關於 come around to中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

小帮手：

【云剧场🤩线上观剧】✨✨✨
✨Cloud Theatre, enjoy theatre online!✨

🌟星音符为您诚意打造《红楼梦》话剧，根据史实与原著改编
——让您深刻体验古典名著的艺术魅力🤩13场演出场场满座，好评如潮！

💝演出购票处 Cloud Theatre ：
https://www.cloudtheatre.com/my/shows/the-bream-of-red-mansions/
此次在云剧场上演，票券收入100%捐作抗疫物资❤️

🌹中国古代四大名著之首《红楼梦》话剧🌹
💥必看10大重点💥
✨《红楼梦》在大马首度以话剧演出
✨《红楼梦》根据史实和原著改编
✨知名艺人锺洁希与多位资深演员同台，演员阵容多达26人
✨男主角为全球万里挑一的林霆坚，为寻找贾宝玉剧组发动了全球《寻找贾宝玉》的活动
✨最新3D科技绝美LED背景视觉影像
✨星音符特邀美籍音乐制作人为《红楼梦》话剧操刀，由女主角锺洁希演唱插曲《黑夜将残的炉光》，并与男主角林霆坚深情对唱主题曲《心念》
✨逼真的音效与专业背景音乐配搭
✨精致的古风道具布置
✨精美雅致大气有诚意的古代服装
✨《红楼梦》话剧票券收入100%捐作抗疫物资

🌷由锺洁希领衔主演女主角——出淤泥而不染的林黛玉，💘男主角为全球万里挑一，犹如贾宝玉再现的——林霆坚。为您演绎一场刻骨铭心、至真至爱、荡气回肠的爱情故事❤

📅演出日期：
🤩『第一场』18/09/2021 (六) 8:00p.m. (GMT+8) 【供48小时内观看】
🤩『第二场』27/09/2021 (一) 8:00p.m. (GMT+8) 【供48小时内观看】

🗨 [ 此剧语言为中文，备有中英文字幕]
📲【询问联络】03-55690139 (Ann) https://bit.ly/3yyzYJk

《红楼梦》话剧——谁为情种？
❤眼空蓄泪泪空垂，暗洒闲抛却为谁~

Cloud Theatre, enjoy theatre online! ✨✨✨
The play “The Dream of Red Mansions” was met with overwhelming response, selling out tickets to 13 full houses!

Ticketing platform: Cloud Theatre
https://www.cloudtheatre.com/my/shows/the-bream-of-red-mansions/
🤩100% of the proceeds from the tickets will be donated as Covid-19 medical supplies. Together, let’s do our part and show our love!

🌹 “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 🌹
💥10 reasons why you must watch: 💥
✨This marks the first public performance of the stage play “The Dream of Red Mansions” in Malaysia.
✨ “The Dream of Red Mansions” is based on the original historical novel.
✨Well-known artist Jessie Chung takes the stage with 26 experienced actors.
✨Lead actor Terry Lim, a one-in-a-million actor who portrays Jia Baoyu, was chosen through a worldwide search for a Jia Baoyu lookalike.
✨Stage backdrops created through the latest 3D technology for stunning, lifelike environments.
✨Symphony Theatre invited an American composer to create the soundtrack for “The Dream of Red Mansions,” while lead actress Jessie Chung performed the soundtrack song “A Dying Light in the Dark” and the theme song, “Hearts Apart”—an emotional duet—with lead actor Terry Lim.
✨Accompanied by realistic sound effects and professional background music.
✨Stage design incorporates exquisite ancient Chinese elements and props.
✨Actors wear elegant, refined, majestic and authentic period costumes.
✨100% of the proceeds from the tickets will be donated as Covid-19 medical supplies. Together, let’s do our part and show our love!

🌷Jessie Chung takes the stage as lead actress, portraying the pure and unadulterated Lin Daiyu, while Terry Lim, the lead actor, was chosen out of a ton of applicants from around the world. Come and enjoy a performance of an unforgettable, passionate, and heart-rending love story.

📅Performance Dates:
🤩 First performance:
Saturday, September 18, 2021, 8:00 p.m. (GMT+8)

🤩 Second performance:
Monday, September 27, 2021, 8:00 p.m. (GMT+8)

🗨 (Performed in Mandarin, with Mandarin and English subtitles available.)
📲 Contact us: 03-55690139 (Ann) https://bit.ly/3yyzYJk

“The Dream of Red Mansions,” calling all lovers…❤
“Vain are all these idle tears, tears shed secretly—for whom?”

💕「愛台灣，我的選擇」系列第16發：熱愛台灣詩的美國學者白瑞梅(Amie Parry)

「我在加州內陸地區一個叫做聖伯納迪諾的小城市長大，隨後在聖地牙哥念大學和研究所，並獲得文學博士學位。求學期間我們必須至少選修一門外語，所以我就選了中文。1987年我大學畢業之後，跟朋友來了台灣一趟，在台灣教英文和學中文六個月，接著就自己一個人當起背包客在亞洲四處旅遊。

我本來想要研究中國古典詩詞，後來因為獲得傅爾布萊特獎學金，便又再度回到台灣。當時我在討論詩詞的聚會上認識了幾位現代派詩人，所以我就將研究主題轉而聚焦在台灣60、70和80年代的現代詩。我的博士論文探討的就是，以現代主義來理解現有政治語言中難以理解的現代性。我認為歷史形塑而來的經驗，往往比語言本身還要複雜。

我研究的那些詩作沒有明確的政治性，反而是有很強的實驗性質，並帶著詭譎的神秘感。當時我認識的現代派詩人大多是跟著國民黨飄洋過海來台的外省人，他們經歷過戰爭和顛沛流離，也經歷過劇烈且痛苦的歷史創傷。每個人的經驗都不同，在那個年代，也很難說出口。後來，我寫了一本關於詩的書，並聚焦在一兩位我覺得特別有趣的詩人。我在書中問了一些類似的問題：這些詩作如何幫你思考艱難的議題？

當時的現代詩已經頗有制度，許多詩人都有投稿《現代詩》這份重要的詩刊，有些詩人則是將詩作與戲劇結合。整體而言，台灣的現代詩、表演藝術和文學都發展地如火如荼，也深深吸引了我，但我還未全盤了解。當我完成博士論文時，我便獲得交通大學的教職，讓我對台灣的學術圈感到非常驚艷。而當我出版第一本著作時，我也很訝異能在美國獲獎；我根本不知道自己獲得提名，當時我問授獎單位：「為什麼選擇我的書？」他們表示：「因為書中其中一個章節是以跨國的架構來進行整體論述，妳不是單用西方的理論和東方的詩詞，而是從東西方共同錘煉出嶄新的知識。」

我目前任教於中央大學英美語文學系，除了擔任系主任之外，我也有教授寫作課、文學課和文學文化理論課程。從我1987年第一次來台灣到現在，我覺得台灣人愈來愈能自在地與來自不同地方的人交談，就個人經驗來說，我認為台灣社會愈來愈開放。我第一次來台灣時，經歷了許多台灣社會有趣的發展，也結交了許多朋友，並認識了許多學術圈的同好。我想，這些珍貴的回憶就是呼喚我再度回台的動力；就像是，如果你覺得這個社會充滿生氣和活力，而你也能夠參與其中、做出貢獻，我想這就是像家一樣的感覺吧！」

✨白瑞梅 Amie Parry 現為中央大學英美語文學系 專任教授

💕Why I chose Taiwan #16 – Amie Parry

“I grew up in a small city in inland California called San Bernardino. I went to college and graduate school in San Diego. I got my PhD in literature. We were all expected to learn at least one language, so I did Chinese. I traveled to Taiwan with a friend right after I graduated from college in 1987. We came here to teach English and study Chinese for six months, then I traveled around Asia by myself with a backpack.

I originally wanted to study classical Chinese poetry. I got a Fulbright grant and I came back here. I started going to the poetry nights that were happening at that time. I met some of the modernist poets, and I switched my focus to the modernist poetry of the 60s, 70s, and 80s in Taiwan. I wrote my dissertation on modernism as a way of understanding the parts of modernity that are hard to know in the existing political language that we inherit. I think that experience in historical formation is always more complicated than the language.

These poems are not explicitly political; they're very experimental and strange. At the time, the modernist poets I met were mostly 外省, men who had been drafted and come over with the KMT, so they had experienced war and displacement, and a very intense and traumatic historical moment. People experienced it differently, and at that time, it was a hard thing to talk about. Later, I wrote a book about poetry, but I just focused on one or two poets I find really, really fascinating. And I was asking some of the same kinds of questions: how can these poems help you think about certain topics that are hard to think about?

At that time, Modernist poetry was a kind of an institution already. There was a journal called 現代詩, “Modern Poetry,” a really important journal that most of these poets were published in. Some of them combined poetry and theater. There's just so much going on in Taiwan in terms of poetry and performance and literature. It's just amazing. And I'm very interested in it at all, but I haven't kept up. After I finished my dissertation, I got a job offer at 交大. I thought, wow, there's something really amazing happening intellectually here. When my first book came out, it actually got an award in the U.S., and I was so surprised. I didn't even know it had been nominated. I asked them, ‘Why did you choose my book?’ And they said, because one of the chapters has a transnational of framework for the whole argument, so it wasn't like you used Western theories and Eastern texts, it's like the whole knowledge part is coming out of both places.

I currently teach in the English department at National Central University. I'm the chair and I teach writing classes, literature classes, and literary and cultural theory classes. Since my first visit to Taiwan in 1987, I think people are a little more comfortable talking to people from different places. In my personal interactions, I feel a difference, like a greater openness. Back then, there were so many interesting things happening here, all at one time, and that's the time that I happened to be here. And I made good friends in my personal life and in my intellectual life. And I think those are the things that made me come back: like if you feel that there's something interesting happening and there's some way that you can support it. I guess that's a way of feeling at home.” — Amie Parry

✨Amie Parry is professor of the Department of English at the National Central University

雖說您將離開台灣，但台灣永遠不會離開您！祝福酈英傑處長鵬程萬里！
---------------
轉載 @美國在台協會 AIT 貼文

📝酈英傑處長給台灣人民的道別信
「隨著我擔任美國在台協會處長的日子即將畫下句點，我也即將離開台灣，我想藉這個機會和大家分享，這一番歷練對我來說的意義是什麼。當我說擔任AIT處長其實是我這輩子的榮幸，也讓我得以實現長期職業生涯中的抱負與理想，這麼說一點也不為過。
我19歲時第一次離開家鄉，就是來台灣。對年輕的我來說，從那時起，台灣就成了交流與理解、探索與冒險的同義詞。台灣不僅有著讓人眼花撩亂的異鄉風情，也代表著意想不到的嶄新機會。我在這裡嘗試新奇的食物，像是水餃和臭豆腐，並且學習如何在擠滿單車和機車的大街小巷穿梭自如。一方面，我努力用我粗淺的中文，讓別人聽懂我說的話；但同時我也發現，無論走到哪裡，迎接我的都是滿滿的親切友善與熱情好客。
因此，在成為美國外交官後，能夠以台灣作為我派駐海外的第一站，真是再適合不過了。畢竟，是台灣首先點燃了我對亞洲、尤其是台灣的畢生興趣，也激發了我對跨文化理解和共享目標——也就是外交工作——的終身熱忱。此後，我也曾派駐其他地點，多數是在大中華區域，但我的台灣經歷與回憶始終常存我心。最終我能以美國駐台最高層級外交官的身分回來這裡，可說是我多年職涯的高峰。顯然，我這一生注定與台灣有著深刻的連結，或者也叫作「緣分」吧，才會讓我一次又一次不斷地回到台灣。
常有人問我，為什麼我這麼喜歡台灣。我總覺得：「答案不是很明顯嗎？」不過如果一定要我從個人與專業的角度，解釋我對台灣的喜愛與敬佩之情，我通常會提到以下幾個領域：
首先，台灣兼具活力與穩定、進步與延承、還有創新與傳統。每次回到這裡，我都對台灣社會在各個方面日新月異的進步感到驚艷不已。台灣的民主更臻成熟，經濟益加蓬勃，環境保護更受關注，藝術文化發展也生生不息。
台灣在許多最先進的科技產業上持續為全球創新樹立標竿，但與此同時，台灣的社會穩定和文化傳承依舊令人欽羨佩服。儘管生活充裕且形象良好，台灣人民卻依然謙虛樸實、平易近人。在台灣，最古老的傳統薪火相傳、歷久彌新。文化和歷史古蹟受到妥善的修復與保護；年輕人也可以學習代代相傳的書法技巧，接著再把作品秀在Instagram上。
再者，對美國來說，台灣正是共享利益與共享價值交集的典範。美台夥伴關係的重點在於確保科技發展能夠嘉惠、而非傷害我們雙方的經濟，科技突破則應被用於鞏固、而不是破壞我們的原則。美台之間自由、多元、平等及透明等共享價值，時時激勵我們努力在世界各地打造民主社會的韌性。而我們也持續尋求新的方式，為解決全球問題做出貢獻，這麼做不僅是因為能夠造福我們自己的人民，也是因為我們相信，身為21世紀敦親睦鄰的好夥伴，就是該這麼做。
最後，每當我想到台灣、以及整體美台關係，我總會想到希望、光明和成長。美台的情誼在過去40年來不斷拓展與茁壯。我相信每任處長都會同意，他們離開台灣時的美台夥伴關係，比起他們剛上任時都更上一層樓。同樣的，當我向AIT告別的那一天，我的心中將充滿肯定與成就感，因為我知道，美台夥伴關係比以往都更加深刻和強健，我也對自己能為美台關係今天亮眼的進展小有貢獻，而深感驕傲。
但是，比起這些事情，我想我更難忘的是台灣在我生命中所留下的深刻印記。我永遠會記得我在台灣度過的第一個聖誕節，還有第一個農曆新年。我永遠會記得台灣朋友的真摯與溫暖、教會同伴堅定的信仰、炎炎夏日來一碗芒果冰的沁涼、資源回收車沿街播放《給愛麗絲》的回音，還有巷弄中撲鼻而來的茉莉花香，這些都會是我畢生珍藏的美好回憶之一。我也會記得好友間的餐聚、充滿歡笑和故事的夜晚、以及一路以來我受到過的無數的善意與關懷。我更會永遠記得，是各位台灣朋友們，你們以各種不同的方式，讓我和我家人的生命更加地豐盛美好。對此，我要衷心地謝謝大家。
雖然我將離開台灣，但台灣不會離開我。」
— 美國在台協會處長 酈英傑
✅信件全文亦可至AIT官網查看：https://bit.ly/2TSkLDF
📝A Farewell Letter from AIT Director W. Brent Christensen
"As my time as AIT Director draws to a close and I prepare to leave Taiwan, I want to take this opportunity to tell you what this experience has meant to me. It is not an exaggeration to say that this has been the honor of my life and the fulfillment of a career-long aspiration.
The first time I left my hometown at age 19, it was to come to Taiwan. From that early age, Taiwan became synonymous for me with the ideas of exchange and understanding, exploration and adventure. Taiwan represented both disorienting foreignness and unexpected opportunity, as I tried new food – like shuijiaos and qiu doufu – and learned to navigate my way through streets crowded with bicycles and scooters. And struggled to make myself understood with my rudimentary Mandarin. But all the while discovering the kindness and generosity that welcomed me wherever I went.
It felt appropriate for me to serve my first tour as a U.S. diplomat in the place that first sparked in me a lifelong interest in Asia – and in Taiwan in particular – and in cross-cultural understanding and shared purpose, or in other words, diplomacy. After that, my career took me to other places, but mostly still in the China region. But the memories of my experiences in Taiwan stayed with me. And finally having the opportunity to serve as the top U.S. diplomat to Taiwan was the culmination of all the years that came before. It is clear that I have a lifelong connection to Taiwan, or “yuanfen,” that has led me to return again and again.
People often ask me why I have such a fondness for Taiwan. “Isn’t it obvious?!” I always think. But when forced to explain my affection for and professional fascination with Taiwan, I usually come back to a few themes.
First, dynamism and constancy; progress and preservation; innovation and tradition. Every time I return to Taiwan, I am immediately struck by the many ways Taiwan has advanced as a society. Taiwan’s democracy grows more mature, its economy more prosperous, its environment more cared-for, and its arts and culture more vibrant.
Taiwan’s industry continues to set the benchmark for global innovation in some of the most sophisticated technologies, but at the same time, Taiwan society is remarkable for its stability and cultural continuity. Taiwan’s people, despite their relative wealth and stature, continue to be modest and unassuming. Taiwan’s most ancient traditions are alive and well. Cultural and historic sites are restored and preserved. Young people may learn calligraphy techniques handed down for generations, but then share their work on Instagram.
Second, for the United States, Taiwan exemplifies the intersection of shared interests and shared values. Our partnership is about making sure our economies are beneficiaries rather than casualties of technological development and ensuring that technological development advances rather than undermines our principles. Our shared values of freedom, diversity, equality, and transparency inspire our efforts to build the resilience of democracies around the world. And we continue to find new ways to contribute to global problem solving, both because it benefits our own peoples and because we share the belief that this is what it means to be a good neighbor in the 21st century.
Finally, I associate Taiwan – and the broader U.S.-Taiwan relationship – with hope, promise, and growth. This friendship has expanded and flourished over the past 40 years; I believe every person who has done this job walked away knowing they left this partnership better than they found it. I will similarly leave AIT with a sense of accomplishment and success, knowing that the U.S.-Taiwan partnership is deeper and stronger than ever, and feeling immensely proud of my small role in getting us there.
But more than any of these things, I will remember the ways that Taiwan has touched me personally. I will always remember my first Christmas in Taiwan – and my first Chinese New Year. I will remember the warmth of Taiwan friendship, the faith of my fellow church members, the taste of a mango bing on a hot summer day, the echo of “Fur Elise” from the recycling truck, the fragrance of jasmine blossoms in village alleyways – these are just some of the memories I will treasure. I will remember the long dinners with dear friends, full of laughter and stories. And I will remember their many kindnesses. I will remember all the ways big and small that you, the people of Taiwan, touched my life and the lives of my family. And for that, I thank you.
I may be leaving Taiwan, but Taiwan will never leave me. "
-- AIT Director William Brent Christensen
✅Read the letter: https://bit.ly/3hUrsgw

《daydream》
蝶々結び / Chouchou Musubi / 蝴蝶結 / A Butterfly Bow
作詞 / Lyricist：野田洋次郎（RADWIMPS）
作曲 / Composer：野田洋次郎（RADWIMPS）
編曲 / Arranger：野田洋次郎（RADWIMPS）
吉他&和聲 / Guitar & Chorus：ハナレグミ
歌 / Singer：Aimer
翻譯：澄野（CH Music Channel）
意譯：CH（CH Music Channel）
English Translation:Toria

背景 / Background - この蒼くて広い世界に - てる :
https://www.pixiv.net/artworks/58935050

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中文翻譯 / Chinese Translation :
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英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/chouchou-musubi/

日文歌詞 / Japanese Lyrics :
片っぽで丸を作って　しっかり持ってて
もう片っぽでその丸の後ろを　ぐるっと回って

間にできたポッケに入って　出て来るの待ってて
出てきたところを迎えにきて　「せーの」で引っぱって

はじめはなんとも　情けない形だとしても
同じだけ力を込めて

羽根は大きく　結び目は固く
なるようにきつく　結んでいてほしいの

腕はここに　想い出は遠くに
置いておいてほしい　ほしいの

片っぽでも引っ張っちゃえば　ほどけちゃうけど
作ったもの壊すのは　遥かに　簡単だけど

だけどほどく時も　そう、ちゃんと　同じようにね
分かってるよ　でもできたらね　「せーの」で引っ張って

ほどけやしないように　と願って力込めては
広げすぎた羽根に　戸惑う

羽根は大きく　結び目は固く
なるようにきつく　結んでいてほしいの

夢はここに　想い出は遠くに
気付けばそこにあるくらいがいい

黙って引っ張ったりしないでよ　不格好な蝶にしないでよ
結んだつもりがほどいていたり　緩めたつもりが締めていたり

この蒼くて広い世界に　無数に　散らばった中から
別々に二人選んだ糸を　お互いたぐり寄せ合ったんだ

結ばれたんじゃなく結んだんだ　二人で「せーの」で引っ張ったんだ
大きくも　小さくも　なりすぎないように　力を込めたんだ

この蒼くて広い世界に　無数に　散らばった中から
別々に二人選んだ糸を　お互いたぐり寄せ合ったんだ

結ばれたんじゃなく結んだんだ　二人で「せーの」で引っ張ったんだ
大きくも　小さくも　なりすぎないように　力を込めたんだ

中文歌詞 / Chinese Lyrics :
將一端圍成一個圓，緊緊握住
再將另一端繞過那圓，轉一圈

穿進間隙中的洞口，等著它繞過來
在穿出來的洞口接住，念出「一、二」之後拉緊

即使剛開始，只能做出慘不忍睹的形狀
只知道兩手要用一樣的力氣

我希望翅膀能大一點、結能打得更緊一點
為了打出漂亮的蝴蝶結，希望你繫得更緊，越緊越好

希望你能為我握起繩結，而回憶則放在那方——
過去的回憶留在遙遠的那方就好

儘管只拉起一端，繩結便會輕易解開
儘管破壞總是遠比創造來得容易

但是在解開繩結的時候，是啊，也是同樣的道理
我明白的，但如果可以的話，希望能一同念出「一、二」之後拉開

若為使繩結不會鬆開，而用盡全力的話
只會對展開太大的翅膀感到不知所措

我希望翅膀能大一點、結能打得更緊一點
為了打出漂亮的蝴蝶結，希望你繫得更緊，越緊越好

希望你仍能抱持夢想，而回憶則留在那方——
一回過頭便能憶起的距離就好

別坑不作聲地拉緊、也不要綁出不好看的蝴蝶結
以為綁緊了卻不經意鬆開；以為鬆脫了卻不經意拉緊

在蒼穹無垠世界裡，數不清且散落各地的線繩中
兩人循著各自選下的繩線，向著彼此靠近

聯繫彼此的線並不是被迫牽起，而是由兩人綁上——由兩人一同念出「一、二」之後拉緊的
希望它不會太大、也不會太小，由兩人一起，共同將繩結繫緊

在蒼穹無垠世界裡，數不清且散落各地的線繩中
兩人循著各自選下的繩線，向著彼此靠近

聯繫彼此的線並不是被迫牽起，而是由兩人綁上——由兩人一同念出「一、二」之後拉緊的
希望它不會太大、也不會太小，由兩人一起，共同將繩結繫緊

英文歌詞 / English Lyrics :
Take one end, and make a circle—now hold it tight
Take the other end and wrap it around behind the circle

Pass it through the pocket formed in the middle, and wait for it to come back out
Go out to meet it—And with a one, two, pull the strings tight

At the beginning, it came out so pathetically
But even still, I put the same strength into it

I want to tie it tight
So that the loops would be big, and the knot would be tight

I want you, I want you
To put your arm here, and your memories far away

Even though if you pull on only one end, it’ll come untied
It’s so, so very easy to break what someone’s made

Yet that’s how it is when you untie it, it’s exactly the same
I know that’s how it goes, but once I finish it—With a one, two, I’ll pull the strings

Praying that it wouldn’t come untied, I put some strength into it
And became transfixed by the loops that I had pulled too far out

I want to tie it tight
So that the loops would be big, and the knot would be tight

So that your dreams are here, and your memories far away
If you realize it, I’m fine with you just being there

Just shut up, don’t pull on them; don’t make the strings into a lopsided butterfly
I meant to tie them, but they’re becoming loose; I meant to loosen them, but they’re becoming tight

From all the countless and scattered contents of this blue, wide world
The two of us chose the same thread independently and reeled each other in

We weren’t tied to each other, we tied ourselves to each other—With a one, two, we pulled the strings
So that they wouldn’t be too loose, or too tight, we put our strength into it

《DAWN》
Re:far / 致：遙遠的遺憾
作詞 / Lyricist：aimerrythm
作曲 / Composer：飛内将大
編曲 / Arranger：玉井健二、飛内将大
歌 / Singer：Aimer
翻譯：夏德爾
English Translation:Thaerin

背景 / Background - 始発駅 - あんよ :
https://www.pixiv.net/artworks/72623759

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Copyright Info:
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Check my Facebook page for more information!
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中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=2924824

英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/re-far/

日文歌詞 / Japanese Lyrics :
髪　指　声　まなざし　ぬくもり
なぜかな？　まだすべてが　ここにある

恋しさは　愛を知った
愛しさは　何になれたかな？

「元気でいてね…」「そろそろ行くね」
言葉はいつも　役にはたたない
出会ったことが　間違いだったら
そう　Say a little pray for you and me
そんな唄はもう歌わないと決めた　九月の夜だから
あなたの忘れ方　ねえ　教えて

重ねた頬　手のひら　また声
さよなら　でもすべては　心(ここ)にある

生ぬるい　風が吹いた
まだ少し　夏は続くのかな？

ひと気の消えた改札口で　消えた背中を探し続けていた
過ぎた季節が　もう来ないなら　そう
No more cry and dry my eyes
ただ星が綺麗で　泣かないと決めた　一人の帰り道
涙が止まらない　ねえ　どうして？

「元気でいてね…」　返事はなくて
言葉はいつも　役にはたたない
さよなら　あなた　さよなら　わたし
そう　Say a little pray for you and me
そんな唄はもう歌わないと決めた　九月の夜だから
あなたの忘れ方　ねえ　教えて

中文歌詞 / Chinese Lyrics :
髮絲、手指、聲音與眼神，還有體溫
到底是為什麼呢？這一切，竟然都還留存在這裡

那讓人愛戀的曾經，讓我了解了什麼是愛
而這份愛，在最後到底化成了什麼呢？

「請你保重。」「我差不多該走了。」
然而話語，卻只能吐出這些話，總是派不上用場
若是這份邂逅是一份錯誤，若真是如此
就這樣為你與我，留下小小的祝福吧
我決定不再唱那樣的歌，正因為已經是九月的夜晚
所以，請告訴我忘記你的方法，嘿……告訴我好嗎？

接觸的臉頰，與撫摸臉頰的手心，還有你的聲音
再見了，但這一切都還存在於心中

這裡吹拂著悶熱黏稠的風
而夏天，是不是還會再持續好一陣子呢？

在那個人煙都消失無蹤了的，剪票口，持續地尋找著，那個已經消失的背影
若逝去的季節，已經不會再回來，若真是如此
就請不要再哭泣，擦乾自己的眼淚吧
只因為星斗如此美麗，所以決定不用眼淚去模糊，然而在這孤身一人的返家路途中
卻阻止不了眼淚，告訴我，這到底是為什麼？

「請你好好保重。」這個祝福沒有任何的回覆
話語總是，沒有任何的用處
再見了，我所愛的你；再見了，愛著你的我
那麼，就這樣為你與我，留下小小的祝福吧
但我已經決定，不再唱那樣的歌曲，正因為已經是九月的夜晚
所以，請告訴我忘記你的方式，嘿……誰來告訴我，好嗎？

英文歌詞 / English Lyrics :
Hair… fingers… voice… gaze… warmth…
Somehow every one of them remain here.

My yearnings led to love,
But I wonder what those feelings have managed to become?

“Be well…” “I think I’m gonna go”;
Words never seem to serve any purpose.
That time, back when we met, may have all been a mistake. Yes,
Say a little prayer for you and me.
On this September eve, I’ve resolved never to sing a song like that again,
So please, tell me how I can forget you!

Touching cheeks… palms of hands… thighs… voice…
Even if this is goodbye, every one of them remain here.

A mild wind was blowing.
Does this mean summer will continue on?

At the ticket gate there was no sign of anyone around. You’d vanished, but I searched on and on for a glimpse of you from behind.
The seasons that have passed may never come again. Yes,
No more crying, dry my eyes.
The stars are just so beautiful on this road home I walk alone, swearing I wouldn’t cry.
But the tears just won’t stop… please, can you tell me why?

“Be well…” But there’s no response.
Words never seem to serve any purpose.
Goodbye to you… Goodbye to me…
Yes, say a little prayer for you and me.
On this September eve, I’ve resolved never to sing a song like that again,
So please, tell me how I can forget you!

另外蒙面法之後，可能會有每日限住你攞幾多錢，資金限制出境，港元脫鉤等問題。都係嗰句，香港人要未雨綢繆，早啲做好準備好啲。
Marina條片出左啦，大家可以聽返原裝版? https://youtu.be/3aE-UgVwj58?t=3793
English Transcript
From The Council through Marina Jacobi.
This is the beginning of Hong Kong, I discussed last time if you guys remember, they (The Councils) just told me right now but this is just the beginning of Hong Kong to fight for its freedom and it’s a lot more to come because the new Generation they said is going to gain its freedom. I’m not given exactly how but it’s more to come of the same right now, it is going to reach peak performance within two years. Basically, it’s going to be back and forth, all these riots.
The best way, they said (The Councils) is to observe and when situation presents itself, be of the “Best of Yourself” in the Name of Humanity, if you keep up with that and hold the vibration of knowingness with no fear, understand that no matter what happens, you are always going to be shown the bridge for your safety. Because basically, the same, like you are going to project it if you don’t get into fear. So you turn around no matter what happens, you’re always going to have food, help, and situation that will end up in a positive outcome for you, no matter what happens. So, go back to Quantum Structure video one, two and three of the Quantum Manifestation Season 1. It’s important in this situation in chaos to understand to learn the structure so you keep up by understanding that you are watching a holographic imprint and you’re the main character, you are in a virtual reality that is a game and you can build and open doors if you need something. If you learn the structure I guarantee you that you’ll be able to manoeuvre in this game, Because the Hong Kong situation, in every country, now has to go through its process, to pop up in front of people’s faces so people can wake up and take their freedom, basically, not take their freedom, but create their freedom (they correct it).

When you find yourself in “a situation”:
This is basically for everybody that finds themselves in a “situation”, keep up those stronger structures, know that it is a hologram, know that it is a process of Ascension. When you have a situation, always be the Best of yourself, of the Best of your abilities, because whatever you do at this moment, that’s what your projection in the quantum field and that’s what you’re shifting the next momentum into, this is a quantum bylaw. If you keep up with this, understand that more and more you do, it becomes more potent, which pops up like a situation of reality that you have everything you need even in the forest fire. Like you are playing a game, literally guys, I am not kidding what I’m saying no matter what you see, you think of hologram, train your consciousness to think that you are in a hologram life structure. I know it sounds crazy but that’s what it is. And if you keep doing that, you know what happens becomes easy and you’re not afraid. You’re actually free and have an understanding, and then’s it’s easy for you to play that structure, because you are not stopping by the fear vibrational sequence that is so potent and it is stronger than the joy, when not experiencing the joy, you are replacing it with the fear, that is going to create the same and then you cannot get out a whole situation for you to escape the forest, you are going to end up in the forest.

Google中文翻譯
從理事會通過Marina Jacobi。
這是香港的起點，我上次討論過，如果你們還記得的話，他們（理事會）現在才告訴我，但這只是香港為爭取自由而奮鬥的起點，而且還有很多事情要做，因為他們說，新一代將獲得自由。我沒有確切的方法，但是現在有更多的相同之處，它將在兩年內達到最佳性能。基本上，所有這些騷動都是來回的。
他們說，（理事會）最好的方法是觀察並在情況出現時以人性的名義成為“自己最好的”，如果您緊跟這一點並毫不恐懼地把握著知識的振動，那就理解無論發生什麼事情，您總是會被帶到安全的橋樑。因為基本上一樣，如果您不害怕的話，就像要投影它一樣。因此，無論發生什麼事情，您都轉過身來，無論發生什麼事情，您總是會得到食物，幫助和情況，這些都會為您帶來積極的結果。因此，請返回第1季的量子結構視頻。第1，第2和第3幅。在這種情況下，很重要的一點是要了解結構，以便您了解自己正在觀看全息圖像，並保持作為主要角色，您處於一個虛擬的遊戲世界中，可以根據需要建造和打開門。如果您了解了結構，我保證您可以在此遊戲中進行操作，因為每個國家的香港局勢現在都必須經過其過程，才能在人們的面前浮現，這樣人們才能醒來建立並獲得他們的自由，基本上，不是獲得他們的自由，而是創造他們的自由（他們糾正了自由）。
當您發現自己處於“情況”中時：
基本上，這適用於每個發現自己處於“狀況”，保持那些更堅固的結構，知道它是全息圖，知道它是提升過程的人。當您遇到某種情況時，始終要表現出自己的......
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