Greater Grace is Coming!
““For truly, in this city against your holy servant, Jesus, whom you anointed, both Herod and Pontius Pilate, with the Gentiles and the people of Israel, were gathered together to do whatever your hand and your council foreordained to happen. Now, Lord, look at their threats, and grant to your servants to speak your word with all boldness, while you stretch out your hand to heal; and that signs and wonders may be done through the name of your holy Servant Jesus.” When they had prayed, the place was shaken where they were gathered together. They were all filled with the Holy Spirit, and they spoke the word of God with boldness. The multitude of those who believed were of one heart and soul. Not one of them claimed that anything of the things which he possessed was his own, but they had all things in common. With great power, the apostles gave their testimony of the resurrection of the Lord Jesus. Great grace was on them all. For neither was there among them any who lacked, for as many as were owners of lands or houses sold them, and brought the proceeds of the things that were sold, and laid them at the apostles’ feet, and distribution was made to each, according as anyone had need.” (Acts 4:27-35 WEB)
In a post from months ago, I had shared that Pharaoh’s dream of the seven fat cows and seven skinny cows have an end-time prophetic meaning of seven years of plenty before the Rapture and seven years of severe famine during the seven years of Tribulation.
“Joseph said to Pharaoh, “The dream of Pharaoh is one. What God is about to do he has declared to Pharaoh. The seven good cattle are seven years; and the seven good heads of grain are seven years. The dream is one. The seven thin and ugly cattle that came up after them are seven years, and also the seven empty heads of grain blasted with the east wind; they will be seven years of famine. That is the thing which I spoke to Pharaoh. What God is about to do he has shown to Pharaoh. Behold, there come seven years of great plenty throughout all the land of Egypt. There will arise after them seven years of famine, and all the plenty will be forgotten in the land of Egypt. The famine will consume the land, and the plenty will not be known in the land by reason of that famine which follows; for it will be very grievous. The dream was doubled to Pharaoh, because the thing is established by God, and God will shortly bring it to pass.” (Genesis 41:25-32 WEB)
I believe we are in/entering that season of seven plentiful years.
In the seven plentiful years, we are going to see things like the early church experienced, but at a much greater magnitude. It is the Lord’s final harvest of souls before the Rapture.
We will see:
- Bold believers rise up to win souls and amazing miracles happening when they preach the Gospel.
- The world shaken by the Holy Spirit and a huge outpouring of the Spirit upon all flesh. Even unbelievers will receive dreams and visions from God and experience His power.
- A new level of unity and love among the body of Christ.
- A prosperous church that shares her wealth with those in need; the wealth of the nations will be transferred to believers.
We are not going to leave this world as a bruised, battered, cowering church. We will be prospering in all things together and prepared as a radiant bride for the Lord. This is the effect of us collectively receiving more revelation about the Gospel of Jesus Christ.
“But the path of the righteous is like the dawning light, that shines more and more until the perfect day.” (Proverbs 4:18 WEB)
The path of the righteous (believers) will shine more and more until the perfect day.
“For he must reign until he has put all his enemies under his feet. The last enemy that will be abolished is death. For this perishable body must become imperishable, and this mortal must put on immortality. But when this perishable body will have become imperishable, and this mortal will have put on immortality, then what is written will happen: “Death is swallowed up in victory.” “Death, where is your sting? Hades, where is your victory?”” (1 Corinthians 15:25-26, 53-55 WEB)
The last enemy that will be put under Jesus’ feet and abolished is death. This means that before the Rapture, all other enemies would be under the feet of the body of Christ. This includes sickness, aging, weakness, poverty, broken relationships, and all types of bondages that have plagued the church throughout history.
We would be so full of life that the only thing remaining is to be clothed with our glorified body and meet Jesus in the air.
Are you excited about the seven years of plenty? If the early church experienced great grace, the end-time church before the Rapture will experience greater grace! Don’t just be a spectator—ask Him to let you participate in a significant way, to bringing about good change for His kingdom!
One revelation that the body of Christ will grow in is this: receiving supernatural youth renewal to live young, healthy, strong, and beautiful like Jesus. I believe that “Younger and Younger” (the eBook and audio) are being used to enlighten believers about this part of our inheritance that is often neglected. Join me on a 31-day youth renewal journey to meet a new you—it is a transformation that everyone can see:
https://bit.ly/younger-and-younger
同時也有12部Youtube影片,追蹤數超過13萬的網紅暗網仔出街,也在其Youtube影片中提到,紀錄片: https://www.youtube.com/watch?v=LQRAfJyEsko Instagram: https://www.instagram.com/dw_kid12/ Facebook: https://www.facebook.com/deepwebkid/?modal...
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[ udn.com 聯合新聞網 專欄 / UDN Column] 當秘密客都不秘密了,#米其林 還能是米其林嗎? / Is Michelin Guide an unexpected victim of the COVID-19 pandemic? (English below)
2021 年的台北台中米其林指南在今天下午公布。大家有看轉播或關注結果嗎?你是否想過,在全球疫情肆虐的當下,出入境如此不方便,究竟是誰來擔任評鑑員呢?這麼多餐廳,難不成全部都是由本地評審嗎一一拜訪嗎?
法國米其林評鑑從去年就面臨各種質疑,今年更出現了一個可能 #完全動搖米其林運作根本 的危機,那就是八月開始實行的 #健康通行證(pass sanitaire)制度。由於需要在進入餐廳前出示有真實姓名的健康通行證,相當於無法再以假名用餐,若餐廳要求登記聯絡方式,甚至連電話號碼也會曝光,無論是知名的食評家、還是在米其林評鑑季的評鑑員都無可遁逃。一旦餐廳知道誰是手上握有生死大權的評鑑人員,自然不可能以平常心對待。這會讓有百年歷史的米其林評鑑徹底失去公信力嗎?
點連結閱讀全文 👉🏻👉🏻👉🏻 https://tinyurl.com/y8tpv2s7
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The Michelin Guide Taipei-Taichung 2021 results have just been announced this afternoon. Although the event itself is seen as an encouragement and support to the whole restaurant industry during the pandemic. However, the credibility of assessment is not without doubt.
In France, the Michelin Guide has been suffering since last year as lots of restaurants were closed for more than half of the year and it’s questionable how the inspectors could finish the assessment on time. This year, a new problem arises which could even shake the basis that the Bibendum stands on, which is the anonymity.
Starting in August, all diners are required to show a valid health pass at the entrance of a restaurant. As everyone is controlled, it is not possible to get your seat under a fake name. To those famous restaurant critics, it seems that the day enjoying a peaceful meal without being noticed is far gone; to the Michelin inspectors who try every possible way to erase their traces, it is disastrous. Will health pass be the coup de grâce to the highly respected restaurant guide that boasts more than 100 years of history? Read the full post here 👉🏻👉🏻👉🏻 https://tinyurl.com/y8tpv2s7
#yingc #guidemichelin #michelinguide #michelinstars #covid19 #passsanitaire #healthpass #秘密客 #米其林密探 #新冠肺炎 #健康護照 #疫情之下的法國餐飲業 500輯
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【認真聽】 爆頭就對了 !| 從《#屍戰朝鮮:雅信傳》到《#惡靈古堡》| 晚期資本主義社會的屍檢 | 後人類未來 // 李長潔 👾
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看完《李屍朝鮮:#雅信傳》只有一個想法—「欸為什麼沒有可以按下一集的地方!」。真的很喜歡《#李屍朝鮮》,自從2019年看了第一季,那種「公路電影」般的一路跋涉,加上詭秘的政權鬥爭,還有寫實又魔幻的戰爭,重新定義了活屍文本的特徵與內涵。我們今天就談談「活屍」(#zombie)及其文本,活屍在大中文化中的意義,還有活屍也有社會學(?)
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基本上,我們認為,活屍電影、電玩、小說等,尤其在2000年後的興盛,是一種對晚期資本主義的屍檢。這些文本從政治、經濟、科學等領域,迂迴地提出「反-社會結構」的批評,並在倖存者身上,賦予某種「#後人類」式的期待。這種Ulrich Beck的「#解放性災難」,使我們思考新的社會型態與人類存在,並開啟未來的可種可能。
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📌 #今天的節目有
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▶ 李屍朝鮮與雅信傳
▶ 每個人心中都有一個活屍
▶ 活屍的系譜
▶ 活屍文本的基本解析
▶ 巫術所控制的活死人
▶ 活下來的人有這三種
▶ 作為一種後人類
▶ 爆頭就對了
▶ 對晚期資本主義社會的屍檢
▶ 末日重生—解放性的災難
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📣 #firstory 聽這裡:https://open.firstory.me/story/ckropkmml94wf0863oyg6vp2e
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📣 #kkbox 聽這裡:https://podcast.kkbox.com/episode/5YZl1BR-1MdCKbHpwX
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📣 #spotify 聽這裡:https://open.spotify.com/episode/1GzNMgApuTqh61IbAnXKXp?si=qKcV2omiRo2D9-eAwCUvIA&utm_source=copy-link&dl_branch=1
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📣 #apple 聽這裡:https://reurl.cc/R074Gg
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📣 #facebook 完整論述:https://www.facebook.com/208541192666847/posts/1818922671628683/
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///// 完整論述 /////
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▓ #李屍朝鮮與雅信傳
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想到2019第一次看到Netflix上的《李屍朝鮮》,非常驚豔,居然可以將活屍與歷史、政爭、戰爭混合在一起,創造一種全新的視野。第一季的片頭,令人頭皮發麻,逐集釋出的片段,你可以一集一集地慢慢發覺這是養屍的陰翳詭譎畫面。
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故事大概的背景是,16世紀末日本入侵朝鮮數年後的朝鮮王朝,王世子李蒼想見臥病在床十多天的父王,卻一直被宮人阻撓,直覺宮中有不可告人秘密。為追尋真相,李蒼微服暗訪醫治其父王的醫員,卻發現一場恐怖瘟疫正全國擴散,染疫的人會死而復活,變得非常嗜血及人肉,整個朝鮮正陷入一場滅亡危機。整個《李屍朝鮮》虛構地表現著真實的史實,包含16世紀的國際政治、政府治理、人民生活、飢荒與瘟疫,那些人吃人的殘酷歷史。
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雅信傳,運用了朝鮮與女真之間的緊張關係,架構了一個「生死草源起」的場面。其中全智賢以及她的部族,是夾在朝鮮與女真之間歸順政府的「城底野人」,以來往探密為生。活屍在這裡,指向某種「他者」,是一個民族傷痛的隱喻,本篇裡並沒有太多的謀策或活屍趕殺,更多的是在恨意上的不斷加深,這個被賤斥、賤踏的他者(沒有認同、失語、赤裸、遭受暴力),最終反撲成為一種灰滅性的瘋狂與災難。
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你是不是在最後活屍感染全滅軍隊時,感到內心充滿快感呢。你也可以藉雅信,明白前兩季的諸多橋段,包含生死草的來源、為何會出現、朝鮮的政爭、第二季結束時全智賢的詭異微笑。並且,藉由雅信這位女性角色的賤斥主體反撲,整個顛倒了前兩季的所有「皇權」(kingdom)統治。
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《李屍朝鮮》大概是近年K-zombie中,最典型又精彩的作品。它之所以好看,是因為其脫離了20-21世紀裡,成為重要的反烏托邦類型的活屍文本,獨樹一格。不過,我們還是回過頭來談談這整個影視發展中的活屍文本,其是對晚期資本主義世界的一種反映與批判。
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▓ #每個人心中有一個活屍
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套句導演李安的句法,每個人心中都有一個活屍。活屍電影已然成為當代最重要的電影類型之一,是一種結合怪物、恐怖、與科學幻想的文本。從1932年的《白殭屍》(White Zombie)開始,1968年George Romero執導的《活死人之夜》(Night of the Living Dead)興起,「活屍」一社會想像在40年內逐漸成為主流,時至今日已然有577部相關的活屍電影作品發行,尚未包含電玩、小說等其他傳播媒介。
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911事件後,活屍文本更蓬勃出現,成為當代流行文化中的重要類型。這些血腥恐怖的情節背後,與一般鬼片不同,其隱含著複雜的、預設式的、假設式、未來式、較積極的負面烏托邦,用通俗的方式探討著「反結構」(anti-structure)的趨勢,甚至可以說,活屍文本就是某種「社會科學的科幻」(Reed and Penfold-Mounce, 2015),是一種社會學的想像。後面就來漫談活屍文本。
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▓ #活屍的系譜—海地活屍
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林宛瑄(2017)回顧了活屍的系譜。她認為,當代習稱活屍的怪物依其所從出的歷史脈絡與形象變遷過程,可以區分為「#海地活屍」與「#美國活屍」,兩種活屍形象各有所對應的社會情境及衍生的政治文化意涵,兩者之間的關聯與差異則是揭示活屍的理論潛能所在之關鍵。
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簡言之,「海地活屍」為巫毒教的產物,例如「白殭屍」,海地人相信巫毒教巫師能夠藉由含河豚毒素的特定毒物與儀式,讓活人處於假死狀態,之後再藉另一種藥物使之復甦;但甦醒過來的受害者會失去許多心智功能,淪為受巫師操縱的奴隸。由於海地的歷史充滿被帝國殖民為奴的記憶,海地活屍逐漸演變為一種政治社會壓迫的象徵。
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▓ #活屍的系譜—美國活屍
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海地活屍在1920年代傳入美國,並在電影中,幾經轉變,最後由喬治羅米洛的活屍系列,將活屍由巫術型轉換成「感染型」。二十世紀西方大眾文化想像中的喪屍已從「#傳統神祕傳說中沒有心智且相對不具威脅性的奴性機器」轉變為「#兇惡且自我驅動的吃人機器」;活屍研究者不應將「海地喪屍」與「美國喪屍」的發展史混為一談。
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值得一提的是,喪屍擺脫巫師或奴隸主甚或殖民者支配後,始得成為所謂「常人怪物」(行屍走肉),方能夠代入各種社會脈絡與問題情境,凝聚吸納其間的想像與焦慮,羅米洛的活死人系列因此可說是活屍作為一種大眾文化史上重要的轉捩點。(林宛瑄,2017)所謂的「感染型活屍」。不論性別種族階級,任何人都可能轉變為活屍,人與喪屍之間的界線不再牢固,人無法輕易將活屍斥逐為與己對立之他者。只要有心(?),人人都可能是活屍。
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▓ #活屍電影的基本分析
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我們將557部活屍電影名稱做文字分析,可以得到一系列的詞彙,如邪惡(Evil)、重返(Return)、活死人(Undead)、黑暗(Dark)、屋舍(House)、居民(Resident)、啟示錄(Apocalypse)、戰爭(War)、變種(Mutant)。這些片名用字指向大眾對「人」(human)之常態的質疑與恐懼。活屍象徵著,道德人性的變質、資源稀缺的搶奪、社會集體歇斯底里的害怕、全球戰爭的末日想像、對傳染病的恐懼、與基因科技的深層不信任。簡單來說,即是在技術、風險、生命權力、恐怖主義等等概念力量將社會質變後,活屍電影重新定義了「人」的存在狀態。
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▓ #倖存者的隱喻
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在分析活屍文本時,我時常將重點放在「活屍」本身,以其作為一種對當代社會的隱喻與批判視角,但事實上,那些在災難中倖存的人類,也是很重要,他們可能是反映人類在世界存在的方式,與社會重建的未來。倖存者的分類,依賴原本的社會資源,純淨的社會結構。倖存者可以分類成「#群眾」(Multitude)、「#超人類」(transhuman)、「#後人類」(post-human)。
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在「群眾」的情況下,大眾被與活屍連接在一起,你可以在大部分的電影中看到這樣的場景,人口過剩的新自由主義社會中,一方面不幸成為活屍的大眾在社會結構中無腦的重複動作,另一方面,倖存的群眾則試圖恢復舊秩序,或是,衝破各種機構的框架,例如種族、性別等。這樣的集體大眾合作,也表現在活屍路跑的活動場面中。
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而「超人類」,是一種思考未來的方式,許多超人主義理論家與倡導者希望運用理性、科學和技術,並在此基礎上減少貧困、疾病、殘疾和全球各類折磨人的疾病。在《惡靈古堡》電影中,女主角Alice受感染又轉基因,變成一個超越人類界限的賽博格(cyborg),如Donna Haraway在《賽博格宣言》裡說的一樣,女性的暴力是對所有中心主義的一種超越與破壞,拋棄了所有人的從屬角色。
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所謂「後人類」(post human)狀態,少了超人類的超越,更多的是重新思考與風險共處的例外狀態,然後形成一種生命風格。是對未來人類個體趨勢的一種觀察、推測與想像,最著名的經典是Francis Fukuyama的《後人類未來-基因工程的人性浩劫》,他強調技術革命將帶來人類社會的終極改變,其中包含了道德界線的瓦解,與社會集體暴力的來臨。Ira Livingston與Judith Halberstam則描繪「後人類」是科技的設計,是藏有符碼傳染的軀體,是致命的肉身,人類不再屬於「人族」(the family of man),而是後人類的一員。諸多學者對人類個體的未來狀態有著不確定的憂慮,但也隱含重新思考的可能性。
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▓ #爆頭就對了
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在電玩《惡靈古堡》中,第一次將「生化武器」、「傳染病」、「病毒」等元素加入活屍文本。「這場流行病的傳染速度,比現代歷史上的任何疾病要快得多了。」在Covid-19的時代,在《惡靈古堡3》重製版(Resident Evil 3,2020)詭譎緊張的開場序曲中的這句話,令每一個身處在現在的玩家深深感到遊戲文本與現實生活之間的巧合。從1996年誕生於日本Sony公司的遊戲開發部的《惡靈古堡》(Resident Evil),以大規模傳染與生化實驗為故事基礎,展開第一代成人玩家恐怖科幻視野,也是幾十年來活屍類型文本(zombie genre)的重要原型之一。
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《惡靈古堡》的核心是T-virus病毒,這種將人類變異成活屍的虛構感染,讓玩家無論是通過歐式豪宅、非洲村落、亞州公寓,每一集都有。就算到了《惡靈古堡:村莊》(Resident Evil Village)的羅馬尼亞風格民間故事中,都還是可以碰見邪惡集團Umbrella Corporation,因為製造生化武器,而開啟的活屍末日。但對於《惡靈古堡》而言,一開始幾代你還會期待是有解藥的,可以回到末日前的社會。但最近的幾代,主角與活屍的距離開始混淆不清。
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▓ #活屍就是對晚期資本主義的屍檢
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又或者是《屍速列車》裡,列車上的病毒傳染末日最可怕的敵人除了活屍之外,還包括各種延伸出來的危機狀況,像是對糧食、飲用水、衛生的不信任,大量流竄的、囂張的、與恐慌的活人才是真正致命的對手。這些由活屍想像延伸出來的情境,全都指向全球化晚期資本主義下的災難,社會失序、病毒感染、生化戰爭、病毒疫苗突變等。
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此外,《屍速列車》是一部很特別的電影,它的成功,正是奠基在韓國的徹底失敗上,的確,電影中所提及的「世越號沈船事件」、「MERS疫情」等真實事件,都體現了導演在韓國社會中的生活經歷,看見了韓國階層文化的不公平、國家體系的失常、經濟壓力下,人們渴望「逃跑」。所以我們看到《屍速列車》裡有不同群體之間的權力關係,例如資本家對雇員的指使、社會對高齡的排擠等;也看到軍隊體系的暴亂之力;一節節的車廂裡的失序場景,反而在極端的條件下將韓國的社會秩序表現了出來。而失速的列車也逃往向釜山,一個韓國經濟的重量級災區。
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其他的電影如《活人生吃》、《毀滅倒數28天》也時常描繪「商場裡的消費活屍」、「倖存者的險惡競爭」、「資源的匱乏」、「極具才能的才德至上英雄」、「巨大邪惡的企業(與科學家)」、「失能又極權的軍政複合體」,也時常是活屍電影的重要場景。都很像是對晚期資本主義的一場場屍檢。
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▓ #人與非人的共生的遊牧主義
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活屍片通常很短,觀眾看到的只是一個傳染的展開片段,但如果像是《陰屍路》這種發展很長的篇幅,就可以看人們開始嘗試展開新的生活。有趣的是,活屍科幻電影看似悲觀,這些倖存者卻總為未來社會帶來希望,追尋一個新的社會結構。例如《屍速列車》,電影中主角孔劉與其他人物的關係描繪得十分飽滿。一個故事由主角構成,主角本身卻又由許許多多的其他人構成,互動來去,在情緒、情感、合作策略的各種人際關係行為中,維繫了「人」存在於這個世界末日的價值。又或者是超級長篇《陰屍路》、被罵翻的《最後生存者2》,到後來已經展開各種活屍末日的生活共同體實驗,活屍末日是新世界的開始,在這個世界中「沒有強而有力的中央政府或傳統的社會建制,只有一群剛強的倖存者」(林宛瑄,2017)。
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剝去感官主義的票房刺激,我們可以思考,在當代流行文化中被大量產出的殭屍文本,也許並不是我們恐懼上述的「後人類怪物」,而是我們每個人心中都有一個具殭屍,他提醒著當代人類身上存在著「跨界性」,我們必須要在無法可管的條件(社會變動太過劇烈)下創造新的律法。這是「後人類」的啟蒙,在最狂暴卻又極度管制的的區域中重新創造「人」的存在。
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▓ #解放式災難的契機
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我們可以用哲學家Giorgio Agamben的「例外狀態」(state of exception)來解釋這活屍延伸出來的後人類思考。在活屍科幻電影鋪成的過程中逐漸展開視域,可以發現空間與政治、生命與法律、混亂與正常之間已經失去清楚界線,這種「例外狀態」標示著當代社會型態的狂暴與管制、安全與風險的共存。而就是因為《李屍朝鮮》、《陰屍路》、《屍速列車》、《惡靈古堡》以及其他的活屍類型文本中,存在著活屍的暴力性、動物性、去道德化,反而強化了主角與其他角色之間社會關係,那些是人性的脆弱、難得的尊重與無私的互動,這些是維護「人」所存在的最後理由。「最後生存者」,這種新的存在方式,不純然是對非人狀態的拋棄恐懼,更可以是一種共振、共活(想想看這兩年的全球疫情)。
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所以,活屍文本可以反映Ulrich Beck(周桂田、徐健銘,2016)提出的「解放式災難」,災難的風險可能帶來變革與解放的契機。「活屍」給我們一種壓力,一種啟事,一種警告,告訴我們自己即將面臨(或正處於)例外世界,承認當代人類個體已然是各種跨界性的混合體,但我們依然盡力地維護著人性的價值與個體安全的保證,在可能是最壞的未來情境裡,持續重新定義人類存在的意義。
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📕 #參考文獻
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1. 周桂田、徐健銘(2016)。進擊的世界風險社會挑戰。二十一世紀雙月刊。
2. 林宛瑄(2017)。我們就是喪屍:《 陰屍路》 中的喪屍末日與再創生。英美文學評論。
3. Fukuyama, F. (2006). The end of history and the last man. Simon and Schuster.
4. Halberstam, J. (1995). Ira Livingston, eds. 1995. Posthuman Bodies.
5. Reed, D., & Penfold-Mounce, R. (2015). Zombies and the sociological imagination: The walking dead as social-science fiction. In The zombie renaissance in popular culture (pp. 124-138). Palgrave Macmillan, London.
the last post history 在 暗網仔出街 Youtube 的最讚貼文
紀錄片: https://www.youtube.com/watch?v=LQRAfJyEsko
Instagram: https://www.instagram.com/dw_kid12/
Facebook: https://www.facebook.com/deepwebkid/?modal=admin_todo_tour
訂閱: https://www.youtube.com/channel/UCKC6E5s6CMT5sVBInKBbPDQ?sub_confirmation=1
Spotify: https://open.spotify.com/album/2LjUOH9T9j21GiX8jzytu6
異度空間恐怖APP: https://www.youtube.com/watch?v=6PiyPZ3d_Fw&t=12s
首支單曲: https://www.youtube.com/watch?v=UASHWB6Ai9Y
鬼故事: https://www.youtube.com/watch?v=-CfqxuCHq3Y&t=3s
我的成長故事: https://www.youtube.com/watch?v=Kdhtp6A6YJE
我講 '香港' 10,000次: https://www.youtube.com/watch?v=-G4uDe3QUfs
我受夠了, 我的精神困擾: https://www.youtube.com/watch?v=aQ6uxaQhiS4&t=7s
24小時內學印度話: https://www.youtube.com/watch?v=g3EmtyVK1BQ&t=55s
回憶我兩年前拍過的虐畜影片
拍虐畜影片這些事 (我的親身經歷)
2017年11月到2018年6月是我拍片生崖當中, 我所稱為 ‘尷尬期’ 的時段. 我當時是想由拍英文鬼故頻道影片同時希望轉型生活類型影片和講東話影片. 出來的效果就是一大堆又煩又cho又不好笑又沒人看又常常得罪人的誇張內容. 不要要求我給你看, 因為這些影片現時已被刪除.
暗網仔出街的觀眾大家好! 我今天想懺悔當中拍了一部I feel ashamed and guilty i ever did it. 在這裡講這段故事改變不了什麼也叫不回所造成的傷害. 大家也歡迎看完這條影片之後不再支持我. 但我怕今天不拍出這條片我日後不會講出這個故事但uw yeen會想起而後fooy. 多謝你們給我一個機會去講.
神父 我有罪!
[跟倉鼠生活48小時]
2018年6月16號我上載了一條養一隻倉鼠兩天的影片. 長達8分27秒的影片嘗試混合 ‘實驗型’ 影片和 ‘?物型’ 影片, 完全為了拿views. 由那兩天不同的時間點去講做寵物主人難chui, lut look的地方. Suen便搞笑.
影片一開頭去商店買倉鼠是我第一次拍攝時被質問的情況, 挺值得講. 因為只是照顧兩天的關係倉鼠生活的環境完全不理想, 只是放他在買回來的箱子中生活. 因為影片需要新鮮感我會在不同時間拍他還有不同地點去拍他. 當時我完全沒有意圖繼續yoing這隻小動物, 所以最後過了48小時我轉yoing比我更有愛心的兄弟yoing. 幾個月後這位倉鼠也離開了我們.
上載這條影片後有網友説每一次拍這隻小動物的時候他樣子也很害怕和焦慮. 由Muk生環境加上我每次突然間的拍攝引起. 但當時chuw luw的我只是當這個小生命跟拍片的工具沒兩分別. What are you doing man? Having to watch this video now makes me suffer. Hing hung當時這些影片沒有人看, 否則我一定繼續拍下去.
其實我記得小時候的我挺有愛心的. 9到11歲有yoing一隻倉鼠的我, 有pet這樣東西在童年也jim一個挺重要的部分.
我記得當年su假我去了香港leuy hung. 原本我媽媽應該照顧我隻chung mut. 之後她無la la又自己由加拿大飛去香港將我隻倉鼠交給一班挺Heartless的family friend. 我是說他們全家. 我當時knew something bad was going to happen because they tried to like tried to use a hose to spray my hamster before and torture and have a history of treating animals like not lives. I remember my mom went back before me and she said when she got my pet back he was so quiet and in a few days died. He was abused, my mom even said so herself.
I couldn’t even see his last time and he was buried. I remember getting off the plane crying in the shower. After when I talked about everyone just laughed at me and called it just a pet. And everyone pretended like nothing happened, next topic. But for a time he was my best friend.
Ever since that day I never bonded with animals again, because I was like: they are just animals. Like garbage. But it’s not true. They are living beings and friends. And I see that now.
I think I’m feeling like this because the way I treated the hamster is the way my hamster died. And I feel guilty for my childhood and now.
That’s why I needed to Film this video today.
[my first pet]
[owning a pet for views, the good way and the bad way to do it.]
I want to start by acknowledging their are good youtubers who raise pets. And I feel the key to doing this properly is to really in your heart, feel that connection to the pet. Not use it for views.
我有follow一位叫yanki, 即是火guy姐的女生常常post有關animal abuse這個問題. She constantly does it and reminds everyone it is a huge problem. Suey yeen我之前拍那一條影片某ching do上是這方面一個不好的教材. 但我現在可以做的是下面有一條link是一個有關這方面的documentary, roing大家了解更多. 也希望世間上所有ley hoi的小倉鼠也可以得到安息吧! Bye bye.
the last post history 在 pennyccw Youtube 的精選貼文
The 1999 NBA season was the 53rd season of the National Basketball Association (NBA). Due to a lockout, the season did not start until February 5, 1999 after a new six-year Collective Bargaining Agreement was reached between the NBA and the National Basketball Players Association. All 29 teams played a shortened 50-game regular season schedule- 61% of the regular 82 games- and the 16 teams who qualified for the playoffs played a full post-season schedule. That season's All-Star Game was also canceled. The season ended with the San Antonio Spurs winning the franchise's first NBA championship, beating the New York Knicks 4 games to 1 in the 1999 NBA Finals.
The second lockout in the history of the NBA lasted from July 1, 1998 to January 20, 1999. NBA owners were seeking changes to the league's salary cap system and a ceiling on individual player salaries. The National Basketball Players Association opposed the owners' plans and wanted raises for players who earned the league's minimum salary.
As the labor dispute continued into September, the preseason was shortened to just two games instead of the normal eight, and training camps were postponed indefinitely.[1] By October, it became the first time in NBA history that games were canceled due to a labor dispute.[2] Further games were canceled by November and December, including the All-Star Game, which had been scheduled to be played on February 14, 1999. The preseason also got cancelled as well.
An agreement between the owners and players was eventually reached on January 18, 1999. When play resumed, the regular season was shortened to 50 games per team, as opposed to the normal 82. As a result, some teams did not meet each other at all during the course of the shortened season. In addition, to preserve games between teams in the same conference, much of the time missed was made up for by skipping well over half of the games played between teams in the opposite conference. 1998--99 was the first season following the departure of Michael Jordan before he returned to play for the Washington Wizards. The New York Knicks became only the second #8 seed to advance in the playoffs by defeating a #1 seed. As of 2013, they remain the only #8 seed to have advanced to the NBA Finals. The Los Angeles Lakers played their final season at the Great Western Forum. Due to the fact that the Great Western Bank ceased to exist two seasons prior, the arena name was replaced by the team name on center court, in anticipation of the move to the Staples Center. The Los Angeles Clippers played their final season at the Los Angeles Sports Arena. The Indiana Pacers played their final season at the Market Square Arena. The Denver Nuggets played their final season at the McNichols Sports Arena. The Miami Heat played their final season at the Miami Arena, although they still played the first two months of the following season at this arena before moving to the American Airlines Arena in January 2000. The Toronto Raptors played their first game in Air Canada Centre on February 21. The San Antonio Spurs became the first former ABA team to win a championship. (As of June 2012, they are still the only ABA franchise with a title; the Nets and Pacers have not won a title, and the Nuggets have never played an NBA Finals game.) The Atlanta Hawks played another season in the Georgia Dome while Philips Arena was constructed for the 1999--2000 season. This season would be the Hawks' last playoff appearance until the 2007--08 season. The Clippers tied the 1988-89 Miami Heat for the longest losing streak to start the season (17) from February 5 till March 11 when they defeated the Sacramento Kings. In December 2009, this record was broken by the New Jersey Nets who lost the first eighteen games of the season. Hall of Fame coach Red Holzman died on November 13, 1998 at age 78.
the last post history 在 pennyccw Youtube 的精選貼文
BEN Simmons had a triple double on Saturday against the Indiana Pacers despite missing more mid-range jump shots during his warm-up than you’re likely to ever see by a professional basketballer.
He had 14 points, 11 assists and 11 rebounds in a wildly-entertaining 121-110 win despite going missing for long periods in the game.
He became just the second player in NBA history to post two triple doubles in his first nine games despite turning the ball over five times, getting called for two charges and missing eight of his 13 field goal attempts.
If ever anyone has played the game Ice Cube raps about in It Was A Good Day it was Simmons against the Pacers. He truly “f***ed around and got a triple double.”
Milwaukee Bucks coach Jason Kidd recently described his own burgeoning superstar Giannis Antetokounmpo as a plane that was ascending but had only reached 10,000 feet.
Well, Simmons can still see the runway in his rear-view mirror and he’s already reaching heights only Oscar Robertson has climbed.
“It’s just amazing to me, there’s nothing else I can really say about it,” Simmons said, when notified of his latest feat.
“It’s an honour to be there.”
KOBE: ‘HE’S A PHENOMENAL PLAYER’
It’s performances like Saturday’s that have seen Simmons capture the attention of NBA royalty, including Kobe Bryant who told news.com.au Australian fans should be buzzing about the talent they have on their hands.
“He’s a phenomenal player,” Bryant said in New York this week. “He’s just getting started too.”
Simmons has been forced to get use to such lofty praise in the past few weeks as everyone from Dominique Wilkins to LeBron James have heralded his game.
But getting the tick of approval from Bryant meant a lot to the 20-year-old from Melbourne, when news.com.au passed on the message in the locker room before he took on Indiana.
“From Kobe, that’s awesome to hear,” Simmons said. “From one of the greatest to ever play the game, that means a lot. But I got a long way to go so I’ll stay in the gym.”
The Simmons camp is starting to get word of the groundswell of support building for him Down Under too. It’s not quite at the same level as Jarryd Hayne experienced during his time with the San Francisco 49ers yet, but Simmons has only just begun and this journey will likely last 10-15 years.
“Now he’s getting triple doubles it’s buzzing here so I can only imagine what it’s like there,” his father, former NBL player Dave Simmons, told news.com.au after the siren.
“I definitely know I get a lot of support from Australia,” added Ben. “When I’m playing I’m really playing for me, my family, my team and Australia. So that means a lot. And I’ve always really played that way.”
Simmons confirmed he was targeting the 2020 Olympics in Tokyo, a tantalising prospect for a Boomers program which finished fourth in Rio last year.
But first he’s determined to reignite basketball in Philly — and the City of Brotherly Love is falling fast.