臺灣的戒嚴時期,還是在1996年政府決定鎮壓幾個團體的時候,還是在中國大陸,當局不認可的宗教和心靈團體都被貼上了 #邪教 的標籤。這個說法在英文中常被翻譯成 “cult(異端的宗教信仰或崇拜)”,或 “xie jiao(邪教)”,但翻譯並不準確,而且有些不合時宜。
There is, however, another possibility. Both in Taiwan, during the Martial Law period and when the government decided to crack down on several groups in 1996, and in Mainland China, religious and spiritual movements the authorities do not approve of are labeled xie jiao. The expression is often translated in English as “cults,” or “evil cults,” but the translation is not precise and somewhat anachronistic.
倫敦大學研究員吳俊卿發表了多篇關於邪教概念歷史的研究,包括《曼達林與異端》(Leiden:Brill,2017)一書。其他學者將邪教作為一個政治和法律範疇可以追溯到明代,而吳曉波則表明,它最早出現在 #唐代 要求消滅佛教的傅毅(554-639)的著作中,具有 “異教 “的含義。此後的宋(960-1279年)、元(1279-1368年)兩朝,則以「白蓮教」為 #共同標籤,呼籲消滅被禁止的新宗教運動。到了明朝(1368-1644年),邪教成為一個法律概念,並開始編制邪教名單,清朝(1644-1912年)、民國、共產黨都延續了這一做法,也影響了臺灣。
Wu Junqing, a research fellow at London University, has published several studies on the history of the notion of xie jiao, including the book Mandarins and Heretics (Leiden: Brill, 2017). While other scholars date the introduction of xie jiao as a political and legal category to the Ming era, Wu shows that it first appeared, with the meaning of “heterodox teachings,” in the writings of Fu Yi (554–639), who called for the eradication of Buddhism during the Tang dynasty. In the subsequent Song (960–1279) and Yuan (1279–1368) dynasties, xie jiao was used to call for the destruction of new religious movements banned under the common label of “White Lotus.” With the Ming dynasty (1368–1644), xie jiao became a legal concept, and lists of xie jiao started being compiled, a practice continued by the Qing dynasty (1644–1912), Republican, and Communist China, and which also influenced Taiwan.
https://act1219.org/raising-goblins-a-bizarre-accusation-against-asian-spiritual-minorities/
同時也有1部Youtube影片,追蹤數超過115萬的網紅Rayner Teo,也在其Youtube影片中提到,Rayner: 00:00 The first thing I want to share is that there is no way that you can 100% avoid a false break out. Because that's like saying, "How do I...
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subsequent meaning 在 李怡 Facebook 的最讚貼文
The meaning of re-provoking 721 | Lee Yee
LIHKG forum started a thread titled “Congratulations to the Hong Kong Police Force (HKPF) for Raising Global Awareness Again for the Jul. 21 incident (721).” There were continuous comments on the thread that linked to international media reports on the HKPF’s various deliberate misrepresentations. Many social media were also swept by a flood of all the videos previously published since 721: live broadcasts, subsequent comprehensive reports including Hong Kong Connection’s “721 Yuen Long Nightmare” which had 8.32 million views in just over five months since the clip was published, and “Truth of 721” which had over 1.3 million views since its upload last month. The large amount of visual media trending on social media is the explosion of citizens actions to challenge the copious amount of lies.
The biggest effect of HKPF re-provoking 721 is to let those Hongkongers, especially foreigners, whose memories of the incident have faded, to remember it again. How can people believe the fabricated lies when they once again witness the scenes and listen to the people who lived through it recount the experience? In that case, what is the purpose of reviving people’s memory? Surely it is not because the trust score of Carrie Lam’s regime is not low enough?
Hong Kong has realized the words of the Russian author and dissident, Aleksandr Isayevich Solzhenitsyn, of whom I once quoted: “We know they are lying. They know they are lying. They also know that we know they are lying. We also know that they know that we know they are lying. But they are still lying.”
A reader asked me the source of this quotation but I could not find it. It was only based on the Internet, nevertheless it is fantastic. Solzhenitsyn had written so many articles on deception and the authoritarian regime so it is possible that he had said it just once during a conversation. Another Russian writer, Elena Gorokhova, said something similar in a book published in 2010: “The rules are simple: they deceive us, we know they are lying, they know that we know they are lying, but they keep on lying to us, and we keep on pretending to believe them.” The significance of re-provoking 721 is spelled out in these two passages.
Why are they still lying when they know that we know that they are lying? This is because, under the tyranny of totalitarianism, the fabrication of lies is not to make the people believe but to make one’s case sound plausible when justifying with the superior. 721 was a defining moment in the timeline of the anti-Extradition Law Amendment Bill (anti-ELAB) movement that reversed the perception of the people of Hong Kong and the international community towards the HKPF and HKSAR government. In other words, after the incident, the image of the HKPF tumbled from the protector of the people to a tool of tyranny. Therefore, the distortion of facts is not for the people to believe but to let their “own people” including their superiors to “pretend to believe” so as to maintain the “legitimacy pretense.”
Another implication of re-provoking this incident is that the behavior of lying even when knowingly they cannot deceive proves the existing regime is a true tyranny.
Solzhenitsyn said, “Tyranny finds its only refuge in falsehood and falsehood in tyranny finds its only support.” “Tyranny must be interwoven with falsehood. Between them, they have the closest and deepest natural union.” Because of this intimate natural bonding, in the presence of deceptions regardless of whether people will believe it or not, it is tantamount to proclaiming the existence of tyranny.
The significance of re-provoking this incident is threefold. It also illustrates the greatest crisis in Hong Kong. It is not those in power and the pro-Beijing camp pretending to believe in the distorted facts, but that the increasing number of Hongkongers willing to tolerate the lies and also pretending that the stag is a horse. The Czech dissident writer and former President of Czechoslovakia, Václav Havel said that when people “have to acquiesce, endure and drift along with the lies, then every person can only survive in lies. People do not need to accept lies, it is enough that they endure a life of living in and with lies. In this way, people validate, perfect, create and become this system.”
The Chinese have “become this system.” Hongkongers must not only protect the truth, but also be wary of themselves and the people around them to not pretend to believe in lies and not participate in distorting facts for personal gain. Solzhenitsyn said, “If we are fearful even to detach from the participation of lying, then we are worthless and hopeless.” The sarcasm of Russian writer, Alexander Sergeyevich Pushkin, is most applicable to us: “Why give animals freedom? Their fate is to be bound by chains and flogged with whips, generation after generation!”
Hongkongers must take heed of this heart-wrenching remark!
subsequent meaning 在 李卓人 Lee Cheuk Yan Facebook 的精選貼文
📌📍《5月35日》「庚子版」 眾籌活動
集結力量 網上演出 六四前夕 全球直播
"May 35th" Gengzi Edition - Crowd Funding
Join Forces for Global Live Online Performance on the night before June 4th.
🔇🔇「以現在的社會狀況,我們的政治氣候,我擔心這個戲未必有機會再上演﹗」導演陳曙曦說。
🔊🔊"With the forecast of the political climate now, I am very worried that this play will not be any chance to put on stage again" said Chan Chu-hei, the director.
🚨🕯️我們希望集結公民力量,
令全球所有人都可以在「六四」免費網上觀賞《5月35日》,
讓這個故事遍地開花,
讓更多人了解真相、追求公義。
🚨🕯️We target to join the force of citizen
to let us share this Online LIVE theatre production
“May 35th”globally, make this story worldwide,
and let the truth speak for itself, justice be sought after.
‼️➡️眾籌支持方法 Way of Crowdfunding:
1) 請即登入網上平台:https://goget.fund/2Wz5kO9
(暫不能用PayPal 戶口,請用"Visa/ Master" 捐款
Please DO NOT use PayPal Account, but click the icon "Visa / Master")
2) 支票捐款- 抬頭寫「六四舞台」,郵寄到
九龍旺角彌敦道618號好望角大廈8字樓(六四舞台)
By Cheque - Please make the cheque payable to "Stage 64", and mail to 8/F, Good Hope Building, 618 Nathan Road, KLN. (Stage 64)
************************************************
2019年六月,是「六四」的三十周年,六四舞台邀請了著名編劇莊梅岩創作《5月35日》。首演5場及加開的6場門票均全部售罄,一致好評,更獲本屆舞台劇獎六大提名,包括最佳劇本!經歷了大半年的社會運動,面對過暴政與暴力,「六四」對香港人多了另一重意義,在謊言與假新聞氾濫的社會,《5月35日》為悼念亦為警世!
🧐🧐為了蒐集資料,編劇莊梅岩曾到訪內地訪問當年「難屬」,亦因此被神秘人「探訪」和「關注」,令她質疑香港的創作自由可能已經岌岌可危。
🤐🤐眼下的暴政和警暴,「廿三條立法」如箭在弦,六四舞台在香港再有生存的空間嗎?
🤬🤬當網絡上充斥假新聞,官方又不斷篡改歷史事件,究竟「六四屠城」和「反送中運動」在不久的將來會變成什麼樣的故事呢?
我們不知道答案,但只要有機會,我們仍然要演下去﹗因此當社會運動仍在激烈抗爭之際,六四舞台就馬上籌組了《5月35日》(庚子版)。
📆根據中國歷法,2020年是庚子年;翻開中國歷史,庚子年往往是浩劫之年。香港經歷多個月的社會運動,「六四」對步入庚子年的香港人有何意義?六四舞台今年誠邀著名導演陳曙曦,連同全新班底,重新創作《5月35日》 的「庚子版」。
😷😷鑑於疫情持續,政府下令關閉全港劇院,令原訂5月在香港藝術中心的舞台演出被迫取消,劇團為堅守信念,破天荒決定把這個震撼人心的六四故事以網上直播形式,於2020年六四前夕向全球人士同步免費播放(粵語演出,附中英文字幕),並於6月4日全日24小時在網上分享。其錄像版本亦將會製作成電影影片,把演出搬上大銀幕,讓更多人了解真相、追求公義。🖐️🖐️🖐️🖐️🖐️
June 2019 marked the 30th anniversary of the “June Fourth Incident”. Local art group Stage 64 joined hands with renowned playwright Candace Chong Mui-ngam to create May 35th. The first 5 premieres as well as the 6 additional shows were all sold out with great acclaims, followed by 6 nominations in the subsequent Hong Kong Drama Awards, including Best Script!
The social movement in the past 6 months has made Hong Kongers no strangers to tyranny and brutality, and has transcended the meaning of "June Fourth" within us. Especially when we are living in a world full of lies and fake news, the play "May 35th" is for mourning and also a warning!
🧐🧐Candance Chong Mui-ngam has visited the Mainland for screenplay research. There she met up with some interviewees, whose family members were June Fourth Massacre victims. It turned out some mysterious figures paid her a "visit" in return with "unexpected concern". She couldn't help but worrying: Is the creative freedom deprived even in Hong Kong?
🤐🤐Witnessing the escalating brutality against protestors, the eagerness of enacting Basic Law Article 23, how much longer can a play like "May 35th" be staged in Hong Kong?
🤬🤬Worse still are the tremendous fake news on the Internet and the tampering with history. Can you imagine how "June Fourth Incident" and "Anti-Extradition Bill Protest" will be interpreted in the near future?
We have no clue, but! As long as we have this opportunity to express, we will go on. Even when the protest across the city was still intense, Stage 64 started to plan for another "May 35th" , the Gengzi Edition.
📆In the Lunar calender, 2020 is called the year of the Gengzi. Historically speaking, the year of the Gengzi were always catastrophic. After months of social unrest, Stage 64 invited prominent director Chan Chu-hei, to re-create "May 35th" into Gengzi Edition with new cast and crew.
😷😷Then comes the Coronavirus pandemic and the compulsory closure of theatres by the Government. That left us no choice but to cancel the "May 35th" performance, which was originally scheduled to stage at Arts Centre in May. But what if we adhere to our beliefs? Here comes the bold decision-\-\to live stream this astonishing show, globally and for free on the night before June 4th, 2020 (Presented in Cantonese, with Chinese and English subtitles). The live version will then be shared online throughout the day on June 4th. What’s more? The performance will be filmed separately and released in cinemas. Let the truth speak for itself, justice be sought after. 🖐️🖐️🖐️🖐️✋
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
💰籌款目標💰
35萬,但50萬能讓我們做得更多
Crowding Funding Goal
HK$350,000, but we can go further if we get HK$500,000.
🆘製作一齣舞台劇的基本成本相當高,一般要靠數千張數百元的門票收入才能維持收支平衡。在疫情下失去劇院,沒有門票收入,加上題材敏感,《5月35日》要獲得商業贊助機會是「零」。因此,我們只能靠公民發揮力量,解囊相助,協助我們把舞台劇作全球網上直播及製成影片,把故事帶到更遠。
🆘A stage production costs a lot. Generally we need to sell several thousands of tickets to break-even. Considering the circumstances of coronavirus pandemic, we can no longer perform in theatres and therefore no income from box office. In addition, due to the sensitivity of the theme / topic, in spite of our best endeavours, it is impossible for May 35th (Gengzi Edition) to receive any commercial sponsorship. What we need now is everyone exert their power and generosity, elevating May 35th (Gengzi Edition) to online streaming platform and even to cinemas, bringing the story to the rest of the world.
subsequent meaning 在 Rayner Teo Youtube 的精選貼文
Rayner: 00:00 The first thing I want to share is that there is no way that you can 100% avoid a false break out. Because that's like saying, "How do I win 100% of the time in trading?" It doesn't exist. So embrace this fact that break outs will fail, no matter how beautiful the pattern is, how high probability the chart may look break outs can and will fail.
Rayner: 00:32 Once you accept this fact, I want to share with you three tips that I personally look for whenever I trade break outs. Number one trade break out with built up. So what is built up? Build up is basically a tight consolidation you see on your chart where the range of the candles get small and tight. That's called a 'build up', and typically like let's say, for example, I want to trade a break out of resistance, I will look for a build up at the highs of resistance. Meaning if the price comes into resistance, I want to see the range of the candle get tighter and tighter. Consolidating for about five to ten candles, before it breaks out.
Rayner: 01:05 Why do I want to see that? Because number one, you have a tighter stop loss which improves your risk to reward, because when there's a build up, you can just simple set your stop loss at a low of the build-up instead of the low of the entire range, which is pretty done wide. That's number one, a tighter stop loss that eventually offers you a better risk to reward. Number two, when you see a build-up, it's a sign of strength because it's telling you that buyers are willing to buy at these higher prices, willing to buy in front of resistance. This is a sign of strength, and these are the two reasons why I love to trade break outs with build up.
Rayner: 01:39 The second tip that I want to share with you is watch how the price action approaches the levels that you're looking to trade the breakout. Let's say for example again you want to trade resistance, you want to trade the break out of it, watch how the price action approach resistance. So what I want to see is higher lows coming into resistance, because this is a sign of strength, it's telling you that the buyers are willing to buy at again these higher prices. On top of it, it looks somewhat like an Ascending triangle, and it typically is from this type of stair-stepping price action to a point where it starts to coil very tightly, and again this is another form of a build up, and really more often than not, the market is likely to break up higher. Again, watch how the price action approach resistance. Ideally, you want to see higher lows coming into it.
Rayner: 02:22 The third thing I want to share with you is to let markets break out. If the market does break out and you are not in a trade, what you can do is to wait for the first pullback to occur, and this can appear in the form of a trend continuation trade, for example, a bullish flight path and a symmetrical triangle. These are possible chart pattern that you can trade, to trade the subsequent move higher.
Rayner: 02:55 These are the three tips I would like to share with you to find higher probability break out trades. That's all I have for you in today's episode. If you have any questions that you want me to answer, leave it in the comments section below so I can look into it and answer in the next episode.
If you want more actionable trading tips and strategies, go to https://www.tradingwithrayner.com
Thanks for watching!
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