11h đêm ủng hộ the GOAT năm bờ oăn nào các nuii
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Trời hôm nay nhiều mây cực
= Today’s cloudy as fudge
Đặt bàn tay mình ngay ngực
= Put my hand on my heart
Nghe con tim mình xóc nảy
= Listen to the pitter patter
Chiều mướt mải làn tóc bay
= Hair in the afternoon aflutter
Tâm tư tựa như bánh tráng
= My mind is like rice paper
Mỏng và có màu cánh gián
= Thin and puce-colored
Không muốn lòng cứ âm u
= Don’t want no doom and gloom
Giữa căn phòng nhiều ánh sáng
= Inside a brilliant room
Lấy xe rời bỏ phố xa
= Hop on a bike leaving the city behind
Nơi đó nhiều khi làm khó ta
= Where I was often in a bind
Không chở ai nên có đà
= Empty backseat lets me take flight
Lên con dốc bằng số ba
= Ride uphill in third gear
Lại đi tìm về lối nhỏ
= Back in the alley here
Mắt nhìn trời đầu thì gối cỏ
= Eyes to the sky, head laid on the grass
Nặn mặt trời thành một khối đỏ
= Mold the sun into a reddish mass
Đôi khi nhắm mắt lại nhìn mới rõ
= Squinting helps when it’s hard to watch
Nhắm mắt lại trời tối om
= Shutting turns the sky pitch dark
Gom mây lại thành gối ôm
= Gather clouds into a body pillow
Chất muộn phiền thành khối rơm
= In a bale of straw pile up sorrows
Lửa lòng cháy mùi khói thơm
= Soul on fire wafting a nice aroma
Rừng lặng tiếng và im hơi
= In the woods all sounds become soft
Im cho tới độ nghe kim rơi
= So quiet you could hear a pin drop
Sầu thi nhau mà tháo chạy
= Sorrows rush to exit in tow
Chiều nay nắng mang tim phơi
= Heart hung dry by the afternoon glow
Hook:
Đi vào rừng một mình không có rủ ai
= Into the woods alone no need for chaperones
Ngực no mùi đất mẹ, làm con đủ high
= Puffing on Mother Earth, enough to get so high
Sẽ luôn là người tốt, như là lũ nai
= Be a good Samaritan, forever doe-eyed
Học cách làm chủ được mình trước khi làm chủ ai
= Be your own boss before bossing around other lives
Ở trong rừng an toàn hơn ở trên mạng
= Into the woods is safer than online
Một mình vẫn tốt hơn là mất thêm bạn
= Choose solitude to evade goodbyes
Thế giới này không phải của chúng mình đâu
= Claiming this world is ours ain’t right
Loài người được đằng chân rồi lấn đằng đầu
= Give someone an inch, and they’ll take a mile
Verse 2:
Ta bị không gian thao túng
= Yield myself to the space
Bị thời gian làm cho nao núng
= The time has me hesitate
Bị giới hạn trong đủ đầy
= Confined by ample supplies
Trong những đêm suy tư và ngủ ngày
= And sleeping in after restless nights
Bao nhiêu đôi ở trong tủ giày
= Umpteen pairs in the shoe cabinet
Liệu con đường kia có dễ bước?
= Could they ease life’s hindrances?
Bọc thêm áo và thêm quần
= Wrapped in more clothing all the way
Mà lòng người thật ra vẫn dễ xước
= Does not keep the heart unscathed
Đời sao kì lạ, đúng ra
= Life’s so strange in a sense
Đừng bắt ta chọn giữa súng-hoa
= Stop forcing us to pick, guns or roses
Đừng cầm gót chân rồi nhúng qua
= Stop trying dipping our heels of Achilles
Chúng ta thuộc về chúng ta
= We make our own histories
Rốt cuộc thì ai cũng sẽ bị buộc phải lớn
= Everybody has to grow up eventually
Niềm đau sẽ đến một ngày không muộn thì sớm
= Pain will visit one day, late or early
Không còn là trẻ lên năm lên ba
= Gone are the days of being kiddies
Nghĩ cho thật kỹ trước khi đặt một hình xăm lên da
= Think hard before etching ink in the skin
Miệt mài viết tiếp để những đêm trắng hoá thành đêm bạc
= Lose myself in composing, dye all-nighters silvery
Lòng tham duy nhất là mong trong đầu có nhiều thêm nhạc
= Head filled with verses is my only greed
Và vẫn chối từ cái ngủ ghé đến đòi hôn mắt nồng
= To still deny my eyes the sweet slumber’s kiss
Dù biết một ngày mọi thứ cũng thành “nhựa nhôm sắt đồng”
= Though I know all will reduce to scrap metal
Sau này, sau này, sau này
= One day, one day, one day
Chỉ mong là không còn cau mày
= Just hope that my brow no longer furrows
Học cách để làm mình bình thản
= Learn to let it all go
Từ niềm vui cho tới niềm đau này
= From the highs to the lows
Và mong là còn được cười, ngày mây kéo trắng về trên luống tóc
= Hopefully the day my locks turn cloudy gray, me smiling will still be a thing
Vẫn chưa từng được gặp Tăng Thanh Hà, nhưng đôi khi bỗng dưng lại muốn khóc
= Have yet to run into Tang Thanh Ha, but sometimes the blues still come knocking
Verse 3:
Nếu cho ta ngai vàng, ta sẽ bán lấy tiền mua bánh ăn
= I’d trade a royal throne for hard cash to stuff my stomach
Mua bánh bò, bánh pía, bánh trung thu và thèm cả bánh căn
= With honeycomb cakes, “pia” cakes, mooncakes, and even “can” pancakes
Cũng vì tiết kiệm nước, nên nhiều lần chỉ tắm trong ánh trăng
= Been moonbathing many times as I’ve got water to save
Làm gì thì cũng vậy, ngày hai lần ai cũng phải đánh răng
= Whatever you do, you still gotta brush twice a day
Ngày còn nhỏ anh thường băn khoăn
= To my younger self I would often say
Có điều gì đó ở trên cung trăng
= What is it that lies on the moon up there
Nếu là chú cuội và chị Hằng
= If it’s really “chu Cuoi” and “chi Hang” (the Moon guy and the Moon lady)
Họ lấy cái gì làm thức ăn
= What food do they live on to survive
Rồi tình đầu tới, buổi tối đầu tiên
= Then came the first love, the first night together
Em thơm và ngậy như là múi sầu riêng
= Like durian flesh, you were aromatic and full of flavors
Lòng mình khi đó như được sơn sắc hồng
= My heart then felt pink-tinged with fever
Còn e dè hệt như chim ôm chắc lồng
= Still like a bird clutching its cage, I dithered
Như tranh của Le-vi-tan
= Like a Levitan’s painting
Mùa yêu năm đó thật vàng
= The season was our golden loving
Em như là con nai nhỏ
= A fawn, like you were
Anh là đám lá thu sang
= A fall foliage, like I was
Tình yêu như lò vi sóng, làm ta nóng từ trong ra
= Making us hot and bothered, our love was like a microwave
Mang đến nhiều dư vị như đồ ăn chợ Đông Ba
= Like the food in Dong Ba market, it left such a rich aftertaste
Tiếc là mình không gặp người lái đò ở Sông Đà
= What a shame we did not come across the ferryman at Da River
Nên em thì ra cửa Đáy, anh đổ ngược về Sơn La
= Thus you drifted to Day estuary, me finding myself back in Son La
Mình lao vào những guồng quay
= We both got swept away by the currents of life
Giờ cũng không thấy buồn mấy
= And have since become desensitized
同時也有124部Youtube影片,追蹤數超過16萬的網紅C CHANNEL Art&Study DIY Crafts Handmade,也在其Youtube影片中提到,Cute Animal Accessory Tray 遊び心満載♡アニマルアクセサリートレー 【Materials】 · Paper clay · Presser · Lacquer spray Navy blue, gold · Something to spread beneath (ga...
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- 關於hand painting on paper 在 C CHANNEL Art&Study DIY Crafts Handmade Youtube 的最讚貼文
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hand painting on paper 在 Pakar diari hati Facebook 的精選貼文
Di antara membaca,bercakap dan menulis,mana satu nak dimulakan dulu?
1. Bercakap.
Usia KRITIKAL : 0-2 tahun.
...Continue ReadingBetween Reading, talking and writing, which one to start first?
1. Talk.
Critical Age: 0-2 years old.
This is the most important element in the life of a human being. Talking is important for us to communicate about our thoughts and feelings so that the people around know what we want to say so that there will be no misunderstanding.
Start since your child just came out to see the world, which is within 24 hours after being born. Greet your child, give greetings... say 'hi', kiss.... hug, say whatever you want to say. Just chat. It looks like it's not right when sitting in the ward, we're talking alone while giving eye contact to the baby. But that's the first thing we have to do since our child was born. And konsistenlah talks to them until they grow up, nak2 in the first two years.
I often ask parents, ' child can talk or not? 'most answer' already, said... ABC, 123 all he knows. Even jawi letters. ' I said, that's not talking. Where is the same talk by knowing those letters!
Talking is communicating. There is an eye contact, got a child answering back to the question, react to the name from mom dad, calling, not mention it.
Once when my child was admitted in the hospital, there was a mother 'talking' to her child who was a year and 6 months in spelling. That's strong! ' B.U.K.U... Book! ' I guess he's the target of his child to be good at spelling while talking. The rest of the time, I see his son just given a gadget and 'learn' through gadgets. Rampage Toksah say it. As long as something is wrong, the child is just raging. Noisy one ward listen!
I'm crazy looking at it!
Spelling is not talking!
Reading is not talking!
Counting not talking!
Talk need to have eye contact.
Speaking must have a understanding between two parties.
Talk must have expression and expression.
Talking is communication, there are people who listen, there are people who reply back.
Speaking must have a impersonation, better to copy in terms of style or sound of rattles.
Giving gadgets and learning at this age?
If possible, avoid it!
2. Doodling & painting
Critical Age: 1-3 years old.
It's important for your child to learn to hold a pencil or a crayon or a big painting brush at the moment for a doodling session.
If you're worried that your child will doodle the wall, buy a big paper paper, paste it on the wall of the house. If there is more budget, wall the wall with paint is easy to delete. If it's so hard to do, just accept that the walls of the house have to be doodle.
Contenting helps the child express their mind.
Doodling helps children strengthen hand muscles.
Content there is a visual element of perceptual (this is another chapter).
Doodling creates midline crossing abilities.
Doodling helps the formation of a finger holding a pencil (Pencil Grip).
Don't care where to doodle. On Paper, on the floor, near the wall, books... we are grown up, please think of the best way to encourage children to be doodling. Follow everyone who wants to control your heart and feelings to see the house messy or what.... most importantly, think of the way!
May I make the element of the sand, the ground, the stone... for the wood twig... no complaints, as long as the child can be conteng.
During this age, don't force your child to write too much. It's fun to ask to write ABC, number, jawi letter...
Teach child painting after doodling.
Paint bentuk2 that is around us.
Animal Paint, plants, homes, or anything.
Accompany the child to draw.
Use water colour, crayon or any drawing tools.
It's not a waste to spend money buying these things. Not a loss!
3. Coloring.
Critical Age: 1-3 years old.
Teach the color at this age.
Coloring activity helps children form straight, vertical, oblique, rounded lines and so on.
The Color of the painting that is in let it fit the age of the child.
Don't be asked to coloring the complex painting. If possible, avoid coloring the painting inside the gadget.
Coloring in gadgets does not bring any meaning to hand muscle. How to develop a memory motor against the line?
At this age, you don't have to worry if the children are still not good at the color in the line. Still the color out the line is normal. No problem. The most important thing is, he knows where to color it.
Create a concept of coloring as early as possible. No need to wait until school is just about to coloring.
No need to bring to the mall, coloring at the that has of for in, then you have to pay. The color at home is better. It's better for us to draw a picture of our family, ask our children to be color. Simple. Saving a lot.
4. Writing and reading.
Critical age of writing: 4 years
Starting age knowing letters and numbers: 4 years
Beginning of reading age: 5 years and above.
Age that is considered late to be able to read: 11 years.
Logically, when the child has learned a lot of lines through doodling and coloring, it's self-prepare to write. This time it's easy to write letters and numbers even though they don't know the letters and numbers yet. No problem.
Can teach to write in a session, then teach to know the letter in the later session.... at the age of 4! This is the earliest age! Not too late yet.
No need to worry because once a child and learn letters, a few letters... start to read at the age of 5
If we follow all this process gradually, God willing, the child has no problem! No need to worry too much.
If we 'turn' all this process, there will be consequences because it has violated the development of a human being.
If you feel there is an effect, don't be shy to bring the therapist to fix the problems that are available.
So much.
.........
Picture for example only not encourage for children to doodle walls.
Parents please paste the big paper on the wall so that the children are free to play at the same time they can work comfortably
Source: Liyana Raya
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Follow the wholesale expert page for baby stuff
Follow / add years Rozila TrbTranslated
hand painting on paper 在 電影潭 Facebook 的最佳貼文
五年前買了這本書,是一本捷克在08-09年舉辦一個捷克同波蘭的電影海報展覽圖集。眾所周知,波蘭的電影海報世界知名,然而其實捷克都曾經輝煌。這本書介紹兩地海報設計歷史同發展,把兩地同一電影但設計唔同的海報並排(左捷克右波蘭)進行比較,看到兩大設計巨頭在設計上的分別。
這本書很難找,花了我許多時間。首先找過各大網上書店,但都無功而回。後來我直接聯絡出版商(Terry Posters, 捷克出版社),他們也無存貨,不過卻找了兩間捷克小書店的網址給我。我再問了那兩家店,終在其中一家找到那本書。
小店負責人電郵我商討付款方法,但因他們沒有paypal,要直接匯款。我問過數間銀行,又上網查看過,弄了一週才找到方法從香港匯款到捷克。結果又花多數星期,書才到手。
從書中抄了Intro 數小段 (這本書是捷克語/波蘭語/英語三語對照), 可了解多少少兩地海報發展:
//Let's mention a few widely known facts. Polish posters are, as opposed to the Czechoslovak posters, more pictorial. Polish graphic designers used collage, photo collage, montage, plucking of paper or unique author typorgraphy to a much lesser extent than Czechoslovak artists. The core of their posters lied in their perfectly mastered painting itself. Also, letters on posters are often written by hand (Franciszek Starowieyski, Jerzy Flisak), unlike famous examples of an imaginative typography and playing with letters in the Czechoslovak poster (Zdenek Ziegler, Zdenek Kaplan, Karel Vaca, Milan Grygar). //
//The czechoslovak film poster in the early 1960s when it was dynamically shaping into its form absorbed modern art styles like Czech infomral, abstraction, op art, pop art or others, more than the poster art in Poland. Many Czechoslovak Posters use a play with letters, cutouts, plucking and often a very wild and daring combination of techniques. It is quite an interesting fact that among Czechoslovak graphic designers there were more "non-painters" than in Poland.//
//After the fall of the Iron Curtain in 1989, Pollish and Czechoslovak graphic design posters found themselves in a much worse situation. [...] Producers of foerign films which started to flood Czechoslovak and Polish cinemas supplied the filmes with commercial material typical for the West and the USA with a governing elements of photography - a portrait of an actor in the centre of a poster. The Producers also included a new condition into their contracts - taht posters printed in Ploand and in Czechoslovakia must look just like the original photography, commercial promotion materials which were the same all over the world. The possibilitiy of creating new graphic design posters was, in fact, eliminated. However, the situation in both countries may differ today. Twenty years after the change of conditions, the balance is clear and evertyhing points to Poland as the country in a more favorable situation. One might want to say - and it would not be too far fetched - that the Polish poster, unlike the Czech poster, has managed to survive.//
P.S. 這是那家捷克小店的網址:
http://levnyantikvariat.cz/czech/index.php
#現在不宜消費
#唯有回顧以往買到的心頭好
hand painting on paper 在 C CHANNEL Art&Study DIY Crafts Handmade Youtube 的最讚貼文
Cute Animal Accessory Tray
遊び心満載♡アニマルアクセサリートレー
【Materials】
· Paper clay
· Presser
· Lacquer spray Navy blue, gold
· Something to spread beneath (garbage bag etc)
· Animal figurines such as lion, gorilla, flamingo
· Glue gun
【Steps】
1. Take paper clay in appropriate size, round, then flatten both sides with a presser. Push the gorilla's hand against one side and take the mold. Remove from the presser and let it dry.
2. Prepare dried paper clay and three dishes in different sizes and paint them with a dark blue lacquer spray evenly (be sure to work on something so that the surroundings do not get dirty). Dry the painted clay and dish completely.
3. Similarly paint animal figurines with a golden spray. Also dry thoroughly.
4. Use glue gun and put glue on the back of the lion and stick it to the back of the biggest dish. Stick to three places in a well-balanced manner so that the dish does not tilt.
5. Use glue gun to stick gorilla's feet on top of the biggest dish and put the clay on top of the hands.
6 Arrange flamingos at the center of the second largest dish and put the smallest dish on the back.
Apply glue gun to the clay on the gorilla's hand and stick together. Complete by putting the giraffe on the top dish!
お気に入りのアクセサリーは可愛く収納したいですよね!!普通のトレーじゃ物足りない、そんなあなたにピッタリなトレーの紹介です♡
【用意するもの】
・紙粘土
・プレッサー
・ラッカースプレー 紺、金
・下に敷くもの(ビニールやゴミ袋など)
・ライオン、ゴリラ、フラミンゴなど動物のフィギュア
・グルーガン
【作り方】
1.紙粘土を適当な大きさにちぎり、丸くまとめた後にプレッサーで両面を平らにする。片方にゴリラの手を押し付けて型をとる。プレッサーから取り外し、乾燥させる。
2.乾燥させた紙粘土と、大きさの違う3つの皿を用意し、紺色のラッカースプレーでムラがないように塗装する(周りが汚れないように必ず下にビニールなどを敷く)。塗装した粘土と皿は完全に乾燥させる。
3.動物のフィギュアも同様に金色のスプレーでムラなく塗装する。こちらも完全に乾燥させる。
4.ライオンの背にグルーガンを塗り、一番大きい皿の裏に接着する。皿が傾かないように3箇所にバランス良く接着する。
5.1番大きな皿の上に足にグルーガンをつけたゴリラを置き、手の上に粘土を乗せる。
6.2番目に大きな皿の中心にフラミンゴを並べ、背に一番小さな皿を載せる。
ゴリラの上の粘土にグルーガンを塗り、合体させる。一番上の皿にキリンを乗せて完成!!
アクセサリーなど小物を置いて使おう。
紺と金のコントラストが大人っぽくてかっこいい!!遊び心も満載なアクセサリートレー、皆さんもぜひ作ってみてください♡

hand painting on paper 在 Mateusz Urbanowicz Youtube 的最佳貼文
A new illustration experiment I finished recently. I saw this old telephone box on one of our (mine and Kana’s) evening walks. Lately, we go outside mostly after the sun goes down - because of the heat.
I really liked the light coming from the telephone box and the house deep in a garden on the left side so I made some photos for future reference. This time though I used them only as inspiration to make up my own scene from scratch. I think it came out pretty nice.
I also used an airbrush with watercolor paints for some soft highlights and shadows for the first time! We have one on hand because Kana used to use it to paint her clay figurines. I knew that the Japanese animation background painters use airbrushes so I wanted to try it out too. It worked great!
It took me 2 days to finish this piece - it takes longer with no linework but I think it was worth it.
Used tools:
・paper: Canson, moulin du roy, cold press, 300g/m watercolor paper
・sketch: Bic evolution HB pencil
・colors: my main Schmincke watercolor set, mostly Potters Pink, Payne’s Grey and Prussian Blue
・airbrush
・white Rotring ink

hand painting on paper 在 Mateusz Urbanowicz Youtube 的最佳貼文
This old shop (called Takei Sansyōdō) that originally a sold writing brushes and all kinds of other writing supplies has beed relocated to the Edo Tokyo Open Air Architectural Museum and you can see it there still. It has been originally built in 1927.
http://www.tatemonoen.jp/panorama/east_jp/e06/
I was interested in this shop for a while because the rumor says that Hayao Miyazaki got the inspiration for the boiler room in “Spirited Away” from the insides of this shop - it has a lot of hand-crafted small drawers that held once all the writing supplies - inks, brushes and others.
I wanted to paint this shop few times already but during all my visits to the museum the top windows were shut with storm shutters so I did not know how they looked. Just recently I got my hands on the “Story of the Edo Tokyo Musem” book that was made with the collaboration of Studio Ghibli members. The book had a photo of this shop with the windows visible so I decided to paint it.
I used a style similar to my “Tokyo Storefronts” series but took some inspiration from the illustrations from the book (made by Studio Ghibli’s Oga Kazuo) and decided to make the lines with a brush and dark gouache rather than a radiograph to make the painting a little bit more light and watercolor-like.
Technical details:
* Sketch - 0.5mm mechanical pencil with RED leads
* Colors - my main Schmincke brand watercolors set
* Paper - Holbein Waterford White 300g cold press
* Lines - Winsor And Newton gouache, Perylene Violet
Feel free to check out my other stuff:
Gumroad: https://gumroad.com/mateusz_urbanowicz
Patreon: https://www.patreon.com/mateuszurbanowicz
Blog: http://mattjabbar.tumblr.com/
Twitter: https://twitter.com/gommatt

hand painting on paper 在 Paper Plate Hand Fans - The Pinterested Parent 的推薦與評價
We painted two jumbo craft sticks for each fan and set the paper plates and craft sticks aside to dry. We used a low temp glue gun to glue our ... ... <看更多>
hand painting on paper 在 44 Handprint Painting ideas | crafts for kids ... - Pinterest 的推薦與評價
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