關於 urban space ，我們在網路上蒐集到這些相關的討論、資訊與評價

Please join us for a rejuvenating wellness retreat at the stunning Amtarda💚

Saturday 9 October, 9am - 5pm

🧘🏾‍♀️Vinyasa Yoga @ankiebeilke
💆🏽‍♀️Restorative Yoga @alanna__artistry
🍂Tea Ceremony Meditation @maynogoy
🥬Urban Farming & Microgreens @jaxsplash
✨Aromatherapy & Wellbeing @zoshap

☀️Sunset walk to Clear Water Bay
🥥Authentic Thai cuisine by Amtarda
🪲Limited space
🔥Bookings DM me

#Amtarda #yoga #hongkong #homekong #wellness #clearwaterbay #retreat #health #permaculture #microgreens #restorative #yinyoga #hkstaycation #insidehongkong #hongkongwellness #hongkongyoga #hkyoga #hkyogagirl #hkwellness #hkfitness #hkmeditation #teaceremony #meditation #ceremony #hkig

🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹

2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.

Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.

The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.

“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).

In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).

In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).

In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.

Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.

The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”

The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.

📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/

#奧地利林茲電子藝術節
​#arselectronica21 #gardentaipeiformosa

今日開始展出為期一個星期的展覽了。

場地就在尖東歷史博物館對面，
以前ice fire再行前.....

入場費用是場地收的，for支持佢地營運同撐本地藝術家的收入的 🙏佢地係有心架，場地也會租出拍野/開會/活動都幾靚仔的，大家有興趣都可以聯絡佢地。

10月我還有全新的展覽，還會有opening跟大家見面的，想見到面的10 月希望見到大家啦～



「雅俗共賞」 Solo exhibition

August 19 -27,2021

Weekday to sat 2-6pm,sun 4-6pm

Urban House Gallery

@ 3/F, 10-12 Chatham Court, Tsim Sha Tsui( 尖沙咀漆咸圍10-12號3樓)

Entrance Fee: weekday $20, Weekend $40

*（因應疫情關係，入場必須量度體溫及填寫健康申報表，任何時間必須配戴口罩，場內嚴禁飲食；欣賞藝術品時切勿觸摸，場內切勿喧嘩，面斥不雅；如有任何變動，將預早一星期前於Urban House Facebook專頁以書面形式通知。Urban House享有最終決議權；Urban House為Co-working Space，欣賞展品完結後請勿逗留或使用任何設施，Urban House將有權徵收任何入場人士額外費用。）

#artist #hkartist #hkillustrator #maysum #書法 #中文書法 #立體書法 #calligraphy #造字 #繁體字 #exhibition #urbanhouse #urbanhousegallery

OUR NURSERY UPDATE | Revamped Space for Baby Asher
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Crib: Stokke, Mothercare Singapore
Crib mobile: Little Happy Haus
Changing table, table & book shelves: IKEA Singapore
Nursing chair: Hatchery Cribs
Paint: Nippon Paint Singapore
Wall decals: Urban Li'l x Melissa C. K (Babs Barn)
Wall hangings: Little for Longer
Mirror: Island Living Singapore
Rug: iRugs Singapore
Pompom Basket: A Greener Wood
Quited Storage box: Louloulala

Want to win a set of these 3 cute barn animals prints?
Leave a comment below sharing with me what you love most about the nursery update!!:)
Don’t forget to leave your email or if handle so we can contact you!
–

INSTAGRAM | http://instagram.com/melissackoh​​​​
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✐ C O N T A C T
⇢ contact@melissacelestinekoh.com

On 18 May 2021, 4-5pm at JPS Gallery | Hong Kong artist Elaine Chiu joins moderator Kenneth Chan in a conversation of Elaine’s working process, inspirations, and trajectory as an artist. Hong Kong’s endangered buildings, architecture, cityscape and memories are some of the cornerstones of Elaine’s research and practice. Her work not only explores space, memory and the city's evolving urban identity, but also conveys the transience and fragility of Hong Kong's cityscape. In this conversation, Elaine will share the story of her creative practice, her muses, and her work as a personal investigation of Hong Kong’s transient, fluidic, and intersecting memories. This conversation is presented as part of ‘Before Memories Expire’, an exhibition at JPS Art Gallery on view from 6 May 2021 to 6 June 2021.

Makeup @c_chungyee_
#BeforeMemoriesExpire
#回憶若有限期

As the land-scarce Hong Kong has been adding more floors on buildings to create more space, elevators that carry passengers up and down have become time capsules of urban development, integrated in various social spheres of everyday life. At present, the 69,755 elevators in the territory average out to one for every 108 people, the world’s highest elevator-to-population ratio.

As early as in 1888, Hong Kong saw its first elevator at the now-demolished Hong Kong Hotel. Lifts were still so uncommon in the beginning of the 20th century that their installation would make the news. In the ’50s and ’60s when Hong Kong’s economy started to take off, more lift manufacturers set up their offices in the former British colony, bringing the vertical cable shafts to more commercial buildings, shopping malls and traditional Chinese restaurants. Residential premises with elevators were considered luxurious properties, thanks to their rarity.

影片:
【我是南丫島人】23歲仔獲cafe免費借位擺一人咖啡檔 $6,000租住350呎村屋：愛這裏互助關係 (果籽 Apple Daily) (https://youtu.be/XSugNPyaXFQ)
【香港蠔 足本版】流浮山白蠔收成要等三年半 天然生曬肥美金蠔日產僅50斤 即撈即食中環名人坊蜜餞金蠔 西貢六福酥炸生蠔 (果籽 Apple Daily) (https://youtu.be/Fw653R1aQ6s)
【這夜給惡人基一封信】大佬茅躉華日夜思念 回憶從8歲開始：兄弟有今生沒來世 (壹週刊 Next) (https://youtu.be/t06qjQbRIpY)
【太子餃子店】新移民唔怕蝕底自薦包餃子 粗重功夫一腳踢 老闆刮目相看邀開店：呢個女人唔係女人(飲食男女 Apple Daily) https://youtu.be/7CUTg7LXQ4M)
【娛樂人物】情願市民留家唔好出街聚餐 鄧一君兩麵舖執笠蝕200萬 (蘋果日報 Apple Daily) (https://youtu.be/e3agbTOdfoY)

果籽 ：http://as.appledaily.com
籽想旅行：http://travelseed.hk
健康蘋台： http://applehealth.com.hk
動物蘋台： http://applepetform.com

#果籽 #elevator #old Hong Kong #Hong Kong Hotel #British colony #Hong Kong #StayHome #WithMe #跟我一樣 #宅在家