Taking its cue from the complex history of independent and alternative art spaces in Seoul and Alessandro Michele’s reflections on eterotopia, ‘No Space Just A Place’ is a multi-layered project powered by Gucci to support the cultural landscape and contemporary art scene in Seoul. Seen in image 1 and 2, the independent art space d/p focuses on a space that can never be other: the body, an eternal site from which we can never escape. Through the documentation of choreographer Yunjung Lee’s performance ‘Tongue Gymnastics’, d/p focuses on the movement
of the body, of the tongue in particular, addressing it both as a place and an environment for sensations and connections. Image 3 and 4 Audio Visual Pavilion combines works from its archives for the project ‘AVP Route’ that questions the notions of movement and transition through time and space. Among other artworks, Audio Visual Pavilion presents pieces by artist Sunho Park that examine artifact, memories and vanished spaces, as well as geographical information and their eerie materialization through maps. space illi presents ‘Swimming QFWFQ*’ (image 5), a project gathering the works of women artists that are linked by their
determination to take a closer look at what we consider to be “natural”. By deconstructing and reassembling the concept itself, they create a shift in the viewer’s perspective to reveal the hidden cracks of our contemporary societies. In ‘I love we love we love I’ (seen in image 6), Space One stirs up the illusion of emotion as simulacra. Presenting an archive of exhibitions, performances, and talks from the space’s program, the micro-exhibition moves around the boundaries of romanticism and criticism. Held at the Daelim Museum in Seoul—a location part of the Gucci Places network—the exhibit will run until July 12, 2020. Read a special interview with curator Myriam Ben Salah on on.gucci.com/NoPlaceJustAPlaceQA
art history talks 在 Tia-Thuy Nguyen Facebook 的最佳解答
ÁO DÀI CỦA AI?
Đại Nam Thực Lục Tiền Biên ghi rằng, Chúa Vũ Vương Nguyễn Phúc Khoát (1739-65) được coi là người có công khai sáng và định hình chiếc áo dài Việt Nam. Rất nhiều tư liệu từ đầu thế kỷ XX đã ghi nhận hình ảnh chiếc áo dài xuất hiện rất thường xuyên trong ảnh tư liệu về đời sống và cả hội hoạ Việt Nam, một sự hiện diện chân thành và tự nhiên như hơi thở chứ không phải một tuyên ngôn chính trị gượng ép, giật gân. Trang phục luôn tiếp biến theo nhu cầu của xã hội. Năm 1934, hoạ sĩ Cát Tường hưởng ứng phong trào cách tân áo dài, đã cho ra mắt chiếc áo dài “Le Mur” trứ danh lấy cảm hứng từ chiếc váy phương Tây và áo tứ thân truyền thống, đặt nền tảng cho áo dài hiện đại ngày nay.
Lịch sử của chiếc áo dài Việt Nam là bồi tích nhiều năm của những thực hành nghi lễ, sinh hoạt đời thường, sáng tạo nghệ thuật, âm nhạc, thi văn và ký ức của một dân tộc. Một ngàn năm đô hộ không thành thì cớ gì một cuộc đạo nhái (nữa) lại khiến ta run sợ? Dù ai nói ngả nói nghiêng, cái gì của mình thì mãi là của mình thôi các bạn ơi!
Tết này, ai lại diện áo dài mới với Tia thì giơ tay nhé!!!!
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AO DAI BY WHOM?
According to Đại Nam Thực Lục (or “Veritable Records of the Great South”), Lord Nguyễn Phúc Khoát (1739 - 65) was considered as the one to discover and introduce Vietnam’s #Aodai. Many other archival materials dated back to early 20th century also show that ao dai was a typical attire in everyday life, Vietnamese women in ao dai were a popular subject matter in modern art. Ao dai and its appearance in Vietnamese’s arts and culture is a given, and clearly was not a part of any planned propaganda. Gradually, the dress evolved as people’s expectations of it changed. In 1934, painter Cat Tuong, responding to the reinventing aodai campaign, introduced his new design #LeMur, which he took inspiration from both a Western dress and the traditional áo tứ thân (four-part dress). The #LeMur ao dai is the closest iteration of the current ao dai.
History of aodai is an accumulation of many years practicing rituals, daily activities, creativity, music, literature and a country’s collective memory. One thousand years of occupation could not assimilate us, then why are we afraid of just another case of imitation? Let’s leave all the talks aside, what is ours will forever belong to us!
I’m putting on ao dai again for this coming #Tet, who’s with me?
#tiathuynguyen #vietnamesefashion #history #aodaihistory #vietnamtraditionalcostume
art history talks 在 SABAH, Malaysian Borneo Facebook 的最讚貼文
Starting tomorrow! Don't miss out the first North Borneo Design Week at The Walk, Riverson. 😉
For the first time in history, Kota Kinabalu will be hosting a week-long visual communications festival. North Borneo Design Week is a celebration of visual stories, told through the eyes of artisans, creatives, photographers and filmmakers.
From 27 October to 2 November, head on over to @Riverson - The Walk and immerse yourself in the art of visual expression. Learn a new hobby or trade at a Master Class, or hear from experts in various fields at Design Talks!
27 and 28 Oct : Jesselton Artisan Market
27 Oct - 2 Nov : NBDW Design Talks
27 Oct - 2 Nov : NBDW Master Classes
What are you waiting for? Head on over to nbdesignweek.com and register today! It's going to be a blast. See you there :)
#art #artisan #local #business #sabah #kotakinabalu #borneo #brunei #malaysia #SEA #festival #communications #visualarts