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【內苑】連師屏 創作個展
開幕茶會：2020.01.04 （六） 3 pｍ
展覽時間：2020.01.03 - 02.02
展覽地點：亞億藝術空間 AHM Gallery
「你只是從一個房間，進入另一個房間。
突然你就忘了要進來做什麼了。
——這可能是一段Loading尚未完成。」
「內苑」出自玄奘譯《說無垢稱經》：雖明一切世間書論，而於內苑賞玩法樂﹔雖現一切邑會眾中，而恒為最說法上首。 表現一種泰然任之（gelassenheit）之心境。這種心境本身是澄明（clearing）、開放性（openness）的。不管它遭遇外界事物或內在底層無意識湧現的種種，總是開啟一個開放場域，以讓它們依其自身方式開顯自己，而不以主觀性意欲的意志（will to will）或權利意志（will to power）對於這些內外現象加以支配、控制或進行論斷。如此的心境轉折在創作上不僅以單一方式呈現，而改以千姿百態的象徵與意象交織中，直接映現出「內苑」（inner reality）。
此展覽展出連師屏自2016至2019創作。其作品中不純粹追求新穎或前衛，而是從不同的媒介探求新舊兼融的可能性，由傳統的繪畫，到當代的複合媒材、數位影像創作，創作靈感主要是形而學上的觀點、自然和宇宙、人和靈性等。早前作品以天然木紋、油彩、水彩，繪畫出靈感源自真實世界的畫作，繼而運用數位繪圖方式繼續發展源遠流長的傳統創作，激發觀者在科技創新速度前所未有的現今世代，深思細想如何從中體驗藝術，也是新與舊、現實與虛擬之間的有趣過程。
【 Inner Reality 】 Lien Shih Ping Solo Exhibition
Opening Reception: 04/01/2020 15:00
Duration: 03/01/2020-02/02/2020
Venue: AHM Gallery
“You left one room to enter another,
but you forgot why you came here.
Maybe, the process was still loading.”
The phrase “Inner Reality” comes from Shuo Wogoucheng jing(說無垢稱經) translated by Xuanzang(玄奘): He mixed in all crowds, yet was respected as foremost of all. He shows a gelassenheit mindset. This clear and open mindset allows the owner to let all the outside beings and his subconsciousness reveal naturally, instead of using one’s “will to will” or “will to power” to make judgments on situations subjectively. This change of mindset can be displayed creatively in an abundance of ways. Symbols and constructs intertwine with each other, reflecting the image of the ever-changing “Inner Reality”.
AHM Gallery presents Lien Shih Ping’s works from 2016 to 2019. Rather than describing her art as avant-garde, her works show a possibility to combine the old and the new through different media from traditional paintings to contemporary mixed media and digital images. Her inspiration comes from the metaphysics viewpoint of nature, the universe, people, and spirituality. Lien’s earlier works used natural wood grain, oil paint, and watercolor to reflect on her view of this world. Then, digital graphic art also became another way for her to perform. In this digital era where the development of technology is faster than ever, the audiences can rethink — what is the best way to experience art now? Between the new and the old, between real and virtual things, we may finally be able to conclude.
A new illustration experiment I finished recently. I saw this old telephone box on one of our (mine and Kana’s) evening walks. Lately, we go outside mostly after the sun goes down - because of the heat.
I really liked the light coming from the telephone box and the house deep in a garden on the left side so I made some photos for future reference. This time though I used them only as inspiration to make up my own scene from scratch. I think it came out pretty nice.
I also used an airbrush with watercolor paints for some soft highlights and shadows for the first time! We have one on hand because Kana used to use it to paint her clay figurines. I knew that the Japanese animation background painters use airbrushes so I wanted to try it out too. It worked great!
It took me 2 days to finish this piece - it takes longer with no linework but I think it was worth it.
Used tools:
・paper: Canson, moulin du roy, cold press, 300g/m watercolor paper
・sketch: Bic evolution HB pencil
・colors: my main Schmincke watercolor set, mostly Potters Pink, Payne’s Grey and Prussian Blue
・airbrush
・white Rotring ink
This old shop (called Takei Sansyōdō) that originally a sold writing brushes and all kinds of other writing supplies has beed relocated to the Edo Tokyo Open Air Architectural Museum and you can see it there still. It has been originally built in 1927.
http://www.tatemonoen.jp/panorama/east_jp/e06/
I was interested in this shop for a while because the rumor says that Hayao Miyazaki got the inspiration for the boiler room in “Spirited Away” from the insides of this shop - it has a lot of hand-crafted small drawers that held once all the writing supplies - inks, brushes and others.
I wanted to paint this shop few times already but during all my visits to the museum the top windows were shut with storm shutters so I did not know how they looked. Just recently I got my hands on the “Story of the Edo Tokyo Musem” book that was made with the collaboration of Studio Ghibli members. The book had a photo of this shop with the windows visible so I decided to paint it.
I used a style similar to my “Tokyo Storefronts” series but took some inspiration from the illustrations from the book (made by Studio Ghibli’s Oga Kazuo) and decided to make the lines with a brush and dark gouache rather than a radiograph to make the painting a little bit more light and watercolor-like.
Technical details:
* Sketch - 0.5mm mechanical pencil with RED leads
* Colors - my main Schmincke brand watercolors set
* Paper - Holbein Waterford White 300g cold press
* Lines - Winsor And Newton gouache, Perylene Violet
Feel free to check out my other stuff:
Gumroad: https://gumroad.com/mateusz_urbanowicz
Patreon: https://www.patreon.com/mateuszurbanowicz
Blog: http://mattjabbar.tumblr.com/
Twitter: https://twitter.com/gommatt
Cover illustration for a magazine called “Metro Guide” being distributed thought metro stations in Tokyo from September 2017.
Number of copies: around 1 000 000.
This edition is autumn themed so I tried to make my illustration fit the contents with the colors and atmosphere. I used the Jindaiji temple and the shops that surround it as an inspiration for the setting.
「メトロガイド」の2017年10月号の表紙を担当しました！
今回の雑誌のテーマは秋なので、綺麗な紅葉や豊かな雰囲気を再現しながら描いてみたイラストです。深大寺の周りのお店通りが設定の元になってます。
Tools:
* Lines: Mitsu-bishi HI UNI F to 6B grade pencils
* Paper: White Watson 300g/m watercolor paper
* Colors: my custom 48 colors set and 48 colors Schmincek set.
GET THE PROCREATE BRUSHES HERE:
https://gumroad.com/mateusz_urbanowicz
ツール詳細
* 紙： ミューズ ホワイトワトソン 300g
* 下描き： Mitsu-bishi Hi-Uni 鉛筆
* 着色： 48色のシュミンケ水彩セット
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