We loving our new toy in house @LUMOSProjector - it such a dream to have cinema at home 🤩
LUMOS Auro Projector is a all All-in-one projector with Netflix, YouTube, & built-in Dolby Audio speakers, compact and affordable. It’s super easy to set up and and easy to connect.. Internet WIFI connection is smooth and we streamed and watched the Lion King Movie on Youtube with @dearbbkai, he was fascinating with cartoon movie in large screen and cinematic surround sound effect, perfect time for family bonding with this home cinema set up.
We also found the product is well loved by Singaporeans with hundreds of 5 star reviews, that’s give us a lot of confidence on this local brand and product, let’s #supportlocal!
#LUMOSAuro #projector #sgprojector #lumosauroprojector
同時也有50部Youtube影片,追蹤數超過1萬的網紅もちよ/ mochiyo,也在其Youtube影片中提到,ベリースライムスさんの「イノセンスローズ」 Very Slimes's "Innocence Rose" 0:00 〜 OP 0:30 〜 本編開始 Start of the main movie 0:42 〜 ベーススライムを触る Touch the base slime 1:03 〜 ...
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movie sound effect 在 Mama's Infinity Love Facebook 的最佳解答
𝐅𝐮𝐧𝐝𝐫𝐚𝐢𝐬𝐢𝐧𝐠 𝐂𝐚𝐦𝐩𝐚𝐢𝐠𝐧♥️ 𝐅𝐞𝐢 𝐘𝐮𝐞’𝐬 𝐓𝐨𝐚𝐬𝐭 𝐭𝐨 𝟑𝟎 𝐲𝐞𝐚𝐫𝐬!🥂
💫𝐃𝐨 𝐠𝐨𝐨𝐝, 𝐟𝐞𝐞𝐥 𝐠𝐨𝐨𝐝! 𝐄𝐱𝐭𝐞𝐧𝐝 𝐚 𝐡𝐞𝐥𝐩𝐢𝐧𝐠 𝐡𝐚𝐧𝐝 𝐛𝐲 𝐝𝐨𝐧𝐚𝐭𝐢𝐧𝐠 𝐚𝐭 💫
👉 https://feiyue30.saltmedia.asia
Fei Yue is a nonprofit social service organization that has been helping the vulnerable & disadvantaged communities since 1991.
This year, Fei Yue is celebrating its 30th Anniversary by targeting to raise S$250,000 fund for
♥️ EIPIC (Early Intervention Programme for Infants & Children)
- To support occupational & speech therapy for low-income children with special needs
-Emergency fund eg transport fees
♥️AAC (Active Ageing Centres)
-Breakfast for low-income seniors
-Emergency fund eg grocery rations
Support in their 𝑶𝒏𝒍𝒊𝒏𝒆 𝑪𝒉𝒂𝒓𝒊𝒕𝒚 𝑨𝒓𝒕 𝑨𝒖𝒄𝒕𝒊𝒐𝒏 with 10 original art pieces created by renowned artists from Sound of Art
Swipe ⬅️
Each successful purchase will entitle you to attend the charity movie premiere of The Ride to thank donors for being a huge part in supporting the cause. All proceeds go to Fei Yue.
You will also have the option to gift back your movie tickets to bless a Fei Yue beneficiary! 🙏
Fei Yue are also partnering 5 special local 𝒔𝒐𝒄𝒊𝒂𝒍 𝒆𝒏𝒕𝒆𝒓𝒑𝒓𝒊𝒔𝒆𝒔 for delicious meals & @saltmedia.asia for a 𝒄𝒉𝒂𝒓𝒊𝒕𝒚 𝒎𝒐𝒗𝒊𝒆 screenings.
More info 👉 https://feiyue30.saltmedia.asia
(Link in bio)
May we continue to help effect life transformation❤️
Thanks
@feiyue.sg
@saltmedia.asia
@soundofart.co
The Social Space
The Social Kitchen
Soulfood Enterprise
Foreword Coffee Roasters
Pope Jai Thai
Thanks @belandbray for sharing this amazing initiative!
➰➰
In view of the stricter restrictions announced on 14 May, Fei Yue & their partners will continue to honour all movie tickets/ meal vouchers issued under this fundraising, in a manner that is safe for all.
➰➰
#fytoastto30
#feiyue30th
#fycs
#TheRideMovie
#saltmediaasia
#soundofartco
#thesocialspacesg
#thesocialkitchensg
#soulfoodenterprise
#forewordcoffeeroasters
#art #charity
#singaporetogether #sgunited #sgcares #TransformingLives #rayamonth21 #4y11m #joreentanjiyoon
movie sound effect 在 半瓶醋 Facebook 的精選貼文
ROBOCOP (1987) was released today.
Let’s celebrate one of the best movies ever made.
“I’d buy that for a dollar!”
The screenplay had been offered to (and been rejected by) virtually every big director in Hollywood before Paul Verhoeven got hold of it. He threw it away after reading the first pages, convinced it was just a dumb action movie. However, his wife read it all the way through and convinced him that the story was layered with many satirical and allegorical elements, after which Verhoeven finally decided to direct the film.
The RoboCop suit was designed by Rob Bottin and his team. The production team wasn't satisfied with the initial design, and kept changing it and putting additions to it for months. Ultimately, nothing seemed to work and they went back to what was pretty much Bottin's original design. This caused considerable delays, and by the time the suit was completed, it was three weeks late and arrived at the studio on the day that the first RoboCop scene was scheduled to be shot. It took 11 hours for Bottin's people to fit Peter Weller into the suit, and when it was done Weller found that all his mime exercises were now useless because he needed time to get used to the suit and to perform as a robot in it. Production was halted so that Weller and his mime coach, Moni Yakim, could learn how to move in the suit. The suits were the most expensive items on set. While the price range varies, the producers indicated that they spent anywhere between US$500,000 to US$1 million for the suit.
A very unique part of this movie like other Paul Verhoeven movies is how he brings you more into the universe, news coverage and fake commercials are featured in the film all combined are over 5 minutes long. The world of future Detroit was actually shot in Dallas, Pittsburgh, Detroit and Los Angeles. The locations were all seamlessly woven together making it feel like one city by Production Designer William Sandell.
Because the hands of the ROBOCOP suit were made of foam rubber, the car keys would bounce off of Peter Weller's hand every time he attempted to catch them. The production took up to 50 takes and an entire day's worth of filming before finally getting the shot right.
Paul Verhoeven and Robocop suit creator Rob Bottin clashed repeatedly before and during production over the design and make-up of the RoboCop character. What they argued most about was the scene where Murphy takes off his helmet. Bottin wanted the scene to be filmed in a darkened area, fearing that harsh light would reveal too much of the make-up effects; Verhoeven wanted the scene to be filmed as brightly as possible, citing that director of photography Jost Vacano would be able to light it properly without revealing anything. Verhoeven got his way and Bottin refused to talk to him any further for the remainder of production. However, at the premiere, both men were so impressed with how the scene had turned out, that they instantly forgave each other. Bottin, who had even vowed to never again work with Verhoeven, happily accepted the offer to work on Verhoeven's next project, Total Recall (1990).
To Bring ED-209 designed by the great Craig Davis to life for some of the sequences Phil Tippet and Randal M. Dutra in my opinion did some of the best stop motion work ever done, I think what makes it so epic and memorable is yes it’s super smooth and almost seamless the way it cuts from stop motion to go motion but what’s truly special to me is the amount of character and humor they were able to provide for ED-209, this being the perfect example, the way ED-209 tries to navigate the stairs its almost toddler like, the sound editors even added a baby tantrum mixed with a pig sound effect as ED-209 tries to get up at the bottom of the stairs. stop motion animators Harry Walton and Tom St. Amand also helped make some beautiful work on this sequence.
Enforcement Droid 209's voice is that of producer Jon Davison, its growls are of a jaguar, and its squeals are of a pig. ED-209's body was based on the design of a Bell helicopter and the overall appearance is reminiscent of a line of toys named Robotech (1985) which were based on a 1980s Japanese anime series.
Peter Weller said one of his favorite memories of his film career was filming the drug bust sequence. While filming the sequence, Weller was listening to Peter Gabriel's song "Red Rain" on his Walkman inside the RoboCop helmet as he exchanged gunfire with various bad guys.
“Guns,Guns,Guns”
The shootout at the cocaine factory was not originally intended to be so fast-paced. The automatic guns used in the scene kept malfunctioning during filming. Most camera shots did not provide more than three seconds of usable footage, because most guns were usually jammed by that time. This necessitated quick cuts during editing, which proved to be advantageous for the scene.
RoboCop's first Directive, "Serve the public trust", was inspired by a fortune cookie.
The convenience store robber was played by the movie's stunt men who gladly accepted to be one of RoboCop's victims and contributed the idea of being hit into the door of the glass cooler.
The film was submitted to the MPAA 12 times before securing an R rating.
The script for Robocop was rejected by just about every major movie studio since it was conceived in the early 1980s. Orion films took the chance and Robocop's success continued on with 2 follow up sequels to the movie, two cartoon series, a television show, several comic book series, and a made for TV series of 4 movie length episodes as well as a fan made parody film. It has also spawned over a billion dollars in children and adult toy lines and collector statues which are still being released to date.
“Your move creep”
In Sacramento, California, a robbery suspect fled into a darkened movie theatre to escape pursuing police. He became so engrossed in the movie playing on screen (RoboCop), that he failed to notice that police had evacuated all other patrons from the theatre. When the lights flipped on, the stunned man was taken into custody.
Thank you for your cooperation
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movie sound effect 在 もちよ/ mochiyo Youtube 的精選貼文
ベリースライムスさんの「イノセンスローズ」
Very Slimes's "Innocence Rose"
0:00 〜 OP
0:30 〜 本編開始
Start of the main movie
0:42 〜 ベーススライムを触る
Touch the base slime
1:03 〜 ピグメントスライムを触る
Touch the pigment slime
1:30 〜 DIY TIME☆
1:45 〜 触り始め
begin to touch
1:49 〜 容器から出す
take out of a container
1:56 〜 片手で触る
touch with one hand
1:59 〜 両手でガッツリ遊ぶ
play with both hands
2:50 〜 片手で触る
touch with one hand
3:08 〜 両手でガッツリ遊ぶ
play with both hands
7:33 〜 あたたたたたたいむ
mochiyo beam
7:41 〜 もこもこテクスチャーで遊ぶ
play with a fluffy texture
9:34 〜 もこもこにして容器に還元 fluff up and return to the container
9:37 〜 もこもこばちばち fluffy & nice bubble pops
10:11 〜 おすすめ!
美しい純白のシックスライムです
This is a beautiful pure white thick slime.
飾り付けの前に少し遊んでみます♪
This is a beautiful pure white thick slime.
弾力があり、容器の中でつつくのがとっても楽しいです♪
It's really fun to poke in the container♪
トッピングのピグメントクリアスライムです
This is a topping pigment clear slime.
ムニムニしていて、真珠のように美しいです
It's munimuni and beautiful like akurimot
手離れも良くて、とっても扱いやすいです!
It’s easy to peal off from my hand and super holdabke!
Let’s DIY!!!!
美しい洗練されたデザインです
Beautiful and sophisticated design.
ウェディングデザインの純白スライム、儚さが凄い……
This beautiful pure white slime is a wedding design.
うっすら見えるマーブルも儚くて美しいです
This marble is also fleeting and beautiful.
トロトロと、滑らかに落ちていきます
It's smooth and thick.
ツヤもあるのでタップ音も最高に良い音です
The tapping sound is also very nice because it is glossy.
パキパキ音も最高に気持ちが良いですね♪
The bubble sound is also super satisfying♪
混ざっても片手で遊びやすいです!
Easy to play with one hand even when mixed!
とても分厚いのに柔らかくてテーブルプレイ向きです!
Very thick but soft and perfect for table play!
机にしっかりくっついて、スルスル伸びます!
It sticks well to the desk and stretches smoothly!
力強くて、爽快なバブル音の癒し効果高いです!
Powerful and refreshing bubble sound healing effect is high!
店長はライブで「これはマシュマロシック」と仰っていました
She said in a live stream, "This is a marshmallow thick slime"
少し触るとマットになるのでマシュマロ感納得です
It becomes a mat, so it looks like a marshmallow
そして後半空気を含むともっとマシュマロになります
And when it contains air, it looks more like marshmallows.
細かいバブル音が優勝しているので是非最後までご覧ください!
The fine bubble sound is the best, so please watch until the end.
香りは大好きなティファニーカップケーキでした♪
The scent was my favorite "Tiffany cupcake" ♪
アタタタタタタタァァッッ!!
Hissatsu! Mochiyo Beam!!!!
この細かなバブル音でブチあがりました!!
This bubble sound made me happy!!
マシュマロの完全体が出来上がりました!
It's completely like marshmallows!
2倍以上に膨張します!
It fluffs up more than twice!
それでは引き続きASMRをお楽しみ下さい!
Please continue to enjoy ASMR!
ごちそうさまでした!
Thank you for the meal!lol
ご視聴ありがとうございました!
Thank you for watching!!!!
#veryslimes #ベリースライムスil.com [email protected] pearl.
〜*〜〜*〜〜*〜〜*〜〜*〜〜*〜
サブチャンネル【もちよの研究室】はコチラ!
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.youtube.com/channel/UCWmSQDBSNQTX6kpFm6lYLnw
Instagram, twitter, BASE shop, メルカリはこちら!
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://linktr.ee/mochiyoslimestore
スライムの提供についてはコチラ!
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODQ4ODU4NzU3MDI2MzA3?igshid=1hr3jy34zfnpo&story_media_id=2286885986591781571
イヤフォンやヘッドフォンをして聴いて頂くとよりいい音で楽しめるかとおもいますので、是非に😎
また、画面右上のチョンチョンチョンのとこから画質を1080pに設定して動画を見ていただけると、高画質でお楽しみ頂けます💪💪
どうもこんびんは!
もちよすらいむです🧜🏻♀️
有名なスライマーさんのスライムのレビューや、自分で作ったスライムの動画などのASMRを中心に、いろいろなジャンルの動画を上げていきたいと思います!
太古の動画や、short ver.の動画、編集実況などは全てインスタグラムのアカウントの方にあります。インスタライブでスライムを触ったりもします。
興味を持ってくだされば、是非インスタアカウントのもチェックして頂きたいです☺️
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.instagram.com/mochiyoslime
*大学に通いつつ資格試験の勉強もしている学生の身ですので、更新が突然途絶える可能性があります🙇♀️
*慢性鼻炎でして、呼吸音が入ってしまうことがあります🤦♀️
また、机に爪がコツンと当たる音が入ってしまうことがあります。苦手な方は、ご視聴非推奨です🙇♀️
*自室にて、マイクを使って撮影してます!ですが、多少は「サーー」というホワイトノイズが入っています。また、稀ですが実家ぐらしなので家族の出す生活音が入ってしまう可能性があります。そういったものが苦手な方にも、ご視聴非推奨です🙇♀️
*動画を見てくださりありがとうございます💕そしてこの概要を最後まで読んでくださりありがとうございます💕
是非チャンネル登録をして、これからももちよの動画をお楽しみください💁♀️
〜*〜〜*〜〜*〜〜*〜〜*〜〜*〜
【今まで買ったスライムショップさん一覧】
《in Japan》
スライムジャパン→ https://slimejapan.thebase.in/
awesomeslime → https://mystyleslime.thebase.in/
さくらスライム→ https://sakuraslime.thebase.in/
TIA slime→ https://gsfr3.app.goo.gl/4KR19
slime lab→ https://slimelab59.thebase.in/
aoba slime→ https://preview.app.goo.gl/gsfr3.app.goo.gl/tyv86u
TAMR slime→ https://preview.app.goo.gl/gsfr3.app.goo.gl/9e9zq
SLY. jp→ http://gsfr3.app.goo.gl/p3yCT
niko slime→ https://www.mercari.com/jp/u/242242940/
very slimes→ https://veryslimes.thebase.in/
いーちゃんスライム→ https://linktr.ee/e_chan_slime
MILK SLIME→ https://gsfr3.app.goo.gl/BfrKYZ
m's slime→ https://msslime.base.shop/
aisu屋→ https://aisuya.theshop.jp/
MOON SLIME→ https://moonslime.base.shop/
z.mama Slime→ https://sksshop.thebase.in/
#もちよすらいむ #mochiyoslime #べらちゃんのslimeしばき部屋 #slime #asmr #asmrsounds #asmrslime #スライム #音フェチ #音フェチ動画 #音フェチスライム #clayslime #slayslime #butterslime #cloudcream #thickslime #thickie #thickieslime #fluffyslime #clearslime #slusheeslime #slushieslime #fishbowlslime #crunchyslime #slimejapan #スライムジャパン #sakuraslime #さくらスライム #aisu屋さん #tiaslime #slimeogproof #ogslimeproof #aobaslime #awesomeslimeproof #awesomeslime #slimefantasies #slimefantasiesproof
#rodemslime #rodemslimeproof #mooncottonslime #slimebyktmproof
movie sound effect 在 translation Youtube 的最佳貼文
#'06年にコナミが発売した、DS用アクションRPG作品であり、DSドラキュラの2作目。悪魔城ドラキュラ20周年記念作品でもある。
ストーリーはバンパイアキラー(MD/'94年)の実質的な続編であり、また月下の夜想曲(PS/'97年)にも強く結びついていて、両作
の間の時代に起こったことや、シリーズおなじみの要素を構成した作りになっている。
主な特徴としては、パートナーシステムの導入、それぞれのキャラの性能の明確な差別化、クエスト要素の導入、通信でアイテムを他のプレイヤーと売買出来るSHOP MODEを搭載、複数のプレイヤーと協力して挑戦するCO-OP MODEを追加、タッチペン使用率を低減、魔封陣システムを廃止、装備のバリエーションを増加、装飾品スロットが2個に増加、使用アイテムの種類が増加などが挙げられる。
BGMは山根さんと古代氏が作曲し、三浦氏が編曲を行った。
BGMと効果音は1980年代のコナミゲームサウンドにこだわったサウンドデザインを目指し、過去のシリーズからのアレンジと本作からの新曲で構成されている。
ドライバ作成:松下なづき氏
効果音:てしがわら氏
作曲:山根ミチルさん、古代祐三氏
編曲:三浦憲和氏(DS音源アレンジ)
Year: 2006.11.16(J),2006.12.05(U),2007.02.23(EU)
Manufacturer: Konami
computer: nintendo ds
Hardware: 16channel ADPCM/PCM (Max 8 channels can be set to PSG)
Music driver programmer: Nazuki Matsushita
Sound Effect: Teshiga Wara (Teshiga-Wara)
Composer: Yuzo Koshiro (Ancient.Corp), Michiru Yamane
Arranger:Norikazu Miura
----------------------------------------------------------------------------------------------------------------------------
00:00 01.Gallery of Labyrinth -movie- (~ギャラリーオブラビリンス~/タイトルムービー)
01:02 02.Name Entry (ネームエントリー)
03:32 03.Birth of War (戦火の産声/物語導入部)
04:12 04.Invitation of a Crazed Moon (狂月の招き/エントランス)
07:13 05.The Looming Threat (迫りくる脅威/ベヒモスに追われる時等)
08:34 06.OPERATION "VK" (クエスト)
10:58 07.A Small Prayer (小さな祈り/ショップ)
13:02 08.VICTORIAN FEAR (煙霧の街)
17:08 09.Piercing Silence (切り裂かれた静寂/ボス戦)
20:41 10.Silent Prison (寡黙の牢舎/地下処刑場)
24:46 11.Jail of Jewel (服従の大階段)
28:59 12.DESTROYER (ボス戦/ベヒモス等))
31:05 13.Hail from the Past (熱砂の墓所)
35:26 14.Chaotic Play Ground (愚者の国)
39:51 15.The Gears Go Awry (歯車は狂い始める/刻死塔)
45:34 16.Dance of Sadness (悲しみの舞踏/ステラ&ロレッタ戦)
52:46 17.Meeting of Destiny (邂逅/会話)
54:58 18.The Hidden Curse (隠された呪禁/黄昏の森)
59:58 19.Gaze Up at the Darkness (見上げよ、闇を/主の居城)
01:04:52 20.Faraway Days (遠き日々/会話)
01:08:27 21.Bloodlines Bequeathed (-継承- 乾坤の血族/ムチの記憶戦[ドラキュラXの乾坤の血族,月下の夜想曲の異形の血族のアレンジ])
01:12:28 22.Bad Situation (悪魔の巣窟)
01:15:20 23.Great Gate of Darkness (闇凛の大扉/悪魔の巣窟 ボス戦[悪魔城ドラキュラ 蒼月の十字架])
01:18:04 24.Sandfall (降り積もる砂塵/消え去りし都[王家の谷 エルギーザの封印])
01:20:06 25.In Search of the Secret Spell (秘宝を求めて/消え去りし都 ピラミッド[王家の谷 エルギーザの封印])
01:23:32 26.Crucifix Held Close (十字架を胸に/冥界の学舎[悪魔城ドラキュラ(AC)])
01:28:18 27.Behind the Gaze (視線の裏側/焼け堕ちた楽園)
01:31:51 28.Iron Blue Intention (魔の13番街/バンパイアキラー)
01:36:35 29.Esquisse of Violence (暴虐のエスキース/ブローネル戦)
01:39:29 30.Thirst for Blood (血の乾き/不穏な会話)
01:41:50 31.Overture (玉座の間[悪魔城伝説])
01:43:58 32.Banquet of Madness (狂宴/ドラキュラ戦)
01:46:59 33.Awakening from the Nightmare (悪夢からの目覚め/オールクリア)
01:47:17 34.The Night Flows (夜は流れる/エンディング)
01:50:39 35.Portrait of Destiny (運命の肖像画/スタッフロール)
01:54:13 36.Game Over (ゲームオーバー)
01:54:20 37.Simon Belmont's Theme (シモン・ベルモンドのテーマ/レコード5[悪魔城ドラキュラ(SFC)])
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movie sound effect 在 translation Youtube 的精選貼文
#'93年ズームにより発売された68用ACTからのFMT移植版であり、初代(以下1)と2をアレンジ移植しカップリングしたもの。
1・2共通の変更点はOPデモの変更、OP・EDやデモの詳細な日本語字幕文章追加、ノーマル以上で1と2をクリアする事による真END、BGスクロール一部カット、新規追加曲、全曲編曲等。
1のみの主な変更点はキャラ描き直し・追加キャラ等。
2のみの変更点はベティの使用制限無し、上段斬り・下突きの追加等。
OPや中間デモ等ではCDメディアの容量を利用し模型によるストップモーションデモを撮影記録。またゲームバランスは68版より低難易度に設定。
BGMは下野氏と木村氏による作・編曲。opn2でメロディーを奏で、ベースパート等をPCMで割り当て補った。
効果音・作・編曲:下野秀幸氏、木村直之氏
Manufacturer: 1993.04.28 ZOOM
Computer: FM-Towns
Sound: YM2612, RF5C68
Sound Effect: Hideyuki Shimono, Naoyuki Kimura
Composer & Arranger: Hideyuki Shimono, Naoyuki Kimura
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00:00:00 01.Zoom (ロゴ)
00:00:19 02.[G1] Ceremony (タイトル)
00:01:29 03.[G1] Opening Demo 2 (オープニングデモ2)
00:04:42 04.[G1] Genocide (Opening Movie) (OPムービー)
00:09:25 05.[G1] Configuration (Option Mode) (オプションモード)
00:10:33 06.[G1] Desert Player (ステージ1-1)
00:12:51 07.[G1] Blast (ステージ1-2)
00:14:11 08.[G1] Burning (ボス1)
00:17:13 09.[G1] Mission Complete (ステージクリア)
00:17:19 10.[G1] Confusion (ストーリー・パート)
00:18:21 11.[G1] It's not Easy (ステージ2-1)
00:20:27 12.[G1] Hakobi (FMT専用曲)
00:21:32 13.[G1] Splash! (ステージ2-1 ボス)
00:24:06 14.[G1] Doom (ステージ2-2)
00:28:04 15.[G1] Mysticism (ステージ2-3)
00:29:40 16.[G1] Long Distance (ステージ2-3 ボス)
00:31:22 17.[G1] Before The Storm (ステージ3-1)
00:36:35 18.[G1] On The Run (ステージ3-2)
00:39:13 19.[G1] Symptom (ステージ3-3)
00:42:55 20.[G1] Snare (ボス3)
00:44:29 21.[G1] Magnificent (ステージ4)
00:48:21 22.[G1] Dark Fascination (ボス4)
00:50:16 23.[G1] Bravery (ステージ5)
00:52:43 24.[G1] Tensity (最終ボス)
00:55:47 25.[G1] .Game Over (ゲームオーバー)
00:57:20 26.[G1] .Ending (エンディング *FMT専用曲)
00:58:42 27.[G2] Opening Demo 1 (オープニングデモ 1 *FMT専用曲)
01:02:13 28.[G2] Opening Demo 2 (オープニングデモ 2 *68版のomake曲)
01:04:54 29.[G2] Opening Movie (Right Away/オープニングムービー)
01:06:51 30.[G2] Again... (Stage 1-1) (ステージ1-1)
01:10:22 31.[G2] Strange Tune (Stage 1-2) (ステージ1-2)
01:14:31 32.[G2] Tetchy Funk (Stage 1-3) (ステージ1-3)
01:17:36 33.[G2] Shock'72 (Stage 1 Boss) (ステージ1ボス)
01:20:22 34.[G2] Drains (Stage 2-1) (ステージ2-1)
01:22:46 35.[G2] Jack & Betty (Stage 2-2) (ステージ2-2)
01:25:38 36.[G2] Endless Road (Stage 2-3) (ステージ2-3)
01:29:36 37.[G2] Hard Core (Stage 2 Boss) (ステージ2ボス)
01:32:12 38.[G2] Refreshing Breeze (Stage 3-1) (ステージ3-1)
01:35:59 39.[G2] Enter Secretly (Stage 3-2) (ステージ3-2)
01:40:02 40.[G2] Steel Castle (Stage 3-3) (ステージ3-3)
01:42:18 41.[G2] Fuujin, Rijin (Stage 3 Boss) (ステージ2ボス)
01:46:09 42.[G2] Forestal Foreteller (Stage 4-1) (ステージ4-1)
01:49:02 43.[G2] Trap of Relics (Stage 4-2) (ステージ4-2)
01:53:12 44.[G2] Shady Silence (Stage 4-3) (ステージ4-3 *FMT追加曲)
01:55:31 45.[G2] Lue (Stage 4 Boss) (ステージ4 ボス)
01:58:16 46.[G2] Technical Skill (Stage 5-1) (ステージ5-1)
02:00:46 47.[G2] Red-Hot Atmosphere (Stage 5-2) (ステージ5-2)
02:05:38 48.[G2] A Guilty Shrine (Stage 5-3) (ステージ5-3)
02:08:08 49.[G2] The Black Body (Stage 5 Boss) (ステージ ボス)
02:12:13 50.[G2] Mellow Device (Stage 6-1) (ステージ6-1)
02:15:13 51.[G2] Melting Point (Stage 6-2) (ステージ6-2)
02:18:18 52.[G2] Come into Contact (Stage 6-3) (ステージ6-3)
02:21:55 53.[G2] M.D.C. J.B (Last Boss) (ラストボス)
02:25:42 54.[G2] Stage Clear (ステージクリア)
02:25:48 55.[G2] Ending (エンディング)
02:32:48 56.[G2] Ending (Alt.) (エンディング *別Ver.)
02:36:27 57.[G2] Configuration (コンフィグ)
02:39:46 58.[G2] Game Over (ゲームオーバー)
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movie sound effect 在 NEW 15 FREE Cinematic Sound Effects (INSANE OPENERS) 的推薦與評價
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