如果每天都是情人節就不需要有情人節的節曰了、提醒大家不要吝嗇去
讚美別人尤其是你所愛的人!
禮物固然讓人開心但是一句讚美的話也可以讓人心花怒放!
就像John Lennon 在woman 送給他最愛的小野洋子裡面真摯又感人的
歌詞
Woman
I can hardly express
My mixed emotions at my thoughtlessness
After all, I'm forever in your debt
And woman
I will try to express
My inner feeling and thankfulness
For showing me the meaning of success
Ooh, well, well
Doo, doo, doo, doo, doo
Ooh, well, well
Doo, doo, doo, doo, doo
Woman
I know you understand
The little child inside the man
Please remember my life is in your hands
And woman
Hold me close to your heart
However distant, don't keep us apart
After all it is written in the stars
Ooh, well, well
Doo, doo, doo, doo, doo
Ooh, well, well
Doo, doo, doo, doo, doo
Well, woman
Please let me explain
I never meant to cause you sorrow or pain
So let me tell you again and again and again
I love you, yeah, yeah
Now and forever
I love you, yeah, yeah
Now and forever
I love you, yeah, yeah
Now and forever
I love you, yeah, yeah
♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️🌟🌟🌟🌟🌟
https://youtu.be/ZhfWiU8wGCc
同時也有2部Youtube影片,追蹤數超過7萬的網紅渡辺レベッカ ☆ Rebecca Butler Watanabe,也在其Youtube影片中提到,お久しぶりです♪ お待たせしてしまって、すみませんでした! アメリカに引っ越して(というか帰国して)ばたばたしていましたm(_ _)m 新しい部屋から、いきものがかりの「SAKURA」の自作英語版を撮ってみました♪ 今、日本はちょうど桜が咲いているところなのかな。 日本の桜を思いながら、この曲を歌...
「distant meaning」的推薦目錄:
- 關於distant meaning 在 朱衛茵 Facebook 的精選貼文
- 關於distant meaning 在 2how Facebook 的最讚貼文
- 關於distant meaning 在 冯以量 Facebook 的最佳解答
- 關於distant meaning 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的最佳貼文
- 關於distant meaning 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的最佳貼文
- 關於distant meaning 在 Distant Meaning - YouTube 的評價
- 關於distant meaning 在 More content - Facebook 的評價
distant meaning 在 2how Facebook 的最讚貼文
DIMPY BHALOTIA
Poche, pochissime erano le foto in casa di Henri Cartier-Bresson; una, forse due. Una, per cui il grande fotografo aveva una vera e propria ammirazione, era “Three Boys at Lake Tanganika” di Martin Munkácsi. Tre ragazzini immortalati di spalle che sprigionano un’incontenibile vitalità mentre corrono verso le acque del lago. Perché Cartier-Bresson amava quella fotografia? Perché, come ha detto lui stesso: “Ho capito improvvisamente che la fotografia può fissare l’eternità in un momento”. Osservando la fotografia “Flying Boys” di Dimpy Bhalotia, e con la quale si è aggiudicato il Female in Focus Award 2020 del British Journal of Photography, sembra che i tre ragazzini di Munkácsi siano tornati dopo un viaggio lungo novant’anni. Di più, pare che siano tornati per spiccare il volo e catturati nel preciso momento in cui occhio, cuore e mente del fotografo sono perfettamente allineati come una costellazione lontana. C’è, nelle fotografie della giovane indiana di Londra, qualcosa che arriva da una precisa tradizione fotografica e che àncora saldamente la composizione a quelle tre fondamentali componenti cui si faceva cenno, orientandola verso la ricerca del momento in cui un episodio umano – e non solo – ha la capacità di espletare il suo senso. Irripetibilmente. I riferimenti non mancano, e sono segno di una solida cultura visiva. Quanto guardiamo nelle fotografie di Dimpy Bhalotia sembra fuoriuscire da un racconto riscritto con nuove parole, nuovi cenni ma fermamente determinato a essere interpretato attraverso un lessico che costringe a sostare nello spazio citazionista giusto il tempo che occorre prima di assumere una vita propria. E questa sottile e aggraziata visione delle cose che plana sugli avvenimenti, ha quel respiro che sta dentro in una visione poetica della vita, perché per scattare fotografie che sappiano restituire la bellezza d’un gesto occorre amare la vita e i suoi interpreti. Ecco che uomini e animali, colti singolarmente o al crocevia della reciproca interazione, ci appaiono come soggetti appena involontariamente dialoganti ma che, a ben guardare, sono catturati nell’esatto momento di un dialogo segreto. La forza delle fotografie di Dimpy Bhalotia viene da lontano e dunque è ben strutturata. E si vede soprattutto nell’azzardo di forme, nella scommessa formale giocata sul corpo dei soggetti animali, da cui, in altre circostanze, cogliamo una felice traccia surrealista, un terreno ideale nel quale risolvere talune spericolatezze compositive. Il lavoro di Dimpy Bhalotia sosta alla confluenza di due differenti correnti fotografiche: l’umanesimo e il surrealismo (lo stesso Cartier-Bresson sperimentò un delicatissimo surrealismo prima di fondare la Magnum), maneggiati entrambi con disinvoltura e sicurezza. La sua è una voce limpidissima, minimale. Le composizioni obbediscono al comandamento d’essere rigidamente impostate su un registro essenziale, al limite del calligrafico, ma la sobrietà ci convince del risultato. Il solco della tradizione è tracciato, ma seguirne il percorso senza aggiungere le proprie impronte è come non averci camminato. La fotografia è un libro che non finisce mai di essere scritto, a patto d’avere qualcosa da dire. Come in questo caso.
Giuseppe Cicozzetti
foto Dimpy Bhalotia
https://www.dimpybhalotia.com/
DIMPY BHALOTIA
Few, very few were the photos in Henri Cartier-Bresson's house; one, maybe two. One, for which the great photographer had a real admiration, was Martin Munkácsi's “Three Boys at Lake Tanganika”. Three kids immortalized from behind who release an irrepressible vitality as they run towards the waters of the lake. Why did Cartier-Bresson love that photograph? Because, as he himself said: "I suddenly understood that photography can fix eternity in a moment". Looking at Dimpy Bhalotia's “Flying Boys” photograph, and with which she won the British Journal of Photography's Female in Focus Award 2020, it seems that the three kids from Munkácsi are back after a 90-year journey. What's more, they seem to have returned to take flight and captured at the precise moment when the photographer's eye, heart and mind are perfectly aligned like a distant constellation. There is, in the photographs of the young Indian woman based in London, something that comes from a precise photographic tradition and that firmly anchors the composition to those three fundamental components mentioned, orienting it towards the search for the moment in which a human episode - and not alone - has the ability to carry out its meaning. Unrepeatable. There’s no shortage of references, and they are a sign of a solid visual culture. What we look at in Dimpy Bhalotia's photographs seems to come out of a story rewritten with new words, new hints but firmly determined to be interpreted through a lexicon that forces us to pause in the quotationist space just the time it takes before taking on a life of its own. And this subtle and graceful vision of things that hovers over events, has that breath that lies within a poetic vision of life, because to take photographs that are able to restore the beauty of a gesture, you need to love life and its interpreters. Here men and animals, caught individually or at the crossroads of mutual interaction, appear to us as subjects that are barely involuntary in dialogue but who, on closer inspection, are captured in the exact moment of a secret dialogue. The strength of Dimpy Bhalotia's photographs comes from afar and therefore is well structured. And it is seen above all in the balancing of forms, in the formal bet played on the body of animal subjects, from which, in other circumstances, we grasp a happy surrealist trace, an ideal terrain in which to resolve certain compositional recklessness. Dimpy Bhalotia's work stops at the confluence of two different photographic currents: humanism and surrealism (Cartier-Bresson himself experienced a very delicate surrealism before founding Magnum), both handled with ease and confidence. Her is a very clear, minimal voice. The compositions obey the commandment to be rigidly set on an essential register, bordering on calligraphic, but the sobriety convinces us of the result. The groove of tradition is traced, but following its path without adding one's footprints is like not having walked through it. Photography is a book that never stops being written, as long as you have something to say. As in this case.
Giuseppe Cicozzetti
ph. Dimpy Bhalotia
https://www.dimpybhalotia.com/
distant meaning 在 冯以量 Facebook 的最佳解答
完成了上课的第六天。
(10 June 2014)
Dr. Robert A. Neimeyer 课堂上的最后一席话,让我有一种很莫名其妙的感动。他自己流泪,我也随之感动。
我今天有很多被翻搅的撞击。还未再建构,就被解构。 今天不断摇晃我之前所懂的概念。够力!
1。谁说关系一定要和解?是谁说即将失去的关系一定要和解?
2。谁说关系一定要说再见?是谁说即将失去的关系一定要说再见?
3。请看到受苦的症状必定有它积极的一面。你以为自己是谁来解决或拿走它的症状?你是谁?为何你要这样做?你能否看得出负面的好,也看得出正面的坏?
4。他由始至终没有提起 DSMV、Kubler Model 及 Worden Model,你就知道他没有提起的,也是一种答案。 沉默,也说了很多。而且 loud,very loud。
5。别只听到他说的,要听到他没有说的。
6。是谁说哀伤需要被分类,是谁说的?
7。who are you shape how you grief。 你是谁会决定你如何哀伤。而你知道自己真正是谁吗?
8。你除了要检查你的个案的需求之外,也要检查个案为了满足他的需求而即将要改变的 readiness。他有时候有这个需求,不过他未必有这个 readiness。
9。不管是 adaptive grief 或 complicated grief,都是一样的做法。没有特别处理。全部都是 meaning reconstruction. 他分享了将近七到八个技巧,都不是很困难的做法。值得注意,他所描述的 adaptive grief 其实就是 common grief。可是他不用 common grief 这个字眼。佩服。adapting grief 是更贴切的。
10。今天他用了十分钟左右,就做了一个很完整的 art work。完全佩服到五体投地。里头有 empty chair,connect 对方的三个角色:"real self, internalized paranting role, inner child", 还可以 shift the content to the process。 佩服!
11。我傻傻地问了一个问题:“你是如何能在这么短的时间把 process 做到这么干净利落?这么顺畅?怎样做到的?”他看着我说:“我没有预设任何立场。我没有方向。我没有 strategy。我没有 conceptualization。我没有,什么都没有。我有的就是稍微移动、稍微调整、给对方很大的空间去选择他要移动什么,调整什么。”他很谦虚。他这个无为,才是最有为!我从这里,我可以看到移动本身就是哀伤最大的敌人。哀伤最好朋友就是凝固,只要你愿意让哀伤移动,它就会开始融化。因为移动会产生热量。Open to the new possiblities.
12。 Less is more。他今天至少说了五次。 他说我们这些助人者做太多了。“doing” shouldn't be a key element to grief helpers。
13。他说:我们不是鼓励个案发泄他们的情绪。 而是 access 及 use the emotion so that they could make the meaning. 跟随着情绪的道路走,准没错的。 他如此说。
14。他反对山头主义。他主张 many model。一个 grief helper 必须要学会很多 grief model,才能了解 个案的需求及运用。
15。不管你用什么技巧。要时时刻刻让个案有 in and out 的体验。 eg: Experience Vs explaination, enmesh Vs distant, narrate (engage feeling) Vs narrate (dialogue). etc。让个案具备表达感性及理性的 narration。
16。Healing is an active process, not a passive one. when grief knocks on the door, please open the door for him to come in.
17。只要超过四秒钟的沉默就是一种 significant silences。好好运用它。
18。什么是 Grief Therapy?你不要以为你拥有很多哀伤知识及架构就足够了。Grief therapy其实是一种 relationship therapy。也是一种 couple therapy 或 family therapy。因为 Grief therapy 在看的是 the relationship between the clients and the deceased。它决定是 relationship therapy。只是对方不在人间而已。
好棒好棒的老师。
介绍给你认识: Dr. Robert A. Neimeyer。
明天进入第七天了。ICGB Conference 明早正式开始。大部分的哀伤工作领域的高手全部都会聚在一起。好期待! : )
distant meaning 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的最佳貼文
お久しぶりです♪
お待たせしてしまって、すみませんでした!
アメリカに引っ越して(というか帰国して)ばたばたしていましたm(_ _)m
新しい部屋から、いきものがかりの「SAKURA」の自作英語版を撮ってみました♪
今、日本はちょうど桜が咲いているところなのかな。
日本の桜を思いながら、この曲を歌いました。
気に入っていただけると嬉しいです(^^)/
Enjoy!
~♪~♪~♪~♪~♪~
Long time no see, YouTube! Sorry for the lull in the last couple of months—I recently
moved and haven't had time to make any videos for a while...
Here is my first video from my new home in the U.S., an English cover of Ikimono-gakari's
SAKURA (meaning "Cherry Blossoms"). For those of you in Japan (or somewhere with
cherry blossoms), they must be just about in bloom right now, aren't they? The blossoms in
Japan were on my mind while I sang this song. I hope you enjoy it :)
~♪~♪~♪~♪~♪~
曲情報 / SONG INFO
~♪~♪~♪~♪~♪~
いきものがかり/SAKURA
2006年リリース
作詞曲:水野良樹
英語詞: 渡辺レベッカ
Ikimono-gakari / SAKURA (Cherry Blossoms)
Released 2006
Music/Lyrics: Yoshiki Mizuno
English Lyrics: Rebecca Butler Watanabe
~♪~♪~♪~♪~♪~
リンク / LINKS
~♪~♪~♪~♪~♪~
■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai
■Chords
(Coming soon)
~♪~♪~♪~♪~♪~
歌詞/LYRICS
~♪~♪~♪~♪~♪~
さくら ひらひら舞い降りて落ちて
(sakura hirahira mai-orite ochite)
揺れる想いのたけを抱きしめた
(yureru omoi no take wo daki-shimeta)
君と春に願いしあの夢は
(kimi to haru ni negai-shi ano yume wa)
今も見えているよ
(ima mo miete iru yo)
さくら舞い散る
(sakura mai-chiru)
Past the windowpane of the swaying train
Traces of you by the river
On the bridge we crossed together
Colored in spring revelry
Graduation day came and took away
My love so far from this town
The flowers hanging on the boughs
Still hold those memories
But the two of us, we chose two different roads
Separated when spring came to a close
Now the future blooming in all of its glory pushes me to move on
In the train window reflected
Just the same are the cherry blossoms
And deep inside of me, your voice still lingers
Still hear it calling to me
When the cherry blossoms start to flutter down toward my feet
I let all my wavering feelings wash completely over me
Oh, the dreams we dreamt together in the spring will always be
In my heart forever and ever, as the spring begins anew
In the letter I started many times
Got as far as “I’m doing fine”
But I know that little lie will never fool you
Seasons come and go, and before I know
Spring arrives once more in this place
And the flowers bloom like always
Paint the town in vibrant hues
Every day without you that I get through
Brings adulthood closer into view
I wonder if a day will come when I forget everything
Hope you know I truly loved you
As I reach to the cherry blossoms
And everything I feel, the love and heartbreak
Is swallowed up in the spring
When the cherry blossoms start to flutter down toward my feet
I embrace the wavering feelings that are washing over me
Oh, the words so bold you gave me in the spring will always be
In my heart forever and ever, as the flowers flutter away
さくら ひらひら舞い降りて落ちて
(sakura hirahira mai-orite ochite)
揺れる想いのたけを抱きしめた
(yureru omoi no take wo daki-shimeta)
Distant days we dreamt together in the spring so long ago
Disappear up into the blue sky
Now the cherry blossoms start to flutter down toward my feet
As I walk toward the days that wait beyond the spring for me
Holding on so dearly to the dream we vowed that we would seek
In my heart forever and ever
さくら舞い散る
(sakura mai-chiru)
distant meaning 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的最佳貼文
Official Website:
http://BlueEyedUtaUtai.jimdo.com
English cover of Moriyama Naotaro's song Hana, meaning "flower". Also sung by Atari Kosuke. Lyrics below!
森山直太朗の「花」の英語カバーです。エンジョイしてください☆歌詞は下にあります!
-----------
Lyrics~歌詞
If you found yourself caught beneath the pouring rain
And you felt a sorrow deep that no words could explain
I would want to be there to take away your pain
But I know all I can do is to hold your hand
Be a flower in the wind, comfort you as best I can
If you thought that there were no reason to believe
In all your distant dreams and your childhood fantasies
And you could not find any more dreams left to weave
I would raise my voice high and offer you this song
That tomorrow may be bright and your heart would stay strong
※Just like a flower, just like a flower
Don't forget that you are beautiful just the way you are
Each man treads firmly on this earth we roam
With a flower deep inside that we call our own
In the heart of every man one more blossom finds a home
Even if my time on earth should come to an end
I will always be with you in the howling ocean wind
Just like a flower, just like a flower
Trust your body to the wind now and give into its power
Calmly surrender to the flow of time
Just believe with all your heart and one day you'll find
That the fruits of all your dreams, in your petals are entwined
※Repeat/繰り返し
Just like a flower, just like a flower
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