[盈響力早讀]與身體對話,就是與神對話
#人體器官是宇宙最強的強電器
#傾聽器官傳達的潛意識訊息
#讓你自然而然更愛自己的一本書
老實說,收到這本書的邀約時,我感到蠻受寵若驚的,
一直以來,我對於中醫、氣功和「念頭轉移」做許多練習,
#唔打字打到這裡就地震了!好大的地震!@@
書中提到最簡單的,是將妳的念頭集中的地方不只有要愛和感恩,
而是拓展傾聽到「大腦、骨骼、心臟、皮膚、胃、子宮等器官」
並提及 #每個器官都會發出聲音說話 #不是撞邪見鬼囉
藤堂博美潛意識專家,正是從聆聽器官的聲音精準聽見別人內心所想,像是
#過度隱忍的人,應聆聽來自 #子宮 的訊息;
#不懂被愛的人,應聽見來自 #心臟 的訊息
#嚴以律己的人,應聆聽來自 #腎臟 的訊息等
中了嗎?書中有不同器官之間常在尖叫和主責的語言。
我們如果打個比方「#身體就像是一間公司」
器官有自己的顏色和感受,每個器官彼此之間都在保持業務往來。
書中有許多練習和案例,協助我們也一同好奇自己的身體,
聆聽來自各個器官部門的訊息,包含覺察未消化的情緒~
這和我們在中醫 #從脈搏認知12正經和奇經八脈(李時珍醫師整理)
講一個冷知識:將你的舌頭放鬆,你的任督二脈是相通的喔!
(#武功奇才就是你,好,真正離題了!)
書中也有提到一些關於五行中:
「肝主木,色綠,主張憤怒;肺主金,色白,主悲傷...」等內容
#身體器官聯繫緊密且息息相關
這本書提到與身體更加親近的 #接觸對話法 並指出器官會發出潛意識偏見和對話,讓器官之間傳遞和接收訊息。
對應到中醫,經絡巡行,兩眉心深入往內到腦的位置,在這本書中提到,我們只要將意念集中在眉心肌肉,帶著愉悅的心情,給予自己 #正向的意義和話語「對對,我就是這樣哪」。並且運用 #入睡的前一刻 #早上睜開雙眼還沒醒的時候 #接觸大自然 #泡澡中最放鬆的時刻,在意識恍惚階段,將生命中有助益的一句話 #下載滲透到細胞的下載訊息,在放鬆且喜歡的狀態中,接受「我是好的」「我願意接受OOO」。(剛剛我們有提到的將意念集中在眉心,十二經脈和每個臟腑都有連結,奇經八脈雖然各走各的,就像是水庫和海洋,蓄積氣血,向十二經脈藉穴位來彼此溝通。)
書籍中提到非常 #簡潔好懂 的讓我們感受到例如: 來自 #肩部骨骼肌肉的訊息,跟不懂麻煩別人的人、不懂撒嬌、不懂拜託別人的人(像我這樣的人常常肩頸痠痛,哇真是突破盲腸了!)。#對於不敢說真心話的人 來自 #喉嚨的訊息,常感到說不出口、不被理解、不懂拒絕的人,常會覺得喉嚨怪怪的。作者透過她聆聽器官說話、聆聽潛意識的能力,聽見對方的喉嚨在說「#好痛苦喔 #放我出去」這股急躁的聲音來自喉嚨的痛苦尖銳。
除此之外,#你的胃有超能力 讓你趨吉避凶,遇到凶險直覺要逃;
記得將 #安全感 下載到你的細胞中,常跟自己說「我是安全的」「我是由愛而生」「這世界令我感到安心」
推薦給對身體健康,重視身體保養,強健身體也好奇的讀者們喔!
PS:意外發現和 #花蓮能量醫學中心許醫師聯名推薦,#許瑞云醫師身心靈養生法 ,在和身體、心靈、靈性的對話這條路上,我們一起持續努力著~
同時也有1部Youtube影片,追蹤數超過14萬的網紅賢賢的奇異世界,也在其Youtube影片中提到,#傳說中的植物 #傳說植物 #HenHenTV奇異世界 各位大家好,歡迎來到HenHenTV的奇異世界,我是Tommy. 我們在不少的武俠小說或是玄幻小說裡面都有聽過一些植物的名字,例如說在神鵰俠侶裡面的情花和斷腸草,或者是在一些玄幻小說裡面的彼岸花,那究竟世界上有沒有這些植物呢?今天我們就來看十個...
美堂蠻邪眼 在 羅寶鴻 老師 Facebook 的最讚貼文
【愛插嘴講廢話的學生⋯😌】
新學期開始!在我們美語班上,多了幾位轉來的新同學。
其中一位新來的四年級男生H同學,個性開朗活潑、嗓門又大,只要一進教室,就會聽到他的聲音。他很愛講話,而且熱愛社交,喜歡跟人聊天(不認識的人也會去主動問候那種)。雖然上課時還不至於一直跟旁邊的同學講話,但卻常會在聽到老師講些讓他有feel(感覺)的話時,就急著大聲發表自己的意見(沒有舉手那種),而且內容還通常是沒什麼建設性、沒什麼營養的,俗稱「廢話」...。😑
他剛來的第一堂課,我就有善意地提醒他,如果想要發表或講話可以先舉手,等老師邀請再講,但似乎沒有太好的效果。
一而再、再而三之後,我問H同學
👨🏫:「H同學,我很好奇,你都是習慣這樣講話不舉手的嗎?」
他竟然充滿自信、笑著回答我
🧒🏻:「是啊!!」
我有點驚訝地問
👨🏫:「你在學校也是這樣嗎?」
沒想到他竟然笑著大聲回答說
🧒🏻:「是啊!!」
於是,我說
👨🏫:「嗯... 那我瞭解了。但這裡有這裡的規範,講話的時候我需要請大家先舉手,等老師邀請才發言。這是我們在裡彼此尊重的方式,如果大家都不遵守搶著講話,大家都在比大聲,教室就會一片混亂,OK?」
他笑著說
🧒🏻:「OK~~」
我問他
👨🏫:「那~我可以相信你,會遵守這個約定嗎?」
他還是笑著說
🧒🏻:「可以~~」
接下來,我發現他開始會在講話前舉手了。有時候我會邀請他發表,有時候當我還在講話他就一直急著舉手時,我會先請他把手放下,等我講完之後再讓他發言。
但好習慣需要時間養成,不好的習慣也需要時間改。很快地,我就發現他又會忘記,回到大聲搶著說話的模式了。
有這種孩子在教室,老師該怎麼辦呢?我們繼續看下去...
今天上課時 H 同學一進來教室,就顯得心情特別High,笑容滿面地一直講話、一直講話。到了上課時間,聽到我講一些事後,他又興致勃勃地開始插話、急著說出想法,但內容還是沒什麼營養的廢話。
雖然一開始我有「雅量」地嘗試聽著他想要講什麼,but 漸漸出現的問題是,有些同學或許感到我默默地允許不舉手就發言了,於是開始有像學樣,漸漸有幾位同學也開始在班上講起廢話來~
讓孩子在教室一直講這種話、又不舉手,是會影響到整體學習氣氛的。
然後我又發現一點:當H 同學講完一句廢話後,另一位 I 同學也跟著再講一句廢話,然後 J 同學又會跟著講... (好美的迴響啊...)
而且你們知道嗎?透過觀察我還發現,永遠都是那三位H I J 同學在講廢話的 😂
於是,我決定做一件事情。(嘿嘿嘿)
我等著H同學再講廢話(不用等很久他就講了),然後等另一位 I 同學跟著講,然後又再等到 J 同學講完廢話後(trust me 還是那三位)....
我當下停頓下來。
教室的孩子,馬上覺得氣氛不對勁... 瞬間安靜下來...
我什麼話也沒有說,卻用凝聚、緩慢的眼神,看著這三位同學。
當下,整個教室彷彿停頓下來了,沒有人再講一句話。(停頓的力量)
然後我微笑著、緩慢地說:
👨🏫:「大家有沒有發現?當一個人講完廢話之後...,就會有另一個人講....,然後又會有另一個人講。但好像來來去去,都是那幾個。不會講這種話的人,還是不會講。」
這時,同學裡有些人開始咪咪嘴地笑起來,看看剛才講廢話的三位同學。
H I J同學,也有點尷尬地微笑著。
我繼續說
👨🏫:「來~,我們來玩個遊戲,下次等到有同學沒有舉手就講話,我們試試看不要跟著他講,只是看著那位同學... 看看會怎麼樣。」
剛好,我昨天跟高年級、國中同學上課時,在小白板上(我們教室有兩個白板一大一小)畫了一個無奈神情的「埼玉」,我就指著白板說
👨🏫:「我們可以用這個表情,看著那位同學...」我學著白板上埼玉的表情...臉上有三條線的死魚眼神。
大家笑得更開了。
為了增加趣味與效果,我又多畫了幾個卡通人物,包括:哆啦A夢、鹹蛋超人、龍卷、還有我本人(猜猜我是哪一個),通通都是有三條線+死魚眼神的。孩子在看著我畫時都笑著,顯得非常感興趣。
畫完了,我跟大家說
👨🏫:「好來,等一下如果再聽到有人沒有舉手說話、或是講廢話,我們就用這種表情來看著那位同學,然後都不要講話,看看會怎麼樣,好不好?」(laugh)
大家一致認同地說:「好~」!
於是,我們繼續上課。
果然不一會兒在上課時,H 同學又沒有舉手就插話了。
這次~~,大家都同時臉轉向他,用圖畫裡的三條線+死魚眼神表情看著他...
頓時,H 同學就像被 FREEZE 凍結起來,全身僵硬了!大家看到他突然停住,嘴角都露出笑容了,但還是用三條線+死魚眼神看著他。
H同學也笑了,但沒有像之前那樣不要臉地(還是該說勇敢地)繼續說話,而是停了下來。
在這剎那,我好有成就感啊!我發現這正是一個幫助愛插嘴愛講廢話同學「改邪歸正」的好方法~~!!😂
如是者一直到下課以前,我們也用了兩三次同樣的方法來對待另外舉手就插話的同學(就不要問我是誰了😌...),效果都非常「顯著」且幽默。
於是,我決定把白板上的圖畫拍照下來,作為紀念😁。(如圖)
然後還心想
👨🏫:「嗯...這個蠻好用的,繼續在其他班上實驗... 最近都不要把它擦掉。」😌
🧡🧡🧡🧡🧡🧡🧡
習慣在班上不舉手就插話、或愛講廢話、愛搞笑、喜歡扮小丑的孩子,通常潛意識有著一種想要引人注意的心態,這正是正向教養裡講到「尋求過度關注」的表現。
其實,我從小到大也有這種個性,但隨著漸漸長大,我學會了什麼時候該表現、什麼時候不該表現,並拿捏到什麼時候不這樣是「尊重別人」,什麼時候這樣是「自娛娛人」😂。
所以我對這種個性的孩子,基本上是蠻接納的。而且,從以前我就知道該怎麼幫助這些孩子,有「治標」與「治本」兩個層面。
當這些孩子有這種表現時,他們的目的是想要引人注意;但若這些行為沒有得到他想要的效果時,這些行為就會減少,這是治標。
但心病還需心藥醫,更重要的是要讓他們內心的歸屬感與價值感增加,讓這些孩子感到被尊重、被關愛、被接納。若能這樣,這些行為就會慢慢減少,這是治本。
當然在教室裡,對於有這些行為的孩子,是必須給予適當規範與提醒,來幫助他們約束自己的。老師如果無法有效改善這些孩子的行為,這問題就容易擴散,感染其他同學。但若能妥善處理,不但能讓孩子更瞭解是非對錯,同時也能讓孩子更正向地約束自己,那這就是很棒的學習了。我覺得這次在教室使用的方法,既可以有效提醒孩子,又能保有孩子歸屬感與價值感,是蠻不錯的做法。
我自己小時候也是有「尋求過度關注」傾向的孩子,如果以前有老師能用這樣的方式對我,善巧地提醒我,而不是處罰我、羞辱我,或許我就不用走這麼多冤枉路了。
希望,我們都能找到幫助孩子不當行為更好的方式。
對於尋求過度關注的孩子,你有什麼好方法幫助他們呢?也歡迎你在下面留言告訴我喔~
#羅寶鴻的安定教養學
#羅寶鴻的安定教養繪本
美堂蠻邪眼 在 Facebook 的最佳貼文
「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
美堂蠻邪眼 在 賢賢的奇異世界 Youtube 的精選貼文
#傳說中的植物 #傳說植物 #HenHenTV奇異世界
各位大家好,歡迎來到HenHenTV的奇異世界,我是Tommy.
我們在不少的武俠小說或是玄幻小說裡面都有聽過一些植物的名字,例如說在神鵰俠侶裡面的情花和斷腸草,或者是在一些玄幻小說裡面的彼岸花,那究竟世界上有沒有這些植物呢?今天我們就來看十個傳說中的植物,而事實上是存在在這世界的。
好!我們開始吧!
1. 天山雪蓮
在金庸的書劍恩仇錄裡面的陳家洛為了救香香公主咯絲麗,攀爬懸崖峭壁就是為了拿到天山雪蓮,而另外一本武俠小說雲海玉弓緣裡面也有說到:用天山雪蓮所煉製的解毒靈丹,不但可以解毒,而且還可以給人增強功力,天山雪蓮真實的名字為雪荷花,傳說它是瑤池王母在天池沐浴時,由仙女們灑下的,所以高山游牧民族視這為吉祥的徵兆,就連只是喝下雪蓮花瓣的水滴也可以避邪益壽。這是新疆特有的珍貴草藥,生長於天山山脈,就是大概海拔4000米左右的懸崖峭壁上,那裡常年積雪,非常寒冷和空氣稀薄的環境下,應該沒有任何的植物可以生長在那裡,但天山雪蓮這種獨特頑強的生命力,讓它可以生長在冰鋒中,或是峭壁上。而且大部分的天山雪蓮是野生的,而且現在已經被列為二級的保護植物。
2. 斷腸草和情花
在神鵰俠侶裡面,有講到的斷腸草和情花。先說情花,情花雖然是在金庸小說裡面虛構的植物,但是裡面是這樣形容的:見樹枝長滿小刺,花瓣卻是嬌豔無比,似芙蓉而更香,如山茶而增艷。果子或青或紅,還生著茸茸細毛,好像毛蟲一樣。如果說毒性來講,白色曼陀羅的卻是有點像,它是一種中藥,全株都有毒,蒙古人用它來製作迷魂藥,聽說中了曼陀羅毒過後就不會出汗,所以迷魂藥也叫蒙汗藥。但是並沒有像小說裡面,一想到情人就會痛。曼陀羅也可以用來製作鎮定劑,也可以幫助睡眠。而斷腸草是真的有這種植物的,中藥名字叫鉤吻,也叫胡蔓藤和山砒霜(shuang)有可而見它的毒性可不是一般,聽說神農氏也是誤食斷腸草而死。誤食斷腸草的人,腸子會變黑,並且腹痛不止而死。但是這些毒性很強的中藥需要經過另外的提煉方可以當藥物試用,是可以鎮痛抗炎的作用。
3. 忘憂草
忘憂草又名為萱草,或叫做金針和黃花菜,在詩經。衛風。伯兮裡面有講到:焉得諼草,言樹之背,朱熹注曰:諼草,令人忘憂,背,北堂也。這裡的諼草指的就是萱草,而諼這個字也有忘卻的意思,北堂是指母親居住的地方,後來代表母親,在古代當遊子需要出遠門時,會在家裡種諼草,希望可以讓母親減輕對兒女的思念,忘記憂愁,這就是忘憂草的由來。它過後也成了中國的母親花,而它的花語就是:永遠愛你,母親。
4. 彼岸花
傳說中是開在冥界道路兩旁的陰間花朵,雪白色和血紅色代表著死亡,但是事實上真的是有這一種花,它的名字叫曼珠沙華 (Manjusaka),在法華經裡面的天雨四種之華,曼珠沙華就是其中一種,在中國這種花稱之為無義草,彼岸花在日本是對於金燈的譯名,而剛好日本人掃墓的時間是在春彼岸,就是春節的前三天,還有秋天的前三天,也就是秋彼岸,這種花剛好開滿在這個時節,在墳墓地的兩旁盛開,所以在日本也稱之為死人花,或叫黃泉之花,是去到陰間前唯一的風景。韓國和日本對於這種花也視之為死亡之花。
5. 九死還魂草
在武俠小說裡面也出現過幾次的可以讓主角起死回生,現實中是真的有這種植物,但是它的名字叫還魂草並不是因為他可以救人或可以還魂的功效,而是它本身是非常長壽的植物,並且可以忍受長期乾枯之下還可以活命的植物,有個日本的植物家用這個還魂草做成標本,但是11年放進水里,它竟然奇蹟‘還魂’了,而這種植物並不是稀奇的植物,它叫做卷柏,在海拔2000米的懸崖上可以找到,它可以止血,而且聽說還可以美容。
6. 曇花
大家也有聽過一句成語叫曇花一現,意思是美好的事物只出現一下子就消失了。傳說中曇花是一個花神,它每天都開花,四季都燦爛,但是他卻愛上了為他除草的小伙子,後來就被玉帝知道了過後,把它貶為一年只可以看一瞬間的花,不讓他再和他喜歡的人見面,還把那個小伙子送去出家,賜法號為韋陀,多年過去了,韋陀忘記了花神,但是花神還是無法忘記他,它知道每逢暮春時分,他一定會下山採集朝露為佛祖煎茶,花神就累計了一年之力,就在那時開花,希望韋陀可以轉身看她一眼,希望他能記得她。。有點悲慘這個故事。
7. 菩提樹
傳說中佛祖釋迦牟尼就是在菩提樹成道的,在梵文裡面Bodhi就是覺悟的意思,這種樹本身是桑科榕屬植物,生長在印度,斯里蘭卡和緬甸地區,它的樹汁可以做硬性橡膠,菩提花可以做藥,可以解熱。
8. 見血封喉
聽名字就知道厲害了,這個樹又叫做箭毒木,是世界上最毒的植物,只有它的樹汁進入你的血液裡面,血液會凝固並且血管阻塞,會讓你心跳加速後停止跳動,當地的獵人用這種樹汁沾在箭頭上,射中的動物跑不到七步就會倒下,除了他的乳汁有毒之外,它的果實也是有毒的。看到這種樹木記得遠離它。
9. 玉樹
整天聽人家講玉樹臨風,那麼究竟玉樹是長怎樣的,可以用來形容風流倜儻的男士啊?玉樹,屬於多肉植物的一種,它的樹葉肥厚,蠻有古樹的風韻,而這句話是源自於杜甫的飲中八仙歌的其中一句:
宗之瀟灑美少年,舉觴白眼望青天,皎如玉樹臨風前。
玉樹看起來比較像是盆栽,如果人講你是玉樹臨風,很可能他說了:一綠木。。。
杜甫只是喝大左~
10. 食羊草
在西歐的傳說裡面有一種樹叫,植物羊,在中古世紀的文獻裡面有描述過這種植物羊,它是活生生的羊肚臍連接植物的根部,並且會去吃身邊的其他植物。現實中的確有一種植物好像這種生物,但是卻是會‘吃’羊的,在智利有一種樹木叫普亞菠蘿,名字聽起來沒有什麼,但卻是非常危險的植物,它身上會散發出羊喜歡的氣味,當羊接近它時,就會被它身上的刺鉤著,無論怎樣掙扎都無法脫離,最後就會餓死在植物旁邊,而植物就會吸收它屍體的養分。除了它會吃羊之外,它會流出一些易燃的植物油,而它生長的地方剛好是炎熱乾燥的地區,很容易就會引起火災。
世界的植物大概有40多萬種,而每一種好多不同的分類,植物可以吸入二氧化氮,吐出我們所需的氧氣,亞馬遜雨林是全球最大的森林,佔地大概5百萬km2,佔世界雨林的一半,它橫跨了8個國家,包括巴西,玻利維亞,哥倫比亞等等,在最近的幾年裡面,非法伐木在這10年裡面【破壞力接近17%的雨林,加上最近的森林大火,更是嚴重的破壞有地球綠肺稱號的亞馬遜雨林。
大家真的需要醒覺,好好保護我們僅有的森林,我們的地球。
好啦!今天的影片就到這裡,最近Youtube對於我們的創作非常嚴厲,動不動就給黃標,黃標就是沒有廣告,等於就是沒有收益咯,所以在之前寫好的稿或是一些想做的題材,都會因為這樣而止步,但我相信還有很多題材是可以做的,那會中黃標的題材有色情,爭議性的案件事物,恐怖等等,但是我很多影片裡面都沒有這些元素,都會中黃標,過後申請上訴後就變回可以有廣告,只是之前的開頭收益就沒有咯~~
不止是我而已,很多大咖也是中,有些甚至是頻道被停了或是盈利被取消等等。
對於我來說,我的頻道算是健康,而且兒童可以看得,又有教育性吧!
如果大家有什麼題材想我做,歡迎大家留言給我,記得盡量符合Youtube的準則就行了。
好!我們下個奇異世界見!Bye Bye

美堂蠻邪眼 在 美堂蠻 的推薦與評價
擁有能讓人看到一分鐘幻覺的「邪眼」的能力以及可用200公斤握力來撕裂對方身體的「蛇咬」(snake bite)兩項特殊能力,同時右手寄宿著惡魔之手力量足以和整個無限城對抗。 ... <看更多>
美堂蠻邪眼 在 [問題] 美堂蠻的邪眼有被破解過嗎? 的推薦與評價
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美堂蠻邪眼 在 [少年] 可惜的閃靈二人組- 看板Suckcomic 的推薦與評價
為什麼要說可惜呢,
因為我不是很想要用吐槽的方式XD
應該說可以更好的吧,
先看閃靈二人組的架構,
主角:
天野銀次
無限城的雷帝,擁有無限能量的怪物...
光是HP跟MP無限就是非常恐怖的一件事情了。
美堂蠻
邪眼之王,擁有惡魔化的右手+讓人產生一分鐘的幻覺,
而且還是整部漫畫中唯二被最多人認可的天才。
無限城四天王
風鳥院花月
滅亡的表‧風鳥院一族的當家,有一個聖痕。
冬木士度
魔里人冬木一族的後裔,
被稱為是在十多歲就學會全部魔里人技巧的人,
後來繼承了鬼魔羅,能力upgrade。
馬克貝斯
無限城的電腦,
基本上就是超智囊型的人物,
用自己的大腦計算出核彈的演算試爆程式,
在無限城裡面就很厲害,不過是一個虛擬人。
棶徆征
無限城上層的居民,
閃光支配者,
能力是控制光。
在漫畫裡面的設定光是這一點+無限城上層的居民強度就可以掛保證了,
還有加上聖痕一個。
反派:
巫毒之王:
消滅魔女一族的恐怖之王,
出場就瞬殺擁有鬼魔羅的冬木士度還有天子峰+四木一族+笑師。
連阿蠻爸+彌勒一族和疾風之王的王波兒都被秒掉。
有三個聖痕,
第三個聖痕是額頭上的眼睛。
黑鳥院夜半:
花月的親生弟弟,
一出生就有聖痕...這一點就勝過一堆後天得到聖痕的貨色,
7歲就把表風鳥院+自己父母整個滅掉,
是漫畫中跟美堂蠻並稱的天才,
同時在巫毒公會裡地位跟巫毒之王是平起平坐,
還在花月面前硬是把十兵衛的心臟摘出來跟花月示威。
鏡形而
本名是加賀美京司,
因為研究的魔鏡效果成為Brain Trust的一員,
被稱為魔鏡之王+咒術總監督。
其他:
赤屍藏人:
最強的搬運專家,
在漫畫裡面從來沒有打輸過的角色,
同樣也是無限城上層的居民,
分在其他裡面是因為我覺得他也不算是反派,
算是為工作而活的男人吧,
而且仔細看漫畫就會發現他對銀次很好XD
阿蠻爸+王波兒:
一代的閃靈二人組,
兩個人可以算是裏新宿的傳說,
不過被巫毒之王秒掉後王波兒退隱江湖,
阿蠻爸留在無限層中層區域統一整個地區要向上層挑戰,
兩個人在左眼各有一個聖痕。
光是人物設定就蠻豐富的,
更不用說我只是提了一小部分,
如果有看漫畫的話會發現作者在人物設定上蠻細心的,
劇情設定也是,
閃靈的世界觀其實還蠻複雜的,
可是......
這反而變成閃靈糟糕的地方,
就是因為世界設定太複雜,
有些地方作者沒有辦法好好解釋的時候就會很含糊的帶過,
同時人物角色設定多,
要新生的劇情又太...多餘,
打到中間,
像是神之記述+永遠的羈絆那邊就真的是非常多餘...
神之記述整段來說,
唯一的意義就是瑪麗亞+雨流俊樹的出場,
還有讓十兵衛威一下。
永遠的羈絆那裡就真的太誇張了......
畫了那麼多,
真正有意義的大概就是士度升級拿到鬼魔羅了,
然後就是戰鬥的過程,
作者可能想表達的是...戰鬥在閃靈的過程中是一件不是很重要的事情,
但是明明是個少年漫畫啊!!
你一直瞬殺來瞬殺去的會不會太草率了,
而且戰鬥又跟角色有很大的關係,
像我就完全沒辦法接受最後的劇情走向...
所有的角色都是為了閃靈二人組存在的,
完全給大家莊孝維啊!!!
其他雜魚就算了,
裡頭的兩大反派巫毒之王+夜半也是被秒好玩的,
當初漫畫裡面把巫毒之王設定強的跟鬼神一樣,
幾乎裡面有聖痕的人都被巫毒之王秒殺過,
而且巫毒之王一出場露出真面目那一段真的是超威的,
我一看到三個聖痕那一段就被他的氣勢震撼到了,
後來巫毒之王回到巫毒公會跟雜魚談話的時候,
雜魚就問巫毒之王沒事吧(因為剛剛遇到天子峰+四木族),
巫毒之王就冷冷的說:"你以為我是誰?"
下一頁就是所有的人已經被瞬殺的畫面...
像是這種場景就一整個帥氣+豪邁啊!
結果巫毒之王竟然跟雷帝打兩回就結束了...
虧一開始的開打兩邊都很有氣勢,
雷帝還對巫毒之王嗆聲:
"你手上根本什麼東西都沒有...我才是無限城的創世紀之王",
結果這個戰鬥根本一點感覺都沒有就結束了...
老大那你幹嘛一直不畫出巫毒之王的臉,
我看他露臉根本不到一集就領便當了啊!!!
夜半那一段也是,
十兵衛可以擋下夜半的一擊真的是太虎爛了,
那一擊應該要把十兵衛粉碎才對,
而且夜半竟然會打輸花月,
拜託...夜半在漫畫裡面跟巫毒之王並稱耶,
那是不是花月也可以跟巫毒之王對打,
我看花月連惡鬼之戰的入場卷都拿不到吧,
次主角威能太嚴重了...
而且花月打贏的方式跟遊戲王太像了,
又是什麼不傳之密的絕招...
而且兩個主角的強度設定也很怪,
雷帝應該是從頭到尾都是那麼強,
可是美堂其實應該有慢慢在成長的,
更不用說後來雷帝可以瞬殺巫毒之王...
如果美堂真的跟雷帝平起平坐的話他幹嘛那麼怕巫毒之王,
很顯然的是巫毒之王也是主角威能下的犧牲品啊...
還有我完全不知道士度在這一次到底在幹三小,
只要是一出場就被秒...
雖然說對手是巫毒之王所以也是沒話說,
但是他得到鬼魔羅就只是意義在被巫毒之王秒掉而已嗎...
那之前永遠的羈絆連載那麼多是在連載心酸的喔...靠...
現在變成全部的角色都是為了兩個主角決戰在鋪路,
我不得不說真的有很大被莊孝維的感覺,
無限城大決戰這一段的節奏鋪陳還不錯,
可惜在戰鬥跟角色刻劃上還是蠻令人失望的,
明明可以表達的更好呀!!!
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