關於 masters in art and design ，我們在網路上蒐集到這些相關的討論、資訊與評價

// 11月份越南西貢柏悅酒店-大師花藝美學課 //

很榮幸CNFlower凌宗湧總監 凌宗湧 Alfie Lin 花藝生活美學受國際五星級酒店Park Hyatt Saigon西貢柏悅酒店邀約，與米其林星級主廚和世界各領域優秀藝術家們共同參與酒店首次在越南胡志明市展開的Passion Week Event。Passion Week 活動是一系列在全世界各地的Park Hyatt所舉辦的精緻美食餐飲與生活體驗活動。

很高興有機會將CNFlower西恩的花藝生活美學延伸拓展到東南亞讓更多朋友認識，喜歡CNFlower的朋友別錯過這次難得的機會，我們將在越南與你相見❤

▼ 報名訊息 More Information▼
Wednesday, 14 November & Thursday,15 November 2018 &
11:00 am – 12:30 noon Master Class
12:30 noon – 2:30 pm Lunch

│Website │
https://www.saigon.park.hyattrestaurants.com/floral-design-…
│ Facebook │
https://www.facebook.com/events/313914229190173/

#CNFlower #CNSchool #AlfieLin #FloralDesignMasterClass #PassionWeekSaigon #Taipei #Taiwan #Saigon #Vietnam #西恩 #西恩花藝 #西恩花藝學院 #凌宗湧 #台灣 #越南 #西貢柏悅酒店

【 關於西貢柏悅酒店 About Park Hyatt Saigon 】
西貢柏悅酒店是胡志明市首屈一指的高端酒店，這家典雅的法國殖民風格酒店擁以其精緻的設計，手工製作的細節和現代舒適設施重新定義了城市的奢華。
Park Hyatt Saigon is one of the premier Ho Chi Minh City hotels. The elegant, French colonial-style hotel redefining urban luxury with its sophisticated design, handcrafted details and modern-day comforts.
簡介來源：西貢柏悅酒店

(English below)
Passion Week - một sự kiện hoàn toàn mới tại Việt Nam nhằm tôn vinh nghệ thuật và ẩm thực sẽ lần đầu tiên được Park Hyatt Saigon tiên phong tổ chức trong suốt 4 ngày từ 14/11 đến 17/11.

Passion Week là nơi những nghệ sỹ nổi tiếng thế giới trên nhiều lãnh vực cùng những đầu bếp Michelin trứ danh hội tụ và chia sẻ niềm đam mê dành cho nghệ thuật đương đại và tinh hoa ẩm thực, rượu vang.

Xuất hiện tại Passion Week sẽ là:
🔹 Tiệc rượu với thực đơn độc đáo đến từ các đầu bếp sao Michelin, lấy cảm hứng từ những nền ẩm thực đặc sắc nhất thế giới
🔹 Các lớp học dẫn dắt bởi những chuyên gia nổi tiếng thế giới, bao gồm nghệ thuật pha chế, vẽ tranh, rượu vang, cắm hoa nghệ thuật và nước hoa.

Thông tin chi tiết về #passionweeksaigon sẽ được thông báo hàng tuần, các bạn cùng chờ đón nhé.

Passion Week, an exciting event celebrating the passion for art, food and wine, is proudly held in Ho Chi Minh City for the first time by Park Hyatt Saigon.

Passion Week will feature:
🔸 Michelin Star Chefs with exclusive menus inspired by various culinary cultures around the world
🔸 Selected Master Classes from internationally renowned masters of mixology, painting, wine, floral and perfume

More information will come each week. Stay tuned! #passionweeksaigon

https://www.saigon.park.hyattrestaurants.com/passion-week.h…

ϟϟ 新刊發行 NEW RELEASE ϟϟ

Voices of Photography 攝影之聲
Issue 18 : 攝影書作為方法
Photobook As Method

作為一份持續關注影像閱讀與攝影出版的刊物，《攝影之聲》繼2012年製作「台灣攝影書特輯」並在2014年展開「台灣攝影書出版對話」，我們試圖以兩年為跨度來記錄台灣的攝影/出版發展歷程。今年我們再度啟動出版專題，從「書」的路徑來檢索攝影樣態，期待透過不斷地討論和書寫，為未來留下一份當代攝影文化觀察報告。

為籌備本期專題，我們公開徵集去年度的台灣攝影出版品，收到了從出版社到創作者個人製作出版的各類型攝影書籍與手工書，展現著攝影的多樣面貌，將在本期選錄介紹；同時也邀請藝術學者／藝評人龔卓軍、張世倫與平面設計師聶永真，針對台灣攝影出版品的視覺、 創作、設計、歷史乃至出版市場的向度進行剖析與評述對話。此外，我們更連結新加坡、菲律賓、日本、中國和澳大利亞等新興攝影書收藏機構及出版者，分別提出攝影書的亞太－在地視點，作為區域性的攝影出版側寫考察。

本期另專訪台灣影像學者陳學聖，一探他投入多年 並於近日發表的攝影史研究——1911至1949 年的民國時期攝影——在這段風雨時代裡發掘攝影藝術的蔓生、攝影畫報的光輝歲月，以及民國攝影在台灣的餘響，並揭載其多本罕見的早期攝影書刊收藏。另外還有兩篇關於攝影書的評論，包括陳佳琦深度評寫攝影家阮義忠近期復返再現的八○年代影像，以及梁秋虹以《韓國攝影史》探討殖民與去殖民的攝影史觀。蕭永盛的「台灣攝影史」系列連載，則從乙未戰爭後日本近衛師團長北白川宮能久登陸台灣的寫真留影，探查日本早年欲以神道主義統治台灣的歷史線索。而在 Artist's Showcase單元，我們收錄木村伊兵衛攝影獎得主石川竜一的沖繩肖像系列，以及由他自述的沖繩人圖繪與仍在路上的攝影生涯。

除此之外，本期我們也要向另翼／獨立媒體前輩「綠色小組」致敬！綠色小組成立於1986年，在台灣解嚴前後時期，扛著攝影機前進各類社會運動前線，突破當時由政府官方與少數主流媒體掌控的言論與視線空間，為台灣重要的社會改革進程留下了珍貴的影像紀錄。在綠色小組成立30周年之際，除了五月的台灣國際紀錄片影展播映綠色小組當年拍攝的一系列影片，我們也在本期《SHOUT》製作了一部小型的紙上紀錄片；另外，並邀紀錄片影展策展人林木材執筆撰文，重探台灣充滿衝撞的綠色年代。

在本期專欄中，張世倫長篇評析由黃亞歷導演、講述日治時期文學團體「風車詩社」與台灣現代文學發展經 歷的紀錄電影——《日曜日式散步者》；顧錚則以瑞士日前舉行的「世界之像」(World Images)攝影展，質問當代攝影與現實的錯綜關係。

▍購買 / BUY：
www.vopmagazine.com/vop-018/
▍訂閱 / SUBSCRIBE：
www.vopmagazine.com/subscribe/

As a magazine concerned with the interpretation of images and photography publications, VOP has featured special showcases like the “Taiwan Photobook Issue” in 2012 and “Dialogue On Taiwan Photobook Publishing” in 2014. This year we launch another showcase which explores books to see the development of photography, with the hope of leaving the future with a report on the photography culture of today through discussion and writing.

In preparation of this issue’s showcase, we called for submissions of photography publications in Taiwan last year, which saw a variety of photography books and handmade books from both publishers and individual authors submitted, featuring many facets of photography which would be selected for this issue. At the same time, we invited scholars-cum-critics like Jow-Jiun Gong and Shih-Lun Chang and designer Yung-Chen Nieh to engage in dialogue to critique and comment on aspects such as the visual effects, design, history right up to the publishing market’s direction of growth in Taiwan. Also, we specially put together a feature connecting new photography organizations and publishers from the Asia-Pacific region, such as those from Singapore, Philippines, Japan, China and Australia etc, highlighting the Asia-Pacific viewpoints as a prolific study of regional photography publishing.

This issue carries an interview with photography academic Hsueh-Sheng Chen, looking into a research area which he had spent years on and recently released findings on-- Republican Chinese photography from 1911 to 1949, talking about the development of photographic art in this tumultuous period, the glorious years of photography pictorials and the remaining influence of Republican Chinese photography in Taiwan, while sharing his prize collection of rare, early photography publications. Along with this are reviews of photography books, including Chia-Chi Chen’s in-depth critique of I-Jong Juan’s recent efforts to re-present images of the 1980s and Chiu-Hung Liang’s discussion on the perspectives of colonization and de-colonization in photography using A History of Korean Photography. Our feature Yong-Seng Hsiao’s History of Photography in Taiwan series focuses on post-Yi-Wei War Japanese Guards Division chief Kitashirakawanomiya Yoshihisa’s photographs taken after his landing in Taiwan, exploring the history of the tactics of Japanese colonial masters in using Shinto idealism to enhance their rulership of Taiwan. We present Kimura Ihei Memorial Photography Award winner Ryuichi Ishikawa’s series of Okinawan portraits in our Artist’s Showcase, along with his own story on Okinawans’ art and his photography journey.

In addition, we would like to show our special respect to our alternative/independent media veterans, Green Team! Established in 1986, Green Team recorded many social movements on the frontline in post-martial law Taiwan with a handheld video camera, breaking through the controls of speech and perspectives the government and a few mainstream media presented. They helped preserve precious footage of Taiwan’s important social revolutions. In commemoration of Green Team being established 30 years ago, besides screening a series of their past works at the Taiwan International Documentary Festival(TIDF) in May, we also made use of their shots in the making of a mini on-paper documentary in the current issue of SHOUT as well as had the curator of the Documentary Festival, Wood Lin author an article to re-examine Taiwan’s conflict-filled past.

In this issue’s columns, Shih-Lun Chang gives us a detailed critique of director Ya-Li Huang’s documentary which talks about Le Moulin, a literary organization centred around Surrealistic Literature in the period of Japanese rule, while Zheng Gu’s piece makes use of the “World Images” photography exhibition held recently in Switzerland to question inter-relations between modern photography and reality.

#攝影之聲 #vopmagazine
---
Voices of Photography 攝影之聲
www.vopmagazine.com

Miura Haruma. Oh what is there to say... He's 178 cm tall (aka 5'10") and he feels that is a decent height. He weights 63 kg (aka 138.75 lbs), and he feels that is a decent weight. Haruma considers himself a good mix appearance wise so he comes out, in his opinion, average. But being average isn't bad. He's content with not being a hotshot. Sure, Haruma plays with his looks a bit. His hairdo changes every so often just to keep things fresh. It's the artistic side to him that convinces him he suddenly needs bleached blonde streaks across his forehead, or layer upon layer until he could be metaphorically compared to an onion....what, not a good joke? Man... -shrugs-.

The most noteworthy component of Haruma's appearance is most definitely his smile. Let's just face it. He's got a killer smile, and his cute little eyes scrunch up just right so he actually looks like the ^-^ smiley. His mother always said he was adorable when he smiled, so of course he likes smiling. Who doesn't want to please their mother? Haru has a good 'annoyed' face too...all in all his features are quite expressive. This means Haruma has a hard time hiding what he's thinking, but in this business it's a good thing too. For one thing, people can tell because of his grin when working with the camera that he sincerely loves his job to bits.Haruma maintains a very calm and happy-go-easy sort of personality. He, by definition almost, is not an extravagant person. The simple things in life are all he really needs. A few good friends, mostly from his non-work life, a few co-workers he gets along with, a good caring family. That's all he really needs, he feels. Well, that and his camera. But when it comes to people he's not mister social butterfly, but he's not mister social outcast either. Haruma lives in his own little in between world where the thing that matters is capturing the rest of the world on film.

He absolutely adores his camera and all his photography work. It wasn't the job he'd expected, but when the offer came for him to pursue photography as a profession appeared he snatched it with no regrets. Live life with no regrets. That's his motto, more or less. He finishes the things he starts, tries his best to be polite to everyone, and cares abundantly for those simple things that stick out as important in his life. His camera is never far away from Haruma. He carries it with him almost everywhere he goes. Yes, that can get annoying, but he doesn't just want to capture celebrity life through the photoshoots and whatnot. Haruma will take a picture of anything, from a cat passing by on the street to a blimp floating lazily over the city. THe whole world fascinates him, so he goes out of his apartment every morning with his eyes open, not prepared for anything because he doesn't know what fascinating site he'll encounter next.

When Haruma goes for something in life, he jumps wholeheartedly towards it. His work is a good example. His favorite word is Hisshi which translates basically to putting your whole self into what you do. His work is all of Haruma. His friendships are all of Haruma. His family is all of Haruma. His lovelife is all of Haruma too (though at the moment he hasn't found the young lady to spark his interest.) He's not the best at everything, and is well aware of that, but that doesn't mean he won't give his all when trying.

Along with his camera, Haruma brings his mp3 player with him just about anywhere. It's good for inspiration. Like I mentioned earlier, he's an artistic mind. If he weren't then he would never survive in this business but so far his work has been quite comfortable. The job is relatively new, but he started apprenticing once he graduated high school and though his work is still supervised occasionally by higher ups, he is trusted to get the job done right. He's human and makes mistakes. Sometimes the lighting is messed up or he just can't get the right pose or expression out of the model. It can't expected to be perfect every time, but no matter what, Haru does his best and should things go wrong he works harder along with a polite apology. And when you look into his eyes, it's obvious that his apologies are sincere.It was a quiet household. Haruma, his mother, and his father. They had a dog once but as usually happens in time with pets, he went up to doggy heaven. He grew up with a simple life in the Ibaraki Prefecture, north of Tokyo. Went to school. Grew. Studied. He lived a pretty standard life. His parents noted early on that their son was special artistically. He was good at crafts, colored inside the lines before he even had to be told that that was the proper thing to do. He seemed to know which colors looked good together, and where everything should go on a canvas, even with finger painting.

His mum, quite pleased with her son's talent, signed him up for art lessons, but while he was talented, as the years went by his peer's work in those classes would often outshine his. So he was shuffled from drawing to painting to even sewing for one awkward summer before Haruma picked up a camera and everything fell into place. Needless to say, Haruma was good. Very good. He started entering photography competitions in middle school and placed high in all of them. In high school he took more lessons along side his normal schooling and succeeding in being noticed by professionals. Haruma was sought out and though he personally had been planning on going to college to study photography and design, this seemed like an option just as worthwhile.

Haruma began an apprenticeship at age eighteen, and for two years studied photography under the masters. It was more of the glamorous world too, and while Haruma would have been happy just taking pictures of animals or landscape, he ended up taking photos of celebrities. Not that he minded. When he turned twenty Haruma was told that he could go independent now, that those he'd studied with would be glad to continue guiding him should he ever need help. And Haruma bowed thanking them for their guidance.

A day in the life at Yokohama Design College!

Thanks to everyone at Boomer's school for letting me barge in for a day! :D ...and to Boomer for doing all the groundwork in the first place. Congrats on graduating!

横浜デザイン学院　専修学校（専門課程、高等課程）、日本語学科
【Yokohama Design College】 Senmon Gakkou (Specialized Training College & High School Department), Japanese Language School


デザイン、ファッション、マンガを勉強されたい方は
For students looking to study Design, Fashion or Manga learn more here:
https://www.ydc.ac.jp/


日本語を勉強されたい方は（英語ウェブサイト）
For students interested in Japanese language school (English Site):
https://www.jpn.ydc.ac.jp/eng　

紹介されたニンジャ侍体験コース
Samurai/Ninja Experience Course:
自明流殺陣剣術
https://blaze-jimei.jimdofree.com/


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Click this for a discounted language lesson with the teacher of your choice. (You get a discount, and I get a commission!)

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Hi! My name is Loretta, a girl from the U.S. who moved to Japan! I'm here on the MEXT scholarship program as a graduate student, studying to get a Masters in Business Administration. Here are some answers to common questions:

1. Do I Speak Japanese? Yep! I was taught formally in High School and have been speaking now for over 15 years.
2. What are you studying? I'm a recent grad of Yokohama National University's "Masters of Business Administration" Program
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4. How did you get into Japanese school?: http://tinyurl.com/yb8yylch
5. What camera equipment do you use?: I film my videos with a Canon 60D using a 30mm Sigma Art Lens and I edit with Sony Vegas Pro 10 (with some help from photoshop). Additional cameras include GoPro Hero 7 Black and DJI Majic Air

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