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12 Days of Culture programme
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2020年英國劇院聯合推出12天藝術文化計畫，集合英國各地不同的藝文表演團隊以及劇院
包括音樂、舞蹈、舞台劇以及兒童戲劇節目，為了讓聖誕節&新年假期，給世界各地的人們可以透過網路觀賞藝文節目。
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分享來自英國藝文場所演出
包括Donmar Warehouse、Bristol Old Vic、Unicorn Theatre、Royal Philharmonic Orchestra、Scottish Ballet、Little Angel Theatre 、 Sadler's Wells Theatre、Royal Opera House
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👇👇👇
https://reurl.cc/0OYk3A
星期四閱讀之：在家看變態
//文化資產和人文情操高尚的國家，就算抗疫之路有多甩頭甩骨，掙扎和苦難有多一塌糊塗，他們的解愁舒懷之法，捱過疫濤病浪之舟，總橫渡得不失兩分詩情雅意。
以讀攻毒，美國非牟利機構The Internet Archive，豪邁地推出”National Emergency Library”上架，一百四十萬本書免費上線！成全球書蟲的亂世佳音。
我更享受是英國的National theatre，把舊作品上載到YouTube，舞台劇如《Antony & Cleopatra》是上帝聽到了我的禱告。埃及妖后和她的安東尼，有演出美味可口的Ralph Fiennes.........//
迷戀他聲線的Edward Norton說：「聽見Ralph Fiennes唸對白，我便痛恨自己聲線的平庸乏味」。
//The Royal Opera House亦加入藝術放送的行列，精選劇目擇日首映，限時放送。在肺炎蔓延時，有什麼比Royal Ballet改編卡夫卡的《The Metamorphosis》更應景？
卡夫卡你好毒.........《變形記》主角 Gregor，好端端一個男人，睡醒便變成了”Ungeziefer”（德文意思是「害蟲」）.........
好兒子好哥哥，每天刻板地工作，是害蟲。同一段編舞，少少的改動，不停的重複，無間斷。這個，與其說是人，不如說是麻木的機器。其實人生早已變態
失去「人體」，他竟不驚愕可惜，一味擔心還如何可以上班。
上班上班上班上班上班上班上班。
從哲學角度看，肉體於Gregor是虛無的，如果蟲身可以上班如儀，他不介意。
那種扭曲，才最震慄。//
香港人還不是一樣嗎？病毒襲來，幾多人不願social distancing，被供樓、交租、上班長期逼迫得心理變態。誰身邊沒有明明不喜歡上班，但外面疫戰峰火連天槍林彈雨，仍只想奮不顧身上班？
《衛報》一篇報道說........總結是：”Being able to socially distance is a sign of privilege”。
人類如果能從今次疫情學到一點什麼，應該是設法令自己不用變態。
#變態人生
#英式StayHome
#抗疫在家看RoyalBallet
#著靚啲 #當約會
#藝術節今次全炒
#卡夫卡 #TheMetamorphosis
#明周文化 #畢明 #FinerLife
#返工返工返工返工返工
#從疫情學到什麼
這位年輕同行幾乎把全世界知名表演的網路直播／錄影演出，統統匯整於此。如果這不是寶藏，我不知道什麼還算是了。臺灣有雲門舞集被圈選！當代表演藝術全收錄，教學進修一體適用！！以及，芝加哥古德曼劇院超強分享全劇共有五集的超強前衛小說改編劇目：2666。
1.Tanztheater Wuppertal/Pina Bausch (Wuppertal, Germany)
2.Internationaal Theater Amsterdam [FKA Toneelgroep Amsterdam] (Amsterdam, Netherlands)
All productions are directed by titan Ivo Van Hove.
3.The Public Theater’s Free Shakespeare in the Park Production (New York City, New York)
4.Schaubühne am Lehniner Platz (Berlin, Germany)
5.Ballet Hispánico (New York City, New York)
6.Alvin Ailey Dance Theatre (New York City, New York)
7.Goodman Theatre (Chicago, IL)
8.B-Side Studio — Episodes 1–8
9.Bangarra Dance Theatre/Sydney Opera House (Sydney, Australia)
10.Opéra national du Rhin | (Strasbourg, France via Buenos Aires, Argentina)
11. Astor Piazzolla’s Maria de Buenos Aires
12. National Theatre Home (London, England)
13.Hampstead Theatre (London, England)
14. Cloud Gate Dance Theatre (Taiwan, Asia)
15. Théâtre du Soleil | Ariane Mnouchkine (Paris, France)
16. Young Jean Lee’s Theater Company
17. MANUAL CINEMA (Chicago, IL)
18. Nederlands Dans Theater (The Hague, Netherlands)
19. PEEPING TOM (Brussels, Belgium)
20. Nowy Teatr (Warszawa, Poland)
21.TR Warszawa (Warszawa, Poland)
22. Odéon-Théâtre de l’Europe (Paris, France)
23. CHEEK BY JOWL (International theatre company)
24. David Bobée (Mont-Saint-Aignan, France)
25. Theater Basel (Basel, Switzerland)
26. Dimitris Papaioannou (Athens, Greece)
27. THE ROYAL COURT THEATRE (London, England)
28. Batsheva Dance Company/Ohad Naharin (Tel Aviv, Israel)
29. AKRAM KHAN COMPANY (London, United Kingdom)
30. Hofesh Shechter Company (Jerusalem, Israel)
31. Anne Teresa de Keersmaeker (Brussels, Belgium)
32. EASTMAN | Sidi Larbi Cherkaoui (Antwerp,Belgium)
33. STUDIO WAYNE McGREGOR (London, England)
34. Fuerza Bruta ( Buenos Aires, Argentina)
35. Teatr Laboratorium (Wrocław, Poland)
36. Tadeusz Kantor (Kraków, Poland)
37. Piccolo Teatro di Milano| Giorgio Strehler (Milan, Italy)
38. Peter Brook (London, UK // Paris, France)
39. PANDUR.THEATERS (International Theatre)
40. Robert Wilson (International Theatre)
41. La Compagnie du Hanneton (International Touring Company)
42. Festival d’Avignon (Avignon, France)
Mademoiselle Julie
French language with no subtitles
43. Deutsches Theater Berlin | Michael Thalheimer (Berlin, Germany)
44. Sasha Waltz & Guests (Berlin, Germany)
45. Maly Drama Theatre (St Petersburg, Russia)
46. Patrice Chéreau (Lézigné, Maine-et-Loire, France)
47. The Ring Cycle: Das Rheingold (Bayreuth Festival)
The Ring Cycle: Die Walküre — Part 1/2 & 3 (Bayreuth Festival)
The Ring Cycle: Siegfried — Part 1/2 & 3 (Bayreuth Festival)
The Ring Cycle: Götterdämmerung — Part 1 & 2/3 (Bayreuth Festival)
48. ONASSIS FOUNDATION (USA & Greece)
Greek language with Greek Subtitles
49. DIGITAL THEATRE 英國付費收看線上串流的數位劇院
Much Ado About Nothing
Travis Coe來自Double Edge劇團，這個劇團規模不大但是是美國知名的以環境場域為創作主題的實驗性表演團隊。
作者Travis Coe is an Ensemble Member, Actor, and Video Director with Double Edge Theatre, where he recently premiered his solo performance SUGA.
He is a Co-Founder of Round Room Image and received his BA in Acting at Columbia College Chicago.
I would love to know about the productions you are watching and if you have any suggestions on free performances I should add. You can email me at: travisdcoe@gmail.com
Po-Lin was born in 1994 Yilan, Taiwan and grew up in the small town of Su'ao. He is Atayal, one tribe of the Taiwanese aborigines.
From 2009-2013, Po-Lin studied dance performance at the Taipei National University of the Arts. In 2012, he toured across Taiwan and the United States as a member of Fang Yi Sheu and Artists for a year. In 2013, he worked with the Gelsey Kirkland Ballet in New York, followed by the Mexican company Tania Pérez-Salas Compañía de Danza in Mexico City and the United States from 2014-2015.
In 2015, Po-Lin worked as freelance dancer in New York City with Ballet Inc., Zest Collective Contemporary Performing Arts, Nai-Ni Chen Dance Company, and Ballet Verite, whilst training with Zvi Gotheiner and Jon Ole Olstad.
In 2016, Po-Lin joined Company Wayne McGregor based in London, UK, he currently performs as a dance artist and traveling all over the world. since 2016 he performed many Wayne McGregor's work, ''Atomos'' ''Entity'' ''Far'' ''Outlier'' ', he performed Mr.McGregor's ''Tree of code'' with the Paris opera ballet and '+/- Human with the Royal ballet, and ''AutoBIOgraphy'' which he was one of the original dancer in collaboration with Mr.McGregor.
He enjoyed living and working in many countries of the world and have embraced multicultural influences.
He inspired by the fusion of Asian notions of low slung fluid movement embodied in tai chi, combined with the classical lines of western ballet. In Mexico while working with Tania Perez-Salas and was profoundly influenced by her free flowing movement, sensuously organic but with an underlying rhythmic structure. He loves to channel these styles into his dance art and share them with pre-professional and professional dancers.
Teaching Experience
Studio Wayne McGregor 2016 - present. U.K. and worldwide
● Since joining Studio Wayne McGregor in March 2016 he has taught "Creative Learning" workshops in UK, USA, many European counties and with more planned worldwide as part of Company Wayne McGregor in the coming year.
New Jersey City University - Dept of Music, Dance and Theater 2015 @ New Jersey City, U.S.A.
● Teaching "Emotions and Movement" contemporary dance performing skills to a group of musical theatre students weekly at NJCU as the assistant of professor Nai-Ni Chen. Ms Chen gave him a chance to strengthen his teaching ability at a young age with the opportunity to teach within a university.
Fang-Yi Sheu and Artists Workshops 2012 - 2013 Toured in Taiwan
● While a member of this group, traveling to schools conducting dance workshops with Ms. Sheu.
Tzi-Chi Senior High School-Dance Department 2012 Summer dance program - Taiwan
● Ballet, contemporary dance, Chinese opera basic steps, Martha Graham technique.
First Teaching Experience 2011 Various studios - Taiwan
● Guest teacher for ballet, contemporary dance, and Chinese opera basic steps.
Education
Taipei National University of the Arts - Deptof Dance
2009-2013
2013
● Ballet, Martha Graham, Tai-Chi, Martial arts, Chinese opera basic steps, contemporary dance.
Gelsey Kirkland Academy of classical ballet ● Accepted as a full scholarship student.
