🎉🎉🎉“Samsara Ep1.” Puts Taiwan On the Map! New Media Artist Hsin-Chien Huang Wins the Top Awards of SXSW🏆🏆🏆🥳
The awards ceremony of the American international film festival, South by Southwest Film Festival (SXSW), will be held in the morning on March 20, 2021. The latest VR production created by artist Hsin-Chien Huang has taken the festival by storm and bring home the prestigious “Jury Awards” in the virtual cinema competition category. “Samsara Ep. 1” is the first VR production from Taiwan to receive such honor and has put the creativity of Taiwan on the map!
In the acceptance speech, Huang mentioned that he would like to thank the jury of SXSW for the recognition and encouragement. It was absolutely his honor to win this award. He’d also like to thank the full support from the Ministry of Culture of Taiwan 文化部, the Taiwan Creative Content Agency 文化內容策進院 Taiwan Creative Content Agency , and Kaohsiung Film Archive 高雄市電影館 VR 體感劇院 VR FILM LAB to make it possible to complete the work. Finally, he thanked all the crew members of the production for letting the world see how amazing the VR production from Taiwan.
The story background of “Samsara” is set as a timeline when humans completely destroyed the environment on earth and begin to go on a quest through space for hundreds of years. People try to immigrant to a new planet, so they redesign the DNA to adapt to a new environment and evolve into a new life form. However, after so many years, people gradually realize that it is never possible to find a new planet to settle. They merely keep returning to the original earth they have damaged in a different era, in a different life form, as an endless circle of reincarnation.
The plot involves many different social issues, including ecology, technology, natural resource, and war, and calls on viewers to reflect themselves with a profound philosophical perspective. Moreover, several concepts of embodied cognition are used in the story to make viewers transform into different animals, including Taiwan’s indigenous species, such as Taiwan Blue Magpie and Formosan Black Bear, to interact with the scenes. “Samsara Ep.1” also features the latest somatosensory technology, including the 4Dviews shooting techniques by the Industrial Technology Research Institute and Taiwan Creative Content Agency, with 48 4DV-EX-Z cameras and a digital shooting system composed of a high-sensitivity 4 million-pixel full-color CCD sensor. “Samsara Ep.1” is able to be taken from an omnidirectional view without blind spots and be shot without any blind spots to create the ultimate immersive experience.
The first SXSW was held in Austin, Texas in 1987. This long-standing international event is held around March every year ever since. The festival features various themes, such as films, music, VR/AR, art and games, etc. The SXSW is the world’s largest event for creative content. Many creators and brand owners in the fields will not miss out on the festival. Therefore, the festival has become a trial balloon, attracting hundreds of bands and film crews to participate, estimated over 400,000 people joining the event. This year, the festival has changed the event to an online form for the first time since the pandemic is raging as before. All screening events, industry matchmaking, seminars will be carried out via its own online platform, SXSW Online, without difficulty. It has made it possible for all the artists, creators, and professionals to break down the physical borders and participate in this magnificent annual event together.
There are nine productions in total nominated in the Virtual Cinema Competition category this year, with teams from the US, Canada, the UK, France, Germany, Poland, Australia, South Korea, and so on. This is the first time that “Samsara Ep.1” has competed in the international film festival and has achieved a great result with much international recognition. This is also the first time for Taiwanese production to receive an award from the SXSW competition. The full version of “Samsara” is expected to start the global tour in the second half of the year. Huang said that “Samsara” would return to Taiwan for its Asian premiere and ask the fans in Taiwan to stay tuned!
✔️SXSW website: https://www.sxsw.com/festivals/film-awards/
✔️SXSW YouTube: https://www.youtube.com/watch?v=T9G_7NZh_Oo&feature=emb_logo
#黃心健 #HsinChienHuang #輪迴 #Samsara #Virtualcinemacompetition
#Juryaward
#VR #台灣VR #TaiwanVR
#SXSWFilm #SXSW #2021SXSW #SXSWOnline
同時也有5部Youtube影片,追蹤數超過4萬的網紅Melissa Th'ng,也在其Youtube影片中提到,Let's have an honest conversation about BTS. Here's my take. Who's your bias? And rmb to share with me your favourite videos/interviews from BTS with...
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When tracking the virus means tracking your citizens
Apple and Google on Friday unveiled ( ) a rare ( ) partnership to add technology to their smartphone platforms ( ) that will alert users if they have come into contact with a person with COVID-19. Apple’s iOS and Google’s Android — the operating systems used in iPhone and Samsung Galaxy devices, among others — are used by about 3 billion people around the globe.
Since the outbreak of the coronavirus pandemic, some democracies ( ) around the world have used technology to avoid having to impose draconian ( ) mass quarantines ( ) that were common earlier this year in China. That’s reassuring — and it’s also worrying, because the very strategies that can help fight a plague can also be abused once it’s over.
Consider Taiwan, where an “electronic fence” allows local police to make regular phone calls to everyone who is home under quarantine; if the citizen doesn’t answer or the phone is out of power, police come to the home within 15 minutes. In South Korea, the government constantly updates a Web site that tracks the movements of people who have been infected, and issues alerts to the mobile phones of people in the geographic vicinity ( ) of an infected citizen. The Israeli government gained access to an archive ( ) of phone data to map the movements of infected people, then alerted those who had been in contact with them to self-isolate.
Invoking ( ) these powers is reasonable during a pandemic. Once the outbreak is over, however, this kind of power can and probably will be abused. What’s to stop a corrupt ( ) (or merely unscrupulous [ ]) leader from using such technologies to learn or even publicize the location of political opponents or dissidents ( )?
“This is a genuine emergency and that justifies ( ) a lot of things that would not normally be justified,” says Jay Stanley, a senior policy analyst at the American Civil Liberties Union (ACLU). “But we have to make sure that these temporary ( ) powers do not become permanent ( ) in a way that hurts everybody else.”
The good news is that the pandemic is not an endless war. Once there is a treatment or a vaccine ( ), there will be a clear end date to the state of emergency.
Stanley says it’s crucial to set up strict rules beforehand ( ). Any location data, for example, should only be used by public health authorities for public health purposes. The programs should be temporary and the data should be deleted after the crisis ( ) ends.
Along these lines, Freedom House released a set of principles on March 24 for protecting civil and human rights in the fight against COVID-19. It says any surveillance ( ) programs that use new technology to fight the spread of the disease should be “subject to ( ) independent oversight ( ), and ‘firewalled’ from other commercial and governmental uses such as law enforcement and enforcement of immigration policies.”
In the middle of a crisis, all of this might seem theoretical. The most essential tasks for democratic leaders are providing for the public’s safety and working to revive ( ) the economy. Yet it’s also important to remember that the state rarely relinquishes ( ) powers it amasses ( ) in a crisis.
After 9/11, the FBI was given broad new powers to demand data from private businesses. A dozen years later, both the ACLU and the Justice Department’s inspector general found that the use of that extraordinary power had become routine ( ) and unchecked. As Americans grapple ( ) with the current pandemic, they must be vigilant ( ) that their government not repeat the same mistake.
當監控病毒與監控人民劃上等號時
蘋果和谷歌兩大公司上週五破天荒宣布一項合作,將在他們的智慧手機平台新增技術,如果用戶接觸了武漢肺炎患者,便會發出警示。蘋果的iOS和Google的安卓(iPhone和三星Galaxy手機等使用的操作系統)在全球約有三十億人使用。
自冠狀病毒大流行爆發以來,世界各地一些民主國家已運用科技,以避免實施像中國今年年初所實施的那種嚴苛的大規模隔離。這令人寬心——卻也令人憂心,因為一旦疫情結束,這些可幫助打擊瘟疫的戰略也可能會被濫用。
以台灣為例,台灣採用「電子圍籬」技術,讓當地的警察可以定時打電話給每位居家隔離者。若電話沒人接或沒電,警察在十五分鐘內就會到他們家去。在南韓,政府有追蹤染疫者動向之網站,會不斷更新,並對染疫民眾附近的人發出手機警示。以色列政府可以調出電話數據檔案,以便將染疫者的活動在地圖上定位出來,然後提醒與其接觸的人進行自我隔離。
在疾病大流行期間訴諸這些權力是合理的。然而,疫情一旦結束,這種權力很可能會被濫用。怎樣阻止腐敗的(或只是不道德的)領導人使用此種技術來得知甚至公開政敵或異議人士的所在位置?
「美國公民自由聯盟」高級政策分析師傑伊‧史丹利說:「這是真正的緊急情況,它使許多通常是不合理的事有了正當性」。「但我們必須確保這些臨時權力不會變成傷害其他人的永久權力」。
好消息是,這場疾病大流行不會是一場無休止的戰爭。一旦有了治療方法或疫苗,緊急狀態就會有明確的結束日期。
史丹利表示,事先訂定嚴格的規範至關重要。例如,任何位址資訊僅應由公共衛生主管機關用於公共衛生目的。此應為臨時程序,這些資訊在危機結束後應予以刪除。
同理,人權組織「自由之家」在三月二十四日發布了一套原則,以便在對抗武漢肺炎期間保障公民權與人權。自由之家表示,任何使用新技術來對抗疾病傳播的監視程序都應「受到獨立監督,且不能作為其他商業及政府之用途,例如執法及移民政策之執行」。
在危機之中,這些似乎都是理論上的。民主國家之領導者最重要的任務是確保公眾安全,並努力振興經濟。但同樣重要的是要記住,國家很少放棄它在危機中所集聚的權力。
九一一恐怖攻擊發生後,美國聯邦調查局獲得了新的、廣泛的權力,可以要求私人企業提供資訊。十幾年後,美國公民自由聯盟和司法部總監察長都發現,這種非常時期權力的使用已成為常態,且沒有受到約束。美國人在與當前的病毒大流行奮力搏鬥之同時,也必須保持警覺,確保政府不會重蹈覆轍。
#高雄人 #學習英文 請找 #多益達人林立英文
#高中英文 #成人英文
#多益家教班 #商用英文
#國立大學外國語文學系講師
south korea map 在 Melissa Th'ng Youtube 的最佳貼文
Let's have an honest conversation about BTS. Here's my take.
Who's your bias? And rmb to share with me your favourite videos/interviews from BTS with me okay!
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south korea map 在 JayTstyle Youtube 的最佳解答
❄VLOG | Seoul Winter Part.5 ❄ | South korea
Day7 ❇Incheon Day – China Town , Jayu Park , Fairytale Village , Café Valor , SpinArena
ทั้งวันที่ อินชอน เริ่มที่ไชนน่าทาวน์ เดินต่อไปส่วน Jayu ปีนเขาท้าลมหนาว ถัดไปอีกนิดเป็นหมู่บ้านเทพนิยาย นั่งรถเมล์ไปคาเฟ่ Valor สตูถ่ายงานของเหล่าไอดอล นักเเสดง ปิดวันด้วยเล่นสเก็ตที่ย่าน Bupyeong ในอินชอน
►Incheon Chinatown (인천 차이나타운) ◆Incheon Station(Line 1) Exit 1
┕https://goo.gl/X7bL4r
✿ Jayu Park (자유공원) - https://goo.gl/w2k2sm
✿ Songwol-dong Fairy Tale Village (송월동 동화마을) - https://goo.gl/qT9o3x
►Café Valor [카페 발로]
◆Option1 : Get on Bus No.10 from Songwol-dong (송월동 동화마을) Transfer at 동인천역 to Bus No.306 Get off last stop 강인여객
◆Option2 : Get on Bus No.2 from Songwol-dong (송월동 동화마을) Transfer at 삼익아파트.달동네박물관 to Bus No.306/306A/307 Get off last stop 강인여객
┕https://goo.gl/f1X1nR
┕https://goo.gl/uW3VTw
►Spin Arena Bupyeong (스핀아레나 부평) ◆ Bupyeong Station Exit7
┕https://goo.gl/szY3fW
┕https://goo.gl/sDxJxQ [Map]
►Bupyeong Modoo Mall (Bupyeong Underground Shopping Mall) (부평모두몰(부평지하도상가)) - https://goo.gl/fQHieE
❖This video is NOT sponsored!❖
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south korea map 在 JinnyboyTV Youtube 的最佳解答
Ever since I was a child, I had a goal...
A naive but hopeful dream, that when I grow up,
I'd like to be someone who would make a difference in this world...
Growing up in a developing city like KL, I do agree that Malaysia,
isn't like one of the big and formidable countries, if you wanna compare...
But I believe, things are evidently changing in today's generation,
Children are technologically more savvy than most average adults,
They know how the world works, even before puberty,
They dream bigger dreams, than we ever dared to when we were their age...
Being a nation of different cultures and up bringing,
I still believe we have something that binds us together,
"The Boleh Spirit".
We turn the page to a new era, a new world we call the World Wide Web,
Through Facebook, Twitter, YouTube or any other social network, we listen to the voices of the people...
Despite our different goals, I'm sure we have one common goal of putting Malaysia the map.
Traveling to different parts of the world has shine a new light on my perspective...
I discover the similarities we all have, despite the fact that there are 7 billion of us in this world...
We all fall in love, just like everyone else...
We are inquisitive, with the hunger for knowledge...
And sometimes the kid inside us, just wants to be careless and free.
There is a theory that everyone in this world, is connected to anyone,
through a chain of acquaintances of not more than 6 links. They call this the 6 degrees of separation.
It's fascinating to know that we are all, 5 friends away from being acquainted to a random stranger in a train in South Korea...
Or even a tuk yuk driver from Thailand...
This shows that we are all relatable to one another,
that our culture and influence can make a difference in this world.
And that Malaysians have a voice of our own
And we should spread our Boleh spirit to the world
Let us embrace the differences we all have, and unite as Malaysians with the Boleh spirit.
And continue to strive to put Malaysia on the world's stage.
Malaysians Can! Malaysians Boleh!
Written by: Reuben W.J Kang
Shot By: Reuben W.J Kang and Jin Lim
Music by Nick Davis: http://www.youtube.com/watch?v=9coIZoxjFDQ
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