I was out to tapao my favourite chap fan just outside my place. When I reached there, to my horror, I saw an Indian man without any face mask at all, standing over all the food and talking to the shopkeeper while telling him which dish to scoop for him. Why didn't the shopkeeper enforce the mask wearing? I immediately felt disgusted and left to another place.
Yesterday while I was looking for a parking spot, i saw a bunch of chinese taxi driver all sitting by the roadside, having a smoking session and some laughs, ALL of them did not wear their face mask. sigh.
On the way back, I saw 2 Malay grabfood drivers having a chat with each other on, next to their bikes, while waiting for their orders to be ready. Yeap, they took of their mask and stood face to face with each other TO HAVE A NICE CHAT.
I'm sure you would have come across these scenarios at least once before.
Why? Why do all these people still think that it is okay to go about their daily lives without face mask? It triggers me so much to see all these happening around me. Is it lack of education? These people could be someone's dad or someone's relative. So maybe, please educate and teach your family and friends that it is so important to follow simple SOPs to break the chain. Maybe they don't know. What's worst is if they know but yet completely disregard it, until one of their family members die from it. But then it would already be too late. It only takes one of them to be infected in a gathering of friends, which in turn will cause it to spread to their family members.
Covid doesn't care whether you are chinese, indian, malay, etc. It infects and kills all the same. Whats worst, if it doesn't harm you, it harms your family members - all because you thought it was okay and no need to wear mask and social distance. Can you live with the consequences of causing one of your family members to be gone for good?
Pisses me of to see all these still happening around me even after nearly 2 years of not getting better from this situation. Please guys, we can do better.
同時也有3部Youtube影片,追蹤數超過13萬的網紅遊戲皮卡嚕 PikaLu,也在其Youtube影片中提到,文舍明日聚場📍歡迎前往文舍臉書、ig、官網瞭解 Instagram:https://www.instagram.com/tomorrowhub/ Facebook:https://www.facebook.com/tomorrowhub 官網:http://tomorrowhubs.com/inde...
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Cheers! Our movie ‘Babi’ has been shortlisted by the Around International Film Festival and Thai Film Festival! Kop kun krap!🙏🙏🙏
To be frank, I have completed 2 films last year, one was ‘Nasi Lemak 1.0’ which was filmed above board and another film was ‘BABI’ which was filmed secretly. We never talked openly about this project because it is a banned film (Well, it’s pretty obvious even from the film title…) and we don’t want to get into unnecessary attention…
Due to the COVID-19 pandemic, the release date of ‘Nasi Lemak 1.0’ has been delayed indefinitely and it has caused quite a big deal to us… While we were amidst of the dark clouds, we found our silver linings! ‘BABI’ was selected in 2 internationally famed film festivals, the ARFF Berlin (Around International Film Festival Berlin) and the International Thai Film Festival! We were really really happy about it!
‘BABI’ is a film based on a real-life event, the movie sheds light on a massive school racial riot which took place in year 2000 in a small town somewhere Southern in Malaysia. During that time Malaysia was still under the authoritarian rule of one-dominant party, abuse of power and corruption were frequent, media and news were being stringently controlled and filtered. Thus, the incident was being ‘compromised’ by relevant authority, most of Malaysians doesn’t know about this incident.
The script was actually written 7 years ago, the main reason that the film was not in production that time was because nobody would ever consider to invest on a zero-profit, must-be banned film. The second reason was I had no idea whom should I ask for help, I believed after hearing the film title, everyone would be scared off... Yet in the end, I’m still managed to finish this film with a very very very tight budget. I want to thank all the people who have contributed greatly to the movie, especially the producer Joko Toh
We decided to put the 7-year-old script in production is to tell the truth behind the story but most importantly sending a message to all Malaysians that we must be more unified disregard of our ethnicity and race. In short, we shall always lend a helping hand to each others and communicate with our hearts and souls, therefore we won’t be exploited by politicians who incite racial sentiment to reach their end goal. Otherwise, more tragic like this will happens…
The idea of be able to screen this film in Malaysia has never crossed my mind before, that’s why we never tried to register the film after the production. Rightly next, I hope that this film can be seen elsewhere other than at Thailand’s or Germany’s film festival, I wish there are better methods in exposing the film and to reach out to everyone. Currently, we are still on our lofty quest but please do cheer for us! Happy Merdeka Day in advance! Malaysia Boleh!
*Versi BM*
Tahniah! Filem kami [BABI] telah dipilih dalam Around International Film Festival dan Thai Film Festival ! Kop Kun Krap! 🙏🙏🙏
Sebenarnya pada tahun lepas kami telahpun menghasilkan dua buah filem. Yang pertama adalah filem [Nasi Lemak 1.0] yang penggambarannya dijalankan dengan berani dan terang, satu lagi adalah filem [BABI] dimana proses penggambaran dijalankan dalam keadaan yang sulit dan rahsia. Kami tidak pernah membuat apa-apa pengumuman mengenai perkara ini, kerana khuathir filem ini akan menimbulkan kontroversi (lihat sajalah nama filemnya...) Kami tidak mahu memburukkan keadaan.
Disebabkan isu pandemik Covid-19, filem [Nasi Lemak 1.0] tidak dapat ditayangkan di pawagam dan telah membawa kerugian yang teruk pada kami. Walaubagaimanapun kami menerima berita baik berkenaan pemilihan filem [BABI] dalam dua festival filem antarabangsa yang berprestij iaitu ARFF Berlin (Around International Film Festival Berlin) serta International Thai Film Festival! Kami berasa amat gembira!
Filem [BABI] adalah lakonan semula sebuah rusuhan perkauman yang berlaku di sebuah sekolah menengah yang terletak di bahagian selatan Malaysia pada tahun 2000. Pada ketika itu Malaysia masih berada di bawah kepemimpinan parti yang dominan. Pemimpin-pemimpin menyalahgunakan kuasa dan pihak media dikawal sepenuhnya oleh kerajaan. Oleh yang demikian, tragedi ini akhirnya telah 'diselesaikan' oleh pihak tertentu dan rakyat Malaysia telah 'disekat' dari peristiwa tersebut.
Skrip asal untuk filem [BABI] telah saya tulis sejak 7 tahun yang lalu. Namun antara sebab utama saya tidak dapat menghasilkan filem ini adalah kerana isu modal, kerana tiada yang sudi mengeluarkan modal untuk sebuah filem yang mungkin akan diharamkan dan tidak akan ditayangkan di pawagam. Sebab kedua adalah kerana saya tidak tahu siapa yang akan sudi menghasilkan filem ini bersama saya kerana saya pasti, hanya dengan mendengar namanya saja sudah tentu tiada yang akan ingin mengambil bahagian. Namun dengan segala daya usaha dari semua pihak yang sudi membantu dan menerusi modal yang teramat-amat rendah, kami akhirnya berjaya menghabiskan filem ini. Saya dengan ikhlas ingin berterima kasih pada semua krew, petugas, pelakon dan kakitangan belakang tabir yang terlibat dalam menjayakan filem ini, terutamanya penerbit Joko Toh
Tujuan utama kami merealisasikan skrip yang ditulis sejak 7 tahun yang lalu adalah untuk membongkar perkara sebenar seluruh peristiwa ini. Juga menerusi filem ini, kami ingin menyampaikan mesej betapa pentingnya perpaduan dan keharmonian diantara kaum supaya dielak dari dipergunakan oleh ahli politik demi untuk mencapai matlamat dan motif masing-masing. Jika tidak, kami percaya pasti pasti lebih banyak tragedi ngeri bakal berlalu...
Tak pernah terlintas dalam fikiran kami untuk menayangkan filem ini di Malaysia. Oleh yang demikian, kami tak pernah mohon dari mana-mana pihak berkenaan permohonan penayangan. Kami berharap selepas ini, filem ini bukan saja akan ditayangkan di festival filem Berlin dan Thailand, kami mahu supaya filem [BABI] dapat ditonton oleh lebih ramai penonton di seluruh dunia. Kami akan tetap berusaha, silalah berdoa dan sokong usaha kami! Selamat Hari Kemerdekaan untuk Malaysia! Malaysia Boleh!
*中文翻譯*
恭喜恭喜! 我們的電影【BABI/你是豬】入選了【ARFF環球國際電影節(柏林)】還有【泰國國際電影節】! Kop kun krap! 🙏🙏🙏
其實去年我在馬來西亞完成了兩部電影拍攝,一部是光明正大在拍的叫【辣死你媽-續集】,而另一部電影則是秘密進行的,叫【BABI/你是豬】。這件事情從頭到尾我們都沒有公開過,因為這是一部禁片(看戲名就知道了),我們不想節外生枝...
【辣死你媽-續集】因為疫情的緣故沒辦法上映,造成了嚴重的虧損... 當我們在愁雲慘霧之際,卻收到了天大的好消息! 就是【BABI/你是豬】入圍了國際上著名的兩大影展 【ARFF環球國際電影節(柏林)】和【泰國國際電影節】! 真的很開心!
【BABI/你是豬】真人真事改編自一起大型校園種族暴動事件,發生在2000年馬來西亞南方小鎮的一所學校裡。當時的馬來西亞處在一黨獨大,濫權腐敗,媒體被嚴格控管及消息封鎖的階段。因此這起事件在當時已被相關單位“和諧”,在馬來西亞幾乎沒有人知道。
其實這是我七年前寫的劇本,我沒拍出來的第一個原因,當然是因為沒有人會願意把錢丟進一部即將被禁,賺不回本的電影裡。第二個原因則是我當時不知道要找誰幫我拍,相信聽到這個戲名,大家應該都怕了吧... 但最後我還是以很低很低成本的方式,拜託了很多人幫忙,才完成了這部電影。真的要謝謝參與電影拍攝的每一個台前幕後的人,尤其監製 Joko Toh。
我們決定要把這部七年前的劇本拍出來的目的,就是要揭露整起暴動事件的真相,也要藉此電影提醒馬來西亞人,種族之間必須更團結,互助,交流,才不會一直被政治人物利用,以操弄種族情緒而達到政治目的。否則將會發生更多類似的悲劇...
我從來都沒有想過這部電影能夠在馬來西亞上映,所以我們拍完了之後從來都沒有拿去申請過。接下來,希望這部電影不止在泰國和德國的影展能看到,期待以後能夠以更光明正大的方式讓所有人都能看到。我們還在努力中,請為我們加油吧!預祝馬來西亞獨立日快樂! Malaysia Boleh!
FINAS Malaysia Kementerian Dalam Negeri (KDN) Polis Diraja Malaysia ( Royal Malaysia Police ) #LPF Lembaga Penapisan Filem
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請傳給你認識的外國朋友
(繼續發酵!英文翻譯上線!幫手推!)🔥 有外媒相繼報道了關於袁國勇、龍振邦兩位教授疑似因壓力而撤回《明報》專欄文章一事,有手足更花了時間,把文章譯作英文。西方社會是需要知道真相的,請廣傳給在外國的朋友:
[On Mar 18 2020, Professor David Lung at the University of Hong Kong and his colleague Professor Yuen Kwok-yung, a world-renowned expert in microbiology and infectious diseases, withdrew their op-ed in the Chinese-language newspaper Ming Pao, in which they elucidated the origin and naming of the Wuhan Coronavirus, and criticized "inferior Chinese culture" for being the origin of the present pandemic. This led to allegations that the Chinese and Hong Kong governments are covering up the truth and suppressing academic freedom. Below is an English translation of this op-ed. Please spread the word and expose the truth!]
Outbreak in Wuhan shows that lessons from seventeen years ago are forgotten - David Lung and Yuen Kwok-yung, University of Hong Kong [translated from Chinese]
The novel coronavirus outbreak began in Wuhan in Winter 2019, and engulfed the entire province of Hubei by Spring 2020; the number of cases in China grew to over 80,000, with at least 3,000 deaths. The outbreak in China slowed down only after a month-long lockdown, which has failed to curtail the spread of the disease overseas by March 2020. The World Health Organization (WHO) was sluggish in response and failed to declare this a pandemic in a timely fashion. Shortage of relevant measures and protective gear around the world contributed to the global outbreak. Singapore, Hong Kong, Macau, and the Republic of China have so far been spared of the pandemic, though cases linked to overseas travel have yet to cease.
This pandemic is caused by a coronavirus, thus named because of its shape. From 2015 onwards, the WHO has ceased to name diseases using monikers for people, places, animals, food, culture, or occupations. As such, they labeled the disease using the year of the outbreak; thus the designation COVID-19. The International Committee on Taxonomy of Viruses (ICTV) used viral genome sequencing as the sole criterion for the naming of viruses; because the similarity between the genetic sequences of the SARS coronavirus and the present novel coronavirus, which therefore is not truly "novel", the ICTV designated the novel coronavirus as "SARS-CoV-2.0". Media organizations and the public call this the Wuhan Coronavirus or the Wuhan Pneumonia; this is perfectly fine because of its simplicity.
There has been heated debate over the naming of the pandemic. As a matter of fact, the disease is named by the WHO and the virus is named by the ICTV; the common name is purely a customary matter and suffices to serves it purpose as long as it is simple and clear. The official names of COVID-19 for the disease, or SARS-CoV-2 for the virus, must be used in scientific and academic discourse. However, the simplicity of the popular designations "Wuhan Coronavirus" and "Wuhan Pneumonia" are far more conducive to daily communication and conversations in the media.
The 2020 pandemic originated in Wuhan
Roughly 75% of novel diseases can be traced to wild animals; the ancestral virus from which several mammalian coronaviruses descend can be traced to bats or birds, both of which can fly over a distance of several thousands of kilometers to the location of first discovery of the virus. As such, the nomenclature of viruses may utilize the name of the location of discovery. The most accurate and objective means to identify the origin of the virus is to isolate the virus from the animal host. However, the Huanan Seafood Market had been cleared, and live wild animals vacated, by the time researchers had arrived for live samples. Consequently, the identity of the natural and intermediate hosts of the coronavirus is unclear. According to local personnel, the wild games in the Huanan Seafood Market are shipped and smuggled from various locations in China, Southeast Asia, and Africa; it remains impossible to identify the ancestry of the Wuhan Coronavirus.
Viral genome sequencing shows a 96% similarity between the Wuhan Coronavirus and the viral strain RaTG13 found in bats, lending credence to the belief that the RaTG13 strain is the ancestral virus for the Wuhan Coronavirus. This viral strain can be isolated from the bat species Rhinolophus sinicus found in Yunnan, China; thus bats are believed to be the natural host to the Wuhan Coronavirus. Epidemiological studies show definitively that the Huanan Seafood Market was the amplification epicenter, where the transmission of the virus from the natural host to the intermediate host likely occurred, before a mutation to a form that can adapt to the human body, followed by human-to-human transmission.
The identity of the intermediate host remains unclear; viral genome sequencing, however, reveals a 90% similarity between the spike receptor-binding domain of the Wuhan Coronavirus and of the coronavirus strain found in pangolins. While uncertainties remain for us to unambiguously identify the pangolin as the intermediate host, it is extremely likely that the pangolin coronavirus strain donated the spike receptor-binding domain genetic sequence, or even the entire gene section, to the bat coronavirus strain, culminating in the novel coronavirus upon DNA shuffling.
Wild animal market: the origin of numerous viruses
The SARS outbreak in 2003 can be traced to Heyuan prior to engulfing Guangdong and ravaging Hong Kong. The SARS Coronavirus was found in the masked palm civet; China has subsequently outlawed the sales of live wild animals. Seventeen years later, wild animal markets have instead grown unabashed, in flagrant violation of the law. The Chinese people have forgotten the lessons of SARS in their entirety. The glaring appearance of live wild animal markets in city centers, and the egregious acts of selling, cooking, and eating these wild animals, constitute a stunning and blatant disregard for the laws. The feces of these wild animals carry large concentrations of bacteria and viruses; the crowded set-up, the poor hygiene, and the proximity of different animal species are extremely conducive to DNA shuffling and genetic mutations. As such, these markets need to be banned outright.
Remodeling of markets is key to the prevention of epidemics. The Chinese and Hong Kong governments must promptly improve the set-up of markets by enhancing ventilation and getting rid of rats and pests. Before the elimination of all live poultry markets becomes a reality, animal feces found in these markets must be handled properly to lower the chances of genetic shuffling between viruses.
Internet conspiracies of an U.S. origin of the virus is not supported by facts, and only serves to mislead the public. The dissemination of conspiracy theories needs to stop. Transparency is first and foremost in the fight against an epidemic; we need cool heads and rational analysis in place of hearsay and falsehood. The failure to close all live wild animal markets post-SARS was a colossal mistake; to win the battle over the pandemic, we must face reality, and not repeat the same mistakes while leaving the blame upon others. The Wuhan Coronavirus is a product of inferior Chinese culture -\-\ the culture of recklessly catching and eating wild animals, and treating animals inhumanely, with an utter disrespect and disregard of lives. This inferior culture of the Chinese people -\-\ specifically the consumption of wild animals to satiate themselves -\-\ is the true origin of the Wuhan Coronavirus. If these habits and attitudes remain in place, SARS 3.0 will certainly happen in a matter of a decade or so.
以上翻譯來自:
一個窮科學家移民美國的夢幻故事
外媒報道:
https://www.nytimes.com/…/19reuters-health-coronavirus-hong…
https://www.nasdaq.com/…/adviser-to-hong-kong-on-coronaviru…
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文舍明日聚場📍歡迎前往文舍臉書、ig、官網瞭解
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資料Credits連結:
✔︎再創紀錄!PS5成美國歷史上銷售速度最快的主機:https://newtalk.tw/news/view/2021-03-15/549199
✔︎Days Gone Director on Skipped Sequel: 'If You Love a Game, Buy It at F***ing Full Price':https://www.pushsquare.com/news/2021/04/days_gone_director_on_skipped_sequel_if_you_love_a_game_buy_it_at_fing_full_price
✔︎Sony’s Obsession With Blockbusters Is Stirring Unrest Within PlayStation Empire:https://twitter.com/jasonschreier/status/1380476925811032065?s=21
✔︎Play at Home 2021 update: 10 free games to download this Spring:https://blog.playstation.com/2021/03/17/play-at-home-2021-update-10-free-games-to-download-this-spring/
✔︎《鬥陣特攻》遊戲總監Jeff Kaplan宣布自暴雪離職:https://www.4gamers.com.tw/news/detail/47586/jeff-kaplan-leaving-blizzard-entertainment
✔︎Rockstar issues surprise updates for LA Noire and Max Payne 3 on PC, throws in all the DLC for free:https://www.eurogamer.net/articles/2021-04-20-rockstar-issues-surprise-updates-for-la-noire-and-max-payne-3-on-pc-throws-in-all-the-dlc-for-free
✔︎Sony's disregard for game preservation is bad for everybody, including developers:https://www.gamesradar.com/sonys-disregard-for-game-preservation-is-bad-for-everybody-including-developers/
✔︎魔物獵人世界 桌游:https://www.youtube.com/watch?v=_x3dIbXrC-0
✔︎PlayStation Store on PS3 and PS Vita Will Continue Operations:https://blog.playstation.com/2021/04/19/playstation-store-on-ps3-and-ps-vita-will-continue-operations/
✔︎Oculus shares more details about Resident Evil 4 in VR:https://www.destructoid.com/stories/oculus-shares-more-details-about-resident-evil-4-in-vr-626800.phtml.
✔︎Resident Evil Village - 4th Trailer:https://youtu.be/y211YBxqfxQ
✔︎刺客教條 法國爆料者影片:https://youtu.be/5bP-l69jB7k
✔︎破曉傳奇 遊玩預告片:https://www.youtube.com/watch?v=uBacdxeJQNo
✔︎世紀帝國4 遊玩預告片:https://youtu.be/QXsnnOuq3vU
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🎵Chun-Nan - Dragon Road Day - Sonic Unleashed
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皮卡大排行 遊戲介紹 聊Game Days Gone 世紀帝國4 Age of Empire 4 惡靈古堡4 VR 生化奇兵 開放世界 刺客教條 獅心王理查 PS5 Jeff Kaplan Horizon zero dawn Tales Of Arise 十大
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【BABI/你是豬】將在11月20日,於全台灣戲院正式上映! 並在11月6及7號在《金馬影展》世界首映。
【BABI/你是豬】由真人真事改編, 這起大型的校園種族暴動事件,發生在2000年馬來西亞南方小鎮的一所學校裡。
當時的馬來西亞處在一黨獨大,爛權腐敗,媒體被嚴格控管及消息封鎖的階段。因此這起事件在當時已被相關單位“和諧”,在馬來西亞幾乎沒有人知道。
我想把這部電影拍出來,目的除了要揭露事實的真相,也要藉此提醒馬來西亞人種族之間必須更團結,互助,交流,才不會一直被政治人物利用,以操弄種族情緒而達到政治目的。不然就會發生更多類似的悲劇。。。
“BABI”在馬來語裡面是“豬”的意思。在一般人眼裡,“豬”就只是一個動物的名稱。但在穆斯林的眼裡,豬是不潔的動物,只要在任何媒體上或言論上提到“豬”這個字眼,等同犯了大忌,會引起很大的爭議。而這部電影就是建立在“豬”這個字眼所引發的一系列連鎖效應,最後造成的悲劇。
【BABI/你是豬】在馬來西亞是一部禁片,沒辦法找到投資,因此只用了非常低的成本來拍攝,過程非常艱難和痛苦。但慶幸的是,最後我們不但在重重壓力下完成了拍攝,甚至還受到了各國影展的青睞,包括【德國柏林電影節】,【泰國國際電影節】以及【金馬影展】,有這樣的成績讓我們都感到非常欣慰。
感謝【金馬影展】的評審對【BABI/你是豬】的肯定,希望未來能讓更多人知道,並看得到這一部電影。
我們堅決反對種族政策,反對政府控制媒體及各種官官相護的行為。在此祝願我的國家馬來西亞未來能夠更好,各族團結共榮,一起譴責種族主義和一切歧視的行為。
最後,我要感謝台灣這片土地對不同聲音及藝術作品的包容與接納,感謝台灣,感謝【金馬影展】【金馬獎】以及發行商【華映娛樂】對我的肯定!
我們11月20號不見不散!
‘Babi’ will be available in all Taiwan cinemas on November 20 onwards! The film is also scheduled to debut internationally at the ‘Taipei Golden Horse Film Festival’ on the 6 and 7 of November 2020.
‘BABI’ is a film which is based on an actual real-life event, the movie sheds light on a massive school racial riot, the incident took place in year 2000 in a small town somewhere Southern in Malaysia.
During that time Malaysia was still under the authoritarian rule of one-dominant party, abuse of power and corruption were frequent, media and news were being stringently controlled or filtered. Thus, the incident was being ‘compromised’ by relevant authority, the case was unknown to most of the Malaysians.
I want to disclose the story though art and filming but most importantly sending a message to all Malaysians that we must be more unified disregard of our ethnicity and race. In short, we shall always lend a helping hand to each other and communicate with our hearts and souls therefore we won’t be exploited by politicians who incite racial sentiment to reach their end goal. Otherwise, we will only be trapped in this tragic never-ending cycle…
‘BABI’ in Malay means ‘PIG’. In someone’s eyes, ‘BABI’ is purely just a name for an animal but in Muslim’s eyes, pig resembles unholiness, a word which would radiate sin even mutter from one’s mouth, a taboo word which would spark controversy on any given media or comment section. Hence, this movie is built upon how the word ‘BABI’ triggered a chain reaction which ultimately resulted a series of misfortunes.
‘BABI’ is not passed for screening in Malaysia, a banned film. Due to this reason, the budget for this movie was very limited, I have had only a little of resources to finish this project, the process was arduous and agonizing. Luckily, we have not only completed the film under such immense pressure but being invited to Berlin International Film Festival, International Thai Film Festival and Golden Horse Film Festival as well, I’m relief that our labour and passion bore fruit right in the very end.
I want to thank the judging panel for all the recognition. I hope that in the future more people would know about the film and able to watch it.
We stand firm against any race policy and structural racism, we strongly oppose nepotism and government controlled media. I wish my home country Malaysia, to be ever united against racial policy and has a brighter future ahead.
I would like to thank Taiwan for welcoming all different kind of voices and art, thank you Taiwan. Lastly, shout-out to the ‘Taipei Golden Horse Film Festival’, ‘Golden Horse Awards’ and the film’s distributor ‘CPT Entertainment’ for their acknowledgment.
See you in the cinemas on November 20!
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【你是豬|BABI】購票連結 Ticketing Link: https://www.ezding.com.tw/movieInfo?movieid=1fb7e4b914af42a3b44c268aba72fa75
【你是豬|BABI】預告Trailer:https://youtu.be/_ZuZiHMSXtE
【你是豬|BABI】電影插曲【Happy Family】https://youtu.be/tdnfe3lALd8
【你是豬|BABI】解釋 Penjelasan:https://bit.ly/3mog7ps
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配合《BABI 你是豬》正式在台灣上映,黃明志決定開放福利給粉絲啦‼
黃明志將會於11月13日 - 16日在台灣舉辦《BABI 你是豬》電影見面會。屆時你將會和黃明志一同看電影,還有機會能在電影結束後向黃明志提問,無論你心中有什麼疑惑都可以大膽地提出來!
除了和黃明志近距離接觸外,還有機會獲得簽名海報喔!看到這裡你心動了嗎?心動不如行動,趕快點擊連結買票吧 ?
粉絲簽名分享會地點如下:
11/13(五) 桃園 - 美麗新台茂影城 19:00
活動頁面:https://fb.me/e/3g4Q1KlrQ
桃園粉絲簽名分享會買票連結:https://reurl.cc/3Lm7K8
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11/14(六) 台中 - 台中站前秀泰影城S2館 13:30
活動頁面:https://fb.me/e/4tF9LvhyX
台中粉絲簽名分享會買票連結:https://reurl.cc/k0vWG9
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11/14(六) 嘉義 - 嘉義秀泰 18:30
活動頁面:https://fb.me/e/cnL2zcQ8B
嘉義粉絲簽名分享會買票連結:https://reurl.cc/Q3DoQ5
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11/15(日) 台南 - 台南大遠百威秀影城 13:00
活動頁面:https://fb.me/e/4szAREnw3
台南粉絲簽名分享會買票連結:https://reurl.cc/EzDN8g
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11/15(日) 高雄 - 高雄喜滿客夢時代影城 17:30
活動頁面:https://fb.me/e/3HEFXP91r
高雄粉絲簽名分享會買票連結:https://reurl.cc/8n76xy
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11/16(一) 台北 - in89豪華數位影城 19:00
活動頁面:https://fb.me/e/1KkqasF4G
台北粉絲簽名分享會買票連結:https://reurl.cc/R1D74D
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欲網購黃明志最新實體專輯《亞洲通才》及歷年專輯和周邊商品請到。Purchase Namewee Latest 《Asian Polymath》 , Others Music Albums & Merchandises Please log in to https://namewee4896.com/
Namewee 黃明志 Official Facebook Fan Page:
https://www.facebook.com/namewee/
Namewee YouTube Channel Link:
http://www.youtube.com/user/namewee
#Namewee #黃明志
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