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然別湖是北海道大雪山國家公園內，唯一一個天然湖泊，因火山活動所形成的各種特殊地形，再加上當地的氣候條件，更造就了豐富的生態環境及自然景觀✨
想要欣賞然別湖的美景，除了在湖畔散步外，在湖中滑個小舟，也能以不同角度欣賞它的美！
我們是參加了「然別湖 NATURE CENTER」的 Canadian Canoe 體驗，這個船本身挺穩的，若你也是和神隊友旅伴同行的話，此活動不會耗費你太大力氣的😆
留言區會再補充幾個然別湖的有趣體驗及景點，歡迎參考！也歡迎有去過的朋友補充情報喔💗
⚠️請善用臉書分享功能並尊重著作權
⚠️請勿私存照片放頭貼或封面甚至拿來發文
⚠️決不寬貸任何侵權行為請自重
𓇬 然別湖 NATURE CENTER
𓇬 9:00-17:00
𓇬 北海道河東郡鹿追町北瓜幕無番地
𓇬 MAPCODE 702 388 423 * 52
體驗活動項目眾多，有興趣的話請上官網查詢
https://www.nature-center.jp/
北海道大雪山國家公園
https://bit.ly/3j1Sch5
#北海道 #大雪山 #然別湖
- Luyện đọc đầu ngày: ALEXANDER HENDERSON (1831-1913)
Born in Scotland, Henderson emigrated to Canada in 1855 and became a well-known landscape photographer.
Alexander Henderson was born in Scotland in 1831 and was the son of a successful merchant. His grandfather, also called Alexander, had founded the family business, and later became the first chairman of the National Bank of Scotland. The family had extensive landholdings in Scotland. Besides its residence in Edinburgh, it owned Press Estate, 650 acres of farmland about 35 miles southeast of the city. The family often stayed at Press Castle, the large mansion on the northern edge of the property, and Alexander spent much of his childhood in the area, playing on the beach near Eyemouth or fishing in the streams nearby.
Even after he went to school at Murcheston Academy on the outskirts of Edinburgh, Henderson returned to Press at weekends. In 1849 he began a three-year apprenticeship to become an accountant. Although he never liked the prospect of a business career, he stayed with it to please his family. In October 1855, however, he emigrated to Canada with his wife Agnes Elder Robertson and they settled in Montreal.
Henderson learned photography in Montreal around the year 1857 and quickly took it up as a serious amateur. He became a personal friend and colleague of the Scottish-Canadian photographer William Notman. The two men made a photographic excursion to Niagara Falls in 1860 and they cooperated on experiments with magnesium flares as a source of artificial light in 1865. They belonged to the same societies and were among the founding members of the Art Association of Montreal. Henderson acted as chairman of the association's first meeting, which was held in Notman's studio on 11 January 1860.
In spite of their friendship, their styles of photography were quite different. While Notman's landscapes were noted for their bold realism, Henderson for the first 20 years of his career produced romantic images, showing the strong influence of the British landscape tradition. His artistic and technical progress was rapid and in 1865 he published his first major collection of landscape photographs. The publication had limited circulation (only seven copies have ever been found), and was called Canadian Views and Studies. The contents of each copy vary significantly and have proved a useful source for evaluating Henderson's early work.
In 1866, he gave up his business to open a photographic studio, advertising himself as a portrait and landscape photographer. From about 1870 he dropped portraiture to specialize in landscape photography and other views. His numerous photographs of city life revealed in street scenes, houses, and markets are alive with human activity, and although his favourite subject was landscape he usually composed his scenes around such human pursuits as farming the land, cutting ice on a river, or sailing down a woodland stream. There was sufficient demand for these types of scenes and others he took depicting the lumber trade, steamboats and waterfalls to enable him to make a living. There was little competing hobby or amateur photography before the late 1880s because of the time-consuming techniques involved and the weight of the equipment. People wanted to buy photographs as souvenirs of a trip or as gifts, and catering to this market, Henderson had stock photographs on display at his studio for mounting, framing, or inclusion in albums.
Henderson frequently exhibited his photographs in Montreal and abroad, in London, Edinburgh, Dublin, Paris, New York, and Philadelphia. He met with greater success in 1877 and 1878 in New York when he won first prizes in the exhibition held by E and HT Anthony and Company for landscapes using the Lambertype process. In 1878 his work won second prize at the world exhibition in Paris.
In the 1870s and 1880s Henderson travelled widely throughout Quebec and Ontario, in Canada, documenting the major cities of the two provinces and many of the villages in Quebec. He was especially fond of the wilderness and often travelled by canoe on the Blanche, du Lievre, and other noted eastern rivers. He went on several occasions to the Maritimes and in 1872 he sailed by yacht along the lower north shore of the St Lawrence River. That same year, while in the lower St Lawrence River region, he took some photographs of the construction of the Intercolonial Railway. This undertaking led in 1875 to a commission from the railway to record the principal structures along the almost-completed line connecting Montreal to Halifax. Commissions from other railways followed. In 1876 he photographed bridges on the Quebec, Montreal, Ottawa and Occidental Railway between Montreal and Ottawa. In 1885 he went west along the Canadian Pacific Railway (CPR) as far as Rogers Pass in British Columbia, where he took photographs of the mountains and the progress of construction.
In 1892 Henderson accepted a full-time position with the CPR as manager of a photographic department which he was to set up and administer. His duties included spending four months in the field each year. That summer he made his second trip west, photographing extensively along the railway line as far as Victoria. He continued in this post until 1897, when he retired completely from photography.
When Henderson died in 1913, his huge collection of glass negatives was stored in the basement of his house. Today collections of his work are held at the National Archives of Canada, Ottawa, and the McCord Museum of Canadian History, Montreal.
Extensive (adj): rộng
Outskirts (n): ngoại ô
Apprenticeship (n): thời gian học nghề
Excursion (n): chuyến du ngoạn
Artificial (adj): nhân tạo
Influence (n) /ˈɪnfluəns/ : sự ảnh hưởng
Artistic (adj) /ɑːˈtɪstɪk/ : đẹp
Rapid (adj) /ˈræpɪd/ : nhanh chóng
Significantly (adv) /sɪɡˈnɪfɪkəntli/ : đáng kể
Specialize in (v) /ˈspeʃəlaɪz//ɪn/ : chuyên
Numerous (adj)/ˈnjuːmərəs/ : nhiều
Sufficient (adj) /səˈfɪʃnt/ : đủ
Demand (n)/dɪˈmɑːnd/ : nhu cầu
Exhibition (n) /ˌeksɪˈbɪʃn/: triển lãm
Wilderness (n) /ˈwɪldənəs/ : vùng hoang vu
Commission (n) /kəˈmɪʃn/ : nhiệm vụ
Administer (v) /ədˈmɪnɪstə(r)/: điều hành
Huge (adj) /hjuːdʒ/ : to lớn
Các bạn cùng tham khảo bài đọc này nhé! Trích từ Cambridge IELTS14 - giải chi tiết, có ai chưa có bản này không?
#988 活力GO 特備單元 Drama情侶 Jom ~ Check in！
【第10站】粉紅清真寺
上次划不了？！沒事我們再來一次！
我們就是堅持到底 ~ 怎麼樣都要Try一次！
越南有粉紅教堂，我們有粉紅清真寺！
而且還是東南亞最大的水上清真寺！
不過，粉紅清真寺只是它的小名啦！
他的本名叫Masjid Putra，是位於Putra Jaya 很夯的打卡點！
全粉紅色的建築很夢幻，是馬來西亞目前最大的清真寺，
而且特別的是，它的主體建築有四分之三是建在水面上的哦！
那 ~ 很多人都是直接去到然後門口或是進去拍的對不對？
#Drama情侶 趙小布和羅小雲 就是要來點 Special的！
我們划船去 ！Kayak - Kayak 好開心！
租船的地方在 Kelab Tasik Putrajaya
開放時間：9am - 6pm
船型主要分為3种，單人的、雙人的、和三人的，
價格也挺便宜的 👇
Single 💰RM10.60
Double 💰RM15.90
Canadian Canoe 💰RM15.90
選擇你喜歡的船型，租了之後穿上救生衣，
拿起船槳就可以出發啦！
不會划船？沒關係~ 現場有專人教你 ~
而且真的挺簡單的，不需要什麼特別的技巧 ~
我個人建議，如果只是兩個人去，
想要拍到比較好看的照片的話，
就租Single的，阿不然坐前面的那個人，
就永遠只有背影了~~~
#drama情侶jomcheckin #drama情侶的日常 988 DJ : Brandon 988
PLEASE SHARE FOR THE PEEL! The official "HEADWATERS" music video, filmed during the Peel River Watershed canoe expedition, subsequent "Headwaters" concerts, and the Yukon demonstration for the protection of the Peel Watershed.
The story opens in an Asian metropolis because I'd flown into the Peel Watershed after having been in Beijing, China just 24 hours prior on their smoggiest day in history.
Many thanks to Peter J Mather for arranging this amazing expedition. And thanks to Brendan Preston for shooting such awesome video footage. Thanks also to the other members of the expedition (aka dear friends) Terri Cairns, Stephanie Ryan, and Jody Overduin. Thanks also to Johnson Ong and New Vision for support in creating this video.
Threatened by the Yukon government's desire to mine, drill and frack in the watershed, the plight of the Peel now rests with the Canadian courts and the electorate. For more information about the effort to protect the Peel River Watershed, visit www.protectpeel.ca.
Thank you.
NOTE: This music video features binaural field recordings. Use headphones for 3D sound.
With your help, Matthew Lien and the incredible musicians that make up the Wildlands ensemble will be heading into the studio to record his upcoming album "Headwaters ~ Music of the Peel River Watershed".
The album, inspired by a 550 km canoe expedition in the Peel River watershed of Canada's Yukon and Northwest Territories, features music and 3D sounds of pristine nature, at a time when the Peel River wilderness is in serious danger of oil, gas and mining development.
Please support Matthew's efforts to share appreciation and concern for nature and culture, by contributing to his Kickstarter project. Visit www.matthewlien.com/headwaters to learn more about the music, and how you can help.
Visit Kickstarter to contribute:
https://www.kickstarter.com/projects/1511038658/headwaters-music-of-the-peel-river-watershed-cd
"Dragon at the Stony Gates" from the CD "Headwaters ~ Music of the Peel River Watershed" by Matthew Lien.
This poem (with awesome photography by Peter Mather) is featured in my upcoming CD "Headwaters - Music of the Peel River Watershed".
It was composed while camping on the Wind River, near the Peel River confluence, at the base of a mountain with a striking sleeping dragon-like appearance. It was raining at the time, and so time spent staying dry in the tent allowed these verses to reveal themselves.
As for the narrator, well, one night during that 3 week canoe trip, we happened upon another group of canoeists, and while visiting their camp, I listened to one in their group, Doug Dew, read the poem "The Man from Snowy River".
I was so moved by Doug's emotional reading that, several weeks after the river trip, I located Doug in the UK and asked him if he'd record my poem.
Doug located a studio in the UK and did such an amazing job, my own piano performance was recorded in one take, live, while listening to his recorded narration, thus creating "Dragon at the Stony Gates".
For more information about the "Headwaters" CD, please visit www.matthewlien.com/headwaters
canadian canoe 在 The Canadian Canoe Museum - Facebook 的推薦與評價
The Canadian Canoe Museum, Peterborough, Ontario. 9373 likes · 146 talking about this · 1968 were here. With our world-class collection as a catalyst,... ... <看更多>