關於 white circle design ，我們在網路上蒐集到這些相關的討論、資訊與評價

Singapore’s leading media entertainment and content company MM2 Entertainment Singapore is delighted to announce the release dates for a slate of Singapore films for 2020 and 2021.

“We are extremely excited to share this slate of Singapore-made movies, including the first local film to release in 2020. It has not been a good year for Singapore moviegoers, with the pandemic causing havoc to the releases to Hollywood and Asian movies. Every year there is a steady stream of new Singapore movies released in cinemas. This year, however, due to the pandemic and the circuit breaker, there has not been any local releases to date. We are therefore proud to be releasing this slate of Singapore films, for Singaporeans,” says Mr Ng Say Yong, Chief Content Officer of mm2 Asia.

“These films are uplifting stories that are certain to entertain moviegoers, and very relevant to our times. It is especially important in this time when we need to be socially distant, that we are still able to connect with the community through the shared cinematic experience. Laughing together, crying together - the group effect of watching a film together in a theatre: that is what cannot be replicated at home or on a mobile screen,” he continues.

Number 1 will be the first Singapore film to be released in 2020. The film portrays a man who gets retrenched and must take on an unorthodox job as a means of survival. The movie will resonate with moviegoers, in this current climate where the local jobless rate is the highest in more than a decade. Local funnyman Mark Lee delivers a career-defining performance in the challenging role of the film’s lead; and has been nominated for top acting honours at this year’s Golden Horse Awards in November.

Additionally, mm2 has announced an exciting slate of local films scheduled for release up to June 2021. The list of films includes comedies, dramas, horrors and thrillers - offering a wide variety of cinematic options guaranteed to please even the most discerning movie lover. Included in the list are Jack Neo’s The Diam Diam Era 1 & 2 slated for the year-end school holidays and Chinese New Year respectively, as well as Mark Lee’s directorial debut Running Ghost.

mm2 Entertainment October 2020 – June 2021 SG Film Releases

Number 1《男儿王》
Release Date 22nd October 2020
*2 Golden Horse Awards nominations*
Best Actor (Mark LEE)
Best Makeup and Costume Design (Raymond KUEK, Azni SAMDIN)
Number 1 is a heart-warming musical family comedy that follows the story of Chow Chee Beng, a middle-aged white collar manager retrenched by his company. After many failed interviews, Chee Beng unwillingly takes a job as a manager at ‘Number One’, a popular drag club. Soon, Chee Beng is roped into dressing up to join the drag queens on stage. And to everyone’s surprise, Chee Beng is a natural drag queen and his performance wows the audiences!
Starring Mark LEE, Henry THIA, Jasper LAI |
Directed by ONG Kuo Sin
Distributed by mm2 and Cathay Cineplexes


The Diam Diam Era《我们的故事之沉默的年代》
Release Date End November 2020 (TBC)
The story of the Lim family from Long Long Time Ago 《我们的故事》continues in this two-part film series. Conflict grows between Ah Kun and his nephew Shun Fa. Themes of a generation gap between those born in the 1950s and the following generation are explored in their varying reactions to nation-building policies implemented from the 1980s to the present day.
Starring Mark LEE, Henry THIA, Suhaimi YUSOF |
Directed by Jack NEO
Distributed by Golden Village Pictures, Shaw Organisation, J Team, mm2, and Cathay Cineplexes


Precious Is The Night《今宵多珍重》
Release Date 10th December 2020
*2 Golden Horse Awards nominations*
Best Cinematography (Wayne PENG)
Best Makeup and Costume Design (LIM Sau-hoong)
Precious Is The Night is a thriller set in 1960’s Singapore. The film stars internet sensation model-photographer Chuando Tan 陈传多 as a 30-something doctor caught in a web of deceit, sex and lies. The murder drama revolves around the doctor who is engaged to make house calls to a mysterious wealthy family.
Starring Chuando TAN, Nanyeli, CHANG Tzulei, XIANG Yun, CHEN Yixin, TAY Ping Hui
Directed by Wayne PENG 彭文淳
Distributed by mm2 and Cathay Cineplexes


The Diam Diam Era Too《我们的故事之沉默的年代2》
Release Date CNY 2021 (TBC)
Following events in The Diam Diam Era, the story of the Lim family continues…
Starring Mark LEE, Henry THIA, Suhaimi YUSOF |
Directed by Jack NEO
Distributed by Golden Village Pictures, Shaw Organisation, J Team, mm2, and Cathay Cineplexes

Running Ghost 《翻身争霸战》
Releases Q1 2021
A timid man finds himself in the afterlife. To win a second chance at life, he must be the winner in the underworld’s reality game show: Running Ghost.
Starring WONG You-nam, Cecilia SO |
Directed by Mark LEE.


Hell Hole《鬼地方》
Releases Q1 2021
A loving mother makes a death pact with a spirit by sacrificing her life to save her child. Years later, he grows up and is bullied whilst studying in medical school, resulting in his death. Reunited in death as vengeful spirits, mother and son open up a hell hole to those who had wronged them.
Starring Justin Cheung, Jennifer Yu |
Directed by Sam LOH

Ibu
Releases Q1 2021
A woman who loses her husband in a tragic accident tries to bond with her teenaged stepdaughter to no avail. Eventually her stepdaughter’s loneliness and longing for a motherly figure attracts the attention of a deadly Pontianak, the spirit of a woman who died in childbirth. Now she must show what it takes to be a mother and protector before she loses her stepdaughter forever.
Starring Alicia Amin, Nur Sabrina |
Directed by Raihan Halim.

Shadows 《残影空间》
Releases Q2 2021
A psychiatrist who possesses the ability to enter the subconscious mind must look into her traumatic past and overcome her inner demons in order to stop a serial killer on the loose.
Starring Stephy Tang, Tse Kwan-ho, Philip Keung |
Directed by Glenn Chan


Fatekeepers 《风水灵灵灵》
Releases Q2 2021
5 chosen individuals holding the secret to Singapore’s mysterious Feng Shui formation must unite and fulfil their destiny of defending it with their lives
Starring Richie KOH, Julie TAN, Noah YAP, Andie CHEN | Directed by Daniel Yam.


Circle Line《生死环线》
Releases Q2 2021
Trapped in the underground train tunnel system, a single mother’s resolve to protect her son is tested to the extreme as both of them are the few remaining survivors of an attack by a monster. Meanwhile in the control room, duty engineers fight desperately to rescue the trapped survivors.
Starring Jessica LIU, Peter YU, Andie CHEN |
Directed by JD CHUA

Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share

The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris

Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.

According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.

According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.

When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.

Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.

Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.

‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.

This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article

Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.

During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”

Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.

In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.

In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.

"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."

The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.

At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.

The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.

Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.

The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened

From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.

YEAH！我的一系列innerchild雕塑作品被選為法國Circle Quarterly Art Review Magazine 的featured artist！！

而呢一系列作品也將會在明年，日本展出！
感恩！！
也大大感謝大家的支持呢：）

Circle Quarterly Art Review Magazine - Issue 4 - Fall 2019

An Examination of Current Trends & Official Practices in Visual Art

Published by CFA Press

Presenting a wide range of media and an even broader variety of styles, we investigate the diversity of practices and perspectives in contemporary art. Although at first glance, juxtaposed works can appear radically different, we have found that a bold, recurring element across all the artists’ approaches, is a kind of 6th sense, an intense sensitivity to observation and detail. Reading the artist’s statement it becomes evident that the drive behind their work is about noticing, whether that refers to an aesthetic observation, a social, political, intellectual or emotional observation.

In this issue we have included a selection of 107 visual artists from Austria, Bulgaria, Canada, China, Finland, France, Germany, Hong Kong, Israel, Italy, Japan, Latvia, Mexico, Norway, Norway, South Korea, Spain, Sweden, Syria, The Netherlands, the UK, the USA, Uzbekistan, Vietnam.

A note from the curator:

“I always urge the viewers to spend time with each artwork, examining the technique, examining the material, circling the edges of the piece, following the visual lines toward the point of emphasis and taking that extra slow moment to feel; to be confronted with. For me, the point is not understanding or evaluating something, but simply listening to what each work might speak to you. And if you like what the work is telling you, go ahead, take it home with you!”

Flip through the pages of the magazine to discover currents trends and original practices in visual art.

Featured Artists

GARY AAGAARD ∙ ILONA ABOU-ZOLOF ∙ EMIKO AIDA ∙ HOUDA BAKKALI ∙ PAMELA BECKER ∙ IRENE BELKNAP ∙ ANDREW BINDER ∙ R. GEOFFREY BLACKBURN ∙ THORSTEN BOEHM ART ∙ KORNELIA BOJE ∙ GIORGIO BORMIDA ∙ IOANA BOROS ∙ ADRIAN BRADBURY ∙ JESSICA BURKE (J.B.) ∙ HAIMENG CAO ∙ CLARACARAT ∙ JOJO COMMANDAROS ∙ LARRY CORBETT ∙ BARBARA CRIMELLA ∙ ELEONORA D'ERME ∙ KRISTOFER DAN-BERGMAN ∙ DAVID DEJOUS ∙ JOCELYNE DESCHAMPS-KUS (JIDEKA) ∙ PAUL DETTWILER ∙ GLORIA DI MODICA ∙ DONELLI J. DIMARIA ∙ CARLA J FISHER ∙ SUSAN FITZSIMMONS ∙ FONG FAI ∙ INEZ FROEHLICH ∙ CARIN GERARD ∙ MICHAEL IAN GOULDING ∙ EDMUND IAN GRANT ∙ AUDUN GRIMSTAD ∙ MATIKA HALLEDAY ∙ HOWARD HARRIS ∙ RONNA S. HARRIS ∙ LYNETTE K. HENDERSON ∙ IBRAHIM JALAL ∙ HYUN JUNG JI ∙ MICHAEL JICHA ∙ JERRY JORDAN ∙ JØRAN JUVELI MARSTRANDER/JUVELI FOTO & DESIGN ∙ KOMILBEK KABILOV ∙ RONALD KATZ ∙ SHUNSUKE KAWASAKI ∙ BARRY S. KORNACKI ∙ BEA LAST ∙ ERIK LAURAEUS ∙ GABRIELL ∙ GAETANNE LAVOIE ∙ DEBORA LEVY ∙ JINGFENG LI ∙ ANSON LIAW ∙ SUSAN LIZOTTE ∙ MONICA LONCOLA ∙ TAGE LUNDIN ∙ DITA LŪSE ∙ HUI MA ∙ ANN JAMES MASSEY ∙ CLAUDIA MAYER-MALLENAU / CMM ∙ KAREN NAIM ∙ JOHN NEWCOMB ∙ MIUMILKOEOE ∙ FRANCIS O TOOLE ∙ LEON OKS ∙ WAYNE PAIGE ∙ TSELET SHAVIT PARNAS ∙ IRENE PÉREZ ∙ NEELA PUSHPARAJ ∙ ERA - ELVIRA RAJEK ∙ ROLAND REINERT ∙ OTO RIMELE ∙ JOE M. RUIZ ∙ STEFAN SCHIFT ∙ GRETA SCHNALL ∙ SANDVIA ∙ CORRINA SEPHORA ∙ LAILA SHARMEEN ∙ MERJA SIMBERG ∙ LILIANA STAFFORD ∙ LUANA STEBULE ∙ BERND STEINERT ∙ VICTOR STEVEN ROSENBERG ∙ KEIKO SUGITA ∙ TIMKA SZŐKE ∙ REGINE TEMMEL ∙ JAN TEUNISSEN ∙ WILLIAM H. THIELEN ∙ MARGERY THOMAS-MUELLER ∙ SILVIJA TREICE ∙ SCOTT TROXEL ∙ MARION TUBIANA ∙ POL TURGEON ∙ JENNY VAN GIMST ∙ CONSTANCE VEPSTAS ∙ MAYSUM ∙ SINCLAIR WEBSTER ∙ LAURA WEINDORF ∙ NAOMI WHITE ∙ HOLLY WILMETH ∙ MICHAEL HARRIS WILSON ∙ MIKOŁAJ WŁODARCZYK ∙ TRACI WRIGHT MARTIN ∙ WENDY YEO ∙ YEON GYUHYE ∙ SHU YU

To inquire about purchasing a featured work or working with the artist, please contact info@circle-arts.com

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來自瑞典Marten Design 全新一對Oscar系列Trio 喇叭，首次到香港，到大家先先睹為快，遲些希望可以詳細試聽，到時再出片同大家詳細分享。

TECHNICAL SPECIFICATIONS:
Driver: 2 x 7 ” Ceramic, 1 x 1 ” Ceramic
Frequency range: 27-20000 Hz +-3dB
Power rating: 250 W
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Impedance: 6 ohm (3.1 Ohm min)
Crossover frequency: Second order 2500 Hz
Terminals: Single-wiring WBT Nextgen
Internal wiring: Jorma Design
Cabinet: 25 mm fibre laminate Matte Walnut, Piano Black or White
Stands: Brushed Aluminium with Marten Pucks and Cones
Dimensions W x H x D: 20 x 109 x 40 cm (11.4 x 42.9 x 15.7 ”)
Net weight: 30 Kg (67 lbs)
Price: EUR 9800/pair
Price for speaker mesh: EUR 75/pair

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Hi Fi 發燒圈 website: （影音資訊）
http://www.hifi388.com/

Facebook Hi Fi 發燒圈專頁：（音響器材資料和唱片介紹） https://www.facebook.com/Hi-Fi-%E7%99%BC%E7%87%92%E5%9C%88%E5%B0%88%E9%A0%81Hi-Fi-Circle-544738602607068

另設Facebook群組Hi Fi 發燒圈，歡迎加入：（歡迎大家發言和討論音響、音樂事）
https://www.facebook.com/groups/454356881290493

新設MeWe Hi Fi發燒圈群組，歡迎大家在此分享、發言：
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********************************
本片拍攝相機：https://amzn.to/3aLvGSq
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Producer: Bob Tin /Goro Wong/ Vincent 張振宇
Director: Vincent 張振宇
Deputy Director: Christian DNA
Videographer: Christian DNA, Shun, Keith Chow
Focus Puller: Choco Ho
Key Grip: Vincent 張振宇
———————————————————
Sound Engineer: Kalung Ko
Assistant Sound Engineer: Sharon Tsang
Sound Technician: Jennifer, Sing, Chu Kwong Lung, Leung Yee Tung, Dexter Cheng
———————————————————
Lighting Designer: Vincent 張振宇
Lighting Operator: Kazper Siuman
———————————————————
Floor Manager: GhostMing
PA Team: Bob Tin, 陳天麗, Ada Leung
Set Designer: Vincent 張振宇
Set Construction:
Vincent 張振宇, GhostMing, Kazper Siuman, Ada Leung, Christian DNA
———————————————————
Streaming: Kazper Siuman
Graphic Design: Ada Leung
———————————————————
Band Leader: 何山
Keyboard: Edgar Hung
Guitar: Lai Chun Ho
Bass: Siuming Chan
Drum: Wong Stephane S.
Backing Vocal: Viki Chan
———————————————————
Make Up: Circle Cheung@ndnco
Hair: Jimmy White@Salon de lotus

#谷Live100th #方皓玟 #方皓玟LiveConcert
#香港音樂人 #香港製造 #MadeInHongKong #廣東歌 #香港人撐香港音樂 #撐廣東歌撐谷Live #香港音樂 #StudioLive #線上音樂會

Producer: Bob Tin /Goro Wong/ Vincent 張振宇
Director: Vincent 張振宇
Deputy Director: Christian DNA
Videographer: Christian DNA, Shun, Keith Chow
Focus Puller: Choco Ho
Key Grip: Vincent 張振宇
———————————————————
Sound Engineer: Kalung Ko
Assistant Sound Engineer: Sharon Tsang
Sound Technician: Jennifer, Sing, Chu Kwong Lung, Leung Yee Tung, Dexter Cheng
———————————————————
Lighting Designer: Vincent 張振宇
Lighting Operator: Kazper Siuman
———————————————————
Floor Manager: GhostMing
PA Team: Bob Tin, 陳天麗, Ada Leung
Set Designer: Vincent 張振宇
Set Construction:
Vincent 張振宇, GhostMing, Kazper Siuman, Ada Leung, Christian DNA
———————————————————
Streaming: Kazper Siuman
Graphic Design: Ada Leung
———————————————————
Band Leader: 何山
Keyboard: Edgar Hung
Guitar: Lai Chun Ho
Bass: Siuming Chan
Drum: Wong Stephane S.
Backing Vocal: Viki Chan
———————————————————
Make Up: Circle Cheung@ndnco
Hair: Jimmy White@Salon de lotus

#谷Live100th #方皓玟 #方皓玟LiveConcert
#香港音樂人 #香港製造 #MadeInHongKong #廣東歌 #香港人撐香港音樂 #撐廣東歌撐谷Live #香港音樂 #StudioLive #線上音樂會