Today was the first day of PSLE.
I thought I did quite a good job by waking the big girl up, making her French Toast, braiding her hair and writing her a letter of encouragement - with her favourite Sumikko Gurashi design - to wish her all the best.
But this girl, she touches me in ways I never expect and brings joy through the little things she does. Not only does she make life happier for me, she is also my motivation to be a better, braver and stronger mum.
This afternoon, after enduring an over 4-hour wait in school due to a technical glitch during her oral exam and only having a bun and biscuit between 7am to 230pm, she came back home on her own, hungry but not whiny. I served her a big bowl of herbal chicken soup with mee sua which she ate heartily before taking a rest.
In the evening, she helped me to take care of the baby and after dinner, we watched a couple of hours of TV to relax, including AGT and Just for Laughs Gags, because I do think it's more important for her to feel happy than stressed at this point.
Before she went to bed, she wrote this sweet thank you letter for me which I totally didn't see coming and it totally melted my heart. Ironically, it's day 1 of her major exam yet she cheered and lifted me up more than what I did for her. Awwww. And I think I needed this.
Love you so much, my dear Angel. No matter what happens, you know I will always, always be proud of you. Thank you for being you.
All the best to those who are taking their PSLE too! ❤
P.S. She also dropped her molar, which is her 18th tooth, tonight too. Yup, only two more milk teeth to go and her last few visits from Tooth Fairy. This girl is growing up so fast and it's a bittersweet feeling but I am embracing every moment of seeing her mature into a fine young lady.
#ahappymum #psle #firstborn #thankfulforyou #growingup #motherhood #heartfelt
同時也有9部Youtube影片,追蹤數超過11萬的網紅馮韋元Francois Devatine,也在其Youtube影片中提到,法國已經第二次的封城。。。 那我。。住在台灣,台灣的疫情管理非常成功。有一些新聞説台灣是世界上最成功管理疫情的國家。 比如:https://www.taiwannews.com.tw/en/news/4046909 我一直在問自己:爲什麽法國的政治的人,新聞,科學家都不在講到台灣??台灣疫情管理世...
「french letter i」的推薦目錄:
- 關於french letter i 在 A Happy Mum Facebook 的精選貼文
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- 關於french letter i 在 VOP Facebook 的最佳解答
- 關於french letter i 在 馮韋元Francois Devatine Youtube 的精選貼文
- 關於french letter i 在 Yuka Kinoshita木下ゆうか Youtube 的最佳貼文
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- 關於french letter i 在 Why does French have letter é and e? 的評價
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== Top 250 หนังโปรดตลอดกาลของข้าพเจ้า ==
หลายคนอาจยังไม่เคยรู้ว่าที่มาของเพจคือมาจากการตั้งกระทู้ Top 250 หนังโปรดในพันทิป แล้วค่อยมาสร้างเพจไว้เก็บโพสต์ถึงหนัง แต่ช่วงหลัง ๆ ไม่ได้อัพเดทอันดับหนังในดวงใจ วันนี้เลยถือโอกาสอัพเดทสักเล็กน้อย ซึ่งอันดับต้น ๆ จะเรียงลำดับอยู่ แต่อันดับหลังกลางถึงหลังไม่ได้เรียงลำดับแบบมีนัยยะมากนัก ลองไล่ดูกันได้เลยครับ อาจมีตกหล่นไว้อัพเดทใหม่อีกรอบครับ
1 | The Dark Knight (2008)
2 | The Godfather (1972)
3 | Schindler's List (1993)
4 | Vertigo (1958)
5 | 12 Angry Men (1957)
6 | L.A. Confidential (1997)
7 | Casablanca (1942)
8 | Seven Samurai (1954)
9 | The Shawshank Redemption (1994)
10 | Chinatown (1974)
11 | Rebecca (1940)
12 | M (1931)
13 | Rear Window (1954)
14 | To Kill a Mockingbird (1962)
15 | The Sting (1973)
16 | Sunset Blvd. (1950)
17 | Les diaboliques (1955)
18 | The Cameraman (1928)
19 | On the Waterfront (1954)
20 | Casino Royale (2006)
21 | Harakiri (1962)
22 | Rashomon (1950)
23 | Ace in the Hole (1951)
24 | A Separation (2011)
25 | The Apartment (1960)
26 | Rififi (1955)
27 | In the Mood for Love (2000)
28 | The General (1926)
29 | High and Low (1963)
30 | Paths of Glory (1957)
31 | North by Northwest (1959)
32 | Portrait of a Lady on Fire (2019)
33 | Once Upon a Time in America (1984)
34 | All About Eve (1950)
35 | Amadeus (1984)
36 | Double Indemnity (1944)
37 | The Godfather: Part II (1974)
38 | Witness for the Prosecution (1957)
39 | The Social Network (2010)
40 | Metropolis (1927)
41 | Laura (1944)
42 | The Lost Weekend (1945)
43 | The Silence of the Lambs (1991)
44 | Das Boot (1981)
45 | Some Like It Hot (1959)
46 | Anatomy of a Murder (1959)
47 | Dial M for Murder (1954)
48 | Psycho (1960)
49 | High Noon (1952)
50 | Blade Runner (1982)
51 | Heat (1995)
52 | The Matrix (1999)
53 | Tokyo Story (1953)
54 | Shadow of a Doubt (1943)
55 | Sweet Smell of Success (1957)
56 | The Lives of Others (2006)
57 | Patton (1970)
58 | 2001: A Space Odyssey (1968)
59 | Lawrence of Arabia (1962)
60 | The Battle of Algiers (1966)
61 | Indiana Jones and the Raiders of the Lost Ark (1981)
62 | Letter from an Unknown Woman (1948)
63 | Night Train to Munich (1940)
64 | The French Connection (1971)
65 | Chicago (2002)
66 | The Departed (2006)
67 | Spione (1928)
68 | Touch of Evil (1958)
69 | Jaws (1975)
70 | Parasite (2019)
71 | Once Upon a Time in the West (1968)
72 | King Kong (1933)
73 | La La Land (2016)
74 | The Triplets of Belleville (2003)
75 | One Cut of the Dead (2017)
76 | Inside Out (2015)
77 | Singin' in the Rain (1952)
78 | The Killing (1956)
79 | Steve Jobs (2015)
80 | Rio Bravo (1959)
81 | Perfect Blue (1997)
82 | Million Dollar Baby (2004)
83 | White Heat (1949)
84 | West Side Story (1961)
85 | Amy (2015)
86 | Eternal Sunshine of the Spotless Mind (2004)
87 | Red River (1948)
88 | Kramer vs. Kramer (1979)
89 | The Great Escape (1963)
90 | The Maltese Falcon (1941)
91 | The Man Who Shot Liberty Valance (1962)
92 | Ben-Hur (1959)
93 | Gladiator (2000)
94 | The Bad Sleep Well (1960)
95 | Birdman (2014)
96 | The Hustler (1961)
97 | Mother (2009)
98 | Munich (2005)
99 | Mildred Pierce (1945)
100 | Frost/Nixon (2008)
101 | Papurika (2006)
102 | Rebel Without a Cause (1955)
103 | Predator (1987)
104 | Stalag 17 (1953)
105 | Drive (2011)
106 | The Hurt Locker (2008)
107 | Bicycle Thieves (1948)
108 | Se7en (1995)
109 | The Sixth Sense (1999)
110 | The Big Heat (1953)
111 | Two Days, One Night (2014)
112 | American Beauty (1999)
113 | A Streetcar Named Desire (1951)
114 | Arrival (2016)
115 | In Cold Blood (1967)
116 | The Treasure of the Sierra Madre (1948)
117 | The Third Man (1949)
118 | The Prestige (2006)
119 | Twelve Monkeys (1995)
120 | Tomorrow I Will Date With Yesterday's You (2016)
121 | The Bridge on the River Kwai (1957)
122 | Pan's Labyrinth (2006)
123 | It Happened One Night (1934)
124 | Planet of the Apes (1968)
125 | Dog Day Afternoon (1975)
126 | Shane (1953)
127 | Leaving Las Vegas (1995)
128 | Brute Force (1947)
129 | The Usual Suspects (1995)
130 | Unforgiven (1992)
131 | Nightcrawler (2014)
132 | Jurassic Park (1993)
133 | Goodfellas (1990)
134 | The Player (1992)
135 | From Russia with Love (1963)
136 | Mr. Smith Goes to Washington (1939)
137 | It's a Wonderful Life (1946)
138 | The Adventures of Robin Hood (1938)
139 | Clueless (1995)
140 | Blue Valentine (2010)
141 | Shakespeare in Love (1998)
142 | Raise the Red Lantern (1991)
143 | House of Flying Daggers (2004)
144 | City of Life and Death (2009)
145 | And Then There Were None (1945)
146 | Blancanieves (2012)
147 | Take Shelter (2011)
148 | The Bridges of Madison County (1995)
149 | Her (2013)
150 | Inception (2010)
151 | The Spiral Staircase (1946)
152 | Godzilla (1954)
153 | Children of Men (2006)
154 | The Artist (2011)
155 | Watchmen (2009)
156 | Charade (1963)
157 | The Fall (2006)
158 | 4 Months, 3 Weeks and 2 Days (2007)
159 | Crouching Tiger, Hidden Dragon (2000)
160 | Saving Private Ryan (1998)
161 | The Fugitive (1993)
162 | Memento (2000)
163 | Up in the Air (2009)
164 | Slumdog Millionaire (2008)
165 | United 93 (2006)
166 | Foreign Correspondent (1940)
167 | The Queen (2006)
168 | Out of the Past (1947)
169 | The Asphalt Jungle (1950)
170 | The Ides of March (2011)
171 | The Bourne Ultimatum (2007)
172 | Avengers: Endgame (2019)
173 | X-Men: First Class (2011)
174 | Captain America: Civil War (2016)
175 | Match Point (2005)
176 | Inglourious Basterds (2009)
177 | City of God (2002)
178 | Atonement (2007)
179 | Little Miss Sunshine (2006)
180 | The Wages of Fear (1953)
181 | JFK (1991)
182 | Paper Moon (1973)
183 | Ikiru (1952)
184 | There Will Be Blood (2007)
185 | The Descendants (2011)
186 | Letters from Iwo Jima (2006)
187 | Taxi Driver (1976)
188 | Capote (2005)
189 | The Hidden Fortress (1958)
190 | Wait Until Dark (1967)
191 | Superman (1978)
192 | Midnight in Paris (2011)
193 | Full Metal Jacket (1987)
194 | Gone with the Wind (1939)
195 | The Man Who Would Be King (1975)
196 | Master and Commander: The Far Side of the World (2003)
197 | Night and the City (1950)
198 | The Remains of the Day (1993)
199 | Sansho the Bailiff (1954)
200 | Uncut Gems (2019)
201 | Good Night, and Good Luck. (2005)
202 | Apocalypse Now (1979)
203 | The Conversation (1974)
204 | Le Trou (1960)
205 | 1917 (2019)
206 | The Handmaiden (2016)
207 | The Twilight Samurai (2002)
208 | Black Swan (2010)
209 | Phoenix (2014)
210 | Strange Days (1995)
211 | The Incredibles (2004)
212 | WALL-E (2008)
213 | Fantastic Mr. Fox (2009)
214 | Toy Story (1995)
215 | Ex Machina (2014)
216 | Star Trek II: The Wrath of Khan (1982)
217 | Solaris (1972)
218 | City Lights (1931)
219 | Andhadhun (2018)
220 | The Window (1949)
221 | Russian Ark (2002)
222 | Gaslight (1944)
223 | Eyes Without a Face (1960)
224 | The Favourite (2018)
225 | Shutter Island (2010)
226 | The Truman Show (1998)
227 | Before Sunrise (1995)
228 | Architecture 101 (2012)
229 | Minority Report (2002)
230 | Scream (1996)
231 | A Hard Day (2014)
232 | What We Do in the Shadows (2014)
233 | Melancholia (2011)
234 | The Birds (1963)
235 | 300 (2006)
236 | Cabaret (1972)
237 | Shadow (2018)
238 | The Hunt (2012)
239 | Safety Last! (1923)
240 | The Stranger (1946)
241 | Memories of Murder (2003)
242 | The Day of the Jackal (1973)
243 | The Princess Bride (1987)
244 | Glengarry Glen Ross (1992)
245 | Roman Holiday (1953)
246 | Justice League: Gods and Monsters (2015)
247 | A Fantastic Woman (2017)
248 | The Rocketeer (1991)
249 | The Constant Gardener (2005)
250 | My Sassy Girl (2001)
#หนังโปรดของข้าพเจ้า
french letter i 在 VOP Facebook 的最佳解答
新刊預覽 👀⚡️⚡️⚡️
Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image
延續我們對於攝影史的關注,本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發,自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影,到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象?如何化為一具科學標本和一幅想像圖騰?如何在視覺上被納編(或排除)於國族與文化的整頓編程,並糾結至今?此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。
藉此,本期試圖反詰「歷史」,思考致使我們「成為影像」、「進入攝影史」的支配與佈局,嘗試突破以往「攝影(者)的歷史」框架,開啟我們的「被攝影(者)的歷史」覺察,或許將能發現對我們而言更為重要的攝影的歷史遺產,生成屬於我們的另翼影像史觀。
專題中收錄的影像與文論,標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始,探看影像採集的知識化歷程及當代意涵;黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印,細述二人巨大的歷史身影;高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中,重新諦視「歸順者」肖像裡的幽微目光;瓦歷斯.諾幹以解/反殖民書寫,展現自身與族人生命經驗裡實切的影像歷史感知;松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演,析解形塑「台灣」的視覺策略。
本期Artist’s Showcase單元,我們與藝術家葉偉立進行長篇訪談,呈現他這些年來以行動介入所構成的獨特影像場域,記錄其未曾間斷的勞作沉思。而在影像論述單元,本期新闢由影像研究者李立鈞執筆的科學攝影專欄,揭示平時隱沒在科學實踐中的「影像問題」,首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起,一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像/視覺理論的引介,深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列,揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾.斯蒂格勒,記述其影像哲理綿延的技術與時間之論。
在本期出版(焦頭爛額)之際,也正是《攝影之聲》邁入第十年的開端,回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊,也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴,給予我們面對艱困的勇氣,繼續在蜿蜒的道路上行進。
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購書 Order | http://bit.ly/vop-29
台灣讀者免運費優惠中!
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As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.
With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.
The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.
In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.
At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.
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本期目錄 Contents
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文化調查、標本收藏與攝影
——十九世紀中葉起的台灣調查採集動力與歷史脈絡
Cultural Investigations, Material Collections and Photography:
Agencies and Historical Contexts in Taiwan Since the Mid 19th Century
#胡家瑜 Hu Chia-Yu
「空中鳥跡」與「依風彩畫」——寄鳥居龍藏與森丑之助
“The Trail of Birds in Flight” and “Paintings in the Wind”: A Letter to Torii Ryuzo and Mori Ushinosuke
#黃翰荻 Huang Han-Di
「不看」的能指——關於理蕃攝影中的「歸順者」之眼
The Significance of “Not Seeing”: On the Eyes of the “Submissives” in the Photography of the Aboriginal Taiwanese
#高俊宏 Kao Jun-Honn
關於日據時期老照片的解/反殖民書寫練習
Interpreting Old Photographs from the Japanese Occupation Period De-/Anti-Colonization Practice Writings
#瓦歷斯諾幹 Walis Nokan
人類的「展示」與殖民地再現——以1912年拓殖博覽會為中心
The “Exhibition” of Mankind and the Resurgence of Colonization: A Look at the Tokyo Colonial Exposition of 1912
#松田京子 Matsuda Kyoko
如何「做」視覺民族誌?——讀《學做視覺民族誌》
How to “do” a visual ethnography?: Understanding Doing Visual Ethnography
#顧錚 Gu Zheng
我們可以祛除帝國主義嗎?——《潛在的歷史》的指引
Can We Unlearn Imperialism?
Methods and Lessons from Potential History by Ariella Azoulay
史蒂芬.席海 #StephenSheehi
Artist’s Showcase: #葉偉立 Yeh Wei-Li
故事之野——訪葉偉立
A Field of Stories: Interview with Yeh Wei-Li
#李威儀 Lee Wei-I
「可怖的客觀性」——十九世紀的顯微攝影
“Dreadful Objectivity”: Photomicrography in the 19th Century
#李立鈞 Lee Li-Chun
偉大的否定——負影像史
The Great Disavowal: A Counter History of Image
#謝佩君 Hsieh Pei-Chun
追夢人的藥控——離散的「貝拿爾.斯蒂格勒」影像
Pharmakon by Dreamer: Discrete Image of Bernard Stiegler
#黃建宏 Huang Chien-Hung
浴火重生的香港攝影(上)——最早為香港留下照片的攝影師
Hong Kong Photography: Rising from the Ashes (I) – The Photographer Who Left Behind the First Images of Hong Kong
#黎健強 Edwin K. Lai
攝影書製作現場⑤ : 便利堂
Photobook Making Case Study #5: Benrido
#羅苓寧 Lo Ling-Ning
七等生 : 重回沙河
Qi Deng Sheng(1939-2020): A Return to Sand River
李威儀 Lee Wei-I
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更多訊息 More info :
www.vopmagazine.com
french letter i 在 馮韋元Francois Devatine Youtube 的精選貼文
法國已經第二次的封城。。。
那我。。住在台灣,台灣的疫情管理非常成功。有一些新聞説台灣是世界上最成功管理疫情的國家。
比如:https://www.taiwannews.com.tw/en/news/4046909
我一直在問自己:爲什麽法國的政治的人,新聞,科學家都不在講到台灣??台灣疫情管理世界上最成功!我們法國的媒體都在講國内的事情而已,偶爾在講鄰居的事情 (都是疫情管理不太成功的國家)。
爲什麽不要講到台灣?爲什麽不要學台灣怎麽成功的??
我在這影片不會分享自己的意見,不是我的責任,我不是專業的一生。但是我想强調的是台灣做得非常好,我希望法國可以多研究台灣做了什麽,才可以成功!
我在影片講到的新聞:
https://www.taiwannews.com.tw/en/news/4040498
https://www.taiwannews.com.tw/en/news/4046909
請你訂閲我的頻道~
IG: @yuanyuanintaiwan
FB: www.facebook.com/yuanyuanintaiwan
France is already under the second lockdown to deal with the coronavirus.
In parallel, I have been living in Taiwan, which is in the top countries of the world for their handling of the epidemic. Actually a lot of media recognize Taiwan as being THE most successful country dealing with the epidemic.
For example this news from the Brookings institute saying that Taiwan is the first country in the world in term of success fighting the covid19 based on number of deaths X GDP growth in this period: https://www.taiwannews.com.tw/en/news/4046909
I keep questioning myself: Why are the French media, politicians and scientists not actively talking and studying about the different measures that Taiwan has taken to deal with the epidemic?
In France, we have a very self-centered media that only looks at our own struggle, or sometimes the neighbors, Spain, UK, etc, which don't do very well either.
Why aren't we constantly talking about how Taiwan is dealing with the epidemics? Why aren't we trying to learn something from Taiwan?
In this video, I will not give any particular advice on how to deal with the epidemics, because it is not my area of expertise. I just want to emphasize the fact that Taiwan has been doing extremely well, and I wish France would look into this seriously from now on.
Please subscribe to my channel!
IG: @yuanyuanintaiwan
FB: www.facebook.com/yuanyuanintaiwan
french letter i 在 Yuka Kinoshita木下ゆうか Youtube 的最佳貼文
[use CC to enable Subtitles] Hello, my name is Kinoshita Yuka! I love eating.
OoGui (eating a lot) is my channel's main focus. I often do a social eating live (Mukbang)
Today,I ate Niigata Prefecture's Half-Baked Castella from " Kashi Touji Kitaro " with financier d'or and a lot of various kinds of Castella . It was so Luxury and Really Tasty, and Thanks to the two viewers who send me that with so kind letter, i'm so happy !!!
木下ゆうかLINEスタンプ2でたよ!!!ᐠ( ᐢᐢ )ᐟ
https://store.line.me/stickershop/product/1265744/ja
LINEアプリ内の、スタンプショップで『木下ゆうか』と検索すると出てきます!
セカンドチャンネル作りました!∩^ω^∩
木下ゆうかのゆるちゃん!/YukaKinoshita2
https://www.youtube.com/channel/UCjpPqow_Rlv0A9RePeJ6nAA
⭐️2016木下ゆうかオリジナルグッズができました!\(﹡ˆOˆ﹡)/
【Tシャツ&パーカーが追加されたよ!】https://uuum.skiyaki.net/yuka_kinoshita
【はらぺこパズル】ごはんに恋をした
[iOS]http://bit.ly/2aWQUDK
[Android]http://bit.ly/2btZ3eP
木下ゆうか:“Yuka Kinoshita” Japanese
⭐️[[TURN ON CC FOR SUBTITLES]] ⭐️
for more fully subtitled videos click here bit.ly/YukaEats
⭐️Thank you Aphexx(@aphexx9 )-English subtitles
⭐️Thank you Range o(@orange0204)-Chinese subtitles
⭐️Thank you Waza_leji(Ieji_San) -Arabic subtitles
⭐️Thank you Taejun Lee -Korean subtitles
⭐️Thank you Jane-Korean subtitles
⭐️Thank you Jennii-Japanese subtitles
⭐️Thank you Mei Lin-Vietnamese subtitles!
⭐️Thank you Alice M (@YannaBurton)-French subtitles
If you've captioned/subbed one of my videos please inform me via E-mail. Thank you
⭐️エンディングなどのイラストは、ケイジェーさんに書いていただきました!(Twitter @K__j_344)
http://t.co/rWRrlpd5Pc
⭐️中国語の字幕を作ってくれてるRange oさんがチョコエッグをまとめたサイトを作ってくれました!
https://sites.google.com/a/origin-rise.twbbs.org/origin-rise/chocoegg
こちらは年表だよ!
https://sites.google.com/a/origin-rise.twbbs.org/origin-rise/mochiko
Thank you Mr. Range o!
⭐︎FOLLOW ME
Twitter https://twitter.com/mochiko0204
Facebook https://www.facebook.com/pages/%E6%9C%A8%E4%B8%8B%E3%82%86%E3%81%86%E3%81%8B-KinoshitaYuka/825093884226382
大食いが不思議な方は是非この動画を観てください!
http://www.youtube.com/watch?v=wJ3qb8tTUlM&sns=em
I’m also a competitive eater as a job.
Please let me know via email or comment if you have any requests what you want me to try or you wanna have a food battle with me!
素材提供 PIXTA
お仕事の依頼はこちらにメールください(﹡ˆᴗˆ﹡)
Please contact me if you have any job requests.
[email protected]
Thank you for supporting in making subtitle.
french letter i 在 おもしろ雑貨コレクター Youtube 的精選貼文
◆この文房具について◆
[コレクションNo.0147]
どうも、おもしろ雑貨コレクターの伊勢海老太郎です。今回はフライドポテトそっくりなボールペンの紹介です。ケチャップまでついて、かなりリアルで美味しそうですが、もちろん食べられません。食品サンプルみたいですよね。このボールペンで字を書いていたら、お腹がグーグー鳴っちゃいそうです。フライドポテト好きにはつらいボールペンかもしれませんね(笑)。「French Fry Pen」という商品で、820円で購入しました。詳細は下記関連リンクをご確認ください。
◆関連リンク◆
※売切れ
◆SNS◆
[My other channel]
https://www.youtube.com/channel/UCs5DZw6JqgrGuyyjYAjV4IQ
[Instagram]
https://www.instagram.com/iseebitarou_com
[Twitter]
https://twitter.com/iseebitarou_com
[Facebook]
https://www.facebook.com/iseebitaroublog
[Blog]
http://www.iseebitarou.com
[note]
https://note.com/iseebitarou
[楽天Room]
https://room.rakuten.co.jp/iseebitarou/items
◆Description◆
It is a ballpoint pen looking like a french fries. Up to ketchup, it looks pretty real and tasty, but of course I can not eat it. It looks like a food sample. It seems my stomach will ring if I write a letter with this ballpoint pen. It might be a hot ballpoint pen for loving French fries.
Thank you, Google translation.
french letter i 在 Why does French have letter é and e? 的推薦與評價
There are many accents in French, you can't decide to use them or not as it pleases you. It's always here for a reason, and if you don't use it when needed, ... ... <看更多>