The Power of Fasting and Prayer
God’s word reveals to us that fasting has many benefits, such as it being a channel of healing, health, answered prayers, and a great way to cast out unbelief from our hearts.
I'm sure that if God is leading you to fast, He is preparing you to receive a manifestation of blessing!
One benefit we are going to look at is increased sensitivity to the Holy Spirit’s voice. We can sense God’s directions for our lives better when we fast.
When the disciples in the early church fasted, it seems like they became more sensitive to the leading of the Holy Spirit. They were able to receive God’s instructions and leading easier. It also helped them to make the right decision when faced with a big task.
“Now in the assembly that was at Antioch there were some prophets and teachers: Barnabas, Simeon who was called Niger, Lucius of Cyrene, Manaen the foster brother of Herod the tetrarch, and Saul. As they served the Lord and fasted, the Holy Spirit said, “Separate Barnabas and Saul for me, for the work to which I have called them.” Then, when they had fasted and prayed and laid their hands on them, they sent them away.” (Acts 13:1-3 WEB)
If you are at a crossroads in life and need to make an important decision, the Holy Spirit may lead you to fast to seek God for His guidance and wisdom.
I believe that fasting makes one’s spirit more in tune with the spiritual things of God so we're able to hear from Him with greater clarity.
This is likely because when we fast, we are denying the flesh of its desires and are more focused on the Spirit.
Whenever fasting is mentioned in the Bible, it is mostly combined with prayer. I would liken fasting to an amplifier, making your prayers more effective by casting out unbelief from your heart and also making you more sensitive to the Holy Spirit and what He wants you to pray for.
Do you need to receive wisdom to make an important decision? Maybe you feel like you can’t sense what God wants from you at this point in time. Perhaps it’s time to dedicate a fast to the Lord, and make it a season to receive and hear from Him.
“Let the husband give his wife the affection owed her, and likewise also the wife her husband. The wife doesn’t have authority over her own body, but the husband. Likewise also the husband doesn’t have authority over his own body, but the wife. Don’t deprive one another, unless it is by consent for a season, that you may give yourselves to fasting and prayer, and may be together again, that Satan doesn’t tempt you because of your lack of self-control. But this I say by way of concession, not of commandment.” (1 Corinthians 7:3-6 WEB)
The Apostle Paul taught that there are seasons whereby we should put aside fleshly indulgences like physical intimacy with your spouse, and just commit time to fasting and prayer.
The last time I fasted, I had to make a decision whether or not to listen to someone who was many years older than me. He preached God’s word locally and overseas.
After my fast, we met up. I could clearly sense that he was speaking nonsense, and I could easily discern the motivations that were shaping his words. It was obvious that his words were not to be trusted.
If I had listened to him I might have wasted precious years of my life doing something that was not God’s will for me.
Don’t overlook the powerful combination of fasting and prayer. We need to hear clearly from God, especially in difficult seasons and moments of standing at crossroads.
You can learn more about New Covenant fasting in my eBook “How to Fast Under Grace”. It is a short read, and it will clear up many misconceptions believers have about fasting: https://www.miltongoh.net/store/p20/how-to-fast-under-grace-milton-goh.html
同時也有1部Youtube影片,追蹤數超過2,620的網紅themblan,也在其Youtube影片中提到,I have wanted to do this for a long time. Sonic the Hedgehog is my third favorite game in the Sonic the Hedgehog franchise by Sega and Sonic Team. It ...
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sense amplifier 在 椪皮仔 Facebook 的精選貼文
「每日英文閱讀分享#030-你準備好當『露西』了嗎?」
今天是個重要的日子,
也是我每日閱讀寫到第30天的日子了~~
歡慶一個月!希望我可以繼續寫到300天,3000天~~~
今天文章:Are You Ready for Tech That Connects to Your Brain?
今天文章有點電影情節,
是在介紹:Brain-computer interface (BCI).
BCIs have the potential to amplify human intelligence to superhuman levels
是不是超酷?
作者首先介紹了BCI的種類:分為侵入以及非侵入性,已經應用在醫療產業上。
如果BCI可以執行,我們可以體會telepathic conversations、playing back memories and dreams
、immersing yourself and every sense you possess into a virtual entertainment experience
Ps. 我超想要telepathic conversation!這樣我就不用開口講話了(是有多懶XD)
但是BCI也產生了很多疑問,
誰擁有這個記憶或能力?
會不會被hack?
我們如果有個超級腦,那自身的腦會不會就荒廢?
還有很多哲學性問題等著被解決!
我們無法預測會怎麼發展,
但作者提到我們或許可以做些準備:
1. 減少對AI的偏見
2. 推動、促進數位安全、隱私
3. 更重視人性面的 ”soft skill”
如果你可以擁有一個Intelligence Amplifier,可以增加某個記憶,你最想要什麼記憶?如果可以增加某個特殊能力,你最想要什麼知識體系?
我想要精通物理跟數學~~
這樣我就可以看懂諾蘭的電影了XDD
今天想跟大家分享的單字:【fuel】
當作名詞的時候是指燃料,
但是當作動詞卻是to supply a system with a substance that can be burned to provide heat or power
例句:Our heating is fuelled by gas.—Cambridge Dictionary
也有意象很生動的用法:Something that fuels a feeling or a type of behaviour increases it or makes it stronger:
例句:The rapid promotion of the director's son has itself fuelled resentment within the company. —Cambridge Dictionary
本文例句:
We are on the precipice of major societal changes fueled by issues like the Covid-19 pandemic, climate change, and a stressed global economy.
#言之有物
#英語學習
#商業英文
#BusinessEnglish
#Technology
#每日英文閱讀分享
#一起來建立英文閱讀習慣吧
sense amplifier 在 Lee388 Hi Fi 發燒專頁 Facebook 的最佳貼文
Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................
Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
sense amplifier 在 themblan Youtube 的最讚貼文
I have wanted to do this for a long time. Sonic the Hedgehog is my third favorite game in the Sonic the Hedgehog franchise by Sega and Sonic Team. It was a revolutionary game that utilized speed both as a special ability of Sonic, and a reward for good play and memorization. The levels were designed around this as well, as we saw round level-design for the first time in any major platformer - for example, the loop-de-loops. Also, instead of just simply jumping on top of enemies to defeat them, you could get a running start and then press down on the d-pad to do a Spin Attack.
I played this on a real Sega Genesis Model 1 on a Mega Everdrive X7, but I do have a copy of the game on a real cartridge as well. My Genesis output video and audio through HD Retrovision cables. I split that signal into two using a ShinyBow distribution-amplifier (SB-3729). One end went into the Open Source Scan Converter (OSSC) and one went into my 14" Toshiba consumer-grade CRT television, so that I could play on a CRT while recording 960p gameplay.
You will be able to tell early on, but I don't play the game like everyone else. I try to get an extra life on every stage by collecting at least 100 rings, so I don't speed through the stages as quickly as possible. This might make you cringe or angry, but please understand. This is how I enjoy playing Sonic-games.
In that sense, Sonic 1 is the closest thing to a traditional 2D platformer that we have in the series, and so I like to accentuate this game's strengths by playing the game a little more slowly. My opinion is that the automatic, fast, pinball-like segments of the later games are fun in moderation, as are the more methodical platforming segments in this first game.
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Thank you for watching, and have a great day.
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The song in my intro and outro was done by Hyper Potions, and it is called Time Trials. You can check out the full song here: https://youtu.be/mnfNWe-HHsI.
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My Socials:
Twitter: http://www.twitter.com/themblan1
Instagram: https://www.instagram.com/themblan1
sense amplifier 在 Sense Amplifiers in SRAM - Electrical Engineering Stack ... 的推薦與評價
It is the purpose of the sense amplifiers on each pair of bit lines to turn that weak differential signal into a normal logic signal that can then be fed to ... ... <看更多>
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