【年度代表字✖️ #台灣頸枕 得獎名單】
謝謝各位捧油支持2021年送21個頸枕的活動
大家對今年的祝福
小編都聽到了
經過大數據的量化分析 📈
將 ‧ 將 ‧ 將 ‧ 獎🎉🎉🎉
今年的年度代表字就是 #穩
另外
#安 #順 則是緊接在後
小編與大家分享網友集思的好兆頭 🏮
希望今年一整年
大家又安又穩、順~順~順~🎊
(跳)
住海邊的小ben 要公布得獎者啦
原本是20個留言參加獎 ➕ 1位年度代表字優選得主
但是小編眼見外粉私訊轟炸而於心不忍
想說歡慶新年希望大家都開薰
決定讓優選的朋友 加碼❗️加碼❗️再加碼❗️
祝福大家66大順 🧧
現在就來看獲獎名單吧
👉獲得讚數互動最多
1. 李文
2. 廖必煙
3. 廖李小程
👉網友提到次數最多 (最早留言)
1. 劉冠廷
2. 黃榆婷
3. 林祐萱
👉參加獎
郭盈杏、Bobo Wang、Jinjay Wang、劉孟孟、賴婷、Sc Randolph、Luffett Lu Luffett Lu、吳雯琦、陳妙萍、Tom Lee、Irisa Chen、Joyce Lin、洪小綾、林亞米、陳怡妏、Lilian Lee、許婉茹、郭春華、姜惠蘋、Astrid Chuang
麻煩獲獎的朋友務必記得
⛔️1/31(日) 晚上23:59前私訊小ben⛔️
同時提供
1️⃣真實姓名
2️⃣郵寄地址(含6碼郵遞區號)
3️⃣連絡電話
安捏獎品就會自動送上門來
讓你高枕 or 低枕都無憂
也不再坐立難安
💢超過截止時間
頸枕就會跟你 say goodbye (得獎失格)囉
什麼❓你沒有抽到❗️
這次沒有抽到的朋友別擔心
請持續追蹤 ➕ 關注魔法粉絲頁
不定期會有抽♥️好♥️禮♥️的驚喜喔
#頸枕還有哪些特殊用法請告訴小ben
#這次沒有抽中代表下次有機會
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Given the overwhelming response to our prize draw, the higher ups have added five more travel pillows to the prize pool and an extra mystery prize!
The winning character for this year was 「穩」(wěn) meaning "stability" and regional peace and stability is definitely high on our wishlist for 2021!
The 20 prizewinners selected at random are as follows:
郭盈杏, Bobo Wang, Jinjay Wang, 劉孟孟, 賴婷, Sc Randolph, Luffett Lu Luffett Lu, 吳雯琦, 陳妙萍, Tom Lee, Irisa Chen, Joyce Lin, 洪小綾, 林亞米, 陳怡妏, Lilian Lee, 許婉茹, 郭春華, 姜惠蘋, Astrid Chuang
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Three early birds were selected for choosing the most popular character/word before the rest of the flock and will receive a travel pillow and a mystery prize each:
1. 劉冠廷
2. 黃榆婷
3. 林祐萱
The top three with the most likes on their comment will receive travel pillows and a mystery prize:
1. 李文
2. 廖必煙
3. 廖李小程
Please send us a private message with your real name, delivery address (with 6 digit zipcode) and a contact telephone number before January 31 to claim your prize.
If we don't receive a message from you within the deadline above, you will forfeit your prize.
ben meaning 在 2how Facebook 的最佳貼文
DIMPY BHALOTIA
Poche, pochissime erano le foto in casa di Henri Cartier-Bresson; una, forse due. Una, per cui il grande fotografo aveva una vera e propria ammirazione, era “Three Boys at Lake Tanganika” di Martin Munkácsi. Tre ragazzini immortalati di spalle che sprigionano un’incontenibile vitalità mentre corrono verso le acque del lago. Perché Cartier-Bresson amava quella fotografia? Perché, come ha detto lui stesso: “Ho capito improvvisamente che la fotografia può fissare l’eternità in un momento”. Osservando la fotografia “Flying Boys” di Dimpy Bhalotia, e con la quale si è aggiudicato il Female in Focus Award 2020 del British Journal of Photography, sembra che i tre ragazzini di Munkácsi siano tornati dopo un viaggio lungo novant’anni. Di più, pare che siano tornati per spiccare il volo e catturati nel preciso momento in cui occhio, cuore e mente del fotografo sono perfettamente allineati come una costellazione lontana. C’è, nelle fotografie della giovane indiana di Londra, qualcosa che arriva da una precisa tradizione fotografica e che àncora saldamente la composizione a quelle tre fondamentali componenti cui si faceva cenno, orientandola verso la ricerca del momento in cui un episodio umano – e non solo – ha la capacità di espletare il suo senso. Irripetibilmente. I riferimenti non mancano, e sono segno di una solida cultura visiva. Quanto guardiamo nelle fotografie di Dimpy Bhalotia sembra fuoriuscire da un racconto riscritto con nuove parole, nuovi cenni ma fermamente determinato a essere interpretato attraverso un lessico che costringe a sostare nello spazio citazionista giusto il tempo che occorre prima di assumere una vita propria. E questa sottile e aggraziata visione delle cose che plana sugli avvenimenti, ha quel respiro che sta dentro in una visione poetica della vita, perché per scattare fotografie che sappiano restituire la bellezza d’un gesto occorre amare la vita e i suoi interpreti. Ecco che uomini e animali, colti singolarmente o al crocevia della reciproca interazione, ci appaiono come soggetti appena involontariamente dialoganti ma che, a ben guardare, sono catturati nell’esatto momento di un dialogo segreto. La forza delle fotografie di Dimpy Bhalotia viene da lontano e dunque è ben strutturata. E si vede soprattutto nell’azzardo di forme, nella scommessa formale giocata sul corpo dei soggetti animali, da cui, in altre circostanze, cogliamo una felice traccia surrealista, un terreno ideale nel quale risolvere talune spericolatezze compositive. Il lavoro di Dimpy Bhalotia sosta alla confluenza di due differenti correnti fotografiche: l’umanesimo e il surrealismo (lo stesso Cartier-Bresson sperimentò un delicatissimo surrealismo prima di fondare la Magnum), maneggiati entrambi con disinvoltura e sicurezza. La sua è una voce limpidissima, minimale. Le composizioni obbediscono al comandamento d’essere rigidamente impostate su un registro essenziale, al limite del calligrafico, ma la sobrietà ci convince del risultato. Il solco della tradizione è tracciato, ma seguirne il percorso senza aggiungere le proprie impronte è come non averci camminato. La fotografia è un libro che non finisce mai di essere scritto, a patto d’avere qualcosa da dire. Come in questo caso.
Giuseppe Cicozzetti
foto Dimpy Bhalotia
https://www.dimpybhalotia.com/
DIMPY BHALOTIA
Few, very few were the photos in Henri Cartier-Bresson's house; one, maybe two. One, for which the great photographer had a real admiration, was Martin Munkácsi's “Three Boys at Lake Tanganika”. Three kids immortalized from behind who release an irrepressible vitality as they run towards the waters of the lake. Why did Cartier-Bresson love that photograph? Because, as he himself said: "I suddenly understood that photography can fix eternity in a moment". Looking at Dimpy Bhalotia's “Flying Boys” photograph, and with which she won the British Journal of Photography's Female in Focus Award 2020, it seems that the three kids from Munkácsi are back after a 90-year journey. What's more, they seem to have returned to take flight and captured at the precise moment when the photographer's eye, heart and mind are perfectly aligned like a distant constellation. There is, in the photographs of the young Indian woman based in London, something that comes from a precise photographic tradition and that firmly anchors the composition to those three fundamental components mentioned, orienting it towards the search for the moment in which a human episode - and not alone - has the ability to carry out its meaning. Unrepeatable. There’s no shortage of references, and they are a sign of a solid visual culture. What we look at in Dimpy Bhalotia's photographs seems to come out of a story rewritten with new words, new hints but firmly determined to be interpreted through a lexicon that forces us to pause in the quotationist space just the time it takes before taking on a life of its own. And this subtle and graceful vision of things that hovers over events, has that breath that lies within a poetic vision of life, because to take photographs that are able to restore the beauty of a gesture, you need to love life and its interpreters. Here men and animals, caught individually or at the crossroads of mutual interaction, appear to us as subjects that are barely involuntary in dialogue but who, on closer inspection, are captured in the exact moment of a secret dialogue. The strength of Dimpy Bhalotia's photographs comes from afar and therefore is well structured. And it is seen above all in the balancing of forms, in the formal bet played on the body of animal subjects, from which, in other circumstances, we grasp a happy surrealist trace, an ideal terrain in which to resolve certain compositional recklessness. Dimpy Bhalotia's work stops at the confluence of two different photographic currents: humanism and surrealism (Cartier-Bresson himself experienced a very delicate surrealism before founding Magnum), both handled with ease and confidence. Her is a very clear, minimal voice. The compositions obey the commandment to be rigidly set on an essential register, bordering on calligraphic, but the sobriety convinces us of the result. The groove of tradition is traced, but following its path without adding one's footprints is like not having walked through it. Photography is a book that never stops being written, as long as you have something to say. As in this case.
Giuseppe Cicozzetti
ph. Dimpy Bhalotia
https://www.dimpybhalotia.com/
ben meaning 在 GamingDose Facebook 的最佳貼文
League of Legends: Wild Rift อาจพักช่วงยาวหลังจากช่วง Alpha Test เพื่อจัดเตรียมระบบต่าง ๆ ให้พร้อมก่อนทดสอบครั้งต่อไป แต่สัญญาว่าจะไม่ให้รอนานแบบครั้งที่ผ่านมาแน่นอน
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เรื่องนี้ได้รับการเปิดเผยโดย Ben Forbes หัวหน้าทีมผู้ดูแลชุมชนของ LoL: Wild Rift ที่ออกมาสรุปรายละเอียดต่าง ๆ หลังจากการทดสอบรอบ Alpha ใน 2 ประเทศแรก (บราซิล, ฟิลิปปินส์) ตั้งแต่ต้นเดือนที่ผ่านมา โดยส่วนใหญ่จะเป็นเรื่องเกี่ยวกับความสัมพันธ์ของชุมชนผู้เล่นและผู้พัฒนา ตามหน้าที่หลักที่เขารับผิดชอบอยู่
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แต่มีเรื่องหนึ่งที่ทำให้แฟน ๆ ถึงกับใจคอไม่ดี เมื่อเขายอมรับว่า ตัวเกมจะต้องใช้เวลาอีกซักพักหลังจากช่วง Alpha สำหรับเตรียมตัวในการทดสอบในครั้งต่อไป หมายความว่าการทดสอบรอบหน้า (อาจเป็น Alpha อีกครั้ง หรือไม่ก็ Close Beta) จะยังไม่เกิดขึ้นเร็ว ๆ นี้แน่นอน โดยเขาตัดสินใจพูดเรื่องนี้ เพราะไม่อยากให้แฟน ๆ ตั้งความหวังไว้มากเกินไป เกี่ยวกับเรื่องเวลาเปิดตัวอย่างเป็นทางการของเกม
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อย่างไรก็ดี เจ้าตัวก็ได้ทิ้งท้ายแบบตลก ๆ ไว้ว่า เวลาที่จะต้องรอรอบนี้จะไม่ยาวนาน 8 เดือน เหมือนกับช่วงระหว่างเปิดตัวครั้งแรกถึง Alpha Test อย่างแน่นอน โดย LoL: Wild Rift เปิดตัวครั้งแรกในวันที่ 16 ต.ค. 2562 ซึ่งในขณะนั้น ช่วงเวลาที่คาดว่าเกมจะเปิดตัวก็คือไตรมาสแรกของปี 2563 และมันก็ผ่านไปโดยไม่มีอะไรเกิดขึ้น
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LoL: Wild Rift กำลังจะเป็นเกม MOBA ลำดับที่ 2 ของ Riot Game อย่างเป็นทางการ หลังจากที่เคยปฏิเสธการสร้างตัวเกมในรูปแบบนี้มาแล้วครั้งหนึ่ง ซึ่งตอนนี้กำลังเข้าสู่โค้งสุดท้ายก่อนการเปิดตัวทั่วโลก ที่คาดว่าจะไม่เกินสิ้นปีนี้หากไม่มีเหตุการณ์ไม่คาดฝันใด ๆ เกิดขึ้นอีก ในอนาคต
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ที่มา https://twitter.com/draggles/status/1275256519425048577
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#ข่าวเกม #GamingDose #LoL #LoLWildRift
League of Legends: Wild Rift may take a long break after the Alpha Test to get the systems ready before the next test, but promise not to keep it last long.
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This story has been revealed by Ben Forbes, LoL's Community Administrator: Wild Rift who came out to summarize the details after the Alpha round test in the first 2 countries (Brazil, Filipino) from the beginning of last month. It's mainly about community relations. And the developer according to his main duty.
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But there's one thing that makes a fan feel bad when he admits that the game will take a while after the Alpha session to prepare for the next test, meaning the next round of Alpha or Close Beta) won't happen fast. This is for sure he decided to talk about it because he didn't want fans to put too much hope on the game's official release time.
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However, he left a funny ending that the time to wait won't be 8 months long, like the first release to Alpha Test for sure by LoL: Wild Rift. First release on 16 October. July 2562, at that moment, the game expected to launch was the first quarter of 2563 and it passed with nothing.
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LoL: Wild Rift is officially going to be Riot Game's 2th MOBA game after once denied this format, now entering the final curve before the global launch expected not to end the end of the year without any unexpected events. Any more happening in the future
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Source https://twitter.com/draggles/status/1275256519425048577
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#ข่าวเกม #GamingDose #LoL #LoLWildRiftTranslated
ben meaning 在 Ben Meaning - YouTube 的推薦與評價
Video shows what ben means. A prayer; a petition.. ben synonyms: drumstick tree, horseradish tree, moringa. ben pronunciation. ... <看更多>