Get an overview of the must-have accessories from the Cactus Jack Dior men’s collection for Summer 2022 on.dior.com/summer22 by Kim Jones in collaboration with Travis Scott. The curves of a double ‘Dior Saddle’ with stirrup handle contrasts with the minimalism of python hard-sided bags. The new skate-inspired ‘B713’ sneaker is offset by distinctive sunglasses with a 1960s ‘CD’ diamond logo on the temples and hats by Stephen Jones with ‘Dior Oblique’ transparent panels. The cactus, in turn, is a ubiquitous presence, wth representations from signet rings to bold brooches.
© Jackie Nickerson
A selection of shirts in the collection were hand-painted by George Condo and are being auctioned with 100% of the proceeds going to Parsons School of Design to support future generations of creative talent through scholarships.
同時也有3部Youtube影片,追蹤數超過5萬的網紅わきを,也在其Youtube影片中提到,佃煮マフィアAlbum「つくだにまふぃあ」out now! 各種配信サイトLink:https://linkco.re/rbM7ssyf [Lyric] 俺たちは自由の刑に処されてる今 足運ぶstudioとクラブの中 普通の毎日が訪れる今 それすら当たり前じゃないの分かっています 俺たちは自由の刑...
「school logo design」的推薦目錄:
- 關於school logo design 在 Dior Facebook 的最佳貼文
- 關於school logo design 在 Facebook 的精選貼文
- 關於school logo design 在 喜劇演員 Facebook 的最讚貼文
- 關於school logo design 在 わきを Youtube 的精選貼文
- 關於school logo design 在 WenWei彣蔚 Youtube 的最讚貼文
- 關於school logo design 在 BOMBER轟炸機 Youtube 的最佳解答
- 關於school logo design 在 45+ Free School Logo Designs | DesignEvo Logo Maker 的評價
- 關於school logo design 在 How to make a school logo design - YouTube 的評價
school logo design 在 Facebook 的精選貼文
🏆《2020全中運》獲荷蘭設計獎 Indigo Awards 三銀一銅的殊榮
Logo and mascot design of National High School Athletic Games 2020 received 3 Silvers and 1 Bronze in Agency Category of Indigo Award 2021.
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去年有幸能為《全中運在屏東》設計主視覺以及吉祥物,前兩天是2021全中運開幕,剛好從荷蘭Indigo設計獎傳來捷報,我們設計的LOGO跟驕仔得到三銀一銅!希望這些獎能給今年參賽的屏東隊加油打氣,屏屏挑戰,只為更好的自己!
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2020全中運吉祥物「驕仔」獲得
✸ Silver in Character Design for Social Change 2021 | 社會變革之角色設計類 銀獎
✸ Silver in Character Design 2021 | 角色設計類 銀獎
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2020全中運主視覺
✸ Silver in Logos 2021 | 標誌設計類 銀獎
✸ Bronze in Branding 2021 | 品牌設計類 銅獎
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【 荷蘭Indigo設計獎 】創立於2018年, 每年都會向全球徵選優秀的視覺設計進行評選,至今已是第五屆,一共設有平面設計、數位媒體設計、行動介面設計、品牌設計、社會變革設計五大類別,每個類別下分多個子類別,由全球53名各界專家與學者評選而出年度金獎、銀獎和銅獎。
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「從哪裡跌倒,就從哪裡站起來」這句話聽起來老生常談,但真的發生的時候你才會知道不是那個簡單。有一句話說:「如果別人朝你丟石頭,不要扔回去,留著做你建高樓的基石。」其實人生每個過程都是養分,每塊石頭都是地基。
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得獎,不要要比別人好,而是希望能比昨天的自己好一些,「屏屏挑戰,只為更好的自己」也是我去年為全中運所訂下的標語,希望每位選手能夠在比賽的過程裡,找到自我、認同自我,進而實現自我。
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跟自己比較,做自己最好的版本,每一個名次都是最好的名次。
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#我應該暫時不用去賣水餃了
IG: mengchih
school logo design 在 喜劇演員 Facebook 的最讚貼文
Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share
The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
school logo design 在 わきを Youtube 的精選貼文
佃煮マフィアAlbum「つくだにまふぃあ」out now!
各種配信サイトLink:https://linkco.re/rbM7ssyf
[Lyric]
俺たちは自由の刑に処されてる今
足運ぶstudioとクラブの中
普通の毎日が訪れる今
それすら当たり前じゃないの分かっています
俺たちは自由の刑に処されてる今
足運ぶstudioとクラブの中
My Daddy からcall um 君はSuper Boy
俺らやればできるわきを達と空の上 Now
改札抜けてさぁGo
太陽が照らす俺のこと
全力少年は今も
全力少年は今も
遊び足りないくらいに
駆けるよ街の中いつもrunning
Every day画面越しに見てた世界に
足を踏み出すよ今一本jumping
俺は過去より1秒後が好き
佃煮牙剥き出し向上心 Yha〜
俺たちの仕事は遊び
0歳からほとんど変わってないらしい
涙の代わりに止め処ない血と汗
これだから面白いぜLife is Game
俺たちは自由の刑に処されてる今
足運ぶstudioとクラブの中
普通の毎日が訪れる今
それすら当たり前じゃないの分かっています
俺たちは自由の刑に処されてる今
足運ぶstudioとクラブの中
My Daddy からcall um 君はSuper Boy
俺らやればできるわきを達と空の上 Now
どっかで俺見てんだろ
月の裏で俺を笑ってんだろ
転んで置いてかれない
忘れて老いて枯れない
正義なんてなくても回る惑星に生まれ 歌え 歌え
涙も出ないくらいに 誰かの代わりに空は永遠に青い I know it
声の種まけ 愛を育て 令和に生きる答え
夢に辿り着かない現実なんて いらねえ認めねえ
1人で幸せになるなら誰かと不幸になる方がいい
俺たちは自由の刑に処されてる今
足運ぶstudioとクラブの中
普通の毎日が訪れる今
それすら当たり前じゃないの分かっています
俺たちは自由の刑に処されてる今
足運ぶstudioとクラブの中
My Daddy からcall um 君はSuper Boy
俺らやればできるわきを達と空の上 Now
[Credit]
Directed by shun murakami (vil tokyo)
focus : Takuma Inose
camera assistance : RIO
title logo by tommie(s6dw, syncity, TYL)
http://vil.tokyo
Lighting design : Hajime Ogura
WAKIWO
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音楽素材 MusMus様: http://musmus.main.jp/[FREE] Hard Hip Hop Rap Instrumental Beat - "Gringo"
https://www.youtube.com/watch?v=DvhTcOXo8yE
[Free] Old school type beat | Hip hop type beat | บีทแร็พฮิปฮอปOld school
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[FREE] "Trap Up The Bando" - Young Thug x Lil Baby Type Beat
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(FREE) "RIP" 90's Guitar Hip Hop Instrumental // Underground Type Beat // Prod. Mixla
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(Free) Slim Shady ✘ Eminem Type Beat 2019 ✘ Old School Instrumental
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[FREE] Perfect Freestyle Hip Hop Rap Instrumental
https://youtu.be/d550AhxLjzQ?t=16
school logo design 在 WenWei彣蔚 Youtube 的最讚貼文
➳ MY SOCIALS:
Instagram : @wenweiyy
https://instagram.com/wenweiyy
--------------------------------------------
Stay Safe ?
Face Masks : https://t.productlink.io/a14faf
Hand Sanitizer : https://t.productlink.io/a14fag
➳ What im wearing
Essentials t shirt - Check out the FEAR OF GOD ESSENTIALS Pink 3M Logo Boxy T-Shirt Blush available on StockX https://stockx.com/fear-of-god-essentials-pink-3m-logo-boxy-t-shirt-blush
Louis vuitton bracelet - https://ap.louisvuitton.com/eng-sg/products/toupie-bracelet-monogram-nvprod1830304v#M6567E
➳ IN THE VIDEO ✨
Tik Tok lights : https://www.instagram.com/vibelightsmy for Malaysian orders
https://vibelightsled.com for international orders ( free worldwide shipping )
Design high rise "relaxed" dad jeans - https://www.asos.com/prd/14396049?acquisitionsource=pasteboard
Urban Outfitters Mom Jeans - sold out
Calvin Klein t shirt - https://www.asos.com/prd/10467457?acquisitionsource=pasteboard
https://t.productlink.io/a1zkt (25% off on Zalora now !)
Calvin Klein bralette - https://www.asos.com/prd/3932171?acquisitionsource=pasteboard
Pretty Little thing black trousers - https://www.asos.com/prd/14672258?acquisitionsource=pasteboard
Lush 'Sleepy' body wash - https://t.productlink.io/a1x3x
Ana tomy planner - https://ana-tomy.co/product/melon-a5s-planner/
Elf lip exfoliater - https://t.productlink.io/a1x3w
Elf Primer - https://t.productlink.io/a1x3v
Cleaning Jelly - https://t.productlink.io/a1x3u
➳ Gear :
ma tiktok lights : https://www.instagram.com/vibelightsmy/
Iphone 11 pro max : https://t.productlink.io/a14fab
My camera: canon g7x mark ii : https://t.productlink.io/a14fac
My MacBook Pro 13-inch space gray: https://t.productlink.io/a14fad
Editing Software : Final Cut Pro x
➳ ABOUT ME
Hi~ my name is Kon Wen Wei . Im a student living in Malaysia. I just turned 17 while ure watching this . I make videos about high school life, vlogs, music & challenges ! Thanks for watching :)
➳ sub count : 122, 184
If you’re reading this, comment avocados !
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school logo design 在 BOMBER轟炸機 Youtube 的最佳解答
+ 記得訂閱我唷→https://goo.gl/6FhdCT
+ 更多購物影片→https://goo.gl/ICbV8R
+ + +SOCIAL MEDIA+ + +
.FACEBOOK:https://www.facebook.com/wind7220
.BLOG:http://wind7220.pixnet.net/blog
.INSTAGRAM:https://www.instagram.com/wind7220/
.WEIBO:http://www.weibo.com/wind7220
/ P R O D U C T S /
上身:
adidas Originals adicolor Oversized T-Shirt In Boxy Fit In Black CW1211 - https://goo.gl/buHrUq
Levi's t-shirt batwing logo - https://goo.gl/VtKcjc
Levi's colour block logo t-shirt red - https://goo.gl/S6v3ar
中領棉T(白色、深藍) - https://goo.gl/Q8YzqD
高領棉T(灰色) - https://goo.gl/9mVdPG
下身:
ASOS DESIGN super skinny joggers 2 pack black/grey marl - https://goo.gl/gueQPk
Gap 男童| SLIM系列 舒適天絲中腰修身輕質牛仔褲(淺色) - https://goo.gl/rwwH8b
Gap 男童| regular系列牛仔褲(深色) - 停產
Gap 男童| 基本款彈力休閒卡其褲兒童褲子(深藍色、卡其色) - https://goo.gl/bVd3gC
H&M 男童|卡其褲 - 無連結
H&M 緊身西裝褲 - https://goo.gl/vB4eDa
H&M 修身西裝褲 - 無連結
帽子:
adidas Originals Trefoil Logo Cap In Navy - https://goo.gl/r7eNui
1987 NYC LOGO CAP(淺卡其、深藍) - 我買的蝦皮賣場已停售 在蝦皮打上 "韓國 NYC 老帽" 就會出現同款老帽了
襪子:
隱形(帆船)襪 - https://goo.gl/pEjo6Y
休閒中筒襪 - https://goo.gl/g7ookD
二槓中筒襪 - https://goo.gl/dVUEQq
復古低筒襪 - https://goo.gl/ReQmbG
復古中筒襪 - https://goo.gl/2jQKT2
中筒襪 - https://goo.gl/gHNQXx
/Thank you for watching/
BE BEAUTY LOVE YOURSELF
*THIS IS NOT SPONSORED VIDEO
#購物 #平價品牌 #穿搭單品
school logo design 在 45+ Free School Logo Designs | DesignEvo Logo Maker 的推薦與評價
Jun 26, 2019 - Custom free school logos made easy! DesignEvo school logo maker has rich school logo ideas for you: Input school name & slogan, a promising ... ... <看更多>