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Thank you Brazabra Hong Kong for the nude bra so that I can finally wear my hot red dress❤️👗🎁 from my dear friend. The seamless and breathable design brings the best side of me💕 Braza Cleavage Pal has a great lifting effect with non-allergenic adhesive. My little secret for comfort wearing — Braza💖
Get yours now and use my code < DORDOR> for 15% off! ✨
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#braza #brazahk #brazabra #problemsolved
✨✨✨Give away✨✨✨
為了做出理想中的效果研究了一整年終於發展出這個組合！
獨家設計刀模出自摩爾，整體概念則是由我發展。
特殊齒孔製造擬真郵票鋸齒邊同時保留最重要的手撕體驗！
郵票紙本No. 1共7款不同尺寸矩形刀模，尺寸適合搭配風景郵票印章組。
郵票紙本No. 2共5款多邊形/圓形刀模，尺寸適合搭配乾燥花印章組。
本次販售僅推出厚磅單光白牛皮紙的版本，無上膠適合各種染色，
適合各界愛好者自由發展❤️
必須再說一遍，小行星的收據印章組根本郵戳好朋友😆😆😆
✨歡樂的遊戲時間✨
這次的新品哪個是你最喜歡的呢？
在這篇文章底下留言告訴我哪一個以及原因，
在販售的最後一天我會隨機抽出一位幸運的朋友，
要送給你一份特大號的驚喜！
快來加入我們的活動😆😆😆🙌🏻🙌🏻🙌🏻
販售開放日期：
12/13，9:30 pm
台北時間(GMT+8)
We spent over one year studying every methods we could use tried to simulate the edges of real postage stamps.
Finally, we developed a perfect way to do this!
This exclusive die-cutting designed by More. The whole concept of this project came from me.
Our unique die-cutting creates a realistic experience of tearing the stamps out of the paper pads.
Postage paper pad No. 1 include 7 different rectangular-shaped die-cutting which fits the Landscape postage stamp sets.
Postage paper pad No. 2 include 5 different polygon and round-shaped die-cutting which is perfect for the Dried flower stamp sets.
We only present the thick one-side glazed white kraft paper version for our first launch.
Without adhesive allows you to dye the paper with any liquid you prefer.
Feel free to use our paper pads any way you like.❤️
And I have to say this again, the receipt stamps from @helium.b610 are super!
Great help creating the postage marks😆😆😆
✨Game time✨
Which new item is your favorite this time?
Leave a common below, tell us which one and why.
I’ll randomly select one winner at the last day of our opening and send the super big surprise gift to you!
Come join us and have as much fun as you can😆😆😆🙌🏻🙌🏻🙌🏻
Opening date:
December 13, 9:30 pm
Taipei time(GMT+8)
#linchianing #rubberstamp #rubberstamps #stamp #stamping #stamps #scrapbooking #scrapbook #scrapbooklayout #scrapbookingideas #scrapbookinglayout #handmade #paper #papercrafts #stationery #stationeryaddict #stationerylove #stationerylover #flowers #floraldesign #floral #dryflower #driedflowers #driedflower #pattern #patterndesign #vintage #vintagestyle #new #postage
Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................
Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
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Welcome to my channel, where we do things all beauty, fashion and lifestyle! Here, you'll find makeup tutorials, lookbooks, my favorite beauty products and also a glimpse into my life! I love sharing as much as I can with all my wonderful subscribers. My online family and I like to keep this platform positive and uplifting. We hope you'll join us!
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DIY Dog Balloon Art Brooch ♡
100均のアレで簡単バルーンアートブローチ♡
[Things to prepare]
・ Fake jelly beans
・ Wide masking tape
・ UV-LED resin HARD type
・gloves
・toothpick
・ UV light
・ Mini size wooden pinch
・ Back pin
[Steps]
1. Affix the masking tape to the desk with the adhesive side facing up. Place two beans on top of each other and bond them with resin.
2. Arrange the four beans so that they are the (balloon) dog's face, neck, torso, and tail, and glue them together with resin.
3. Line up the pinches on the masking tape and place 4. Place 1 on the ears and feet part and glue with resin.
4. Apply resin to the torso and glue the back pin to complete!
フェイクスイーツデコには欠かせない便利アイテムの一つ、ゼリービーンズ。
ぷっくりしたカラフルなビーンズが、バルーンアートの風船にそっくり!!
今回はスタンダードな犬の形を作ってみました!!
【用意するもの】
・フェイクのゼリービーンズ
・幅広のマスキングテープ
・UV-LEDレジン「太陽の雫」HARD
・手袋
・爪楊枝
・UVライト
・ミニサイズの木製ピンチ
・ウラピン
【作り方】
1. マスキングテープの粘着面を表にして輪っかにして机に貼り付ける。その上にビーンズを2つ並べ、レジンで接着する。
2. 4つのビーンズを犬の顔、首、胴、尻尾になるよう並べ、レジンで接着する。
3. マスキングテープの上にピンチを並べ、4を置く。1を耳や足の部分を配置し、レジンで接着する。
4. 胴の部分にレジンを塗り、ウラピンを接着して完成!!
ビーンズの絶妙なカーブがますますそれっぽい!!
アイデア次第でいろんなアートが作れそうですね。
みなさんも是非作ってみてください♡
DIY Mini Bag with Stationery Clip!
余ったクリップで世界に一つのミニバッグを！
creator：勝又美蘭 Instagram @fantasia_miran
[Things to prepare]
・ Double clip
・String
・Double-sided tape for strong cloth
・cloth
・Transparent adhesive for fabrics (such as sewing hands)
・ Metal parts (butterflies)
・ Adhesive Cemedine
・Round parts
・strap
[Steps]
1. Tie a string and adjust to the desired length.
(Becomes a bag holder)
2. Insert into the clip.
3. Apply double-sided tape to the cloth.
4. Apply cloth to the clip.
5. Fold the excess fabric on the side and glue it with your hands.
6. Remove the clip handle.
7. Bond metal parts.
8. Complete with strap parts.
余ったクリップを有効活用!
お気に入りのデザインで世界に１つのミニチュアバッグを作ってみて♡
【用意するもの】
・ダブルクリップ
・紐
・強力布用両面テープ
・布
・布用の透明接着剤（裁縫上手など）
・メタルパーツ（蝶々）
・接着剤 セメダイン
・丸カン
・ストラップ
【作り方】
1. 紐を結んで好みの長さに調節する。
（バッグの持ち手となる）
2. クリップに差し込む。
3. 両面テープを布に貼る。
4. クリップに布を貼る。
5. サイドに余った布を畳んで裁縫上手で接着する。
6. クリップの持ち手を外す。
7. メタルパーツを接着する。
8. ストラップパーツをつけて完成。
Dec 10, 2021 - Black Loop Side adhesive back 1" x 25 yard RollIs a high temperature resistance, high performance rubber-based pressure sensitive coating ... ... <看更多>
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