Beginner Guitar Lesson with Sammi and Tomo Fujita PART THREE
D Major Chord & Arpeggios
https://youtu.be/P8uU_-zCJxs
I am so excited (and nervous) about our 3rd lesson.
I didn't prepare this lesson ahead of time because I want to hear what Sammi is thinking, wanting, and feeling about her guitar playing right now.
That's why I did not even pay attention to how long this lesson was!
Hope this episode is helpful to all of you.
#beginnerguitar #beginnerguitarlessons #beginnerguitarist #beginnerguitarlesson #beginnerguitarplayer #guitarlessons #guitarlesson #guitarteacher #guitarstudent #guitartutorial #guitartutorials #guitarinstructor #guitarinspiration #wednesday #wednesdayinspiration #acousticguitar #acoustic #sammifujita #guitarwisdom #tomofujita #tomofujitaguitarwisdom #daddario #daddariostrings #cortguitars #cortguitar #musictheory #arpeggios
同時也有27部Youtube影片,追蹤數超過2,580的網紅masa - masa,也在其Youtube影片中提到,ご視聴ありがとうございます! English comment is after Japanese. 秦基博さんの「水彩の月 [evergreen ver.]」をカバーさせていただきました。 3/17にリリースされた弾き語りアルバム「evergreen2」に収録されています。 ※「evergreen...
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💕「愛台灣,我的選擇」系列第15發:臺虎董事長黃一葦(Peter Huang) 要讓臺虎精釀 Taihu Brewing成為台灣年輕人才發光發熱與實踐夢想的平台
「儘管我有著東方面孔,但我不是台灣人,家族根源也不在台灣。一直到我念大學時 (美國麻薩諸塞州的威廉斯學院,非常棒的學校),我才透過普林斯頓北京中文培訓班的機會,真正到東亞來闖蕩。
大學畢業之後,我埋首於數字和表格之間,精釀啤酒陪我撐過了這段辛苦的歲月。我的職涯始於紐約,但後來輾轉來到亞洲 (名義上是去新加坡,但主要是在印尼、緬甸和馬來西亞)。
在數字間打轉從來不是我的夢想。身為一個負責任且典型的千禧世代,我一直很想獨立開創自己的事業,如果能將個人興趣和創業機會相結合,那就太完美了。而精釀啤酒就是那完美的交集點!精釀工藝的精神我深有同感,這是一種對未來可能性充滿嚮往、不盲目接受現狀的精神;同時也代表著與一群優秀的人才,一起開發令人驚喜的產品,並打造屬於自己的社群。
成立臺虎精釀的契機出現之後,我立刻想到台灣。之所以選擇這裡,不是因為台灣文化很吸引人 (雖然確實是),不是因為台灣有著厚實的文化傳統 (雖然確實有),更不是因為台灣的好山好水。
我選擇台灣的主要原因是這裡遇到的人。很多人會說,人生中有兩個家庭,一個是你的原生家庭,另一個是你自己選擇的家庭。對我來說,那個我自己選擇的家庭,似乎就在台灣。
臺虎精釀的商標 (由台灣傑出設計師Jess Lee設計) 由老虎、啤酒花和葫蘆三個元素組成,葫蘆是古代盛酒的容器。
葫蘆就不需要多加解釋了,但啤酒花是當代精釀啤酒的基石,代表著創新創意的精神。事實上,我們使用的絕大多數啤酒花都來自美國,畢竟美國是精釀啤酒的中心 (過去20年一直都是)。美國的啤酒花產業 (還有麥芽產業) 可以說是世界之最,也難怪經典IPA啤酒中最受歡迎的啤酒花都來自美國。
商標中的老虎是為了向早期台灣作為「亞洲四虎」(亞洲四小龍) 的年代致敬。當年台灣經濟快速起飛,產業朝氣蓬勃,民眾無不對未來充滿樂觀和期待。
老虎代表的正是那樣的生機勃勃、神采煥發。臺虎167名員工幾乎都是台灣人。我們認為,與其說臺虎是一個釀酒廠,不如說臺虎是讓台灣年輕人才發光發熱、實踐夢想的平台。
我們的目標是吸引並培育人才,最終目標希望能夠在台灣發展出欣欣向榮的創業生態圈。Sway是我們成立初期的成員,她一開始是在吧台工作,非常優秀。在小公司工作的好處就是,你可以盡你所能所想去做,Sway後來開始慢慢接觸進口通關業務,現在是我們全球物流的主管 (很不簡單)。
也許有一天,她會開創自己的事業,進而將這份育才的信念在台灣新創圈繼續傳承下去。」— 臺虎董事長黃一葦 Peter Huang
💕Why I chose Taiwan #15 – Taihu Brewing Founder Peter Huang leads Taihu to become a platform for Taiwan young talents to carry out their dreams and express themselves
“Despite appearances, I’m neither Taiwanese nor have roots here. It took college (Williams College in Massachusetts – phenomenal place), to really bring me out to East Asia via Princeton’s immersion program in Beijing.
Post-graduation, I paid my dues shuffling numbers around in a spreadsheet. Craft beer made it bearable-ish. Working life began in New York, but ultimately landed me in Asia (nominally Singapore, primarily Indonesia, Myanmar, Malaysia).
Shuffling numbers was not the dream. So, as a responsibly stereotypical millennial, I had an urge to venture out on my own. Ideally, to try something at the intersection of opportunity and interest. Craft beer! The craft movement itself struck a chord - a yearning for what could be, rather than blind acceptance of what is. It is about building communities around delightful products and, critically, wonderful people.
When the opportunity to start Taihu appeared, my mind immediately went to Taiwan. Not necessarily because the culture is fantastic (though it is), nor because it has a strong cultural heritage (though it does), and not even because the island itself is a magical composition of mountains meeting oceans.
Ultimately, I chose Taiwan because of the people I met here. There’s a tired trope that you get two families in life, the one you’re born into and the one you choose. For me, that chosen family, well, it seemed like it could be in Taiwan.
Taihu Brewing’s logo (designed by brilliant local artist, Jess Lee) is comprised of a tiger and hops within a hulu (traditional Chinese alcohol vessel).
The hulu needs no explanation, but hops are the cornerstone of modern craft beer. They represent the innovation inherent in the space. In fact, the vast majority of the hops that we use are from the United States. Since the US is the epicenter of craft brewing (and has been over the last twenty years), the American hop industry (malt too, actually) is arguably the best in the world. It is for good reason that the most popular hops in category-defining IPAs are American.
The tiger is a nod to an earlier era when Taiwan was one of the “Four Asian Tigers.” Taiwan’s meteoric economic rise was accompanied by deterministic optimism, vibrancy, and general excitement about the future.
The tiger represents that energy. That sense of opportunity, positivity, and hope. Taihu’s 167 employees are almost entirely Taiwanese. Internally, we think of Taihu as more of a platform for young Taiwanese talent than as a brewery, a medium for that energy to express itself.
Our goal to attract and develop talent with the ultimate goal of developing the burgeoning entrepreneurial ecosystem here in Taiwan. One of our earliest team members, Sway, came on board as a bartender -- a fantastic bartender. At a small company, you do what you can, where you can, and Sway ended up taking up some of the slack in our logistics. Now she runs all of Taihu’s international supply chain (no small feat).
With luck, one day she’ll be running her own successful Taiwanese business, and, in doing so, perpetuate the cycle.” — Peter Huang, founder of Taihu Brewing
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Larry Carlton Style - Triad Approach
https://youtu.be/lGFl9EVy7rI
Special thanks to Tim H (my new fan!) who sent his special package with money for my cds! This gift was so amazing! His friend Bob Cameron who took this amazing photo from live footage of Louis Armstrong in 1941! Incredible! I love it so much! Tim said "I thought you might like to have it in light of the fact that you are a fine musician in your own right." Wow! Thank you so much!!
Then I thanked him via email.. he wrote me back with more about Bob and Tim's life stories.
Then Tim wrote.... "Nevertheless, I really admire your skills as a performer as well as a teacher. Of all the teachers I have followed, you make the most sense to me personally."
""I am including a link to a video of Rick Beato with Larry Carlton. I saw Larry Carlton play a few years ago and he just blew me away. Since you are so into triads and base your understanding of soloing on them, I wanted to ask you to do a video on how Larry Carlton hears 3 triads above the one that is played... and then he improvises based on these 3 possibilities.
It's way over my head and I'll probably never "get it" as far as getting it under my fingers, but at least maybe I can intellectually understand it. Here is the video - 5 minutes in...
https://www.youtube.com/watch?v=1c9lx0KFkO4&t=416s
Anyway, maybe you can explain it better than they do.
Thanks,
tim ""
So this video is replying to Tim's question. Although I didn't watch that video yet because I wanted to point out two approaches first as simple ideas. Hope Tim will enjoy this!
What do you think?
Introduction (00;00)
Story behind this video (01:00)
Tim 's request on LC from Rick Beato's video (03:07)
CMaj7 (G/C) ..G = 5, M7, 9 .. FMaj7 (C/F) C = 9, 5, M7(03:40)
Chord voicings idea over CMaj7 & FMaj7 (06:10)
Soloing Example Over Backing Track #9 (07:18)
Soloing Example Simple Triads & mixing blues feeling (08:45)
Larry Carlton was a huge Influence on me (10:15)
My problem was not have my own style (12:25)
Larry Carlton style BLUES in G (14:25)
G7 = G & F Triads (I & bVII Triads) (R35 & b7911) (15:12)
C7 = C & Bb Triads (I & bVII Triads) (R35 & b7911) (16:32)
G Blues Backing Track (18:49)
Soloing example over G Shuffle Blues (19:37)
Larry Carlton's I & bVII Triads Review (22:07)
1967 Gibson ES-335
Bartel Roseland Head
Bartel 1-12 Cabinet
Providence cables E205TF
Boss RC-3
One Control Prussian Blue Reverb
Vemuram Jan Ray for TF
D'Addario NYXL 09-42
Pickboy TF Sig 1.00mm
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English comment is after Japanese.
秦基博さんの「水彩の月 [evergreen ver.]」をカバーさせていただきました。
3/17にリリースされた弾き語りアルバム「evergreen2」に収録されています。
※「evergreen2」ダイジェスト
Disc1:https://youtu.be/6dm8yI-W3tw
Disc2:https://youtu.be/7t57zs_lKx8
なお、オリジナルバージョンは5thアルバム「青の光景」に収録されています。
また、映画『あん』(2015年公開)の主題歌になっています。
※映画『あん』予告編 https://youtu.be/t4OhrkllRsM
今年の梅雨入りが思ったより早かった(近畿で観測史上最も早い梅雨入り💦)ので、急遽、この曲を今回のカバー曲に選びました。
コードはほぼオリジナルと同じですが、随所に秀逸なアレンジがされていて、弾いていてとても楽しいバージョンとなっています🎸
※秦 基博 - 「水彩の月」 Music Video
(evergreenバージョンではありません💦)
https://youtu.be/QpJ1qe1xgBc
※余談ですが、YouTube投稿 5周年を迎えました😆
週一曲以上の投稿ペースで5年間も続けることができたなんて、
正直、自分でもビックリです😅
これからもマイペースで投稿を続けていけたらと思っています。
今後ともよろしくお願いいたします♪
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Thank you so much for watching!
I did a cover of Hata Motohiro's "Suisai no Tsuki (Watercolor Moon)[evergreen ver.]".
This version is included with new album "evergreen2" that was released at 17th, March 2021.
*"evergreen2" Digest
Disc1:https://youtu.be/6dm8yI-W3tw
Disc2:https://youtu.be/7t57zs_lKx8
BTW, the original version is included with 5th album "Ao no Koukei(The Scene of Blue)".
The rainy season of this year was to come earlier than I expected(the earliest start to the rainy season in written history in my area!), so I suddenly selected this song for this time's cover.💦
*FYI, in the area where I live, it is normal to have a rainy season in early June.
The chords are almost same the original, however, this version is added the superb arrange, so it is so fun version to play the guitar.🎸
- Hata Motohiro - Ao no Koukei (Music Video)
This is NOT an evergreen version, sorry.💦
https://youtu.be/QpJ1qe1xgBc
*This is off topic, but five years have passed since I posted 1st cover video on YouTube.😆
I'm surprised myself that I posted more than one song a week for 5 years.😅
I hope that I can continue without eagerness.
Let's keep in touch, my dear friends!♪
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#秦基博 #水彩の月
#evergreen2
#映画_あん_主題歌
#ボクはずっと秦っています😅
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English comment is after Japanese.
瑛人さんの「香水」をカバーさせていただきました。
コードと奏法が全編通してほとんど同じです。
また、ほぼシンコペなので、このタイミングに慣れないと弾き語るのが難しいかもしれません。(そういうボクもちゃんと弾けてませんが💦)
間奏部分、完コピではありませんがそれっぽく弾いてみました。
今回はその間奏の演奏動画(02:45~)も入れてみました。
この動画が皆さんのカバーのご参考になれば幸いです。
※原曲はこちら!
https://youtu.be/9MjAJSoaoSo
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Thank you so much for watching!
I did a cover of Eito's "Kosui(Perfume)".
The chord and playing style are almost same pattern in the whole.
Also, whole timing is syncopation, so it may be difficult to play if you are not yet used to it. (I also did not play well.💦)
About interlude part, I tried to play that it like just a original solo part although it is not perfect.
This time, I inserted the solo part into this video(02:45~).
I hope this video will help for your guitar cover.
Thanks my friends!
*The original song is here!
https://youtu.be/9MjAJSoaoSo
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#瑛人 #香水
#瑛肩w
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English comment is after Japanese.
秦基博さんの「ファソラシドレミ」をカバーさせていただきました。
この曲は2ndアルバム「ALRIGHT」に収録されています。
秦さんが弾き語りライブ「GREEN MIND '09」でこの曲のウクレレバージョンを披露されました。
今回は、その時のウクレレバージョンっぽく聞こえるようにアコギアレンジしてカバーしてみました😅
口笛は上手く吹けないのですが、なんとか頑張って入れてみました。(注:別録です💦)
【コード表記訂正💦💦】誤)B7onF → 正)B7onF# 😅
この動画が皆さんのカバーのご参考になれば幸いです。
※原曲はこちら♪(注:ウクレレバージョンではありません💦)
https://youtu.be/ac0YQmeiKNw
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Thank you so much for watching!
I did a cover of Hata Motohiro's "Fa-Sol-La-Si-Do-Re-Mi".
This is included in his 2nd album "ALRIGHT".
The ukulele version of this song was performed by Hata-san in "GREEN MIND '09" which is the acoustic concert.
In this time, I tried to arrange it by acoustic guitar as ukulele-ish.😅
I can't whistle well, but I managed to do this.(Notes:I recorded this part separately.💦)
I hope this video will help for your guitar cover.
Thanks my friends!
*Original is HERE♪ (Note:This is NOT ukulele version.💦)
https://youtu.be/ac0YQmeiKNw
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#秦基博 #ファソラシドレミ #ALRIGHT
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