關於 excelled at中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

#防疫不防藝
#無論好壞蝙蝠都是無辜的
#蝠與福

雖然現在聞「蝠」色變，但在古代，蝙蝠可是有個好名聲!下圖的流雲紅蝙蝠紋花瓶，大家還可以想到哪句吉祥寓意的話呢?

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畫家在描繪物象時，除了呈現其本身的形體風貌外，有時又進一步賦予了更深的文化意涵，尤其常取中文字「同音」和「諧音」（近似音）的特色，傳達人們嚮往美好、理想生活之祝願。如以蝙蝠與鹿，代表「福祿雙全」，魚代表「年年有魚」等，此延伸之寓意，體現了人類社會的民情風俗及精神文化層面。
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【清 汪承霈 繪御製詩意百福繁生圖】
形式：軸，339x 89cm

　　汪承霈，善長作詩詞、書法與畫花卉。畫中所選取的元素，均有其吉祥寓意，如柏樹、稻穗插瓶中諧音為「歲歲平安」，流雲紅蝙蝠紋花瓶，幡旗置於花座旁，取雙關諧音，寓意「洪福齊天」。笙音同「升」，祝頌加官晉爵。柏音同百、蝙蝠、幡旗、笙組成「百福繁生」，則象徵幸福好運，是件富含吉祥寓意之繪畫作品。

【Illustrating the Idea of Imperial Poetry on Flourishing with a Hundred Blessings】
Wang Cheng-pei (active circa 18th – 19th century),
Qing dynasty

Wang Cheng-pei excelled at poetry and was gifted at calligraphy and painting flowers. Cypress and ears of rice in Chinese form a homophone for "years of peace." The vase here, decorated with auspicious clouds and red bats, is also accompanied by a pennant, its meaning in Chinese a metaphor for "fortune overflowing to the heavens." The reed pipe and halberd are likewise a homophone for "promotion," serving as a blessing for advancement in rank. The bronze "dou" vessel and flat "hu" convey the meaning of "pecks of gold coming in daily." Moreover, the Chinese word for "cypress" is related to the word for "hundred," while the bats, pennant, and reed pipe combine to express the idea of "flourishing with a hundred blessings," symbolizing great fortune and luck.

#經典之美新媒體藝術展覽「吉祥寓意」區中也有百福瓶互動作品喔！
The Epitome of Aesthetics – New Media Art Exhibition
陳列室：210【北部院區】正館
Gallery: 210 (Northern Branch) Exhibition Area I
https://theme.npm.edu.tw/exh108/210 (全幅作品可參考網站)

#雅集 可以說是古代文士的派對(party)，筵席上有精緻美味的佳餚與文藝活動助興，出席者冠蓋雲集，舉辦者張羅各種細節、參與者盛裝出席，這種慎重、期待的心情古今相通。網站設計師為大家準備了這張特別的【清 冷枚 #春夜宴桃李園 Banquet at the Peach and Plum Garden on a Spring Evening】Leng Mei (fl. 18th c.), Qing dynasty，希望大家喜歡！
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#以文會友—#雅集圖特展（2019/10/05 ~ 12/25）
陳列室：北部院區　第一展覽區　202,210,212
Friends Through Culture: A Special Exhibition of Paintings on Elegant Gatherings (05 OCT ~ 25 DEC 2019)
Gallery: 202,210,212 (Northern Branch) Exhibition Area I
中文：https://theme.npm.edu.tw/exh108/ElegantGatherings
English: https://theme.npm.edu.tw/exh108/ElegantGatherings/en/page-1.html
日本語：https://theme.npm.edu.tw/exh108/ElegantGatherings/jp/page-1.html
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畫作賞析：
　　本幅取材自李白(701-762)〈春夜宴桃李園序〉，描寫桃李花盛開庭園中的夜間遊宴活動，畫上除了文士飲酒賦詩，還有仕女逗弄小狗以及偷喝酒和打盹的僮僕，充滿輕鬆歡愉的氣氛。此序為李白宴會上有感而發之作，勉人珍惜良辰美景並及時行樂。
　　冷枚是清代康熙、乾隆朝宮廷畫家，善畫人物與宮苑景色，此畫顏色穠麗，工整嚴謹，是清宮繪畫細膩華美風格的典型之例。
【Banquet at the Peach and Plum Garden on a Spring Evening】Leng Mei (fl. 18th c.), Qing dynasty
　　This painting is an imaginative reconstruction from Li Bai’s (701-762) "Preface to the Banquet at the Peach and Plum Garden on a Spring Evening." It shows a garden with peach and plum trees in full bloom as figures banquet and stroll at night. The scroll also depicts scholars drinking wine and composing poetry and includes such vignettes as a lady playing with a small dog and another sneaking a sip of wine as a child attendant takes a nap to the side. The scenery is filled with an atmosphere of joy and relaxation. The preface represents Li Bai’s inspiration at the banquet to encourage people to cherish the beautiful scenery and good times, enjoying them while it lasts.
　　Leng Mei was a court painter during the reigns of the Kangxi to Qianlong emperors who excelled at painting figures and court scenery. The opulent colors of this work and the refined brushwork make it a typical example of the beautiful detailed style of Qing court art.