關於 portrait art styles ，我們在網路上蒐集到這些相關的討論、資訊與評價

Third Level Dream/Oil on canvas,/107.5x170cm/ 2020

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Known for his delicate hyperrealistic paintings, Lo Chan Peng had been busy with exhibitions in galleries, museums and art fairs within the country and overseas. His second cooperation with Acadia Contemporary Gallery was a huge success and his works have been acknowledged by Portrait Society of America and Art Renewal Center, bringing Taiwanese art to the international market.
It has been seven years since Lo Chan Peng’s previous solo exhibition dedicated to oil paintings, during this time he has been able to reflect on himself to create works which are even more technically challenging. Breaking away from the norm, his compositions, subject matter and painting styles indicate his progress and achievements in the Taiwanese history of art. Through the works on display in this solo exhibition, Lo’s canvases build a bridge between the past and the future, take the audience on a journey through time……
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Historic Movers & Shakers, and the Doomed – Lo Chan Peng Solo Exhibition 2020
Exhibition Duration | 19 December 2020 – 7 February 2021
Art Talk | Sat 19 December 2020, 15.00-16.30
Speakers | Professor Chen Kuang-Yu, Dean of Department of Fine Arts, National Taiwan University of Arts and artist Lo Chan Peng
Opening reception and book signing | 19 December 2020, 16.30-18.00
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Daguan Gallery
Opening Hours | Tue-Sun (closed on Mon) 10.30-18.30
Address | 16, Lane 69, Jingyeh 2nd Road, Taipei
MRT | Jiannan Road Station, Exit 2
Telephone | (02)8501-5677
#art #artistlife #artists #oil #painting #artworks #artistsofinstagram #artfair #artgalleries #contemporaryart #sketch #lochanpeng #羅展鵬 #羅展鵬工作室 #藝術家 #繪畫 #油畫 #水墨 #藝術 #肖像 #素描 #繪畫 #畫圖 #ink #drawing

羅展鵬個展2020 被歷史改變的人與改變歷史的人
-Historic Movers & Shakers, and the Doomed – Lo Chan Peng Solo Exhibition 2020

感謝非池中與大觀藝術空間協力拍攝。

觀影提醒:本影片適合深夜戴上耳機獨自觀看。

以精湛的寫實技法活躍於國際藝術界的羅展鵬，近年來除了參與國內美術館、藝博會的展出外，並受邀於美國洛杉磯阿卡迪亞畫廊展出(Arcadia Gallery)，同時榮獲全球舉足輕重的獎項—2020「美國肖像畫學會」(Portrait Society of America)、全球唯一寫實藝術大賽「藝術復興中心 」(Art Renewal Center）的肯定，廣受海內外畫壇與藏家的矚目。

2020年歲末，睽違七年油畫個展的羅展鵬，歷經了心境沉潛與能量蓄積，繼續挑戰技藝的極限。他以更為內斂的風格刷新超寫實主義的可能性，跳脫過往議題、開拓更高視野的格局，首次集中曝光嶄新的作品系列、表現題材和繪畫風格，梳理其創作的成績與突破，劃下屬於羅展鵬的里程碑，也為台灣藝術史鑄印了一道標誌。在這次個展中，羅展鵬將時間的厚度與重量化為巨碑式的作品，串聯起人類的過去與未來，透過作品進行一場航向改變歷史的旅程……

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羅展鵬個展2020：被歷史改變的人與改變歷史的人
展期｜2020.12.19 - 2021.02.07

學術講座｜12.19 15:00-16:30
與談人｜國立台灣藝術大學美術學院陳貺怡院長、藝術家羅展鵬老師
開幕活動暨簽書會｜12.19 16:30-18:00

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大觀藝術空間
開放時間｜週二至週日(週一公休) 10:30-18:30
地址｜台北市敬業二路69巷16號
捷運｜劍南路站2號（明水路）出口，沿敬業二路直走，69巷右轉
電話｜(02)8501-5677

Known for his delicate hyperrealistic paintings, Lo Chan Peng had been busy with exhibitions in galleries, museums and art fairs within the country and overseas. His second cooperation with Acadia Contemporary Gallery was a huge success and his works have been acknowledged by Portrait Society of America and Art Renewal Center, bringing Taiwanese art to the international market.

It has been seven years since Lo Chan Peng’s previous solo exhibition dedicated to oil paintings, during this time he has been able to reflect on himself to create works which are even more technically challenging. Breaking away from the norm, his compositions, subject matter and painting styles indicate his progress and achievements in the Taiwanese history of art. Through the works on display in this solo exhibition, Lo’s canvases build a bridge between the past and the future, take the audience on a journey through time……

-----------------------------------------

Historic Movers & Shakers, and the Doomed – Lo Chan Peng Solo Exhibition 2020
Exhibition Duration | 19 December 2020 – 7 February 2021

Art Talk | Sat 19 December 2020, 15.00-16.30
Speakers | Professor Chen Kuang-Yu, Dean of Department of Fine Arts, National Taiwan University of Arts and artist Lo Chan Peng
Opening reception and book signing | 19 December 2020, 16.30-18.00
------------------------------------------
Daguan Gallery
Opening Hours | Tue-Sun (closed on Mon) 10.30-18.30
Address | 16, Lane 69, Jingyeh 2nd Road, Taipei
MRT | Jiannan Road Station, Exit 2
Telephone | (02)8501-5677

#art #artistlife #artists #oil #painting #artworks #artistsofinstagram #artfair #artgalleries #contemporaryart #sketch #lochanpeng #羅展鵬 #羅展鵬工作室 #藝術家 #繪畫 #油畫 #水墨 #藝術 #肖像 #素描 #繪畫 #畫圖 #ink #drawing

- Luyện đọc đầu ngày: ALEXANDER HENDERSON (1831-1913)

Born in Scotland, Henderson emigrated to Canada in 1855 and became a well-known landscape photographer.

Alexander Henderson was born in Scotland in 1831 and was the son of a successful merchant. His grandfather, also called Alexander, had founded the family business, and later became the first chairman of the National Bank of Scotland. The family had extensive landholdings in Scotland. Besides its residence in Edinburgh, it owned Press Estate, 650 acres of farmland about 35 miles southeast of the city. The family often stayed at Press Castle, the large mansion on the northern edge of the property, and Alexander spent much of his childhood in the area, playing on the beach near Eyemouth or fishing in the streams nearby.

Even after he went to school at Murcheston Academy on the outskirts of Edinburgh, Henderson returned to Press at weekends. In 1849 he began a three-year apprenticeship to become an accountant. Although he never liked the prospect of a business career, he stayed with it to please his family. In October 1855, however, he emigrated to Canada with his wife Agnes Elder Robertson and they settled in Montreal.

Henderson learned photography in Montreal around the year 1857 and quickly took it up as a serious amateur. He became a personal friend and colleague of the Scottish-Canadian photographer William Notman. The two men made a photographic excursion to Niagara Falls in 1860 and they cooperated on experiments with magnesium flares as a source of artificial light in 1865. They belonged to the same societies and were among the founding members of the Art Association of Montreal. Henderson acted as chairman of the association's first meeting, which was held in Notman's studio on 11 January 1860.

In spite of their friendship, their styles of photography were quite different. While Notman's landscapes were noted for their bold realism, Henderson for the first 20 years of his career produced romantic images, showing the strong influence of the British landscape tradition. His artistic and technical progress was rapid and in 1865 he published his first major collection of landscape photographs. The publication had limited circulation (only seven copies have ever been found), and was called Canadian Views and Studies. The contents of each copy vary significantly and have proved a useful source for evaluating Henderson's early work.
In 1866, he gave up his business to open a photographic studio, advertising himself as a portrait and landscape photographer. From about 1870 he dropped portraiture to specialize in landscape photography and other views. His numerous photographs of city life revealed in street scenes, houses, and markets are alive with human activity, and although his favourite subject was landscape he usually composed his scenes around such human pursuits as farming the land, cutting ice on a river, or sailing down a woodland stream. There was sufficient demand for these types of scenes and others he took depicting the lumber trade, steamboats and waterfalls to enable him to make a living. There was little competing hobby or amateur photography before the late 1880s because of the time-consuming techniques involved and the weight of the equipment. People wanted to buy photographs as souvenirs of a trip or as gifts, and catering to this market, Henderson had stock photographs on display at his studio for mounting, framing, or inclusion in albums.

Henderson frequently exhibited his photographs in Montreal and abroad, in London, Edinburgh, Dublin, Paris, New York, and Philadelphia. He met with greater success in 1877 and 1878 in New York when he won first prizes in the exhibition held by E and HT Anthony and Company for landscapes using the Lambertype process. In 1878 his work won second prize at the world exhibition in Paris.

In the 1870s and 1880s Henderson travelled widely throughout Quebec and Ontario, in Canada, documenting the major cities of the two provinces and many of the villages in Quebec. He was especially fond of the wilderness and often travelled by canoe on the Blanche, du Lievre, and other noted eastern rivers. He went on several occasions to the Maritimes and in 1872 he sailed by yacht along the lower north shore of the St Lawrence River. That same year, while in the lower St Lawrence River region, he took some photographs of the construction of the Intercolonial Railway. This undertaking led in 1875 to a commission from the railway to record the principal structures along the almost-completed line connecting Montreal to Halifax. Commissions from other railways followed. In 1876 he photographed bridges on the Quebec, Montreal, Ottawa and Occidental Railway between Montreal and Ottawa. In 1885 he went west along the Canadian Pacific Railway (CPR) as far as Rogers Pass in British Columbia, where he took photographs of the mountains and the progress of construction.

In 1892 Henderson accepted a full-time position with the CPR as manager of a photographic department which he was to set up and administer. His duties included spending four months in the field each year. That summer he made his second trip west, photographing extensively along the railway line as far as Victoria. He continued in this post until 1897, when he retired completely from photography.

When Henderson died in 1913, his huge collection of glass negatives was stored in the basement of his house. Today collections of his work are held at the National Archives of Canada, Ottawa, and the McCord Museum of Canadian History, Montreal.

Extensive (adj): rộng
Outskirts (n): ngoại ô
Apprenticeship (n): thời gian học nghề
Excursion (n): chuyến du ngoạn
Artificial (adj): nhân tạo
Influence (n) /ˈɪnfluəns/ : sự ảnh hưởng
Artistic (adj) /ɑːˈtɪstɪk/ : đẹp
Rapid (adj) /ˈræpɪd/ : nhanh chóng
Significantly (adv) /sɪɡˈnɪfɪkəntli/ : đáng kể
Specialize in (v) /ˈspeʃəlaɪz//ɪn/ : chuyên
Numerous (adj)/ˈnjuːmərəs/ : nhiều
Sufficient (adj) /səˈfɪʃnt/ : đủ
Demand (n)/dɪˈmɑːnd/ : nhu cầu
Exhibition (n) /ˌeksɪˈbɪʃn/: triển lãm
Wilderness (n) /ˈwɪldənəs/ : vùng hoang vu
Commission (n) /kəˈmɪʃn/ : nhiệm vụ
Administer (v) /ədˈmɪnɪstə(r)/: điều hành
Huge (adj) /hjuːdʒ/ : to lớn

Các bạn cùng tham khảo bài đọc này nhé! Trích từ Cambridge IELTS14 - giải chi tiết, có ai chưa có bản này không?

7 Unique Styles of portrait drawing by DP ART DRAWING
Art portrait drawing :
1: Portrait drawing with compass : https://www.youtube.com/watch?v=R4QOaSTT6lk&t=79s
2 : Portrat drawing with magnet : https://www.youtube.com/watch?v=r69qlUDNeqM&t=9s
3 : Portrait drawing with 44 White threads : https://www.youtube.com/watch?v=Jfhga31gGB4&t=33s
4 : Draw iron man with iron pen : https://www.youtube.com/watch?v=2sW2IU6CQgc&t=2s
5: Portrait drawing with horizontal lines : https://www.youtube.com/watch?v=5kfO-4XtPXU
6 : Portrait drawing with white dots : https://www.youtube.com/watch?v=XzBGhx62CRA&t=32s
7 : 2 Hands 2 drawings at the same time : https://www.youtube.com/watch?v=pJFZ3_MMsK0&t=44s .
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