【早期郊野公園規劃:禁止「破壞邊洲」觀景台】
政府主導嘅「周遊六角」山徑設計比賽結果近日出爐,「破邊洲觀景台」嘅設計概念非常震撼,但都不及對香港地質公園嘅景觀保育(landscape conservation)嘅潛在衝擊大。呢啲係自然景觀上突出嘅龐然人造巨物,象徵住以往郊野公園設施嘅低調、不經不覺融入自然嘅設計概念已逝,取而代之嘅係一個又一個吸引人流、有意無意地提供視覺震撼嘅「打卡熱點」。
回顧1970-80年代郊野公園初期規劃文件,呢類具視覺侵略性(visually intrusive)嘅設施,根本唔可以係破邊洲旁邊出現。何況今日破邊洲一帶已貴為世界地質公園(Global GeoPark),若果持續搞呢啲打卡設施帶來景觀破壞,會否為動搖其地質公園地位屬未知之數。
▌破邊洲規劃:禁止視覺災難康樂設施
本土研究社早前透過《公開資料守則》,獲得一份西貢郊野公園嘅「發展限制圖則」(Development Control Plan)【註1】,發現破邊洲附近嘅花山一帶,即係現在「破壞邊洲」觀景台所在嘅位置,係屬於「發展限制第二區」(Development Control Zone Category II),該區特別註明其發展限制:除了「低視覺影響康樂設施」外,一概不准任何發展(No development except certain low visual impact recreational facilities)。
毋庸置疑,現在「周遊六角」各得獎作品均有頗高嘅視覺衝擊,未知漁護署喺比賽前有否告知各參賽隊伍該區原有嘅政策限制。若無,作為始作俑者嘅政府,係咪應該交代呢啲保護景觀嘅守則係咪已經無人理。
▌當年「發展限制第二區」有多嚴格?
有關郊野公園內發展限制(Development Control)政策嘅公開資料極少,咁「發展限制第二區」執行上係有多嚴格?可考據嘅案例不多,暫時唯一可考嘅係1970年代末期由前港督麥理浩「揭發」嘅西貢郊野公園內嘅視覺污染事件。
事發地點同樣喺西貢、所在位置亦是「發展限制第二區」,最後該小型違規發展亦須拆除,可見郊野公園初期對於景觀維護極為重視。
參考一份解密政府歷史檔案【註2】,1978年,麥理浩巡視西貢黃石碼頭時發現近深灣岸邊(即高流灣附近海灣)有一經營魚排嘅漁民所搭建未經申請嘅小型建築物,要求立即跟進。
當年漁農署調查後,對照發展限制圖則所在區域(同樣係「發展限制第二區」),認為即使那只是一個小小的避風處(Shelter),但已經造成視覺污染(polluting visually),而且直接與郊野公園及其引人入勝嘅環境衝突(conflicting with the adjacent Country Park and the generally attractive surrounding environment)、亦同長遠附近嘅康樂規劃不協調,最後需要整個建構物拆卸。可見在當年謹慎嘅規劃下,一座小小嘅建構物係自然環境中都不被接受,亦有將郊野公園長遠規劃嘅視野放入每項小型發展嘅考慮當中。
▌「發展限制圖則」被丢入垃圾桶?
「破壞邊洲」觀景台所帶來嘅視覺衝擊明顯比當年西貢岸邊嘅小小建構物更大,為公眾觀賞地質奇觀而興建龐然人造巨物,倒過頭來破壞景觀,整件事極為諷刺。不少郊野公園用家、關心呢啲自然遺產嘅朋友對「破壞邊洲」觀景台劣評如潮。
值得注意嘅係,呢個觀景台設計比賽之所以能夠出現,係咪代表「發展限制圖則」已經畀漁護署丢入垃圾桶?咁現時郊野公園內嘅發展限制係如何執行?如果無晒呢啲內部準則,日後一項項駭人聽聞嘅 #搞郊旅遊 設施,將會不斷湧現。
#搞乜郊野
#破邊洲
#打卡熱點
【註1】Development Control Plan, Sai Kung Country Parks
透過《公開資料守則獲得》,確實訂立年份不詳,大約是1970-80年代。
《發展限制圖則》將每個郊野公園分為六區
第一區: 不准任何形式發展
(Category I: No development allowed );
第二區:不准任何低視覺影響康樂設施以外的發展
(Category II: No development except certain low visual impact recreational facilities);
第三區:准許發展分散發展小型非形式化公眾康樂設施
(Category III: Development would be restricted to small scale dispersed facilities serving or
enhancing informal public recreation);
第四區:准許分散發展大型非形式化公眾康樂設施
(Category IV: Development of dispersed large scale informal public recreation facilities may be acceptable in certain locations);
第五區:任何形式並符合鄉郊環境的康樂設施(Category V: Any recreational development compatible with a rural setting Category VI);
第六區:任何形式並符合鄉郊環境的發展
(Any development compatible with a rural setting)
郊野公園絕大部分範圍均屬於第一區至第四區,第五區、第六區多位於郊野公園邊界外。
【註2】香港歷史檔案館館藏 HKRS1708-1-3 CONSERVATION OF NATURE – CONTROLS OF DEVELOPMENT INSIDE SAI KUNG COUNTRY PARKS – INCLUDING MARICULTURE AT SHAM WAN LONG HARBOUR
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同時也有9部Youtube影片,追蹤數超過7萬的網紅DDMTV法鼓山網路電視台,也在其Youtube影片中提到,Located at the Dharma Drum Mountain World Center for Buddhist Education, the Chan Hall represents the center for Chan practice in DDM’s style. Guided ...
「surrounding environment」的推薦目錄:
- 關於surrounding environment 在 本土研究社 Liber Research Community Facebook 的最佳解答
- 關於surrounding environment 在 黃心健 Hsin-Chien Huang Facebook 的最讚貼文
- 關於surrounding environment 在 The Artworks of cracko Facebook 的精選貼文
- 關於surrounding environment 在 DDMTV法鼓山網路電視台 Youtube 的精選貼文
- 關於surrounding environment 在 DDMTV法鼓山網路電視台 Youtube 的精選貼文
- 關於surrounding environment 在 Ghost Island Media 鬼島之音 Youtube 的最佳解答
- 關於surrounding environment 在 [ 易混淆字] environment... - Ronnie's English Cafe 3分鐘英文學習 的評價
- 關於surrounding environment 在 data.table NSE: escaping local() to surrounding environment 的評價
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surrounding environment 在 黃心健 Hsin-Chien Huang Facebook 的最讚貼文
2021 ARS ELECTRONICA FESTIVAL Garden Taipei/ Formosa
2021 奧地利林茲電子藝術節台灣展區「台北/福爾摩沙花園:島嶼壯遊」
展區 ✨ 【新媒體之旅 】(New Media Tour )
預告片來囉 ✨ https://www.youtube.com/watch?v=movZlI2pPQQ
Thanks to the digital era and the rapid advancement of technologies, the mediums available to the modern artists are not limited to canvas on an easel. Instead, they utilize video, sound, electronic music, installation, and various new media to explore different issues, such as family, memory, city, society, landscape, and environment. Hence, in the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai). A link for a time-limited viewing and the introduction of the artists will be available.
在數位時代與科技快速的演進下,當代藝術家所可運用的媒材不再停留在畫架上的油布而已,進而從錄像(video)、聲音(sound)、電子音樂(electronic music)、裝置(installation)與各種新媒體(new media)的數位載體,以此各自表達所關注的多元議題,如家族、記憶、城市、社會、地景與環境等。因此,在「新媒體之旅」 (New Media Tour)的展區裡,將分享9件台灣藝術家所帶來的精彩作品,以此作為「島嶼壯遊」的中繼點,我們堅信數位工具也能夠呈現出現實環境的溫度與情感。此展區將展出《景觀色譜-樂群村、華陰街、西螺鎮》:吳修銘、《信使II - 永恆漫遊與熱帶追尋》:林羿綺、《滾滾》:洪小澎、《彼・此》:胡鈞荃、《光廊》:胡縉祥、《海邊的巴別塔》:馮偉中、《如何向一支手機解釋愛情》:楊傑懷、《U+617E_v2.∞》:詹嘉華、《無人的在場》:蔡寧。本展區的作品將提供限時觀看與藝術家介紹的網址連結。
💬線上展覽時間為2021年9月8日至12日!更多精彩內容直接進入官方網站🤩 本展區的作品將提供 #限時觀看 與藝術家介紹的網址連結哦!
👉🏻台北/福爾摩沙花園:島嶼壯遊 專區 http://garden2021.metarealitylab.com/
:::::::各展區預告片解鎖中:::::::
✔️【食壤計畫】 https://www.youtube.com/watch?v=nl80hcdI_jY
✔️【沉浸之旅】https://youtu.be/6TvpTQIYWaw
✔️【動畫之旅】https://youtu.be/6SSXdiKl2oM
✔️台北/福爾摩沙花園:島嶼壯遊預告片
https://www.youtube.com/watch?v=opZLSEh_L14
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
#newdigitaldeal
surrounding environment 在 The Artworks of cracko Facebook 的精選貼文
This painting is one of my oil pastel series that i did before 2010. Will try to post some of my older stuff for those who never seen any of my old works. Till then.. Stay safe people..
Title : Journey to Happy Land
Medium : Oil Pastel on paper
Size: A2
2009
Current owner : @richard simon
Everyone have their own version of happy land. This thought or emotion happens randomly. It could be because of time, certain situation, surrounding environment or “just because”. So they do a journey to a certain goal that they set.
The green character depicted without arms is a representation of people that feels, think that they are missing something in their life. (It can be anything, nothing in specific). Most of the time they looking for that feeling of joy, happiness, achievement or a sense of fulfillment. During this time is where the doubt, excitement, paranoid kicks in and that's why he’s walk with a slouch with eyes open.
The smiling creatures or monsters on the sides is a representation of people around. Some will give encouragement or support, some will say good things in front and bad things at the back. But most of the time they will just look and thats about it. Your journey is their entertainment.
The road or path is colored in yellow is an adaptation of “the yellow brick road from the wizard of oz” that brings a meaning the road to success or happiness..
The jack in a box “Swindler, cheater” is a representation of the challenges that usually happen along the way, when a person is in search of their happy land.
This whole painting are basically everyone’s journey in life. You can’t see the goal here because (its a personal “something” to everyone, not all of us have the same happyland” but the “journey” that’s the most important part of life.
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Bahasa pasar/ sembarang sabah.
Semua orang ada angan-angan/ mimpi/ impian pasal dorang punya tempat/ keadaan hidup yang best. Ni fikiran pandai datang tiba-tiba. Mungkin pasal ada barang yang jadi dalam hidup dorang, mungkin pasal keadaan keliling dorang atau sengaja mau cuba. Jadi mulalah diorang mencari jawapan.
Tu orang hijau tiada tangan macam perumpamaan orang-orang yang rasa, fikir yang dorang ada kekurangan dalam hidup. (Ni boleh jadi apa saja, tiada 1 jenis jawapan). Biasa dia, yang kana cari tu perasaan gembira, semangat, pencapaian atau kepuasan. Ni masa lah datang tu perasaan/ fikiran tidak yakin, telebih semangat, fikir yang bukan-bukan (Ni kali maksud paranoid yang simple). Pasal tu dia jalan bongkok trus mata dia tingu-tingu. (ni yg part paranoid. Takut salah, takut orang cakap bukan-bukan.. macam-macam lah)..
Yang monster senyum-senyum di siring tu umpama orang sekeliling. (yang dekat kah yang jauh kah). Ada yang tolong, support. Ada yang cakap bagus-bagus di depan tapi kasi buruk-buruk di belakang. Biasa dia ada saja yang tingu tu biarpun ko tidak tau (macam drama tv).
Tu jalan warna kuning kana guna reference “the yellow brick road “jalan batu warna kuning” dalam wayang wizzard of oz). Maksud ni ayat jalan kejayaan atau kegembiraan.
Di depan tu jalan ada clown dalam kotak “Jack in a box”. Maksud jack in a box ni orang yang menipu. Dia jual kotak kosong sama orang yang beli barang. Jadi dalam ni perjalanan mau sampai tu “happy land” ada saja cabaran.
Jadi ni lukisan cerita dia pasal semua orang punya perjalanan hidup dalam mencari erti. Dia punya hujung tiada dalam ni lukisan sebab lain orang lain yand dia cari. Tapi perjalanan, pengalaman mo kasi sampai, itu yang paling mahal.
surrounding environment 在 DDMTV法鼓山網路電視台 Youtube 的精選貼文
Located at the Dharma Drum Mountain World Center for Buddhist Education, the Chan Hall represents the center for Chan practice in DDM’s style. Guided by the late Master Sheng Yen regarding its architectural ideals, the whole building radiates a simple and modest spirit of Chan, and fits in perfectly with the surrounding natural environment. With a serene, harmonious, and peaceful atmosphere, it invites practitioners to rein in their mind and experience the ease and stability in both motion and stillness, while walking, standing, sitting, and lying down.
Watch this film, to explore this quite corner especially designed for Chan practitioners, and experience the calmness and joy of Chan it has to offer.
法鼓山禪堂之美
surrounding environment 在 DDMTV法鼓山網路電視台 Youtube 的精選貼文
The year 2019 marks the 10th anniversary for Master Sheng Yen’s passing, the 30th anniversary for Dharma Drum Mountain, the 40th anniversary for Chan Meditation Center, and the 70th anniversary for Humanity Magazine. To remember Master Sheng Yen, DDM organized a series of events surrounding the theme of “Thus I Do.”
From DDM’s Family Day for Protecting the Spiritual Environment, designed to engage and inspire the public to practice Chan in daily life, to the International Conference on Buddhism and Social Science, as well as the Conference of Spiritual Environmentalism on the Regeneration of Agriculture in the Era of Climate Change, which aimed to combine Buddhist teachings and other specialized studies, Dharma Drum Mountain has shown its effort in promoting diversity and infusing new energy in Buddhist practice. The newly opened Yunlai Monastery Branch Center, the new venue of DDM Buddhist Centre Malaysia, and the inauguration of Chan Retreat Center in Croatia, established by Žarko Andričević, one of Master Sheng Yen’s Dharma heirs, also testified the devotion of the Master’s monastic and lay disciples in continuing his vows to advocate DDM’s Threefold Education and Protection of Spiritual Environment endeavors universally throughout the world.
Master Sheng Yen had completed his task of establishing Dharma Drum Mountain, while we are still striving to further its development. For 2020, let us all aspire to contribute to DDM's annual theme of the year—Nurture blessings, and you will be blessed—as an effort to realize a pure land on earth.
2019法鼓山大事記「好願在人間」英文字幕
surrounding environment 在 Ghost Island Media 鬼島之音 Youtube 的最佳解答
The US and Europe are dumping trash on developing countries, right? China broke recycling, right? Wrong! Since China stopped taking in foreign recyclable waste, people have been freaking out, but, things are a bit more complicated than you think.
In this episode, Nature N8 breaks down the top three myths surrounding the global trash trade and charts a way forward to fix our recycling systems.
This is a podcast about how NOT to save the environment. Hosted by Nature N8 (Nate Maynard), an environmental researcher working on energy, ocean, and waste issues.
HAVE A QUESTION ABOUT THE ENVIRONMENT?
Send your question to ask@wastenotwhynot.com
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SUBSCRIBE ON Apple Podcasts, Spotify, Google Podcasts, or find your player: https://ghostisland.media/#wnwn
SHOW CREDITS
Producer - Emily Y. Wu (Twitter @emilyywu), Nate Maynard (Twitter @N8May)
Editing - Emily Y. Wu
Theme Song - Chris Lo
Brand Design - Thomas Lee
This is a Ghost Island Media production.
http://www.ghostisland.media
surrounding environment 在 data.table NSE: escaping local() to surrounding environment 的推薦與評價
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