關於 symbols of power in art ，我們在網路上蒐集到這些相關的討論、資訊與評價

CFA法國藝術雜誌刊登－多重效應 (X) Hsiung yu－unique and outstanding female painter from Taiwan. Multiple effects (X) bring together birds and beasts, rare treasures, and power machinery. These symbols project myths, legends, revelations and imaginations about the unknown. I want to create hope and bring positive energy. Emotions, helplessness and struggle, stories of life, beyond the shaking of language, create a certain harmony for all species in the world, and art condenses all the good in the universe.

熊妤－獨特而卓越的台灣女畫家。多重效應 (X)匯集了飛禽走獸、奇珍異寶、動力機械，這些象徵投射了神話、傳說、啓示與對未知的想像，我想創造希望並帶來正能量，用繽紛的色彩、細膩的情感、無奈與掙扎、生命的故事，超越語言的撼動，創造全世界所有物種都存在某種和諧，藝術讓宇宙中美好的一切凝聚著。

從去年底就開始的計畫!!! 終於完成了!!!!

Ducky Keyboard 在2020庚子鼠年與知名塗鴉藝術家 Bounce 合作，以全新創作 –「棒小鼠」的角色魅力與鍵盤激盪出令人意想不到的結合。
出生於街頭的棒小鼠擁有招牌的音響喇叭大耳朵，以及散發靈魂魅力的綠色眼睛。他喜歡隨著音樂蹦跳且熱愛溜滑板、帶著噴漆罐到處探險，並在沿途搗亂時留下屬於他的符號。他時常穿梭在黑暗的各個角落，大街小巷都有他的身影，在不知不覺中入侵你的生活，整個城市宛如都是他的遊樂場。俏皮又有惡趣味的棒小鼠從街頭進入Ducky的鍵盤世界裡，彷彿在敲擊鍵盤時也能感受到他從鍵盤裡跳躍至指尖，讓人樂趣無窮！

2020 Ducky x Bounce Year of the Rat Limited Edition Keyboard.
Ducky is honored to collaborate with Bounce to bring everyone a truly memorable art piece. Nowadays, graffiti art is no longer seen as a sneaky creative process, but a way to deliver one's opinions, attitude and will power in a bold and brave manner.
“Bounce Mouse” can be found throughout the keyboard. Where the artist has left his graffiti characters on the keycaps. Which look like they're on a brick wall, to the green mist arising from the keycaps. This allows him to hide and wittily contrasts the color around the mist. Above the mist, there are some familiar traffic symbols, aiding “Bounce Mouse” for his sense of direction when he travels and paints during the night. Viewing from the top and sides, you will be able to find marks of “Bounce Mouse” traveling on the keyboard. Filled with details but unable to predict his tracks, luring the gamers’ eyes into a hide-and-seek game each time they see this Year of the Rat limited edition keyboard. The last highlight is the bottom of the keyboard and on the mouse pad: the iconic “Bounce Mouse”.
The Year of the Rat is based on the newest version of Ducky's hot-swap keyboard. It represents the attitude of refusing to be limited by challenges.

預購/訂購方式請洽Ducky Keyboard各地經銷據點
https://www.duckychannel.com.tw/tw/location/domestic

#Ducky #YOTR #YearOfTheRat #keyboard

【內苑】連師屏 創作個展
開幕茶會：2020.01.04 （六） 3 pｍ
展覽時間：2020.01.03 - 02.02
展覽地點：亞億藝術空間 AHM Gallery

「你只是從一個房間，進入另一個房間。
突然你就忘了要進來做什麼了。
——這可能是一段Loading尚未完成。」

「內苑」出自玄奘譯《說無垢稱經》：雖明一切世間書論，而於內苑賞玩法樂﹔雖現一切邑會眾中，而恒為最說法上首。 表現一種泰然任之（gelassenheit）之心境。這種心境本身是澄明（clearing）、開放性（openness）的。不管它遭遇外界事物或內在底層無意識湧現的種種，總是開啟一個開放場域，以讓它們依其自身方式開顯自己，而不以主觀性意欲的意志（will to will）或權利意志（will to power）對於這些內外現象加以支配、控制或進行論斷。如此的心境轉折在創作上不僅以單一方式呈現，而改以千姿百態的象徵與意象交織中，直接映現出「內苑」（inner reality）。

此展覽展出連師屏自2016至2019創作。其作品中不純粹追求新穎或前衛，而是從不同的媒介探求新舊兼融的可能性，由傳統的繪畫，到當代的複合媒材、數位影像創作，創作靈感主要是形而學上的觀點、自然和宇宙、人和靈性等。早前作品以天然木紋、油彩、水彩，繪畫出靈感源自真實世界的畫作，繼而運用數位繪圖方式繼續發展源遠流長的傳統創作，激發觀者在科技創新速度前所未有的現今世代，深思細想如何從中體驗藝術，也是新與舊、現實與虛擬之間的有趣過程。

【 Inner Reality 】 Lien Shih Ping Solo Exhibition

Opening Reception: 04/01/2020 15:00
Duration: 03/01/2020-02/02/2020
Venue: AHM Gallery

“You left one room to enter another,
but you forgot why you came here.
Maybe, the process was still loading.”

The phrase “Inner Reality” comes from Shuo Wogoucheng jing(說無垢稱經) translated by Xuanzang(玄奘): He mixed in all crowds, yet was respected as foremost of all. He shows a gelassenheit mindset. This clear and open mindset allows the owner to let all the outside beings and his subconsciousness reveal naturally, instead of using one’s “will to will” or “will to power” to make judgments on situations subjectively. This change of mindset can be displayed creatively in an abundance of ways. Symbols and constructs intertwine with each other, reflecting the image of the ever-changing “Inner Reality”.

AHM Gallery presents Lien Shih Ping’s works from 2016 to 2019. Rather than describing her art as avant-garde, her works show a possibility to combine the old and the new through different media from traditional paintings to contemporary mixed media and digital images. Her inspiration comes from the metaphysics viewpoint of nature, the universe, people, and spirituality. Lien’s earlier works used natural wood grain, oil paint, and watercolor to reflect on her view of this world. Then, digital graphic art also became another way for her to perform. In this digital era where the development of technology is faster than ever, the audiences can rethink — what is the best way to experience art now? Between the new and the old, between real and virtual things, we may finally be able to conclude.