Voice Over
Shawnrick @ https://www.facebook.com/shawnrick
Our Partners for this web series
(Hair) J7image @j7_artofhair
(Camera Gears) True Colour Media
(Clothing) Uniqlo @uniqlosg
(Ear Piece) Sudio @sudiosweden
(Dance) Legacy Dance Co @legacy.dco
(Location) Skypark @skyparkarena
grasp meaning 在 Trevmonki Youtube 的最佳解答
Episode 1: The Audition @ https://www.youtube.com/watch?v=HJ7_R4w9zQA
Episode 2: Storm Is Brewing @ https://www.youtube.com/watch?v=1oGK5Yc3xFI
This film follows the tale of a college freshman, Ryan, as he heads into college after promising his parents that he would stop dancing and focus on his education in Business. However, he soon stumbles upon a flash mob, meeting Emily whom eventually convinced him to audition for the dance club. Watch as Ryan slowly grasp the meaning of dance, passion and love.
This programme is part of Got to Move, a nationwide movement to celebrate dance and get everyone in Singapore MOVING! The second edition this year will see various dance groups and studios holding free workshops, masterclasses, dance programmes and activities across the island from 7th to 23rd October. Over the 3 weekends, we will be having a series of GTM SPOTLIGHT events that will allow you to discover and immerse yourself in different dance-related activities!
Find out more information on Facebook @GotToMoveSG. This is supported by the National Arts Council.
Register for free Trevmonki Dance Classes @ https://docs.google.com/forms/d/e/1FAIpQLScyBXjQto8y_kE0nmQ_LBzOkD4UWryATGqlXXzrP5XOXEwDqw/viewform
It is going to happen on the 22nd October (Saturday), Lester Zhang's class from 2pm to 3pm and Trevor Tham's class from 3pm to 4pm! IT'S FREE!!
Directed and Written by: Leonard Lau
Produced and Edited by: Trevor Tham
Director of Photography: Sun Ji
Assistant Director: Felice Tay
Production Assistant: Masagos Iskandar
Cast
Angelene Wong
Evon Chua
Lester Zhang
Trevor Tham
Leonard Lau
Keith Png
Chelsea Monteiro
Serene Ting
Trevmonki Official Social Media
Instagram @ http://instagram.com/Trevmonki
Facebook @ https://www.facebook.com/trevmonki
Follow the crew
Trev @ http://instagram.com/trevtham
Leonard @ http://instagram.com/leonardlyy
For any business enquiries: [email protected]
Voice Over
Shawnrick @ https://www.facebook.com/shawnrick
Our Partners for this web series
(Hair) J7image @j7_artofhair
(Camera Gears) True Colour Media
(Clothing) Uniqlo @uniqlosg
(Ear Piece) Sudio @sudiosweden
(Dance) Legacy Dance Co @legacy.dco
(Location) Skypark @skyparkarena
grasp meaning 在 Trevmonki Youtube 的最佳解答
Episode 1: The Audition @ https://www.youtube.com/watch?v=HJ7_R4w9zQA
This film follows the tale of a college freshman, Ryan, as he heads into college after promising his parents that he would stop dancing and focus on his education in Business. However, he soon stumbles upon a flash mob, meeting Emily whom eventually convinced him to audition for the dance club. Watch as Ryan slowly grasp the meaning of dance, passion and love.
This programme is part of Got to Move, a nationwide movement to celebrate dance and get everyone in Singapore MOVING! The second edition this year will see various dance groups and studios holding free workshops, masterclasses, dance programmes and activities across the island from 7th to 23rd October. Over the 3 weekends, we will be having a series of GTM SPOTLIGHT events that will allow you to discover and immerse yourself in different dance-related activities!
Find out more information on Facebook @GotToMoveSG. This is supported by the National Arts Council.
Register for free Trevmonki Dance Classes @ https://docs.google.com/forms/d/e/1FAIpQLScyBXjQto8y_kE0nmQ_LBzOkD4UWryATGqlXXzrP5XOXEwDqw/viewform
It is going to happen on the 22nd October (Saturday), Lester Zhang's class from 2pm to 3pm and Trevor Tham's class from 3pm to 4pm! IT'S FREE!!
Directed and Written by: Leonard Lau
Produced and Edited by: Trevor Tham
Director of Photography: Sun Ji
Assistant Director: Felice Tay
Production Assistant: Masagos Iskandar
Cast
Angelene Wong
Evon Chua
Lester Zhang
Trevor Tham
Leonard Lau
Keith Png
Chelsea Monteiro
Serene Ting
Trevmonki Official Social Media
Instagram @ http://instagram.com/Trevmonki
Facebook @ https://www.facebook.com/trevmonki
Follow the crew
Trev @ http://instagram.com/trevtham
Leonard @ http://instagram.com/leonardlyy
For any business enquiries: [email protected]
Voice Over
Shawnrick @ https://www.facebook.com/shawnrick
Our Partners for this web series
(Hair) J7image @j7_artofhair
(Camera Gears) True Colour Media
(Clothing) Uniqlo @uniqlosg
(Ear Piece) Sudio @sudiosweden
(Dance) Legacy Dance Co @legacy.dco
(Location) Skypark @skyparkarena
grasp meaning 在 Grasp Meaning - YouTube 的推薦與評價
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