關於 dame jackson ，我們在網路上蒐集到這些相關的討論、資訊與評價

拓荒者擊敗灰熊進季後賽！今晚沒有《Dame Time》，換CJ與Melo聯手關鍵出擊！

🎥老瓜Melo關鍵三分彈鎖定勝利！超感動！⬇
https://twitter.com/HBKMAMBA/status/1294820088101535744

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我的天！真TMD又是一場考驗心臟負荷程度的精彩比賽，看完之後有種深深如釋重負的感覺，也沒有想當下寫文章，就直接放鬆心情抱頭大睡，但如果是以前的我，應該會很興奮熱血的衝去打球，時間其實很適合！

但老了，還是乖乖睡個覺起床再把文章寫好最實在😳！

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拓荒者真的是一支你會很想罵他們（#防守問題），但又知道當下大概就只能做到這樣，讓你不知該怎麼講他們時（一如既往第三節被逆轉），接著又會被他們的韌性與拚勁所感動！

心情就會像坐雲霄飛車一樣忽高忽低，重啟賽季幾乎每場比賽都是這樣大幅動牽動所有支持者的情緒，很傷心臟，但如此有故事性，卻也因此成為會難以忘懷的籃球回憶，且更重要的是，最終的結果是好的。

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而今天這場勝利對於拓荒者相當有意義，在沒有Dame Time出現在第四節的情況下(#但Lillard第三節扛起球隊，看得出他真累了)，就像我昨晚賽前說的，重啟賽段期間，CJ McCollum與Carmelo Anthony在關鍵時刻也很凱瑞，此戰他們也不負眾望，在球隊與Lillard最需要他們時跳出來提供致勝火力。

🎥CJ McCollum第四節上演《CJ Time》狂飆14分⬇
https://twitter.com/HBKMAMBA/status/1294820624003510272

🔥CJ真的太酷了！在有傷勢下連續兩場強勢反彈，第四節連續單打Ja Morant(單節拿14分)，憑藉這些強攻替拓荒者翻盤比數，其實Ja都守得不錯了，但無奈今晚就是《CJ Time》。

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🔥更讓我感動的是，老瓜Melo再次投進關鍵三分(單節拿9分)，這位置跟上一戰他對籃網很懊悔最後一球沒投進的位置很相近，結果今晚Melo發揮巨星老將本色，這次沒讓大夥失望，直接重擊灰熊，這球能說是左右這場比賽最關鍵的一擊！

賽後對於媒體問到他又投進關鍵球時，Melo很有感慨的說：

＂並不能說是『我回來了』＂
＂我很長一段時間都能做到這些事＂
＂過去幾年我需要克服一些困難＂
＂但這一切都關於籃球＂
＂如何去進球＂
＂如何對自己在做的事情保持舒適＂
＂相信隊友＂
＂隊友也信任我＂
＂這進球對我來說並不新鮮＂
＂我對於能打球感到開心＂
＂也對於我自己身處的狀況感到開心＂

🔲延伸閱讀：
➡https://www.sportsv.net/articles/76524
［那些說Melo是『毒瘤』的人要向他道歉！］

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🔥除此之外，遭逢親愛奶奶過世的Jusuf Nurkic，今晚也是忍住悲傷全力奮戰，甚至打出他重啟後最佳演出，繳出22分21籃板6助攻2抄截2阻攻的【雙20數據】，在攻防兩端扮演不可或缺的推進齒輪，將此勝利送給在天上的奶奶！並之後在twitter說道：

＂我們做到了！奶奶🙏❤️＂
＂我承諾過！我會像你一樣努力去拚＂
#奶奶請安息
#愛你
#季後賽

當比賽勝負確定後，Nurkic放下武裝精神，馬上與身旁的CJ相擁起來，這看了非常很感動，Lillard與Melo很快也來安慰Nurkic，這就是拓荒者這支球隊這些年很迷人之處，充滿著【家人】的情感。

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⚠真的很開心拓荒者在重啟賽季 #如此認真努力下最終能得到回報，他們將正式向洛杉磯湖人發起挑戰書，對於這個系列戰，我心情會很複雜，但不管如何，#我絕對優先站在湖人這邊，縱使我重啟這段時間常常批評他們。

不過就是會用一種 #享受的心情 去看這兩支我喜愛的球隊對決，哪一支晉級，將都會是我今年最希望奪冠的隊伍，期盼他們打出精彩的比賽！也希望湖人要向拓荒者的求勝意志與態度看齊。

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最後也要講一下灰熊，想必Ja Morant很失望被淘汰，從他今晚轟下生涯新高的35分就能看出他也多想贏！他們原本擁有卡住老八席次的優勢，只可惜傷兵與經驗問題阻礙了前進的道路。

🏀但我覺得這次失利，會促使Ja Morant成長更迅速，這小子幾乎什麼都很出色了，就是要控制一些關鍵時刻的失誤問題，他真的是一個與眾不同的新人，#也是聯盟本季的最佳新人！

除了Morant，Brandon Clarke也會是球隊未來中流砥柱的戰將，搭配Jaren Jackson，球隊基本上已有核心雛型，再想想他們之後擁有大量的選秀籤可以操作，灰熊重建的速度其實已遠遠超乎大家想像，在本季是打出很優質的過程了。

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相比鵜鶘在重啟賽季有氣無力的表現與看不懂的操作，同為西區後起之秀的灰熊雖然戰績也不佳，但這段有傷兵期間的表現仍是好他們太多了。

🏀看到鵜鶘總教練Alvin Gentry被開除並不意外，他是一名對球員很好的教練，但感覺要帶鵜鶘更上一層樓的話，他可能不太能給人信心了，尤其這次重啟賽季，真的帶得太差了，#不管是球員場上表現或是場下凝聚力都失去控制力。

也不在這裡多說了，改天想寫一下專欄與大家討論鵜鶘的問題與未來。

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💪最後8月19日早上9點，將是湖人與拓荒者系列第一戰！除了這系列戰我會瘋狂關注外，還有快艇對獨行俠這系列戰我會很關注，更別說火箭對雷霆也是(#這組心情也有點複雜)！

感覺第一輪有話題性的對戰都在西區居多。

如果Ben Simmons沒傷退的話，七六人對塞爾提克應該會很精彩，但現在感覺塞爾提克的先天優勢將領先不少了。

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🔲HBK專欄文分享

🔥大前鋒傳奇系列

🏀『野獸之王』Kemp！是失敗借鏡也是永遠經典人物。
➡https://www.sportsv.net/articles/75909

🏀紫金大暖男Lamar Odom，比我們想像的都偉大！
➡https://www.sportsv.net/articles/76052

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🔔我的Twitter
➡https://twitter.com/HBKMAMBA

📱我的Instagram
➡https://www.instagram.com/hbkmamba/

✏️ HBK

Michael Jackson跟一群饒舌歌手同框不太常見，當然，如果是Jay Z跟當時如日中天的Roc-A-Fella Records又是另當別論（雖然他看起來像走錯地方了）。

這張照片是在2001年紐約的Nassau Coliseum拍攝，每年的暑假當地嘻哈電台HOT 97都會把當下最受歡迎的嘻哈/R&B歌手請來做一場演出，這個演唱會叫做Summer Jam，可以說是當時指標性的演唱會之一。

Jay Z在這時剛推出新專輯《The Blueprint》，其中的單曲"H to the Izzo"就是取樣自Jackson 5的”I Want You Back”，也就是在這場演唱會上他將與Mobb Deep和Nas的牛肉端上檯面，直接在舞台上的大螢幕把Prodigy小時候穿舞衣且笑容滿面的照片拿來嘲諷一番，但這也對Prodigy硬派的形象造成重傷。

然而在這場演出MJ並沒有與Jay Z合唱，他僅從後台走出來跟觀眾們致意，說I love you而已。儘管如此，能將MJ喊出來站台也已說明Jay Z在當時超大的號召力。

讓人不勝唏噓的是照片中笑超開的Dame Dash而後與Jay Z和Biggs拆夥，Roc-A-Fella廠牌瓦解，旗下藝人們也都隨著鳥獸散了，MJ也已駕鶴西去，往事已矣。

Pic credit: According 2 Hip-Hop

Text by 老莫 ILL MO

#HipHopThAng

//A Cantopop star publicly supported Hong Kong protesters. So Beijing disappeared his music.

By AUGUST BROWN

The 2 million pro-democracy protesters who have flooded the streets of Hong Kong over the last few months have been tear-gassed, beaten by police and arrested arbitrarily. But many of the territory’s most famous cultural figures have yet to speak up for them. Several prominent musicians, actors and celebrities have even sided with the cops and the government in Beijing.

The protesters are demanding rights to fair elections and judicial reform in the semiautonomous territory. Yet action film star Jackie Chan, Hong Kong-born K-pop star Jackson Wang of the group GOT7 and Cantopop singers Alan Tam and Kenny Bee have supported the police crackdown, calling themselves “flag protectors.” Other Hong Kong cultural figures have stayed silent, fearing for their careers.

The few artists who have spoken out have seen their economic and performing prospects in mainland China annihilated overnight. Their songs have vanished from streaming services, their concert tours canceled. But a few musicians have recently traveled to America to support the protesters against long odds and reprisals from China.

“Pop musicians want to be quiet about controversy, and on this one they’re particularly quiet,” said Anthony Wong Yiu-ming, 57, the singer and cofounder of the pioneering Hong Kong pop group Tat Ming Pair.

Wong is a popular, progressive Cantopop artist — a Hong Kong Bryan Ferry or David Bowie, with lyrics sung in the territory’s distinct dialect. But he, along with such singer-actors as Denise Ho and Deanie Ip, have made democratic reforms the new cause of their careers, even at the expense of their musical futures in China. Wong’s on tour in the U.S. and will perform a solo show in L.A. on Tuesday.

“It’s rebelling against the establishment, and [most artists] just don’t want to,” Wong said. “Of course, I’m very disappointed, but I never expected different from some people. Freedom of speech and civil liberties in Hong Kong are not controversial. It’s basic human rights. But most artists and actors and singers, they don’t stand with Hong Kongers.”

Hong Kong protesters
Hundreds of people form a human chain at Victoria Peak in Hong Kong on Sept. 13.(Marcus Yam/Los Angeles Times)
The protests are an echo — and escalation — of the Occupy Central movement five years ago that turned into a broad pro-democracy effort known as the Umbrella Movement. Those protests, led by teenage activist Joshua Wong (no relation), rebelled against a new policy of Beijing pre-screening candidates for political office in Hong Kong to ensure party loyalty.

Protesters were unsuccessful in stopping those policies, but the movement galvanized a generation of activists.

These latest demonstrations were in response to a proposed policy of extraditing suspected criminals from Hong Kong to mainland China, which activists feared would undermine their territory’s legal independence and put its residents at risk. The protests now encompass a range of reforms — the withdrawal of the extradition bill, secured voting rights, police reform, amnesty for protesters and a public apology for how Beijing and police have portrayed the demonstrations.

Wong, already respected as an activist for LGBT causes in Hong Kong, is one of vanishingly few musicians to have put their futures on the line to push for those goals.

Wong’s group Tat Ming Pair was one of the most progressive Cantonese acts of the ’80s and ’90s (imagine a politically radical Chinese Depeche Mode). When Wong spoke out in favor of the Umbrella Movement at the time, he gained credibility as an activist but paid the price as an artist: His touring and recording career evaporated on the mainland.

The Chinese government often pressures popular services like Tencent (the country’s leading music-streaming service, with 800 million monthly users) to remove artists who criticize the government. Artists can find longstanding relationships with live promoters on ice and lucrative endorsement deals drying up.

“This government will do things to take revenge on you,” Wong said. “If you’re not obedient, you’ll be punished. Since the Umbrella Movement, I’ve been put on a blacklist in China. I anticipated that would happen, but what I did not expect was even local opportunities decreased as well. Most companies have some ties with mainland China, and they didn’t want to make their China partners unhappy, so they might as well stop working with us.”

Censorship is both overt and subtly preemptive, said Victoria Tin-bor Hui, a professor and Hong Kong native who teaches Chinese politics and history at the University of Notre Dame.

“Every time artists or stars say anything even remotely sympathetic to protesters or critical of the government, they get in trouble,” Hui said. “You can literally have your career ruined. Denise Ho, after she joined the Umbrella Movement, everything she had listed online or on shelves was taken off. Companies [including the cosmetics firm Lancôme] told her they would have nothing more to do with her, and she started doing everything on her own.”

So Wong and other artists like Ho have been pushing back where they can.

Wong’s recent single, “Is It a Crime,” questions Beijing crackdowns on all memorials of the Tiananmen Square massacre, especially in Hong Kong, where there was a robust culture of activism and memorials around that tragedy. The single, which feels akin to Pink Floyd’s expansive, ominous electronic rock, has been blacklisted on mainland streaming services and stores.

Wong plans to speak out to commemorate the anniversary of the Umbrella Movement on this tour as well.

“The government is very afraid of art and culture,” Wong said. “If people sing about liberty and freedom of speech, the government is afraid. When I sing about the anniversary of Tiananmen, is it a crime to remember what happened? To express views? I think the Chinese government wants to suppress this side of art and freedom.”

The fallout from his support of the protests has forced him to work with new, more underground promoters and venues. The change may have some silver linings, as bookers are placing his heavy synth-rock in more rebellious club settings than the Chinese casinos he’d often play stateside. (In L.A., he’s playing 1720, a downtown venue that more often hosts underground punk bands.)

“We lost the second biggest market in the world, but because of what we are fighting for, in a way, we gained some new fans. We met new promoters who are interested in promoting us in newer markets. It’s opened new options for people who don’t want to follow” the government’s hard-line approach, Wong said.

Hui agreed that while loyalty from pro-democracy protesters can’t make up for the lost income of the China market, artists should know that Hong Kongers will remember whose side they were on during this moment and turn out or push back accordingly.

“You make less money, but Hong Kong pro-democracy people say, ‘These are our own singers, we have to save them,’” Hui said. “They support their own artists and democracy as part of larger effort to blacklist companies that sell out Hong Kong.”

Ho testified before Congress last week to support Hong Kong’s protesters. “This is not a plea for so-called foreign interference. This is a plea for democracy,” Ho said in her speech. A new bill to ban U.S. exports of crowd-control technology to Hong Kong police has bipartisan support.

No Hong Kong artists are under any illusions that the fight to maintain democracy will be easy. Even the most outspoken protesters know the long odds against a Chinese government with infinite patience for stifling dissent. That’s why support from cultural figures and musicians can be even more meaningful now, Hui said.

“Artists, if they say anything, that cheers people on,” Hui said. “Psychologists say Hong Kong suffers from territory-wide depression. Even minor symbolic gestures from artists really lift people’s morale.”

Pro-democracy artists, like protesters, are more anxious than ever. They’ve never been more invested in these uprisings, but they also fear the worst from the mainland Chinese government. “If you asked me six months ago, I was not very hopeful,” Wong said. “But after what’s happened, even though the oppression is bigger, we are stronger and more determined than before.”

Anthony Wong Yiu-ming

Where: 1720, 1720 E. 16th St.
When: 7 p.m. Tuesday
Tickets: $55-$150
Info: 1720.la //

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