WPPA memeber of the months- One of the famous wedding photographer interview ( Nick Ghionis ) www.wppa.com.hk
Member of the Month – Nick Ghionis @ X Sight
( www.xsight.com.au )
MORE PHOTO AND INTERVIEW : www.wppa.com.hk
1. XSiGHT is one of the most famous leading brands in the photography industry and it already has its studios and galleries in Melbourne, Sydney, Brisbane, Darwin, California (USA) and also London (UK)… Can you please give us a brief concept about do these studios work closely together or independently while all can maintain such a high level of quality that is absolutely amazing in terms of both business and artistry sense.
Nick: From the beginning the idea behind XSiGHT was to create a BRAND that will represent the best image making in the world. The business model we have attract photographers who are at the top of their game and aspire to be a part of a select group of individuals that will not only compliment the brand but also cement XSiGHT’s position as leaders in the industry.
All our studios work independently of each other with the common goal of creating stunning images and offering excellent customer service.
We put in place a proven business model that all studios would adhere to, but the freedom to create and be artistic in your own right is what makes XSiGHT unique.
2. You are the owner of XSiGHT Melbourne and how you can keep a balance role as you are the boss and photographer at the same time, which seem to be quite difficult to run a successfully business like yours… Do you mind to let us know how many staffs do you have and what is the distribution of their work? Does the scope meet your expectation?
Nick: XSiGHT Melbourne and the XSiGHT brand is owned and run by my wife Sharifa and I. We have surrounded ourselves with a team that can only be described as the best in the business so the day to day running of our Melbourne studio occurs with ease.
Without a great team, it is impossible.
We have two portrait photographers and two wedding photographers, a studio manager (also a photographer), a customer relations officer, two in house digital artists as well as our Creative Director and Photographer Rocco Ancora. Each person has specific roles to help the business run smoothly but most important is client liaison.
All this is overseen by Sharifa Ghionis while I get on with working on the business.
3. For the past years, how you position XSiGHT Melbourne in the market? Did you have a clear target set from the beginning?
Nick: When it comes to marketing our business, we recognize it’s not a once off event, it has a beginning a middle but never an end. There is not one key that opens the door, rather there are many aspects to marketing to ensure that clients are drawn to you on a regular basis. We have consistent strategies in place to make sure this happens and always keep an eye on market trends so as to keep up with changes in client expectations.
4. How you come to the idea of XMENTOR? Any specific marketing plan of it?
Nick: The XMENTORS came about when Rocco Ancora joined the XSiGHT family as Creative Director. As speakers and educators, Rocco, Sharifa and I decided to create a brand where we can draw on each other’s strengths and include different aspects to the photography business from digital workflow to management and business. The brand XMENTORS is all encompassing, making our workshops unique, as we offer photographers content that transcends more than just taking pretty pictures.
5. From your point of view, is marketing plan very important in running an artistry business? Can you share with us your way to figure out your marketing plan as it is very common for artistes that most of them are idealistic and will shift to the “art” side more then forget about the money matter spontaneously… Any advise or suggestions to photographers who just entered the industry and thinking about to set up their own business; and also to those photographers who are already running their own company?
Nick: Many people have a romantic notion of what a photographer is. We consider ourselves artists and get annoyed when business gets in the way of our creativity. Unfortunately this is where many fail in business.
When it comes down to it, we are selling a product. Regardless of the product, a business plan needs to be put in place that takes into account all aspects of photography. You need to calculate ALL expenses: overheads, printing, retouching, production, your time etc in order to make informed decisions and grow your business and profit margin. You need to be a business person in photography rather than a photographer in business.
6, When was the 1st time you had your very first shot? In what circumstances? Was it an amazing one? Then immediate fell in love with “shooting”?
Nick: I first picked up a camera at the age of 21 whilst on holiday in Fiji. Unlike today’s digital world where you are able to see in an instant what you are photographing, I used the camera merely as a tool to document my holiday. It wasn’t until I developed the film that I realise that I might have a talent for this. I actually enjoyed the process of taking photos and instinctively was able to get consistent results without really knowing what I was doing. I thought to myself “..imagine if I actually knew what I was doing, rather than putting it on auto.” That’s when the journey began. I devoured every magazine and book I could get my hands on.
As my passion grew so did my expenses. I built three darkrooms and enjoyed printing my own B&W prints. Like many who enjoyed the fine art of printing, my hero was Ansel Adams. I remember going to an exhibition of his and marvelled at the tonal range and depth that he was able to get in his images.
I would work 3 to 4 jobs to make money and pay for my new addiction. It wasn’t long before I purchased a 5×4 Linhof Master Technica and my 500cm Hasselblad with lenses and backs.
7. Do you remember what was your first set of equipment as a professional photographer? How’s their performance? Good?
Nick: My first camera was a Pentax MG and I grew out of that quickly as I was unable to put it on Manual. I then bought myself an Olympus OM1 which I loved and still have to this day.
8.When and how you have started as a wedding photographer? And how’s this first shoot led you to the way you are now?
Nick: Every weekend for 2 years I assisted other photographers with no pay, just so I could learn, but was too scared to do a wedding on my own. It wasn’t until 1989 that a friend asked me to photograph her wedding. Naturally I declined and thought nothing of it until 2 weeks prior to her wedding when she asked me what plan I had for her big day?! It was too late for her to find another photographer so I found myself shooting my first wedding! At the end of the day, I went home and vomited from stress and exhaustion. I remember paying a premium to get the negatives earlier because I couldn’t handle the anxious wait. When I got the results back I was pleasantly surprised. They were beautiful and it gave me the confidence to do more weddings.
After freelancing for a couple of studios and offering B&W printing services to them, I continued to work from home while persuing other ventures and business opportunities. It wasn’t until I joined XSiGHT that I truly forged ahead with my career. Focusing all my energy into being the best I can be. While I continued to serve our clients and exceed their expectations, my only motivation was to grow the business and remain at the top of our game. However the face of our company for many years was my brother Jerry Ghionis, an amazing photographer, and in my opinion one of the best wedding photographers in the world. It was only until he left the company that I had to make a conscious decision to step into the spot light and stear the company into its next phase. Amongst many initiatives that were put in place, one of them was to participate into the world of awards. Something that initially I was reluctant to do, but felt was necessary to continue the momentum of being an award winning studio, something that Jerry was already doing for our Brand.
9. Which is your best shot? And why?
Nick: With thousands of images taken, when asked which one is your favourite, it is hard to choose. But one photograph that I have dear to my heart is “ The Prayer “ This photograph was taken in the Greek Island of Rhodes, one of my favourite destination weddings. It was taken at the wedding of George and Fiona, who after their wedding decided that it was time they too realised their dream of running a photography studio. They now run XSiGHT Darwin, a thriving business in the north of Australia. At the time this image won 1st Place in the Wedding category at WPPI, it was a proud moment for me, not just for the fact that it won 1st place, but it did so without the over photoshop images that was prevalent in competitions and to a degree still is.
10.Any advice or suggestion could be given to photographers, especially for those fresh photographers?
Nick: I consider myself a purist when it comes to photography I implore all photographers whether you are starting out now or seasoned photographers artistry begins in the camera.
11.What is your motto in your life?
Nick: Many people ask me, what is your mantra? What do you stand for? I think living your life with respect and integrity is what I aspire to do every day.
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有人稱從事美髮行業的人為髮型師、造型師、設計師... 但, 當一種技術走到極致時, 他們已經晉升為名符其實的藝術家了! 小編今天分享給大家萊雅專業沙龍美髮 « 髮藝師 Odile Gilbert » 帶來的2012的春夏最新潮流趨勢【極致髮藝極致奢華 - 巴黎' 繡髮雙色】
今年的春夏趨勢融入法國文化的代表 - 高級訂製服以及華服背後的推手, 他們以無比精準與細緻的手工匠藝,對流行趨勢帶來巨大的影響,並讓服裝成為一們藝術。我們希望能就由本次的趨勢推廣極致匠藝, 他們是隱身於時尚華服背後的無名英雄。我們同時也向表現極致匠藝的髮型師致敬,他們打造如同精緻布料的髮絲,展現其獨特才華。
髮絲猶如最精美的織物,充滿了無限可能,仰賴專業設計師的巧手,打造出如同藝術品一般的髮型。
今年夏天,優雅質感的浪潮將再一次席捲流行前線!
She started her career in 1975, first as an assistant to the famous hairstylist Bruno Pittini, in his salon and studio. Working along with Pittini allowed her to meet celebrities and work on fashion shows and advertising photo shoots.
In 1982, she moved to New York and started working for fashion and beauty editorials in famous fashion magazines with big photographers such as Richard Avedon, Helmut Newton, Herb Ritts, Irving Penn, Steven Klein, Peter Lindbergh, Jean-Baptiste Mondino and Paolo Roversi, among others. Renowned fashion and perfume houses, such as Calvin Klein, Lancôme, Giorgio Armani and Jean-Paul Gaultier, entrusted her with styling the hair of models in their advertising campaigns. Her best known work was on fashion shows, on which she worked in tight co-operation with the designers, in some cases for many years.
In 2000, she opened her own agency in Paris, l‘Atelier (68), to manage her career and also represent new talents in the beauty industry.
In 2003, she published Her Style, Hair by Odile Gilbert, prefaced by Karl Lagerfeld. In 2005, Sofia Coppola called upon her to do the art direction of the main character of her movie, Marie-Antoinette, played by Kirsten Dunst.
In 2006 she received from Renaud Donnedieu de Vabres, the French Minister of Culture and Communications, the honorable insignia of Chevalier des Arts et des Lettres. To date, she is the only female hairstylist with this honour.
In 2007, the Costume Institute of the Metropolitan Museum of New York bought for their permanent collection one of the top hats made of natural hair she created for Jean Paul Gaultier's Haute-Couture AW 2006 show.
In France , the government has awarded the Chevalier des arts et des lettres distinction to visionaries including writer William S. Borroughs , composer Philip Glass, director Tim Burton, dancer Randolph Nureyev .. and hairstylist Odile Gilbert. If you haven’t heard her name before, you probably don’t work in beauty or fashion, but there’s a reason she’s the only of two hairstylists to have received this honor. Gilbert’s fanciful creations have made her a favorite of fashion powerhouses( including Karl Lagerfeld and JP Gaultier) , photographers ( Richard Avedon and Irving Penn were family) , and the coolest young designers (Jason Wu and the Mulleavy sisters of Rodarte). But weather she’s painting hair with 24 karat gold, sculpting it with mud and clay, or attaching feathers so practically every strand on a model’s head, her styles are still flattering. “You never want someone to look or feel weird”, says Gilbert. “I’m able to see this because it’s my job ,and because I’m a girl” .
That last bit is more novel than you might think. Gilbert is the only top female hairdresser backstage at the fashion shows. In a world were most of the big names are boys, Odile is a legendary presence that has opened many doors for other women hairstylists.
Away from the runways, she’s styled some of the biggest beauty ads for the likes of Lancôme and Chanel, as well as Kirsten Dunst elaborate looks in Marie Antoinette (Gilbert meant for them to resemble pastries, and worked in a diamond-and-roby necklace, which she says it’s the most over-the-top materials she’s used to date.) Her avant-garde style has even been displayed in museums. The Metropolitan Museum of Art’s Costume Institute in NYC bought a hat that Gilbert made out of hair for Gaultier’s runway, and she fashioned 50 hadpieces out of butterflies, flowers, and shells for the designer’s retrospective. (THE EXHIBIT WILL TRAVEL TO THE Dallas museum of Art in November.)